Cadmium Yellow Light, Permanent alizarin crimson, Burnt umber, Ultramarine Blue and Titanium White.
LB: My first palette consisted of, going around from the bottom left of the palette and moving along the outer edge to the top right or middle of the right edge: titanium white, zinc yellow,
cadmium yellow light, naples yellow, yellow ochre, alizarin crimson, cadmium red light, venetian red, ultramarine blue, cobalt blue, cerulean blue, virdian green, chromium oxide green, ivory black, burnt sienna, raw umber.
Reds include alizarin crimson or cadmium red, and yellows cadmium yellow medium,
cadmium yellow light, or lemon yellow.
FRANK OKADA: No, it was ivory black, and zinc white, and
cadmium yellow light, yellow ochre light, cadmium red light, alizarin crimson, viridian green, and probably an umber, and that's it.
Colours: raw umber, burnt sienna, yellow ochre, burnt umber, ultramarine blue, cobalt blue, cerulean blue, king's blue light, alizarin crimson, cadmium red light, cadmium orange, naples yellow light, naples yellow dark,
cadmium yellow light, lemon yellow, titanium white
Cadmium Yellow Lemon,
Cadmium Yellow Light, and Cadmium Yellow each mixed with the medium deep and somewhat neutral Chromium Oxide.
[ok for week no. 2 meeting] white paper 90 lb smooth, notebook is fine exacto or utility knife rubber cement straight edge or ruler fashion magazines, instructions in class to follow commercial paint supply color strips, instructions in class to follow titanium white or equivalent gouache french ultramarine blue gouache cobalt blue gouache cerulean blue gouache veridian green gouache cadmium red medium alizarin crimson gouache magenta gouache
cadmium yellow light gouache cadmium yellow deep gouache raw sienna gouache lamp black or equivalent gouache 2 glass containers with lids for water plastic paint palette with dividers 2 - 3 paint brushes including small round tip, medium flat, example # 8 flat or equivalent small spray bottle [facial atomizers are good] clean rag or paper towel
Unison Pastels: Grey 27,
Cadmium Yellow light & Mid, Lemon Yellow Light, Warm Pink, Cool pink, Cadmium Red, Burnt Siennas, Burnt Orange mid & dark, Red Brown mid & dark, Cerulean Blue, Cobalt Blue, Yellow Greens, Blue greens, Dark Blue / Green, Prussian Blue, Blue Violet, Cobalt violet, Lilac light Blue Grey mid & dark, Rembrandt Black
Unison Soft Pastels: Grey 27,
Cadmium Yellow light & Mid, Lemon Yellow Light, Warm Pink, Cool pink, Cadmium Red
Not exact matches
Colours: burnt umber, crimson, titanium white (coloured ground), pthalo blue (red shade), pthalo blue (green shade), burnt umber, burnt sienna, raw sienna,
cadmium yellow cadmium red
light, titanium white
Unique and luscious mixture containing
Cadmium Yellow, this light yellow green absolutely glows, yet remains na
Yellow, this
light yellow green absolutely glows, yet remains na
yellow green absolutely glows, yet remains natural.
When I came here [to South Carolina] and beg [a] n studying with Jean Pilk, who had studied for years with Daniel Greene, [she] directed me to use a palette of
Cadmium Red
light with
Yellow Ochre as a base.
Mixed according to specification using proprietary pigments, including
Cadmium Yellow, Bice is also found in the complete set of all eight grays, A Set of Color and
Light.
Cadmium Yellow Orange is warmer in mixing and
lighter in value than the
Cadmium Orange but both are intensely bright.
Extra rich and fully opaque, our
Cadmium Yellow Deep is a vibrant light orange with luminous golden yellow
Yellow Deep is a vibrant
light orange with luminous golden
yellow yellow tints.
Mixed according to specification using proprietary pigments, including
Cadmium Yellow, Bluff is also found in the complete set of all eight grays, A Set of Color and
Light.
The colors that I used are: Burnt Umber, Ivory Black,
Cadmium Red
Light,
Yellow Ochre and Titanium White.
Here are a few examples Monet's use of
Cadmium Yellows to capture nature's
light and warmth.
Then I mixed a basic skin color of
Cadmium Red
Light,
Yellow Ochre and Titanium White.
Visually anchored by winding areas of
yellow and crimson on the right and left respectively, the painting bursts with
cadmium red, olive and forest greens,
light gray, and the occasional dash of deep blue.
It will easily produce a much
lighter mixture than a warmer
Cadmium Yellow, and the mixture will be spatially more distinct.
Colours: Titanium White, Naples
Yellow, Indian
Yellow,
Yellow Light, Transparent Orange,
Yellow Ochre, Permanent Brown Madder, Burnt Sienna,
Cadmium Red, Indian Red, Ultramarine Blue, Violet.
Unison Soft Pastels: Dark Red,
Cadmium Orange,
Cadmium Orange Red, Purple Red Dark,
Cadmium Yellow,
Yellow Ochre, Blue Violets, Cerulean Blue, Cobalt violet, Lilac
light, Violet, Purple,
Yellow Greens, Dark Blue / Green A49
Colours: Cobolt blue, Ultramarine blue, Raw sienna, Burnt sienna, Naples
yellow, Cobolt violet, Aureolin, Viridian,
Light red,
Cadmium yellow, Lemon
yellow.
Colours: Ultramarine blue, burnt sienna, oxide of red, cerulean blue, raw sienna, manganese violet, white, lemon
yellow, kings blue
light, cobalt blue, naples
yellow,
cadmium yellow, alizarin crimson, paynes grey.
Colours: Cobolt Blue, French Ultramarine, Cerulean Blue, Cobolt Violet, Raw Sienna, Burnt Sienna,
Cadmium Lemon, Lemon
Yellow (Nickel Titanate), Aureolin, Opaque White, Veridian,
Light Red.
««I sold that piece to New York, that one to an English collector, that to Brazil, and another to Australia,» said a perspiring Alex Logsdail, indicating the
cadmium yellow Anish Kapoor, a Ryan Gander, and two sound - and -
light works by Haroon Mirza on the Lisson Gallery stand.
Just as the «gold» in the title of the show plays on the industry name for the
cadmium yellow used to modify the
light bulbs, this exhibition explored the serialized and commodified aspects of technological development, artistic production, and the space of the gallery.