Sentences with phrase «california area artist»

«Embrace» figurative abstract painting by San Jose, California area artist Daniel David Fuentes (American, 20th Century).

A figurative abstract painting on each side of the masonite by San Jose, California area artist Daniel David Fuentes (American, 20th Century).

A figurative abstract painting on masonite by San Francisco, California area artist Daniel David Fuentes (American, b - 20th C. - d - 2017).

Figure in purple by San Jose, California area artist Daniel David Fuentes (AKA, Xavier Lundt)(American, 20th Century).

Figurative abstract painting by San Jose, California area artist Daniel David Fuentes (American, 20th Century).

Seated figure abstract painting by San Jose, California area artist Daniel David Fuentes (American, 20th Century).

Dynamic figurative abstract by San Jose, California area artist Daniel David Fuentes (American, 20th century).

Not exact matches

Continuing the thematic focus introduced in Season 8, the new season draws upon artists» relationships with the places where they live and work: Johannesburg, South Africa; Berlin, Germany; and the San Francisco Bay Area, California, USA.

Miramar Beach in Montecito by local artist Chris Potter Demand for U.S. real estate remains strong this holiday season and appears poised to carry over into 2017, with California and Bay Area cities again ruling the list of the nation's most sought - after housing markets.

The resort is located in Laguna Beach, California, an artist community where you can browse numerous art galleries, or explore the area's 30 beaches and coves.

The gallery has become known for discovering emergent artists in California and bringing them to an international audience as well as introducing foreign artists to the San Francisco Bay Area.

This exhibition is curated by art historian Kene J. Rosa and artist Louis Jacinto, whose work has been exhibited in the Southern California area since 1980.

Including more than 300 paintings, sculptures and drawings by nearly 140 artists of international renown, such as Jackson Pollock, Alberto Giacometti, Richard Diebenkorn and Mark Rothko, Celebrating Modern Art provides an exciting and diverse overview of a century of artistic achievement and features five areas of focus: the New York School, art in California, contemporary art, modern sculpture and twentieth century drawings.

Paul Kos is a conceptual artist and one of the founders of the Bay Area Conceptual Art movement in California.

Post-war California art is well represented with striking abstractions from the Bay Area artists Hassel Smith, Frank Lobdell, Richard Diebenkorn and Jay DeFeo.

Diebenkorn, however, preferred California to the competitive New York art scene, and became a leading artist among the Bay Area Figurative painters.

SOLO EXHIBITIONS: Ceres Gallery, Ney York City NY Van Bovenkamp Gallery, New York City NY Lucien Labaudt Gallery, San Francisco CA Hollis Gallery, San Francisco CA Prism Gallery, San Francisco CA Ebert Gallery, San Francisco CA Pacific Design Center, Los Angeles CA Bingham Gallery, San Jose CA Bingham Gallery, Salt Lake City UT Voshan Gallery, Palo Alto CA Palm Springs Gallery, Palm Springs CA University of Oregon Art Museum, Eugene OR University of Montana Art Museum, Missoula MT Fresno Art Center, Fresno CA Atelier Gallery, Santa Cruz CA Romana Milutin - Fabris Gallery, Dubrovnik, Croatia Sesame Gallery, Dubrovnik, Croatia Studio Art 57, Dubrovnik, Croatia GROUP EXHIBITIONS: Elaine Benson Gallery, Bridgehampton, Long Island NY San Francisco Bay Area Painters, Palo Alto Cultural Center, Palo Alto CA Survivors, Henry Gallery, University of Washington, Seattle WA Artists of Oregon Annual, Portland Art Museum, Portland OR Artists of Oregon Invitational, Portland Art Museum, Portland OR Greenville Art Museum, Greenville, North Carolina San Jose Art League, San Jose CA Yerba Buena Art Center, San Francisco CA Voshan Gallery, Palo Alto CA Ebert Gallery, San Francisco CA Ceres Gallery, New York, NY Triton Museum, Santa Clara CA BIRTHPLACE: Boston, Massachusetts EDUCATION: Massachusetts School of Art, Boston, Bachelor of Art Degree, 1952 San Francisco Art Institute, Master of Art Degree, 1961; Graduate Study with Diebenkorn, Oliveira, Bischoff and Hedrick University of Oregon, Eugene, Master of Fine Arts (required to teach in Oregon) TEACHING EXPERIENCE: California State University, Fresno CA Fresno City College, Fresno CA Umpqua College, Roseburg, Oregon

Originally known as California Collagists, Collage Artists of America was founded in 1988 by nine Los Angeles - area women artists proficient in a variety of media who sought to explore the art of cArtists of America was founded in 1988 by nine Los Angeles - area women artists proficient in a variety of media who sought to explore the art of cartists proficient in a variety of media who sought to explore the art of collage.

A California abstract expressionist artist, Kristin studied at Humbolt State University and with Micheal Dee Cookinham a bay area figurative and abstract expressionist painter.

The Oakland Museum exhibition focuses on California artists (Terry Fox, Darryl Sapien, Robert Arneson, Survival Research Laboratories, William Wiley, Guillermo Gómez - Peña, Jim Melchert, Bonnie Ora Sherk, Keith Hennessy) and nationally acclaimed artists that have performed in the Bay Area (Ann Hamilton, Meredith Monk, Marina Abramovic and Ulay, Merce Cunningham, Eiko and Koma, Karen Finley).

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

Bailey Cove (2007), for example, is the name of a campground on Lake Shasta near the artist's hometown of Redding, California; in Wilson's abstract rendition of the area, he stacks overlapped squares of olive green, musty yellow, and slate gray near the bottom of the canvas, evoking a moment at dusk or dawn.

Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24

The genre is now referred to as the Bay Area Figurative School and is marked by bright blocks of color in which artists portray the planes and the shores of their California surroundings.

With a few notable exceptions among California artists — especially in the Bay Area, where figures such as Peter Voulkos in the 1950s and Robert Arneson in the 1960s were early to embrace ceramics» potential — ceramics have remained on the sidelines of modern art, categorized primarily as the stuff of tableware and souvenir trinkets.

Among the strengths of the collection are historical Bay Area art; second - generation minimalism; photography; representational painting; and emerging California artists.

Foregrounding their aesthetic contributions as well as subversions, ENERGY THAT IS ALL AROUND brings the decidedly lowbrow and defiant early work of some of California's current influential and innovative artists to New York and the tri-state area.

This 30 - minute documentary, produced by Elizabeth Sher, provides a unique and candid view of a vibrant artist whose contributions to Bay Area art extend beyond her work and include the many artists she taught during her 36 years as professor of sculpture at the California College of Arts (CCA).

It's ironic that SFMOMA's 50 West Coast Artists did not include even one of the artists on view in the current Bay Area Abstraction 1945 - 1965 at David Richard Contemporary, featuring artists who shared in common their creative genesis at the San Francisco Art Institute (then the California School of FineArtists did not include even one of the artists on view in the current Bay Area Abstraction 1945 - 1965 at David Richard Contemporary, featuring artists who shared in common their creative genesis at the San Francisco Art Institute (then the California School of Fineartists on view in the current Bay Area Abstraction 1945 - 1965 at David Richard Contemporary, featuring artists who shared in common their creative genesis at the San Francisco Art Institute (then the California School of Fineartists who shared in common their creative genesis at the San Francisco Art Institute (then the California School of Fine Arts).

«Bay Area Abstraction: 1945 - 1965» focuses on three of those artists, Charles Strong, Frank Lobdell, and Jack Jefferson, two of whom studied with Clyfford Still at the California School of Fine Arts.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

The intense color and sunlight of the west coast, along with the influence of the Society of Six, Bay Area Figurative painters, and other contemporary northern California artists, gives her art its singular character.

Their family connection to Northern California is reflected in works by Bay Area artists Richard Diebenkorn and David Park, as well as by William T. Wiley, who became a friend the Pokrosses frequently visited.

1987 Painting, Jan Turner Gallery, Los Angeles, CA Prints and Drawings by 17 Bay Area Masters, Natsoulas / Novelozo Gallery, Davis, CA American Painting: Abstract Expressionism and After, San Francisco Museum of Modern Art, San Francisco, CA Selections from the Collection, University Art Museum, University of California at Berkeley, Berkeley, CA A Painterly Vision: California 1960s Paintings and Works on Paper, Stephen Wirtz Gallery, San Francisco, CA Bay Area Influences: Four Artists: Palo Alto Cultural Center, Palo Alto, CA

Andrea Zittel is also the founder of the adjoining High Desert Test Site, a non-profit organization that supports intimate and immersive experiences and exchanges between artists, critical thinkers, and general audiences, which is helping to realize land art project in the California high desert area and beyond.

Call for Artists, Honoring Women's Rights: Visual Voices Together Deadline EXTENDED to June 27th, 2012 (via Entrythingy.com) Organized and presented by four Women's Caucus for the Arts chapters, South Bay Area, Northern California, Peninsula, and Monterey Bay as well as... Continue reading →

The exhibition will feature sculptures, drawings, paintings, video and prints by several contemporary artists currently working in California, as well as newly commissioned works by Los Angeles - based artist Andrew Schoultz, the Bay Area - based mural collective Precita Eyes Mural Collective, and the international artist collective Futurefarmers, founded by San Francisco artist Amy Franceschini.

Its 10,000 square foot venue offers a dramatic exhibition space for large thematic group exhibitions that represent the current endeavors of area artists as well as exhibitions of work by individuals who have made a significant contribution to art in Los Angeles in particular and Southern California at large.

In 2008 Jessica Silverman opened the Jessica Silverman Gallery with a mission of introducing emerging international and California artists to the San Francisco Bay Area.

Bio: Michael A. Mersereau is a multidisciplinary media artist and experimental musician from the San Francisco Bay Area in Northern California.

A highly respected artist in the Bay Area, where she taught alongside Clyfford Still and Richard Diebenkorn at the California School of Fine Arts (later the San Francisco Art Institute), Falkenstein moved to Paris in 1950 where she exhibited with Hans (Jean) Arp, Lucio Fontana and Alberto Giacometti; rubbed shoulders with Constantin Brancusi and Henry Moore; and received prestigious architectural commissions, including a stunning set of garden gates, made of welded metal and Murano glass, for Peggy Guggenheim's palazzo on the Grand Canal in Venice.

The exhibition will feature sculptures, drawings, paintings, video and prints by several contemporary artists currently working in California, as well as newly commissioned works by Los Angeles - based artist Andrew Schoultz, the Bay Area - based mural collective Precita Eyes Mural Collective, and the international artist collectiveFuturefarmers, founded by San Francisco artist Amy Franceschini.

This steady stream of gallery advertising in major American art magazines, which include color reproductions of her artists» works, benefits not only the gallery and the artist, but the entire California and Bay Area arts community, which ride their coattails through the steady exposure of locally established and emerging artists to an expanded audience.

Having produced numerous interventions across Europe, Asia, Africa, and now the US, the artist will focus the exhibition on a series of recent works, most of them created in various areas throughout California specifically for this show.

The installation ends with three galleries devoted to California art: one for Diebenkorn and his generation; one for Bruce Conner and the funk and conceptual artists who provide Northern California with the necessary edge to counteract the sometimes too lax aesthetics of the Bay Area Figurative School; and one for the Pop - influenced work that blossomed in the»60s and»70s, work that accepts, albeit ironically, the fact that the car culture displaced the orange groves.

Inspired by his travels to California and the Sierra Nevada mountains, particularly the headwater areas of the Kern and Merced rivers, the new works echo the rivers» geological shapes in abstracted form, in a visual language the artist created.

She graduated from University of California at Berkeley with a B.A. in Art, where she studied with Joan Brown, Elmer Bischoff, Christopher Brown, James Cahill, and other prominent Bay area artists and art historians.

In addition, a fund established by the Getty Trust at the California Community Foundation supports artists at mid-career as well as arts organizations in the Los Angeles area.

However, it's derived from a softer California tradition of domestic architecture as espoused by such Bay Area masters as Joseph Esherick, architect Rudolph Schindler and artist Donald Judd, whose asymmetrical masterpieces Johnson also holds to the light.

Spirited bidding competition between international and Los Angeles - area buyers drove the final price to $ 206,250, further confirming LAMA as the leading source for works by contemporary California artists.