Sentences with phrase «camera negative with»

from the original 16 mm AB camera negative with 35 mm interpositive inserts and final approval by Frank Henenlotter himself, the film now looks better than ever.
With a video bitrate running at a posh 31 Mbps, the Criterion transfer is sourced from the original camera negative with colour - timing supervised by Haneke himself.
We even looked into reviving the sound - on - film cameras Robert Drew and associates were using, like, the Auricon, which scribbled the location audio directly onto the camera negative with a pulsing, shuttered light.
Special Features 4K Scan Of The Original Camera Negative With Standard Definition Inserts Slay Bells Ring: The Story Of Silent Night, Deadly Night — Featuring Interviews With Writer Michael Hickey, Co-Executive Producers Scott J. Schneid And Dennis Whitehead, Editor / Second Unit Director Michael Spence, Composer Perry Botkin, And Actor Robert Brian Wilson Oh Deer!

Not exact matches

makes its Blu - ray premiere in a stunning Special Edition, with a crisp HD transfer remastered from the original 35 mm camera negative.
Also, Kino Lorber Studio Classics has set Edward Ludwig's Javaro (1954) for release on Blu - ray / Blu - ray 3D and DVD, mastered from a 4K scan of the original camera negative and a 2K scan of the IP, with 3D restored by the 3D Film Archive.
Klowns is presented in 1080p high definition with a widescreen aspect ratio of 1.85:1 and a new English 5.1 DTS - HD MA (Master Audio) lossless track born of a new 4K scan of the original camera negative.
Exclusive new digital restoration from the original 35 mm camera negative, with uncompressed monaural soundtrack on the Blu - ray edition
Criterion's BD release, sourced from the original camera negative, puts the lie to all of those earlier versions with its richly - textured shadows, searing whites, and twinkling 35 mm film grain.
These episodes have been released on Blu - ray with all - new scans from the camera negatives.
Blood and Black Lace (Arrow / MVD, Blu - ray + DVD), Mario Bava's 1964 landmark, is my pick for the birth of the giallo, and the mix of poetic, haunting beauty with Grand Guignol gore and a bent of sexual perversity is beautifully serves in this astounding 2K restoration from the original camera negative.
Both films are remastered from new 2k scans of 35 mm prints struck directly from the camera negatives and the double feature (two discs on DVD, one on Blu - ray) includes new interviews with manga author Koike Kazuo and screenwriter Norio Osada.
Brand new restoration from a 4K scan of the original camera negative, with newly remastered stereo 2.0 and 5.1 DTS - HD MA audio options.s Formats: Blu - ray.
Formats: Blu - ray / DVD Combo with a new 4K restoration from the original camera negative.
Formats: Blu - ray with new 4K restoration of the film from the camera negative in its original 2.35:1 aspect ratio, produced by Arrow Video exclusively for this release; with original mono Italian and English soundtracks.
Special Features: • Brand new 2K transfer from the original camera negative • High Definition Blu - ray (1080p) and Standard Definition DVD presentations • Optional English SDH subtitles for the deaf and hard of hearing • Audio commentary with co-writer and producer Mardi Rustam, make - up artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards • New introduction to the film by director Tobe Hooper • Brand new interview with Hooper • My Name is Buck: Star Robert Englund discusses his acting career • The Butcher of Elmendorf: The Legend of Joe Ball — The story of the South Texas bar owner on whom Eaten Alive is loosely based • 5ive Minutes with Marilyn Burns — The star of The Texas Chain Saw Massacre talks about working on Eaten Alive • The Gator Creator: archival interview with Hooper • Original theatrical trailers for the film under its various titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots • Alternate credits sequence • Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the film, illustrated with original archive stills and posters
It's playful with its storytelling in honour of Godard (chapter headings, characters talking to the camera, eccentric edits and colour briefly switching to monochrome negative all pay homage).
From the opening scene, an almost monochromatic chiaroscuro composition with strong diagonal lines (it was shot in an actual snowstorm), it's clear that Arrow's 1.85:1, 1080p transfer, sourced from a 2K scan of the original camera negative, is on the money.
Features both Blu - ray and DVD editions of the films, newly remastered from a 2K restoration from original camera negatives and featuring both Italian and English language soundtracks with optional English subtitles.
Arrow gives the film its American Blu - ray debut in a transfer newly mastered from a 2K restoration from the original camera negative, with both the Italian and English language soundtracks (note that American actor Mitchell's voice in the English version is one of many dubbed by Paul Frees) and newly translated subtitles for the Italian version.
NEW 4K Scan Of The Interpositive With Additional «Director's Cut» Footage From The Original Camera Negative
THE BLU - RAY DISC Scream Factory went back to the original camera negative for their Blu - ray edition of Sleepaway Camp, with documentary footage of the 2K scanning process to prove it.
As it stands, the 1080p 1.85 X 1 digital High Definition image looks fine throughout, shot with remarkable form by Anderson as an uncredited Director of Photography, his use of the grain in the advanced Kodak Vision 3 35 mm camera negative film stocks is superior and impresses throughout as it usually does in all of his films.
Likewise, the VFX (Double Negative, Framestore, MPC, among others) strives for reality whenever possible, with everything in the foreground shot in camera and enhanced only when necessary.
Not only that, but they've secured an exclusive, brand new 4K restoration from the original 35 mm camera negative (opening with the Trans World Entertainment logo, I might add).
Scream has actually reused MGM's Blu - ray transfer from 2009 (an A / B comparison shows identical print spotting at 1:15:40), but the good news is it holds up, with the breathtaking clarity of the 2.35:1, 1080p presentation suggesting it was sourced from something very close to the camera negative.
Mastered from the original 35 mm camera negative, it's almost flawless (with a touch of fluctuating pixels in the neutral skies) and so clean that the hard vertical scratches 65 minutes into the film — the only blemishes on the print — are jarring.
Although there aren't too many negatives about this vehicle one of the few would have to be the fact that there is no backup camera installed to aid with your view.
An optional head - up display projects the car's speed, navigation instructions and other information onto the windshield in the driver's line of sight, while an available Night Vision with Pedestrian Detection system uses an infrared camera to display a negative - image view of what's beyond the car's headlamps.
We are going to compare the screen in an direct sunlight setting in normal mode and with Pixel QI, we will use the IPAD as a benchmark for its comparison (mainly cause everyone knows how the ipad performs) Most other reviews have been negative so far, because they do not know how pixel qi is supposed to function, or use a camera with FLASH.
Players who suggest new features, understand when we say when they are not possible for us to implement (like rotating the camera in Book of Demons which is a 2d game) and discuss with each other the positive and negative consequences of proposed changes.
To shake up engagements, each fight is loaded with Test Your Might / Luck modifiers that shake up gameplay by implementing an eclectic mix of positive and negative effects (such as slowing down player speed and penalize ducking) and random events, like frequent grenade tosses from an off camera third party.
Unfortunately the camera struggles to frame the fast action, with a few too many occasions having unseen enemies inflicting damage up on you, but it's largely functional enough to not have too much of a negative bearing on the game on the normal difficulty setting.
In the early 1950s, when Rauschenberg was living with artist Susan Weil in a one - room apartment on West 95th Street in Manhattan, they produced a series of cyanotypes — images produced without a camera, by shining an ultraviolet light on an object or nude model resting on blueprint paper, exposing the paper where the light isn't blocked and creating a negative shadow of the object or model's outline, similar to the way an X-ray is done.
I loved the simplicity of the 4 × 5 inch field camera: a black box with a lens on the front, producing large - format negatives.
His photographic works are made without the use of a camera, instead producing images, both figurative and abstract, with handmade «negatives
Taking day trips to glaciers and uninhabited islands, Albury documented the shifting, icy landscapes with a pinhole camera, 4 x 5 negatives, and the arctic light.
During a residency at the Penumbra Foundation, I will continue research and begin working on a new body of work utilizing the archaeological «squeeze» technique, producing paper negatives with the Foundation's large format cameras and learning how to make salted paper prints.
They put together a video for their song Negative Space, along with cohorts Dean Tzenos and Alex Edkins behind the camera and editing machine.
Although Woodman used different cameras and film formats during her career, most of her photographs were taken with medium format cameras producing 2-1/4 by 2-1/4 inch (6x6 cm) square negatives.
The work is a unique gelatin silver print negative - sheets of expired gelatin silver paper were placed directly in a custom - built camera outfitted with a vintage military lens that magnifies the sun's intensity and records its path as a gash that burns through the paper's emulsion layer and base.
The process of making photographs is full of mind twists: upside downs, downside ups, negatives / positives, blacks / whites... The camera sees with a lens that projects an upside - down image on the ground glass of a view camera.
For this project, Rush built a camera that can handle ultra-large format negatives, enabling him to scrutinize objects on a shelf with the same kind of clarity that was possible when he photographed the pocket watch and stamp with his first Nikon.
Double Negative Artforum International; February 1, 2015; Noble, Kathy; 700 + words JAMES RICHARDS»S seven - minute video Raking Light, 2014, begins with a slow panning... included in the Fifty - Fifth Venice Biennale and earned Richards a 2014 Turner Prize nomination, the camera unsteadily pans across photographs by Robert...
In much of the work, the photos themselves are «wrong,» taken with homemade cameras made from discarded objects, printed with dirty negatives, pulled from a common photo booth, torn or found.
Each location was photographed twice on 4x5 large - format colour lm, with the negatives partially masked, in camera, by a black paint stroke.
Just like the other 2 models of in car cameras, there are a few negatives associated with this one as well.
Even when you add together the negatives like an average camera, Verizon's annoying bloatware, and Lenovo's poor track record with software updates, the Moto Z Play's affordable price, zippy performance, and unbelievable battery life still add up to something very compelling.
Overall, the Galaxy S7 camera is probably one of the biggest changes compared to last year's handsets and it brings with it both, positives and negatives.
Overall the Lenovo K8 Note is a balanced device with a couple of negatives like average camera performance under low light and heating issues.
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