Sentences with phrase «cobra art»

One of the top 20th century painters in Denmark, the printmaker and ceramicist Asger Jorn was a founding member of the COBRA art group, along with Carl - Henning Pedersen (1913 - 2007), the Belgian writer Christian Dotremont (1922 - 79) and painters Corneille Beverloo (b. 1922) and Pierre Alechinsky (b. 1927), and the Dutch painters Karel Appel (1921 - 2006) and Constant (C.A. Nieuwenhuys)(1920 - 2005).

Tachism is also related to the European COBRA art group, and the Japanese Gutai group.

The museum also will display selections from its rich reserve of paintings and drawings by American realist William Glackens, as well as the permanent collection of CoBrA art, post-World War II expressionist pieces by artists from Copenhagen, Brussels and Denmark.

From 1947 Jorn was an leafing artist in the new COBRA art movement with artists from Denmark, The Netherlands and Belgium.

Not exact matches

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From around 1960 alone, there were Arte Povera and Marisa Merz in Italy, Gutai in Japan, Nul in the Netherlands, Nouveau Réalisme in France, G58 and COBRA in Belgium, political art like Aktual and OHO further east, and Fluxus everywhere.

The painterly style also emerges from expressionist painting movements of the time, including CoBrA Group and Art Informel, important movements in art in Europe near the time Golub lived in Paris, and abstract expressionism lurks in the strokes and the scrapes tArt Informel, important movements in art in Europe near the time Golub lived in Paris, and abstract expressionism lurks in the strokes and the scrapes tart in Europe near the time Golub lived in Paris, and abstract expressionism lurks in the strokes and the scrapes too.

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

At the fair, a booth of his tabletop bronzes gave off a familiar scent of cachet - granting art - historical references (Cy Twombly's cast studio detritus, Calder stabiles, perhaps a bit of COBRA) but looked fresh and vivid nonetheless.

Jetske initiated the Belgian Art sales in Amsterdam as well as the equally successful CoBrA auctions.

Martinez draws his inspiration from a wide - range of sources, spanning from the ever - evolving landscape of the city to major art historical movements of the 20th century such as Abstract Expressionism, CoBrA, Neo-Expressionism, and Surrealism.

Martinez draws his inspiration from a wide - range of sources, from the ever - evolving landscape of New York City to major art historical movements of the 20th century such as Abstract Expressionism, CoBrA, Neo-Expressionism, and Surrealism.

In 1995, CoBrA's importance to the development of modern art was cemented with the founding of the CoBrA Museum of Modern Art in Amsterdart was cemented with the founding of the CoBrA Museum of Modern Art in AmsterdArt in Amsterdam.

From Kohn Gallery: Martinez draws his inspiration from a wide - range of sources, spanning from the ever - evolving landscape of the city to major art historical movements of the 20th century such as Abstract Expressionism, CoBrA, Neo-Expressionism, and Surrealism.

This book is chronologically exploring the years before the formation of the CoBrA group, its existence and, finally, its influence on shaping the contemporary art scene.

This is a stunning post COBRA mature example of William Gear abstract painting at the height of his artistic output and a stunning example of British abstract art.

A few years ago the London Evening Standard art critic Brian Sewell complained bitterly that the CoBrA exhibition at the Baltic was not going to be shown in London.

Jeff Donaldson, a cofounder of the Chicago - based black artist collective AFRI - COBRA, not only added to this milieu with his own African textile — inspired, mixed - media works, but he wrote influential art manifestos and helped organize international expositions of black artists in Africa and North America.

During the 1940s and 50s, for instance, important works by Ernst Ludwig Kirchner and Henri Matisse were added to the collection; also during the 50s, the museum acquired a series of works by the Russian Suprematist Kasimir Malevich, as well as design works by De Stijl, the Bauhaus Design School and related design movements such as Russian Constructivism, as well as Kinetic art, the COBRA group, and Pop art.

• COBRA GROUP Asger Jorn (1914 - 73) Danish gesturalist painter, founder of COBRA group, linked to Art Informel.

Karel Appel (1921 - 2006) Dutch abstract painter, gesturalist; member of COBRA & Art Informel.

The CoBrA movement (created by artist from Copenhagen, Brussels, Amsterdam), which Alechinsky joined, was an art collective experimenting within literature and visual arts.

While inspired by Abstract Expressionism, CoBrA, Conceptual Art, Pop Art and Graffiti Art, among others, Haberny refuses to be boxed in.

Like these artists, Haberny messes with art - historical forms and materials, combining elements of Arte Povera, CoBrA, Abstract Expressionism and Pop.

Like the Organization of Black American Culture in the same city, which had created the Wall of Respect, the first of many murals by community arts organizations, AFRI - COBRA sought «to liberate its audience and define a national Black consciousness «9 This effort was in part a response to a climate that permitted what now seem acts of amazing insensitivity by mainstream institutions.

Modern Art with a focus on Surrealism including pieces by Max Ernst, André Masson and Roberto Matta as well as works by CoBrA group artists including Asger Jorn, Pierre Alechinsky, Karel Appel and Corneille.

In post war decades, the abstract expressionism slid into different fields of op art and geometric abstraction in United States, while the European answer was the invention of lyrical abstraction, art informel and political abstraction in the works of CoBrA members Karel Appel, Constant and Asger Jorn.

The last surviving Dutch member of CoBrA the European art movement active in the 1950's, Corneille, has died age of 88.

Drawing his inspiration from a wide - range of sources, he involves major art historical movements of the 20th century, as Abstract Expressionism, Neo Expressionism and CoBrA.

Like Tachisme, the COBRA group was closely related to the gesturalist wing of the broader European abstract expressionist school known as Art Informel, and derives its style from the early expressionist movement in Germany.

In addition, they organized three COBRA exhibitions: in Copenhagen (1948), at the Stedelijk Museum in Amsterdam (1949), and at the Palais des Beaux - Arts in Liege (1951).

In Europe, gesturalism was practised in the Art Informel movement (the European version of Abstract Expressionism) by artists like Georges Mathieu and Wols, by exponents of Tachisme, and by Asger Jorn (1914 - 73) and Karel Appel (1921 - 2006) of the COBRA group.

COBRA European Abstract Expressionist Painting Group: Art Informel.

He was a founding member of the avant garde art group COBRA, which was active between 1949 and 1952, and a member of Art Informart group COBRA, which was active between 1949 and 1952, and a member of Art InformArt Informel.

COBRA artists got their inspiration from several different sources, notably: prehistoric art, various forms of primitivism, so - called folk art, gestural and textual graffiti, Nordic mythology, and especially children's pictures, Art Brut and other types of Outsider aart, various forms of primitivism, so - called folk art, gestural and textual graffiti, Nordic mythology, and especially children's pictures, Art Brut and other types of Outsider aart, gestural and textual graffiti, Nordic mythology, and especially children's pictures, Art Brut and other types of Outsider aArt Brut and other types of Outsider artart.

Many abstract painters who belonged to the group continued painting in the COBRA - style, and their works can be seen in a number of the world's best art museums, including the Solomon R Guggenheim Museum New York, the Stedelijk Museum Amsterdam, the Tate Gallery London, and The COBRA Museum for Modern Art in Amstelveen, The Netherlanart museums, including the Solomon R Guggenheim Museum New York, the Stedelijk Museum Amsterdam, the Tate Gallery London, and The COBRA Museum for Modern Art in Amstelveen, The NetherlanArt in Amstelveen, The Netherlands.

Like the quieter style of Tachisme, COBRA was a theoretical (if not always visible) variant of Art Informel.

COBRA was one of the more international of modern art movements: the name derived from the initials of the members» home cities: Copenhagen (Co), Brussels (Br), Amsterdam (A).

Shaped by the dominant avant - garde trends of the»40s and»50s — Art Brut, Dadaism, Abstract Expressionism and the CoBrA Group — as well as his experience of World War II, Keen began experimenting with film in the»50s and was an early adopter of Pop Art, making works of immediate power and raw intensity on a range of film stocks.

Born in South Africa, he moved to Paris in 1938 and studied at the École Nationale Supérieure des Arts Décoratifs, and after moving to Denmark he became one of the founding members of the CoBrA group.

Important COBRA, Art Informel and Tachisme painters included the Dutch artist Karel Appel (1921 - 2006) and the German - born painters Hans Hartung (1904 — 1989) and Wols (Alfred Otto Wolfgang Schulze)(1913 — 1951).

In an increasingly technological and mass - produced world, Haberny's techniques preserve the physical art of process while calling to the CoBrA Movement's spontaneity and the primitive figuration of the New York School.

Formally, comparisons with the likes of Basquiat, street art's Bäst, Karel Appel's CoBrA group and the stylings of Art Povera's assemblages may give us a basic idea of what the works look like, but all fall criminally short of conveying the raw power of art produced against the current backdrop of a crumbling 21st century Capitaliart's Bäst, Karel Appel's CoBrA group and the stylings of Art Povera's assemblages may give us a basic idea of what the works look like, but all fall criminally short of conveying the raw power of art produced against the current backdrop of a crumbling 21st century CapitaliArt Povera's assemblages may give us a basic idea of what the works look like, but all fall criminally short of conveying the raw power of art produced against the current backdrop of a crumbling 21st century Capitaliart produced against the current backdrop of a crumbling 21st century Capitalism.

Art Informel was related stylistically to other groups and styles, including the Danish / Dutch / Belgian CoBrA group, the German groups Zen 49 and Quadriga, the Canadian Automatistes, the Italian Arte Nucleare and the Japanese Gutai association.

Existential Art (1940s and 1950s) John Paul Sartre's existentialist philosophy, with its themes of alienation and angst in the face of the human condition, can be seen in paintings by the American Abstract Expressionists, the Informel and «CoBrA» movements, the French Homme - Temoin (Man as a Witness) group, the British Kitchen Sink art group, and the American Beats - all of whom from time to time are designated Existential, as are many individual painters and sculptors: like the Swiss sculptor Alberto Giacometti, and the surrealist / expressionist Francis BacArt (1940s and 1950s) John Paul Sartre's existentialist philosophy, with its themes of alienation and angst in the face of the human condition, can be seen in paintings by the American Abstract Expressionists, the Informel and «CoBrA» movements, the French Homme - Temoin (Man as a Witness) group, the British Kitchen Sink art group, and the American Beats - all of whom from time to time are designated Existential, as are many individual painters and sculptors: like the Swiss sculptor Alberto Giacometti, and the surrealist / expressionist Francis Bacart group, and the American Beats - all of whom from time to time are designated Existential, as are many individual painters and sculptors: like the Swiss sculptor Alberto Giacometti, and the surrealist / expressionist Francis Bacon.

Key works of Modern Art, from Giorgio Morandi to Frank Stella, and twentieth century art movements like minimal art, pop art and CoBrA have been brought together in a so - called «White Cube&raquArt, from Giorgio Morandi to Frank Stella, and twentieth century art movements like minimal art, pop art and CoBrA have been brought together in a so - called «White Cube&raquart movements like minimal art, pop art and CoBrA have been brought together in a so - called «White Cube&raquart, pop art and CoBrA have been brought together in a so - called «White Cube&raquart and CoBrA have been brought together in a so - called «White Cube».

But the connections the catalog makes between Haring's work and other modern art — the CoBrA Group, Fernand Leger, Jean Dubuffet and early Claes Oldenburg — are not very persuasive.

The forms and gestures found in her work derive from a wide variety of inspirations and art historical references, such as CoBrA, Situationism and Abstract Expressionism but also pop cultural aesthetics like graffiti or cartoon that indicate Ekblad's genre - crossing approach.

Vigas's paintings from this period, still influenced by pre-history and mythology, ooze with thick paint and evoke the art made by the CoBrA artists, distinguished by immediacy of thought without restrictions or pre-established reasoning.

Meanwhile, parallel movements in Western Europe were appearing under various titles, such as Art Informel (c.1945 - 60), along with sub-variants such as Lyrical Abstraction (late 1940s, 1950s), Tachisme (c.1945 - 60) and the COBRA group (1948 - 51).