Sentences with phrase «cgi scenes»

Square Enix has released a look at one of the iconic CGI scenes from Final Fantasy X as it appears in the upcoming HD Remaster, due out next week.

The CGI scenes are freaking awesome but there really isn't enough of them to make this rock.

What I couldn't understand is why they would never show Owen's mother's face?And the CGI scenes were a bit comical with Abby moving so fast, climbing trees and whatnot..

Tekken 7's story mode seamlessly blended CGI scenes into in - game fights, giving a certain flourish far above and beyond what I had come to expect from the fighting game genre.

This is both good and bad, as the CGI scenes are more revealing.

Now for problems: Some CGI scenes looked a bit unfinished, which is mostly green screen backgrounds.

Writer / director Rian Johnson and LucasFilm thought it would be disrespectful to alter her role or add any CGI scenes to her performance.

You'll back the tractor trailer in carrying the Godzilla Plus sized combo packs of popcorn and soda and whatever and just meld into the theater seat as the beautiful CGI scenes of China fill the screen.

Infinity Ward could have put together a hollywood - quality CGI scene that showed the terrorist attack, but they forced the player to experience it firsthand.

Not exact matches

Producers say new episodes will feature Tinky Winky, Dipsy, Laa - Laa and Po as characters, but the series will undergo an update with new CGI effects and scenes shot on replica models of the sets.

In November 2016, he saw Jenkins» cut, and though the CGI and color correction weren't finished, he got goosebumps watching the scene, especially the buildup of Wonder Woman's climb up the ladder, for which he included insert shots of her shield, boots, and lasso.

CGI is used for visual effects because the quality is often higher and effects are more controllable than other more physically based processes, such as constructing miniatures for effects shots or hiring extras for crowd scenes, and because it allows the creation of images that would not be feasible using any other technology.

The scene in San Andreas Quake is much shorter (barely a minute and a half), but its chintzy CGI makes it so, so much better.

As for performances, there's not much time between massive CGI battles (all of which have a nice depth, never coming off too cartoonish), but Radcliffe proves that he's come quite a long way since «Sorcerer's Stone» while Gambon and Fiennes knock their few scenes out of the park.

I'm tempted to write off the entire documentary as being solely of interest to nut - and - bolts geeks, except for the segment devoted to Oliver Reed, who died of a heart attack three weeks before principal filming wrapped, necessitating some CGI trickery to insert him into a crucial final scene of the film.

They only use CGI for the running and last act Superman jumping scenes.

Sometimes, and sometimes, during the tricky scenes, they're CGI replicas.

I've read some reviews that really slam his direction and fumbling of the action scenes not to mention amateurish CGI.

this show features a lot of claustrophobic cgi - caged greenroom - filmed scenes.

But what they may not realize is that this time around, due to the grand scale of some of the film's scenes, coupled with the difficulty of creating water using stop - motion animation, the filmmakers employed the use of CGI.

I saw the 20th Anniversary DVD version which clearly added some CGI touch ups to E.T. and has the notorious scene where two guns are swapped for walkie - talkies: but it is hardly game breaker because the film is so great.

Sure, some of the action scenes might have looked even better with stunt people instead of CGI fighters, but the wonderful production design more than makes up for it.

The sharp screenplay penned in part by Deadpool himself (Ryan Reynolds) never ceases its wit, and the comedic timing throughout is perfectly bolstered by the fast - paced cinematography and polished CGI that convincingly depicts interesting locations and frenetic action scenes.

A wolf council with dubbed growls may be the most ludicrous scene of the year, but a rumble with chic vampires punching CGI werewolves comes close.

The fight choreography is awesome, whether it's Boseman and Jordan or Boseman and Jordan's CGI doubles or an actual huge battle scene with Gurira commanding troops.

Normally when I watch a movie, I never let CGI affect how I feel about a scene as a whole, but there were some noticeably cheap - looking effects here.

The ancient Roman - Germanic world is brought to life by CGI technology, gritty battle scenes and powerful dialogues.

Despite Stone's flirtations with Alexander's supposed bisexuality, and Alexander's mother's weird snake obsession, and some enormous (though CGI - enhanced) battle scenes featuring armies advancing with massive spears, as if they're about to do a group pole vault, «Alexander» is dull.

As a refreshingly firm female villain, Malin Akerman plays her scenes strongly and, thanks to the wonders of CGI, the rapidly expanding gorilla is kind of fun, too.

Adding to the confusion are a few scattered CGI effects that can be detected with very little difficulty and some fairly erratic cinematography that includes headache - inducing handheld shots and scenes that are so poorly lit that it looks as if the sets were illuminated with a 40 - watt light bulb.

Its fair to say the cgi of Renesme is not great and the majority is a Bella / Edward love-fest, but the grand finale scene is absolutely amazing and completely unexpected.

While Iron Man 2 had some ups and downs like a rollercoasters, it still delivers high quality entertainment with its action scenes, less CGI, and solved the problems of the first Iron Man.

Between the Yoda puppet voiced by Frank Oz was far superior to the CGI Yoda in the prequels imo (except for the Yoda fight scene was great which would have been difficult to do with the puppet).

The CGI was ropey in places and what the hell was with the action scenes?

Oddly some of the action scenes have a faker, obvious CGI sheen to them than the series.

Guardians of the Galaxy Vol 2 opens with one of those scenes where an older actor is recreated as their youthful self through the wonders of CGI — think Carrie Fisher in Rogue One: A Star War's Story.

In an era when people go see films mainly for CGI explosions, the ending pulls of a neat little cinematic scene.

The creature designs were cool, but they are mostly CGI, and while the CGI is fine for the most part, it relies a bit too much on it, and in a few scenes it looks rather bad.

I also liked how they used a combination of animatronics and CGI in certain scenes.

The Blu - ray / DVD / digital copy combo packs its own life raft of extras with ample provisions, including deleted scenes, a spotlight on that amazing CGI and a look at Lee's filmmaking process.

This early scene establishes that the «paper planes» of the title won't be paper at all but CGI renditions, capable of extraordinarily dexterous mid-air manoeuvrability.

Moonlight Serenade Scene Progression: A look from a CGI standpoint of how they created the scene where Elizabeth discovers that the pirates are cuScene Progression: A look from a CGI standpoint of how they created the scene where Elizabeth discovers that the pirates are cuscene where Elizabeth discovers that the pirates are cursed.

The transformations were detailed and unnerving, and I think the use of CGI in such scenes was a good decision.

Speaking of fire, there's a scene with a giant fire encompassing a yacht in the middle of the ocean that features honestly the absolute worst CGI I have ever seen in a major studio movie.

Extras include a six - minute behind - the - scenes featurette whose highlight is star Wilson suiting up for a pre-production supersonic flight; seven deleted or extended scenes — among them odd alternate opening and closing title sequences — with optional commentary from director Moore and editor Paul Martin Smith — these trims carry a viewer discretion warning, for they would've threatened the film's PG - 13 rating; a fantastic, largely CGI pre-visualization (with, again, optional Moore / Smith commentary) of the virtuoso ejection set piece that at times gives Final Fantasy a run for its money; the teaser trailer for Spielberg's upcoming Minority Report; and two engrossing full - length commentaries, one by Moore and Smith, the other producer John Davis and executive producer Wyck Godfrey.

The end scene looks particularly fake, for all the awesomeness of the fire, but overall, for reasonably early use of CGI, the monster comes across well.

The action scenes are extremely well staged under The Russo's brothers» supervision; whether it's hand to hand combat or CGI driven explosions, the movie will make Marvel fans jump for joy.

Some of the makeup on the «Demons» were quite silly and there is a scene where a bunch of CGI birds fly into a house which was not only cliche, but silly as well.

Its action sequences are quite CGI heavy but the fact that most of them — besides a stunningly lit shipwreck scene — take place in the daytime is a relief.

Some of the CGI was a bit spotty in the final action scenes but other than that, this is the film I was hoping for.