Sentences with phrase «carrie mae»

african american culture, african diasporic art, african - american art, barbara chase - ribaud, black male, black twitter, camille a. brown, carl handcock rux, carrie mae weems, carrie mae weems live, craig harris, dance, dorchester projects, elizabeth alexander, geri allen, geri allen trio, jason moran, jason moran and the bandwagon, jazz, john ankomfrah, julie mehretu, lyle ashton harris, maaza mengiste, maren hassenger, maría magdalena campos - pons, marinella senatore, mark anthony neal, neil leonard, okwui enwezor, richard powell, sandra jackson - dumont, sandra payne, solomon r guggenheim museum, studio museum in harlem, terry adkins, the rebuild foundation, theaster gates, thelma golden, vijay iyer, walter hood

CARRIE MAE WEEMS, «Untitled (Eating lobster),» 1990 (silver print), Inventory #CMW90.005.

CARRIE MAE WEEMS, «Untitled (Standing on the Tracks),» 2003 (gelatin silver print, Ed.

of 5, 2 AP © CARRIE MAE WEEMS.

CARRIE MAE WEEMS, Still from «Lincoln, Lonnie, and Me — A Story in 5 Parts,» 2012 (mixed - media video theatre installation, «Pepper's ghost» illusion technique, duration: 18 mins.).

«Grace Notes» by CARRIE MAE WEEMS is making its Washington premiere at the Kennedy Center on Oct. 20.

CARRIE MAE WEEMS, «String Theory,» 2016 (archival pigment print on textured rag paper).

with works by VICTORIA FU, ALIX PEARLSTEIN, ADRIAN PIPER, CARRIE MAE WEEMS, SUMMER WHEAT & FRANCESCA WOODMAN

CARRIE MAE WEEMS, «String Theory,» 2016 (archival pigment print on textured rag paper), is featured in the exhibition «Blackness in Abstraction,» curated by Adrienne Edwards.

«I Looked and Looked to See What So Terrified You» from Louisiana Project, 2003 (Chromogenic prints, edition 4/5) by CARRIE MAE WEEMS.

Installation view: From left, «I Looked and Looked to See What So Terrified You» from Louisiana Project, 2003 (Chromogenic prints, edition 4/5) by CARRIE MAE WEEMS; «' The Beautyful Ones Are Not Yet Born» Might Not Hold True For Much Longer,» 2013 (acrylic and transfers on paper) by NJIDEKA AKUNYILI.

CARRIE MAE WEEMS @ Pippy Houldsworth Gallery, London Oct. 10 — Nov. 15, 2014 Carrie Mae Weems probes notions of identity in visual culture, the ways in which history and perception influence depictions of gender, race and class.

CARRIE MAE WEEMS, «The Shape of Things,» 1993 (gelatin silver print, Edition 9 of 10, with 2 artist proofs).

This is CARRIE MAE WEEMS first exhibition with the gallery in more than six years.

CARRIE MAE WEEMS draws on the words of President Obama to emphasize the importance of voting and what is at stake in the 2016 presidential election.

Tuesday, Sept. 9, 2014 @ 7:30 p.m. CARRIE MAE WEEMS Talk at the Brooklyn Academy of Music Brooklyn, N.Y.. Following a presentation of her work and a screening of the new ART21 documentary exploring her practice, photographer Carrie Mae Weems discusses her creative process with former MoMA curator Laurence Kardish.

CARRIE MAE WEEMS, «Color Real and Imagined,» 2014 (archival pigment with silkscreened color blocks, edition 1 of 10, 2 AP).

CARRIE MAE WEEMS > After being named a MacArthur fellow last year, Carrie Mae Weems follows up with a banner year rife with accomplishments and accolades in 2014.

; CARRIE MAE WEEMS, «American Monuments I,» 2015 - 2016 (gelatin silver print).

PROJECT «The Power of Your Vote,» 2016 A CARRIE MAE WEEMS Project, edited by Yao Xu; Paid for by Hillary for America