Sentences with phrase «centerfold of»

You may either use the contract in the centerfold of this guide or develop your own.

COVER and CENTERFOLD of Issue 18 «During my last trip to Havana, I created a new series of photographs that will be printed on many materials other than paper.

A senior executive for Fuji Television has stated that Nintendo will pretty much win the war in becoming a centerfold of entertainment if they were to launch «Wiinoma» successfully.

I know that the world of recent childrens literature is a bright and shiny place, filled with anthropomorphically correct villages full of nearly endangered species, politically correct messages, psychologically correct relationships, aesthetically correct illustrations and, for all I know, anatomically correct depictions of the three little pigs, the gingerbread man and an unedited but airbrushed centerfold of the old woman who lived in the shoe.

Enter the social media era, where smartphones have taken the centerfold of who we go out with, who we date and even who we sleep with.

Sage, or Salvia officinalis, which is the centerfold of this recipe, contains acids and phenolic compounds as active constituents and exhibits significant antioxidant and anti-tumor activity (Garcia et al., 2016).

True believers can spend considerably more by buying the centerfold of the program for $ 2,000, which includes a table of 10 and of course the undying gratitude of the executive.

His women take poses familiar from centerfolds of the 1950s and 1960s, and like Perez has said about the buildings he paints, these women might have «aspirations beyond [themselves].»

These horizontal color photographs depict closely cropped images of reclining women — a format that references the erotic centerfolds of men's magazines.

The three poster - size conceptual charts, the centerfolds of the original publication, are displayed in the gallery and peppered with groupings of names.

Not exact matches

The company that owns the National Enquirer, a backer of Donald Trump, agreed to pay $ 150,000 to a former Playboy centerfold model for her story of an affair a decade ago with the Republican presidential nominee, but then didn't publish it, according to documents reviewed by The Wall Street Journal and people familiar with the matter.

With his subsequent usher textbooks, autobiography (There Is life Beyond Name Tags, Dude Books, 2001), magazine (Badge and Bulletin, the only ushering magazine including a centerfold portrait) and cultlike following, Glibface had almost singlehandedly brought ushering into the sunlight of ecclesiastical celebrity ~ To his fame are credited such innovative strategies as parhug valets; tour guides, computerized seating readouts - for latecomers, and Roy Dude University's School of Usherology.

It contains the aforementioned onslaught against Playboy which exposes the pseudo-sex of the airbrushed centerfold, the ideal woman pimply adolescent boys prefer because she makes no demands whatever.

Not 13 hours earlier he wasseen celebrating the opening of the country's first Playboy Club in nearly 20 years — situated on the top floor of the Palms» newest 52 - story structure, appropriately named the Fantasy Tower — with Julie McCullough, a luminescentformer Playboy centerfold.

Whenever you give out one of our informational brochures, point out the membership form in the centerfold.

To get Hugh Hefner excited, however, requires the actual presence of the scantily - clad centerfold.

Some of you may remember, that back in 2003 Briana was hugely popular as the guitar centerfold girl in a popular guitar magazine.

Watch 16 pics of Hot centerfold babe Anna Tatu modelling outdoors in swimsuit at.

In 2000, Hayek could be seen in smaller, edgier ventures, including the independent comedy Chain of Fools, in which she played a centerfold - turned - cop, and Mike Figgis» experimental Time Code, which cast her as Jeanne Tripplehorn's lover.

Lotte Lenya and Robert Shaw make a creepy pair, and Daniela Bianchi embodies the essence of centerfold sex, circa 1964.

We see some cleavage - revealing tops, some centerfold magazine covers and statues of a nude caveman and cavewoman twice (his genitals and her bare breasts are visible).

As a side note I had a long - running subscription of Nintendo Power from the late 80s through the early 2000s and if I remember correctly [they are packed up in basement at parents house and have been for numerous years now] Zelda had more front cover issues and centerfold tearout posters then any of the other classic Nintendo franchises / titles.

Life at Hugh Hefner's mansion is good, with a few jealous competitors trying to earn their own centerfold and able to sabotage the happily clueless Shelley so she's kicked out of manse and onto the street, living out of her dumpy car.

I've been watching the clips coming out of the production of Sucker Punch for a while now, and waiting, without much hope, for it to present itself as something more than a Playboy centerfold glued to an action movie with a generous bucket of the wallpaper paste that is airbrushing and bad CGI.

I got the MagnaCarta 2 version in the mail, which doesn't quite have the force of last month's cover, but wait'll you see the centerfold... er, 2 - page spread art that kicks off the review!

I also think that other series (the 1981 «Centerfolds» and the 1986 - 89 «Fairy Tales and Disasters») deftly extend their reach into the domain of painting.

The text in the centerfold is the first song of the libretto for a new cantata by Paul David Young (composed by Raymond J. Lustig), which will be performed by the Metropolis Ensemble in New York in their 2010 — 11 season.

So the show will include the «Ookie Canvases», the «Visual Orgasms» series of GIFs, which I've added to with four new pieces, a sexy photo of wires drenched in lube which also serves as the centerfold for a catalog with essays by Nora O» Murchú and Seth Watter, and two wire sculptures.

This book introduces some of Sherman's most important works, from her seminal 1970s series Untitled Film Stills, which references film noir movies by such directors as Alfred Hitchcock and Jacques Tourneur, to her progression into colour photography in the 1980s series Centerfolds.

Even now she characterizes five provocative «centerfolds» she made of herself in 2002 not as self - portraits but as documents of live performances.

Cindy Sherman began her classic Film Stills series in 1977; and since then has photographed herself in a variety of roles, including centerfold portraits, history portraits, society portraits and variety of clowns.

Cindy Sherman Untitled # 96, from the artist's 1981 centerfold series of 12 images, originally commissioned by artforum, is credited for changing perceptons of photography.

But it wasn't until 1981, when she made her «Centerfolds,» a series of portraits inspired by photographs in Playboy — but with the women clothed and conveying a complicated range of emotions — that her career really took off.

The handling of the figure recalls Giotto, but the saturated color palette is strictly 1970s Playboy centerfold.

Peter Schjeldahl, the art critic for The New Yorker, who calls Ms. Sherman «his favorite American artist of the last 40 years,» remembers the day he walked into Metro Pictures to see the «Centerfolds.»

Originally commissioned by Ingrid Sischy, then editor of Artforum, the Centerfolds were ultimately never published in the magazine.

An evocative and outstanding example from Sherman's highly acclaimed Centerfolds series, the elongated horizontal format was inspired by the open spread of the magazine, Cindy Sherman's Centerfolds respond to the popular photo spreads made famous in the pages of Playboy magazine Designed to give maximum exposure to the female form in these top - shelf publications, the centerfold was the prime showground where women were looked at and admired.

Exhibited the same year, Janelle Reiring of Metro Pictures Gallery notes, «It was her second show with us — with the Centerfolds series from 1981 — that seemed to change everything» (J. Reiring quoted in S.P. Hanson, «Art Dossier: Cindy Sherman,» Art + Auction, February 2012).

His last one - man show, in 1988, contained such pieces as huge ceramic sculptures of the Pink Panther dolefully clutching a centerfold cutie pie, and a reclining Michael Jackson in whiteface with his pet chimpanzee, Bubbles.

Featuring more than two dozen works spanning 30 years, Cindy Sherman: Once Upon a Time, 1981 — 2011 at Mnuchin Gallery, New York, takes as its focus three of the artist's most acclaimed series: the Centerfolds, the History Portraits, and the Society Portraits.

Once Upon a Time at Mnuchin Gallery, New York, showcases a number of works that span 30 years, taken from such acclaimed series as the Centerfolds, the History Portraits and the Society Portraits.

A selection of ambitious and celebrated works will be highlighted, including a complete set of the seminal Untitled Film Stills (1977 - 80) and a complete group of her 12 centerfolds (1981), and selections from major series such as fairy tales / mythology (1985), history portraits (1988 - 90), sex pictures (1992), headshots (2000), clowns (2002 - 04), fashion (1983 - 84, 1993 - 94, 2007 - 08), and society portraits (2008).

All are pulled from three different series: «Society Portraits» (Sherman as UES women battling age with plastic surgery), the «History Portraits» (Sherman as Renaissance and Rococo figures) and the seminal «Centerfolds» series (Sherman as a modern version of the reclining woman but all lost in private moments as opposed to, you know, tugging at a bikini string).

Featuring more than two dozen works spanning 30 years, the exhibition will focus on three of Sherman's most acclaimed series - the «Centerfolds,» the «History Portraits» and the «Society Portraits.»

This oversized collection of new works on paper by the German neo-Expressionist Georg Baselitz is beautifully printed on deluxe paper and includes a tipped in centerfold on glossy paper.

Although Sherman designed the Centerfolds images to resemble quick snapshots of a young woman's life, she heavily choreographed, acted and staged them herself.

In 1977, artist Christopher D'Arcangelo placed a blank centerfold in the journal of the Los Angeles Institute of Contemporary Art along with a note suggesting that readers paste the insert to the institute's walls.

Made out of matte, coated paper folded in two, the work can be positioned on its two edges — easy — or on its centerfold — dif - ficult.

Centerfolds, cartoon creatures, commercial facades and strange street characters populate my work, reflecting Mexican culture's condition of colonization and its customization of American icons; all with the purpose of conveying a personal baroque narrative that resembles an abstract urban, chaotic sediment reminiscent of Tijuana, Mexico, the city I come from.»

She exposes it as being as manipulative as any other artistic medium, as the critic Roberta Smith pointed out when the Centerfolds made their debut in 1981: «The psychological weight of the work is so direct that at times it seems to free the viewer to see very clearly the formal manipulations which are at its source.