Strange Days: Memories of the Future, which will run at The Store X's
Brutalist home 180 The Strand between 2 October — 9 December, will showcase some of the most important work exhibited at the Manhattan gallery since it opened ten years ago.
The images capture them in front of
their Brutalist homes — some just renovated, others awaiting demolition.
Not exact matches
We are looking at a classic example of the stark stacked - box architecture once described by Henrik Bull, an American designer of ski
homes, as
Brutalist Bauhaus.
Mounted in partnership with the Vinyl Factory, the autumn exhibition will be held in an iconic
Brutalist building at The Store, 180 The Strand, on the opposite bank of the Thames to its long - term
home in the Southbank complex.
The idea of returning
home tells the various stories during the Apartheid struggle of men who had left their family
homes in search of labor, migrating to the mines or cities, or even political exiles who had taken a pact to leave the shores of South Africa as a means to take up arms against a
brutalist regime.
Continually looking forward, the ICA lays claim to extraordinary legacy, being
home to the Independent Group, as well as playing a pivotal role in the development of Pop Art, Op Art and
Brutalist Architecture.
Named after a local politician, Sir Isaac Hayward, and opened in 1968, the five galleries contained within this
Brutalist structure never quite became a permanent
home for the Arts Council's expanding collection.
SFU Gallery is embedded within Arthur Erickson's
Brutalist (and utopian) mountaintop university complex, while the BAG is located in a manor house that over the years has served as the
home of a genteel Burnaby family, a monastery, a cult centre, an SFU residence, and since 1967 a public art gallery.