Sentences with phrase «brutalist architects»

Holding the sometimes - Brutalist architect and furniture designer Erno Goldfinger in high esteem, with both artists having referenced him in previous projects; he was part of the -LSB-...]

Not exact matches

Rather, this group of about 45 women and a few men are set to embark on a full - blown architectural tour of London's most famous brutalist landmarks and modernist social housing estates, finishing with lunch at the Isokon building, a white concrete block designed by architect Wells Coates.

He is married to an art dealer, Amalia Dayan, and the two live in a Brutalist Upper East Side townhouse designed by the architect David Adjaye.

Banff: The Banff Centre and Vancouver: Setup, Issue 3.5, Summer 2013 D'Agostino, Paul, «The New Brutalists: Not So Brutal,» The L Magazine, Nov 7, 2012 Kress, Melanie and Natalie Bell, «Everything Is Index, Nothing Is History,» Exhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp. 92 - 94

The Smithsons were some of the most important architects in post-war Britain and are often associated with the Brutalist Movement, which focuses on the use of concrete and repetitive forms often used in large housing blocks.

Named to honor the building's designer, Hungarian architect Marcel Breuer (1902 - 1981), the new museum has been meticulously restored to its original Brutalist glory.

Originally commissioned by the Royal Institute of British Architects (RIBA), this touring exhibition has been reimagined for the Brutalist icon that is the Park Hill estate in Sheffield.

In practice, that means features including an interview with Ace Hotel New York's chief brand officer Kelly Sawdon; a feature in which a Michelin - starred chef talks discusses culture and politics (and of course, food); a photo series about the lesser - known side of LA by Minh T; and a look at the same city's brutalist buildings from architect Nicola Montuschi.

The Brutalist Playground installation fills an entire gallery inside the Royal Institute of British Architects headquarters on Portland Place in central London.

Working on a so seminal building would be a risky job for any architect; nevertheless, we can say that the careful renovation design by Beyer Blinder Belle Architects — extremely respectful of the «brutalist» architecture devised by Breuer in the»60s — achieved quite a remarkable result

London Festival of Architecture 2015: Turner - nominated architecture studio Assemble has revealed plans to fill a gallery in the headquarters of the Royal Institute of British Architects with a spongy Brutalist - inspired landscape.

The Brutalist building was designed by a group of young architects, including Dennis Crompton, Warren Chalk and Ron Herron and is named after Sir Isaac Hayward, a former leader of the London County Council.

an old, concrete - brutalist church built by architect Werner Düttmann in the 1960s, which took years of renovation.

Surreal House curator Jane Alison has, with architects Carmody Groarke, fought the brutalist law and won this time, transforming the space into a series of aptly disorientating rooms.

James Bond was no doubt of more traditional taste — like his creator, Ian Fleming, who named Goldfinger after the architect who designed 1960s Brutalist tower blocks such as Trellick Tower.