Sentences with phrase «brown painted over»

Not exact matches

Public perception is that the Browns couldn't get the coach they wanted, so Haslam's going hard in the paint after players like Revis, Dansby, Whitner, and Matt Schuab, who might be a pretty big upgrade over Brandon Weeden, believe it or not.
You can also splatter paint by collecting leaves and placing the leaves on the brown paper first then using old tooth brushes to splatter paint over them.
Massachusetts Democrats recently launched a campaign painting Republican U.S. Senator Scott Brown as anti-Fenway Park, in an effort to help challenger Elizabeth Warren capture suburban voters and win over an electorate that sees her as an unlikable liberal outsider.
Here, the layered relaxed waves are painted chocolate brown with golden blonde highlights and left loose over the shoulders.
Hand Painted Preppy Bow Bangle from Stacy Brown Designs — I follow Stacy Brown Designs on IG and I have been drooling over ALL of her hand painted bangles for quite somPainted Preppy Bow Bangle from Stacy Brown Designs — I follow Stacy Brown Designs on IG and I have been drooling over ALL of her hand painted bangles for quite sompainted bangles for quite some time.
A creamy brown hue with notes of yellow undertones, paint it over a springtime smile that's right on trend.
I have always lusted after this Chloe bag This Yurman necklace is so versatile because it is on a slide chain that makes it more formal or long for every day This Gucci belt that is reversible to black and brown I have lusted after these slides I adore this blush cami Budget friendly tie front dress One of my favorite high pigmented lip paint Give me all the scallops and these espadrilles I have majorly been lusting over How to instantly feel like a 70's model, add these sunglasses The cutest Summer hat My favorite new perfume that I can't get enough of.
Toni, as far as I know, the brown paper bag should work on paint, as long as there's a sealer over the paint.
I made sure to have very little black paint on my brush and just lightly brushed over the brown.
Stunning bathroom with white and gray marble floors below a wall length floating vanity with chocolate brown, veneer cabinets accented with finger pull hardware below a white marble counter which frames his and hers sinks with modern faucets below a long vanity mirror illuminated by a tubular frosted glass wall sconce over walls painted Benjamin Moore Platinum Gray.
I am currently painting some chairs a dark color (a deep putty brown) over previous red.
I opted for $ 720 Dakota Brown paint, saving a bit of money over the more expensive Designo Diamond White our tester had.
It is finished in show - quality green paint over a custom, western themed brown interior.
«I paint the dark street with brown madder, magenta and translucent Indian yellow painted over white, so it glows,» she muses.The opening pages of Invisible River find Eve leaving the south of...
Opt for a rich brown shade or a trendy gray stain for a more updated look or paint over really old hardwood with enamel paint.
Paintings of Caroline hang together in the formidable final room of this exhibition, her features worked over in tough spiderwebs of intent drawing and suspended in brown and grey washes.
1986 Paintings and Sculptures by Candidates for Art Awards, American Academy and Institute for Arts and Letters, New York, NY Definitive Statements - American Art: 1964 — 66, David Winston Bell Gallery, The List Art Center, Brown University, Providence, RI; and Parrish Art Museum, Southampton, NY 0 - 1 +2, Galleria Chisel, Milan, ItalySelected 20th Century Paintings, Rose Art Museum, Brandeis University, Waltham, MA Abstraction by American Masters over 50, RH Love Modern, Chicago, IL
This publication introduces and presents the work of a global cast of painters selected by an international panel featuring some of the most prominent names in contemporary art (including the painter Cecily Brown, curators Tony Godfrey, Yuko Hasegawa and Gregor Muir, and writer - critics Suzanne Hudson, Barry Schwabsky and Philip Tinari) offering an intelligent snapshot of the best new talent in painting from across the world, gathered through an open call for submission that drew over 4,300 entries.
At Theodore: Art, Eric Brown, in «Punctuate,» examines the tension of figure and ground in paintings that are fun and funny — caprices of 1960s Color Field art. 7 At David & Schweitzer, the esteemed Brenda Goodman finds expression in the working and reworking of her materials, with etched - over abstractions that read as psychological portraiture.8
The Untitled plywood paintings with brown oil stain will, over time, do what wood does when it ages.
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France
What's on view: A group show including dozens of works, mostly painting, by artists dealing with formal, spatial concerns; the exhibition has been split between Venus Over Manhattan and Gavin Brown's Enterprise
Stairs into My Eyes, The Finley, Los Angeles, curated by Dianna Molzan 2013 Boiled Angel, The Woodmill GP, London, England, October 13 — December 8 Soft Off (but I love it when your mouth is a little shut), ltd, Los Angeles, curated with Robin Peckham Abstract Perversion, Five Car Garage, Los Angeles Squirts, Regina Rex, New York Unsolved Mysteries, POST, Los Angeles Sinking with the Ship, Sam Francis Gallery, curated by Mateo Tannatt, Crossroads School, Los Angeles Made in Space, Night Gallery, Los Angeles, curated by Laura Owens and Peter Harkawik Made in Space, Gavin Brown's Enterprise, New York, and Venus Over Manhattan, New York 2012 Lectures and Salad, (performance), Actual Size, Los Angeles Two and Half Hands and a Painting, Pauline (with Kenneth Tam & Mateo Tannatt), Los Angeles POST, Los Angeles Nudes, Calvin Marcus Studio, Los Angeles Absurdo Absolutum II, (screening), Microscope Gallery, New York Cannibalistic Humanoid Underground Dwellers, KChung Radio, Los Angeles 2011 The Cactus Show, Calvin Marcus Studio, Los Angeles Object - Orientation, Cerritos College Art Gallery, Cerritos, CA, curated by James MacDevitt (cat.)
Two paintings in a uniform dark brown hang over the front desk, by Park McArthur, like guides to the museum with their text effaced.
French - Algerian painter Djamel Tatah makes a significant return to Ben Brown Fine Arts in London on 24 April with his second solo show, unveiling nine mesmerizing oil and wax paintings, produced over the last two years.
His 2010 wall painting Credit Roll reproduced the names of blaxploitation films of the 1970s in white text over brown paint.
In 2010, Sweeney took over Gavin Brown's Enterprise gallery by installing his own studio and living space, filling it with his paintings and sculptures, a project that culminated in the live performance of a rock opera in progress.
Showing a range of sculptural and two dimensional work produced over a twelve year period, Brown harnesses a diverse range of mediums including digital image creation, model making, painting, print making and embroidery.
There's been a resurgence of interest in Bernstein's work over the past several years, highlighted by a solo show in the New Museum's first - floor gallery in 2012, and she's back at full throttle with Birth of the Universe, an exhibition of black - light paintings at Gavin Brown's Enterprise.
The paintings will continue to shift very slowly over time as the silver leaf tarnishes to beautiful shades of copper and brown, with tiny hints of other vibrant shades.
Crossing over each other, these form a flat - topped, loosely assembled mound, painted largely in pinks and reds, that sits on a featureless dark brown landscape, with the horizon's curving line and a nondescript sky behind.
2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?
There have also been several significant bequests: by Arthur Jeffress (1961), Dr David and Liza Brown (2002) and most recently the Schlee bequest of over 100 prints, drawings and paintings (2013).
This exhibition brings together over 120 paintings by artists such as Ford Maddox Brown and Dante Gabriel Rossetti — many of which have never been on public display before.
French - Algerian painter Djamel Tatah makes a significant return to Ben Brown Fine Arts in London with his second solo show, unveiling nine mesmerizing oil and wax paintings, produced over the last two years.
In Music of the Mountains (2016), a graphic work on panel, Brown paints using only black and white lines over a neutral ground.
Brown was a San Francisco native, taught by Bay Area Figurationists Bischoff, Oliverira, and Lobdel at the California School of Fine Arts (now SFAI); exhibited at legendary Beat venues (6 Gallery, Batman); lived next to Jay DeFeo and Wally Hedrick during the painting of DeFeo's The Rose; married noted Bay Area sculptor and fellow student Manuel Neri; counted such disparate artists as Wallace Berman and Bernice Bing as friends; and gained early recognition (a New York exhibition at age 22) resulting in a lifelong teaching post at Berkeley, a Guggenheim fellowship, over sixty solo shows, and inclusion in an equal number of posthumous group exhibitions.
A small bas relief painting, I Did Not Yet Know / Technology (2015), shows a brown face hovering over two lines intersecting an obtuse angle.
The painting sets the stage for a riotous survey of work by 31 of the most important African American artists over the past three decades, including Lorna Simpson, Barkley L. Hendricks, Rashid Johnson, Kerry James Marshall, Carrie Mae Weems, Iona Rozeal Brown, Hank Willis Thomas and Jean - Michel Basquiat.
Painting steadily over the last three decades, Brown crafts paintings with an immaculate, almost supernatural level of detail and fluidity.
Multiple layers of plastic sheeting, black or transparent, are draped over another painting, though one of the bottom corners has been left uncovered and a tear in the black plastic reveals an area of painted canvas, but visible only dimly through the underlayer of transparent plastic; onto the surface of a third painting the artist has glued a frayed blanket, colored drab brown like a piece of army surplus.
I think brown base would be fine to paint over.
I used the same brown leather cubes, a rust - colored log bucket and one large piece of art over the mantle, which is painted dark brown.
I've been happy with our painted bookcase backs but over Christmas I decided the brown -LSB-...]
I used the dark brown glaze over some denim blue painted dining room chairs and I love the result.
Unfortunately my duplex is one of five in our community of 23 with gray comp roofs instead of some version of brown and through a poor choice by the Paint Committee, my house got painted a stark cold white with dark cold grey trim on the brick while the over gray roofs got a soft warm white or cream that blends well with the shades of beige and light gold in all the other houses — too bad, my lot — however, we get repainted in 2019 and I will definitely speak my piece armed with pix and other ammunition.
«Painting over a very dark brown feature wall in our first house.
Love, the pharmacist who's living vicariously thru y ’ all and also has a half painted house, 3 kids rooms that look like hell on earth, and a house that is so brown all over, you'd think snickers bars reproduced in here.
(Don't ask how I know this...) After painting a small table - top drawer set in layers (aqua with a yummy brown metallic atop, sanding off corners, etc. so the blue showed through) I discovered I didn't like the look so much and started over, but with white.
The legs used to be painted a realllllly ugly shade of brown, (I won't tell you what color I was calling it for a while there) so I sanded them way down, and painted a coat of polyeurathane over the whole thing...
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