And when Siri shares in Fincher's delight at carefully mapping out his film's interior
spaces, he accomplishes this not with elaborate,
CG - enhanced dolly
shots, but with the same crisp, angular, deep -
space compositions he employs throughout the rest of the film.
This film provides the strong example that
CG can be matched with live - action to justify reality — from the fantastically choreographed scenes to the extreme details in every
space explosion, to the
shots that take the viewer's perspective from third person to first person.