Sentences with phrase «cabaret crusades»

He has risen to worldwide acclaim for his trilogy of films made with antique and newly commissioned marionettes, «Cabaret Crusades,» which retells the history of the Crusades (ca. 1095 - 1291) through Arabic eyes.

Cabaret Crusades: The Horror Show File (2010), video (color, sound), 31 min 48 sec.

Installation view of «Wael Shawky: Cabaret Crusades» at MoMA PS1, 2015.

Wael Shawky: Cabaret Crusades, 2015; installation view, MoMA PS1, New York, featuring vitrines of marionettes from Cabaret Crusades: The Path to Cairo, 2012, and Cabaret Crusades: The Secrets of Karbala, 2015.

Cabaret Crusades: The Path to Cairo, 2012 (video still); high - definition video; 58:19.

MoMA PS1 presents Wael Shawky's video trilogy, Cabaret Crusades, which comprises The Horror Show Files (2010), The Path to Cairo (2012), and The Secrets of the Karbala (2015).

Wael Shawky: Cabaret Crusades, 2015; installation view, MoMA PS1, New York, featuring vitrine of marionettes from Cabaret Crusades: The Path to Cairo, 2012.

向こう端の物語り インタビュー / アンドリュー ・ マークル Installation view of «Wael Shawky: Cabaret Crusades» at MoMA PS1, 2015.

In addition to Shawky's new film, the Serpentine exhibition included the two films that comprise his Cabaret Crusades series: The Horror Show File (2010) and The Path to Cairo (2012).

For his first solo exhibition at Lisson Gallery Milan, Wael Shawky brings together a selection of drawings produced during the creation of his two critically acclaimed film trilogies: Cabaret Crusades (2010 — 2015) and Al Araba Al Madfuna (2012 — 2016).

The 20 drawings on display at Lisson Gallery Milan share insights into Shawky's creative process when creating Cabaret Crusades and Al Araba Al Madfuna.

This work, which resonates with the scenography of Cabaret Crusades II, was recently shown alongside three other maps at Kunsthaus Bregenz in Austria from 16 July until 23 October 2016.

Wael Shawky's entire, epic Cabaret Crusades trilogy goes on display in the US for the first time, at MoMA PS1 in January

On show until 23 October 2016 are parts of Wael Shawky's Cabaret Crusades (2010 - 2013) trilogy, alongside displays of the marionettes used in... Continue reading →

PULLING STRINGS By Andrew Maerkle Installation view of «Wael Shawky: Cabaret Crusades» at MoMA PS1, 2015.

On show until 23 October 2016 are parts of Wael Shawky's Cabaret Crusades (2010 - 2013) trilogy, alongside displays of the marionettes used in the films and other related artworks.

Shawky's film trilogy Cabaret Crusades (2010 - 2013) is based on a book by the French - Lebanese writer Amin Maalouf, in which the story of the war is told from an Arab perspective.

Wael Shawky, «Cabaret Crusades: The Horror Show File» (Filmstill), 2010, HD video, colour, sound, 31m: 49s.

Wael Shawky, «Cabaret Crusades: The Secrets of Karbala» (Filmstill), 2015, HD video, colour, sound, approx. 120 min.

Wael Shawky, «Cabaret Crusades: The Secrets of Karbala — Static Marionette», 2014, Murano glass, fabric, 50 x 15 x 11 cm.

The final installment CABARET CRUSADES: THE SECRETS of KARBALA premiered January 31st at MoMA PS1, in what is also the artist's first solo show at a major American institution.

Cabaret Crusades Drawings is an extraordinary limited - edition pop - up book by Egyptian artist Wael Shawky (born 1971).

Garcia has curated a wide range of notable exhibitions and projects including Joel Kyack's Superclogger (2010); artist Marcos Ramirez ERRE's retrospective at the Carrillo Gil Museum in Mexico City (with Kevin Power, 2011); a re-staging of Mark di Suvero's Artists Tower of Protest for the Getty's Pacific Standard Time Performance and Public Art Festival (2012); the US museum premier of Egyptian artist Wael Shawky's Cabaret Crusades at the Hammer Museum (2013); and artist Eduardo Sarabia's mid-career survey at the Instituto Cabañas in Guadalajara, Mexico, and the Museum of Contemporary Art of Oaxaca (2014) amongst others.

Cabaret Crusades, is a recent body of work that explores the crusades of 1096 - 1099 from the perspective of Arab historians.

One such audio guide is a Reading Radio interpretation by Jack Heard of the Hammer Projects exhibition, Cabaret Crusades.

Meanwhile, Wael Shawky (b. 1971, Egypt) presents the story of the crusades from an Arab perspective using puppets in Cabaret Crusades: The Path to Cairo (2011 - 12), which exaggerate and distort human and animal forms, to revisit history and reveals hidden truths.

Wael Shawky: Cabaret Crusades is organized by Klaus Biesenbach, Director, MoMA PS1 and Margaret Aldredge, Curatorial Assistant, MoMA PS1.

In the second part of Wael Shawky's two - part video Cabaret Crusade (2012), antique Italian puppets become specific historical protagonists in an ingenious re-telling of the first and second Crusades from an Arab perspective, through subtle shifts in the marionettes» costumes and beautifully crafted sets.

Not exact matches

In addition to presenting the narrative of the Crusades, Shawky imbues the subject with the exuberance, critique, and beauty of a cabaret, as alluded to in the series» title.

We see a lone puppet, one of scores used by the Egyptian artist Wael Shawky in his «Crusades Cabaret,» a brilliant two - video marionette - musical consideration of early contact between the Arab and European cultures.