aspects of Martens» practice — from Martens» influence as an educator (4 February, Kunstverein München, Munich) to the reference material Martens collects and generates around his work (9 February, San Serriffe, Amsterdam), from the unrealized proposals Martens injected into his new publication (17 February, Section 7, Paris) to Martens» accounting of past and most recent work (24 March,
CAC Reading Room, Vilnius).
Selected solo exhibitions include: Sticks with Dicks and Slits, Blain Southern, London, UK (2017); The Folly Acres Cook Book
Reading and Exhibition, Other Criteria, New York, US (2015), London, UK (2014); Tim Noble & Sue Webster, Blind Painting, The Suzanne Geiss Company, New York, US (2014); Portraits from the Bottom Up, Other Criteria, London, UK (2013); Nihilistic Optimistic, Blain Southern, London, UK (2012); Turning the Seventh Corner, Blain Southern Berlin, DE (2011); The Head of Isabella Blow, National Portrait Gallery (solo
room), London, UK (2010); 20 Modern Classics, Triumph Gallery, Moscow, RU (2009); Tim Noble & Sue Webster, The Goss - Michael Foundation, Dallas, US (2008); Polymorphous Perverse, Deitch Projects, New York, US (2008); Electric Fountain, Rockefeller Plaza, New York, US (2008); Polymorphous Perverse, The Freud Museum, London, UK (2006);
CAC, Malaga (2005); Tim Noble & Sue Webster, Museum of Fine Arts, Boston, US (2004); Tim Noble & Sue Webster, P.S. 1 / MoMA, New York, US (2003); Ghastly Arrangements, Milton Keynes Gallery, Milton Keynes, UK (2002); Masters of the Universe, Deste Foundation, Athens, GR (2000); and The New Barbarians, The Chisenhale Gallery, London, UK (1999).