Sentences with phrase «calvary which»

My list of didn't - see - yet shame includes: Eskil Vogt's Blind that everyone raved about, Brendan Gleeson's Calvary which Fox Searchlight picked up, German drama Wetlands, Jake Paltrow's sci - fi western Young Ones, Jim Mickle's Cold in July, bedtime horror The Babadook that some said is the best of the fest, Mark Duplass & Elisabeth Moss in The One I Love, Jenny Slate in Obvious Child, A.J. Edwards» Lincoln film The Better Angels, plus the highly praised closing night film They Came Together, not to mention the Audience Award winning doc Alive Inside: A Story of Music & Memory.

If the liturgical drama of the Mass has exercised its influence well, it will have stamped not only on the soul, but also on the bodily faculty of the imagination the form of the Victim of Calvary which is there represented.

Not exact matches

Beginning in the Jesus Movement in the early 60's, Lonnie became very influential in the beginning success of Chuck Smith's Calvary Chapel movement, as well as John Wimber's Vineyard movement, of which I am a part.

More significantly, the partial foreshadowing of Christ's oblation in animal sacrifice set up the void in which his sacrifice could exist by revealing the distance between the earlier attempts at sacrifice and their fulfillment at Calvary.

But moderate, intentional, celebratory and reflective drinking of wine and beer, which contemplates the crucified and risen King and anticipates our future glory, is rooted in the grace that poured from Christ's veins on Calvary.

Calvary or Golgotha was the site, outside of ancient Jerusalem's early first century walls, at which the crucifixion of Jesus is said to have occurred.

But I think there is some risk that it might be misconstrued so as to obscure certain truths which I believe to be fundamental: that the Passion is the moment at which that complete oneness with the Father which is the unique and all - pervading characteristic of the life of Jesus is paradoxically manifested; that it is at that moment, above all, that Jesus discloses to us God himself in action; that the judgement passed on Jesus and the testing brought to bear upon him are a judgement and a testing exercised (of course, within the permissive will of God) by evil men, or, to use mythological language, by the devil; and that the judgement of God pronounced at Calvary is that which Christ's accepting love passes upon those men, and upon ourselves as sharers in their sinfulness, by showing up their sin in all its hatefulness.

This is the meaning and message of the Passover, and participation in it has the sacramental efficacy of producing rebirth; this is also the meaning of the commemoration of the sacrifice of Christ on Calvary, for by participating in the death of Christ who sums up all of the past, we also participate in his resurrection, which attains the eschatological future.

Churches which affiliate with Calvary Chapel may use the name «Calvary Chapel» but need not do so.

Chuck Smith's «Calvary Chapel Distinctives» summarizes the tenets for which Calvary Chapel stands.

Believing that every repression of energy is a repetition of Calvary, Blake finally came to see that the very horror of the sacrifice which Satan demands in all his multiple forms is ultimately a redemptive horror, a darkness which must become light.

In the paradoxical formula of Archbishop Nathan Söderblom's Gifford Lectures of 1931, «the uniqueness of Christ as the historical revealer, as the Word made flesh, and the mystery of Calvary,» which are an «essentially unique character of Christianity,» compel the affirmation that «God reveals himself in history; outside the Church as well as in it» (The Living God [Beacon, 1962], pp. 349, 379).

-- who give heed to the meaning of the great racist persecutions and who try to understand this meaning, they will see Israel as drawn along the road to Calvary, by reason of that very vocation which I have indicated, and because the slave merchants will not pardon Israel for the demands it and its Christ have implanted in the heart of the world's temporal life, demands that will ever cry «no» to the tyranny of force.

Beside that hill is another hill called Calvary, beneath which is an empty tomb.

I have protested against confining the significance of Jesus Christ to a divine rescue expedition, but the plain testimony of two thousand years of Christianity is that Jesus Christ does rescue us in the supreme sense that through his deed, culminating on Calvary, he opens up the right road to fulfillment and provides grace — which, as Kenneth Kirk once said, is God's love in action — to enable us to walk that road, even in times of stress and even though we are quite likely to stumble and fall again and again.

As Dom Gregory Dix, in a now famous section of his book The Shape of the Liturgy, put the matter, Christians through the ages have known of no better and more appropriate way to remember» Jesus than by participating in the offering of the Eucharist as «the continual memory» of his passion and death — which also means, of course, the life which preceded Calvary and the knowledge of the risen Lord which followed the crucifixion.

It is in fact the Christian Church's pleading before God the Father of that «full, perfect, and sufficient sacrifice, oblation, and satisfaction» which on Calvary was «once offered.»

Pastor Bob Coy, 58, reportedly confessed a «moral failing which disqualifies him from continuing his leadership role at the church» to Calvary leaders on Wednesday.

As the Christian Church makes memorial of Christ's life and work, bringing these from the past into the present; as through that memorial, it pleads before God the wonder of the self - offering which Christ made on Calvary; as the communicants know the presence of Christ brought from heavenly places into their heart of hearts — so they are in communion with Him, and with God and man through Him, the communion which is Life Eternal.

Only silence; agonizing silence, which would later turn to ceaseless prayer before altars, and usher forth the realization of a maternity that would be hidden from the world — a mystery of hidden love that would be lived as one Mother had shown before, pondered in the heart, and then held lifeless on the hill of Calvary.

Which of course is the standard Jesus established on the cross of Calvary.

On Calvary he not only makes up for the selfishness of others with his selfless love, he also apologises to his Father for the infinite offence which sin gives to Divine Goodness.

In a historic transition in 2012, Calvary Chapel officially established an association with a 21 - member leadership council, which now guides the worldwide organization Chuck Smith fostered.

It is as if there were a cross unseen, standing on its undiscovered hill, far back in the ages, out of which were sounding always, just the same deep voice of suffering love and patience, that was heard by mortal ears from the sacred hill of Calvary.4

It refused to distribute flyers about Calvary Chapel's Outdoor Excursions program, Harvest Festival, and Youth Nights (which include basketball and air hockey) because they included phrases such as «worship music», «good news» and «devotional».

If sacrifice of Jesus Christ once - for - all on Calvary for the sins of the whole world is a dominant motif of Holy Communion, do we really proclaim the Lord's death by word and action in ways which communicate this redemptive event to all who see and hear?

But if we never forget that Calvary is the culmination of a whole life of obedience, self - surrender, and self - giving to God, and that the medieval sayings are right which speak of «the whole life of Christ as the mystery of the Cross» and of the sacrifice of Christ as «not the death but the willingness of him who dies,» we are delivered from this danger so far as our Lord's death is concerned.

No Christian thinkers have understood this truth about the Lord's Supper better than John and Charles Wesley, who in their eucharistic hymns, and especially in the hymns of Charles, speak nobly of the way in which we «plead» the sacrifice which was once and for all accomplished on Calvary.

And that resistance (in which the Evil One will play no small part) will eventually lead to Calvary, where the sword of sorrow promised by ancient Simeon in Luke 2:35 will pierce Mary's soul.

In the category below, Calvary Chapel and Vineyard, which would be both be considered charismatic, have 25 and 15 million respectively.

The term is (mis) used to encompass several religions in which the major tenet of faith is that Jesus is the Christ, he is the one and only Son of God, born of a union between the virgin Mary and the Holy Spirit which IS God and Jesus lived a sinless life as a man, judged to be guilty of all sin, died on the cross at Calvary, and rose again the third day.

His 1956 compilation Let Us Compare Mythologies contains poems like «For Wilf and His House,» which opens: «When young the Christians told me / how we pinned Jesus / like a lovely butterfly against the wood, / and I wept beside paintings of Calvary / at velvet wounds / and delicate twisted feet.»

As we contemplate the work which Christ has laid upon his church, we who are met here on the Mount of Olives, in sight of Calvary, would take up for ourselves and summon those from whom we come, and to whom we return, to take up with us the cross of Christ, and all that for which it stands, and to go forth into the world to live in the fellowship of his sufferings and by the power of his resurrection.

On the other side there are certainly many passages which run counter to O'Connor's theory in that they take for granted the centrality of signification for St Thomas's view of the Mass as the representation of Calvary, as anyone reading the Summa on the Eucharist will quickly discover.

Accordingly, in the answer to the third objection, from which O'Connor's quotation is taken, he states that sacrifice and victim are bothappropriately used of the Eucharist because they refer to different aspects of the sacrament, «sacrifice» to the representation of Calvary, and «victim» (or «host») to the sacrament as containing Christ.

However, several societies of clergy bound by rules which include vows of celibacy (usually not formally lifelong, but taken for a period with the expectation of renewal), have been founded, such as the Oblates of Mount Calvary in America, associated with the Order of the Holy Cross, and the recently organized Company of Mission Priests in England.21

Then, you say, the preacher in a long discourse expounded the idea that man's sin is justly answered by God's wrath, and that the righteous wrath of God can be satisfied only by an infinite sacrifice which no human being can make — only the Son of God himself, who by dying on Calvary made God's forgiveness pos - sible.

«Calvary» stars Brendan Gleeson and Chris O'Dowd in this strange film both written and directed by John Michael McDonagh, At the outset let me say that I am a huge Brendan Gleeson fan and appreciate and respect almost everything in which I've ever seen him perform.

One of the highlights of the 2014 Chicago Critics Film Festival was the Chicago premiere of John Michael McDonagh's scathing and brilliant «Calvary,» and we couldn't be more excited to host the city's premiere of his follow - up, «War on Everyone,» which premiered earlier this year at the Berlin Film Festival.

The former schoolteacher wows audiences with his performance in John Michael McDonagh's Calvary, in which the 59 - year - old star plays a doomed Catholic priest on an island off the coast of Ireland.

Fox Searchlight also picked up Calvary, which reunites John Michael McDonagh and Brendan Gleeson after previously having worked on The Guard.

Major films already in the mix for 2014 include Lenny Abrahamson's Frank, starring Domhnall Gleeson and Michael Fassbender, and Calvary, starring Brendan Gleeson, both of which will have their World Premiere at Sundance in January, showcasing Irish talent on the world stage.

The Guard and Calvary director John Michael McDonagh has tapped Ralph Feinnes (A Bigger Splash) and Rebecca Hall (Professor Marston and the Wonder Women) to lead the cast of his new film The Forgiven, which also has Said Taghmaoui (Wonder Woman) and Mark Strong (Deep State) attached to star.

Among the other fiction films to look for in theaters or on VOD: John Michael McDonagh's Calvary, in which Brendan Gleeson gives a beautifully modulated performance as a dedicated priest who is no match for the disillusionment of his parishioners and the rage of another inhabitant of his Irish seaside village, determined to take revenge against the priesthood for the sexual abuse he suffered as a child; the desultory God Help the Girl, the debut feature by Stuart Murdoch (of Belle and Sebastian), all the more charming for its refusal to sell its musical numbers; Tim Sutton's delicate, impressionistic Memphis, a blues tone poem that trails contemporary recording artist Willis Earl Beal, playing a character close to himself who's looking for inspiration in a legendary city that's as much mirage as actuality; and two horror films, Jennifer Kent's uncanny, driving psychodrama The Babadook, with a remarkable performance by child actor Noah Wiseman, and Ana Lily Amirpour's less sustained A Girl Walks Home Alone at Night, which nonetheless generates some powerful political metaphors.

The enigma of Calvary is that Father James neither reports the threat, which becomes increasingly credible, nor confronts the parishioner who threatened him.

In the last couple of years, he's gone from the romantic lead in About Time to Konstantin Levin in Tom Stoppard's adaptation of Anna Karenina; there's his leading role in the forthcoming Star Wars Episode VII; and there was the recent Calvary, in which he had a cameo as a creepy serial killer enduring a prison visit from a priest played by his father, Brendan, an experience he found «really cool».

If you ask me, the most «Christian» film released in 2014 was Calvary, which premiered at Sundance in 2014.

Elsewhere the programme bounces us from documentaries on Republican candidate Mitt Romney to internet activist Aaron Swartz; from John Michael McDonagh's wonderfully impish Calvary (showcasing a superb performance from Brendan Gleeson as a priest in peril) to Marjane Satrapi's ghoulish The Voices, in which Ryan Reynolds's grinning psycho - killer receives career advice from a satanic pet cat by the name of Mr Whiskers.

John Michael McDonagh's Calvary posted a strong second session, with a decline from the previous weekend of just 30 %, and # 1.39 m so far, but this figure is boosted by big numbers in Ireland, which are always included in reports of UK box - office.

Lynn Larkin glammed up to meet the stars as they rocked into Dublin's Savoy cinema for the Irish premiere of John Michael McDonagh's new film, Calvary, which opened this year's Jameson Dublin International Film Festival.