Sentences with phrase «calling film number»

Calling film number three Beginning of the Planet of the Apes would just be silly.

Not exact matches

McDiarmid, who played the evil emperor in the a number of films in the space series, will take to the stage as Powell later this month in a new production called What Shadows.

This week he was filmed getting a touch of the «Diane Abbotts» as he stumbled over the bingo numbers as he called them out in his Doncaster North constituency.

Graynor's additional film credits include FOR A GOOD TIME, CALL... (Sundance Film Festival 2012), which she also executive produced; CELESTE AND JESSE FOREVER (Sundance Film Festival 2012); 10 YEARS (Toronto International Film Festival 2011); David Gordon Green's THE SITTER; WHAT»S YOUR NUMBER?

[img] http://images.rottentomatoes.com/images/user/icons/icon14.gif [/ img] The Pact feels as if it's been constructed from an infinite number of inspirations stretching from classic ghost story horror cinema to the recent wave of found footage films but at the same time because of such great execution you could never actually call it generic.

By calling the film Predators the filmmakers are evoking the relationship between the original Alien film and its sequel Aliens by implying that Predators is the rightful follow - up film to Predator and promises to up the ante in terms of action and the number of creatures for the human characters to contend with.

The documentary is accompanied by a number of interesting films: three shorts made at the Champion studio from 1910 to 1913, an early documentary short about Fort Lee by Theodore Huff and Mark A. Borgotta, a feature called The Danger Game starring Madge Kennedy, an early Mack Sennett comedy short, and a 31 - minute version of Robin Hood released by Éclair America in 1912.

The cover story, «Grade B — But Choice,» is devoted to an obscure 1934 musical called «Young and Beautiful,» featuring «budding starlets, grade - A character actors, grade - B musical numbers, a pair of vaudevillians, a look behind the scenes of Hollywood, bogus appearances by Charlie Chaplin and Buster Keaton and a script by Dore Schary» [later famous as a producer of films such as «Crossfire,» «Mr. Blandings Builds His Dream House,» «They Live By Night» and «The Red Badge of Courage»].

Although the film is called «He's Just Not That Into You,» Kwapis tries to balance out the equation by including an equal number of dumped guys, but the ploy is halfhearted.

Tony, of course, has his zippy metal power suits, but a number of the other characters do, too, including Bruce Banner (Mark Ruffalo), who after the opening fight spends the entire film trying and failing to call forth his inner Hulk.

PH: A few years ago, I was an actor in a film called «Rudyard Kipling's Mark of the Beast,» and while on the set a number of people were talking endlessly and enthusiastically about the Tommy Wiseau film «The Room.»

I have never attended an actual theatrical showing of The Rocky Horror Picture Show, and for the longest time, I doubted that I was completely receptive to every significant nuance and intricacy of the film, what with its name dropping of Michael Rennie and the presence of a performer called «Little Nell» who wears Mickey Mouse ears during the «Touch - A, Touch - A, Touch Me» number.

With a resume that big, it's tough to say how accurate the number is, but if you thought this might be the one with which Corman would break from the cheap, crass playbook he's relied on for over fifty years, then take another look at the cover art above and notice that the film is called Camel Spiders.

In order to market his film to the masses, Wiseau spent a reported $ 300,000 to maintain a billboard on Hollywood's Highland Avenue displaying an image of his own face alongside a web address and an «RSVP» phone number that when called took fans to a voicemail message featuring Wiseau himself inviting them to schedule a screening of the film.

But one interesting thing about the piece is that he lumps a number of recent films into what he calls the «martial arts plus» category:

We have a number of LGBTQ people / films up for Oscars tonight: Dee Rees and James Ivory (both in Adapted Screenplay), the Chilean nominatee A Fantastic Woman, and the Best Pic nominee Call Me By Your Name, and Rachel Morrison, the first woman nominated in Cinematography.

There were a large number of films that could be called «performance pieces» and few that could be considered the work of directorial pioneers.

Stars Segel and Adams take a back seat for most of the antics once the Muppets take over the screen (not a bad thing in a film called The Muppets), but they do get their chances to shine, particularly in the aforementioned song and dance numbers.

We'll never know that if this movie were called The Cellar (the name of the original spec script) or No Escape (the name of Dan Trachtenberg's short film based in the Portal universe that may have served as the calling card that got him the gig, and there are quite a few parallels between the two projects) or any number of other names it would have been a more satisfying whole.

In fact, this device comprises the entire soundtrack of the film, calling to mind the one musical number from the 1990 Mickey Mouse featurette «The Prince and the Pauper.»

The film works well for a number of reasons, but Marlon Brando's stellar acting remains its calling card.

Nope, the number one film in North America is a holiday horror - comedy called Krampus: a movie that many people saw as a cult offering at best.

That's what I'd call the top tier of this category, but there are a number of other performances with their own champions, like Mélanie Laurent in «Inglourious Basterds,» the film's truest hero (make that heroine).

Not a small number of film lovers — those who see themselves in these foulmouthed little - leaguers — would call this one of the key movies of the»70s.

LOS ANGELES, CA (January 14, 2015)-- Bruce Willis (DIE HARD film franchise) will star in John Pogue's (THE QUIET ONES) action thriller WAKE, produced by Michael Benaroya (LAWLESS, MARGIN CALL) of Benaroya Pictures, Tobin Armbrust (A WALK AMONG THE TOMBSTONES, BEGIN AGAIN), David Alpert (upcoming AMERICAN ULTRA, AMC's «The Walking Dead») and Chris Cowles (THE NUMBERS STATION, AUTOBAHN).

, Ghost) was called on to direct a number of reshoots while Menno Meyjes had moved onto another film.

Because its imagery — which also calls to mind Michael Mann's The Last of the Mohicans, the cinema's every modern representation of revolution (the few decent scenes in Roland Emmerich's stupid The Patriot, for instance), and even the militarism of choreographer Busby Berkeley — is far more virile than its screenplay, Drumline's seductive aesthetic is without strong narrative pillars, if a rather welcome imposition: the film's saving grace is the brilliant execution of its march numbers.

It's all extremely on - the - nose; after all, this is the kind of film that introduces a gay movie star with a butt - bumping sailor - themed musical number called «No Dames.»

As if a nod to the film's theme, the Blu - ray opens with an unusually high number of trailers, promoting Salvation Boulevard, Beats, Rhymes & Life: The Travels of A Tribe Called Quest, Midnight in Paris, Exporting Raymond, Life, Above All, and, most appropriately, Super Size Me (the only SD spot).

That the film is called The Musketeer rather than The Three Musketeers is no accident; actually, a more appropriate title would've been The Super-Musketeer, for this version of D'Artagnan is downright invincible, able to defeat any number of opponents with his gravity - defying derring - do.

Why would anyone want a dedicated e-reader to add to the clutter they carry around, when in 6 months or so there will be single devices you can (1) read books and magazines on, (2) make phone calls on, (3) type and dictate into, (4) number crunch on, (5) watch films on, and (6) play games on?

In addition a vast amount of information about Final Fantasy XV itself was revealed, including a number of related objects such as a CGI film called Kingsglaive and an anime series.

Often installed on multiple channels, the films require viewers to be active participants as they physically survey the images or call a number to hear a portion of the soundtrack.

In 2004, Tom Harris and the group Friends of Science produced a film called Climate Catastrophe Cancelled which prominently featured interviews with McIntyre and McKitrick as well as a number of other prominent climate change skeptics.