Sentences with phrase «canadian national exhibition»

The Canadian National Exhibition (CNE) is back for another year, from August 15 - September 1 at the famous grounds adjacen...

In the wake of the 150 illnesses at the Canadian National Exhibition (CNE) recently, you'd think the Cronut is a name that vendors would avoid like the staphylococcus aureus toxin plague.

Canadian National Exhibition Art Exhibit, August 26 - September 10, 1949.

* The Canadian National Exhibition * Toronto West Arts Collaborative ARTSPACE @ the CNE * Group Exhibition * August 18 — September 4 2017 * 1 Piece

* Toronto West Arts Collaborative: ARTSPACE @ the CNE ~ Canadian National Exhibition, Toronto ~ Live Painting ~ August 31 & September 4 2016

Picture taking a romantic stroll through the park while sipping a Pumpkin Spiced Latte, skating with your love at Nathan Phillips Square in the winter, smelling the roses in the spring, or cuddling up on a Ferris Wheel at the Canadian National Exhibition.

The Canadian National Exhibition (CNE) is back for another year, from August 15 - September 1 at the famous grounds adjacen...

Hashem and her brother later ran a booth at the Canadian National Exhibition, selling artefacts, glassware, and other Egyptian goods.

Not exact matches

National Travelling Exhibition and Community Outreach Program will give Canadians the opportunity to explore Canada...

2014.04.03 RBC Foundation announces gift of $ 500,000 to support the Canadian Museum of Immigration at Pier 21's Canada: Day 1 Project National Travelling Exhibition and Community Outreach Program will give Canadians the opportunity to explore Canada...

Organized in partnership with the Musée national des beaux - arts du Québec, supported by the Estate of Jean - Paul Riopelle in Montréal and the Joan Mitchell Foundation in New York, the exhibition will focus mainly on large - format paintings from French, Canadian and American private and museum collections.

1980 - 1982 The Canadian Department of External Affairs presented the major retrospective exhibition Jean - Paul Riopelle: Painting 1946 - 1977, in collaboration with the Musée du Québec and the Musée national d'art moderne (Centre Georges - Pompidou, Paris).

Additionally, his work has been included in several group exhibitions including Ocean of Images: New Photography 2015 at The Museum of Modern Art, America Is Hard to See at the Whitney Museum of American Art, and Shine a light / Surgir de l'ombre: Canadian Biennial at the National Gallery of Canada.

Major solo exhibitions of his work have been held at national and international institutional venues including The New Art Gallery Walsall (2017), the Whitworth Gallery, University of Manchester (2016 - 2017 and 2012); Sadler's Wells, London (2011); Gothenburg Konsthall, Sweden (2011); Museum of Contemporary Canadian Art, Toronto (2010); Kunsthaus Murz, Murzzuschlag, Austria (2010) and K20, Düsseldorf (2008).

Selected solo exhibitions include The Disappearance of Darkness, travelling to Art Gallery of Hamilton, 2015, George Eastman House, Rochester 2015, Ryerson Image Centre, Toronto, 2014, Musée Nicéphore Niépce, Chalon - sur - Saône 2013, National Gallery of Canada, Ottawa 2013, Photographic Proof, Canadian Centre for Architecture, Montréal, 2009, Still Revolution, Museum of Contemporary Canadian Art, Toronto, Engineering the Picturesque: The Landscapes of Olmsted, Canadian Museum of Contemporary Photography, Ottawa, 2008.

Currently Susan, along with two other artists, is working to on a project honoring fallen Canadian soldiers from the Afghanistan war that will be featured in a national exhibition during the latter part of 2012.

By the early 1950s, Goodridge Roberts had gained national prominence through his regular participation in numerous Canadian and international exhibitions as well as his extensive positive reception in the English and French Montréal press and Canadian magazines.

Clark was elected a full Academician of the Royal Canadian Academy (RCA) in 1966, and in 1973, Charles Hill, then an Assistant Curator at the National Gallery of Canada, contacted her to inform her that he was planning an exhibition dedicated to Canadian art of the 1930s, and he wanted to include her in the show and interview her.

Johnson's work has been exhibited in numerous solo and group exhibitions internationally including, «Haunted: Contemporary Photography / Video / Performance» at the Guggenheim Museum (2010); «Guggenheim Collection: 1940s to Now» at The National Gallery of Victoria in Melbourne, Australia (2007); The Montreal Biennial (2006); «Imprints» at the Canadian Museum of Contemporary Photography and «J'en Reve», Foundation Cartier, Paris, France (2005).

Devine curated the exhibition of the work of Governor General's Award - winning Ojibwa artist Daphne Odjig, The Drawings and Paintings of Daphne Odjig: A Retrospective, which toured various Canadian venues, including the National Gallery of Canada, between 2007 and 2010.

A 14 - day long art exhibition of Canadian contemporary artist Charles Pachter (Printmaking» 66) was inaugurated at the Nalini Kanta Bhattasali Gallery of Bangladesh National Museum.

A 14 - day long art exhibition of Canadian contemporary artist Charles Pachter was inaugurated at the Nalini Kanta Bhattasali Gallery of Bangladesh National Museum on February 5.

Maya Hayuk's work has been the subject of one person exhibitions and commissions at venues including The Bowery Wall, NY, The Hammer Museum, LA, The Museum Of Contemporary Canadian Art, Toronto, Canada, Bonnefanten Museum, Maastricht, The Netherlands; Socrates Sculpture Park, Queens, New York; Musee E.A.V., Rio De Janiero, Brazil; Matucana Artspace, Santiago, Chile; Democratic National Convention, Denver, Colorado; and Monster Island, Brooklyn, New York.

The core of the exhibition features more than 30 of Harris» most significant and rare northern landscapes from the 1920s and 1930s, drawn from major public and private collections across Canada including the AGO, the Thomson Collection of Canadian Art at the AGO, the National Gallery of Canada and the McMichael Canadian Art Collection.

Exhibitions include the Paris Biennale (1975), the Venice Biennale (1984), Documenta (1987), the Canadian Biennial at the National Gallery (1989), the Sydney Biennale (1990), the Montreal Biennale (1998) and Threshold at The Power Plant, Toronto (1998).

Some recent highlights from gallery artists include Colleen Heslin at the McMichael Canadian Art Collection and the Esker Foundation (2016), Owen Kydd at the Musée des beaux - arts Montréal (2015), exhibitions at the International Center for Photography New York (2014 Owen Kydd, 2011 Greg Girard), and Scott McFarland's solo exhibitions at the Vancouver Art Gallery and National Gallery of Canada (2009).

Her work was included in the 7th Biennial of Canadian Painting at the National Gallery of Canada and the 3rd International Pioneer Galleries Exhibition at Musee Cantonal, Lausanne and Musee d'Art Moderne, Paris during this period.

-- Carnival, Masquerade and other Forms of Authorised Anarchy, Kunsthalle Villa Rot, Burgrieden, Germany 2014 The House of The Flying Wheel, Backlit Gallery, Nottingham, UK: travelled to Morley Gallery, England 2014 Study from the Human Body, Stephen Friedman, Gallery, London, England 2014 Progress, The Foundling Museum, London, England 2014 Misled by Nature: Contemporary Art and the Baroque, The Museum of Contemporary Canadian Art, Toronto, Canada 2014 Ship to Shore, John Hansard Gallery, Southampton, England 2014 The Human Factor, Hayward Gallery, London, England 2014 Interchange Junctions, 5 Howick Place, London, England 2014 The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists, curated by Simon Njami, Frankfurt MMK, Frankfurt, Germany; travels to Smithsonian National Museum of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England 2014 Summer Exhibition, Royal Academy of Arts, London, England 2014 Collection IX.

Artur Zmijewski Them is presented as part of the three year National Gallery of Canada at the Museum of Contemporary Canadian Art program that will see the two institutions co-organize and co-present a series of exclusive exhibitions in MOCCA's newly - renovated project space, drawn from the NGC's extensive contemporary art collection.

This exhibition features scale models of expansion projects undertaken by six world - recognized Ontario cultural institutions including the Art Gallery of Ontario, Canadian Opera Company, Canada's National Ballet School, Royal Conservatory of Music, Royal Ontario Museum and Toronto International Film Festival Group.

The Canadian Photography Institute of the National Gallery of Canada presents PhotoLab 4, the New Generation photography award exhibition.

His work has been featured in group exhibitions at The Studio Museum in Harlem (2017); Whitney Museum of American Art, New York (2016); The Museum of Modern Art, New York (2015); and Canadian Biennial at the National Gallery of Canada (2014).

Altmejd's work has been included in exhibitions such as The Grace of a Gesture: Fifty Years of Gifts, Musée d'art contemporain de Montréal, Montréal, Canada (2014); Builders, Canadian Biennial 2012, National Gallery of Canada, Ottawa, ON, Canada (2012); Mondes inventés, Mondes habités, MUDAM Luxembourg, Luxembourg (2011); Skin Fruit, New Museum, New York, NY, USA (2010); Liverpool Biennial, Tate Liverpool, Liverpool (2008); Quebec Triennial, Musee D'Art Contemporain de Montreal, Montreal, Canada (2008); Whitney Biennial 2004, Whitney Museum of American Art, New York, NY, USA (2004); and the 8th Istanbul Biennial, Istanbul, Turkey (2004).

The National Winner in the 2012 RBC Canadian Painting Competition, she has presented two solo exhibitions at Toronto's Erin Stump Projects and in February participated in the Soi Fischer Thematic Residency Program with artist Artie Vierkant at Artscape Gibraltar Point.

Ashoona's work has appeared in exhibitions including: Three Women, Three Generations, McMichael Canadian Collection (1999); Toronto's Nuit Blanche (2008); Justina Barnicke Gallery, Toronto (2009); The 18th Biennale of Sydney and Sakahans, National Gallery of Canada (both 2013), and SITElines 2014: Unsettled Landscapes, Sante Fe, New Mexico.

2017 Desert X Biennial, Coachella Valley, CA 2016 SITElines.2016: New Perspectives on Art of the Americas, SITE Santa Fe, New Mexico NO COMMISSION, Bronx, NY Recent Acquisition, exhibited as part of Beyond Limits, Museum of Fine Arts, Boston, MA Recent Acquisition, exhibited as part of Native Artists of North America, Newark Museum of Art, Newark, NJ Kindred Beasts: The Everson Biennial, Everson Museum of Art, Syracuse, New York Convene, Nerman Museum of Contemporary Art, Overland Park, Kansas March Madness, Fort Gansevoort, New York, New York WORD, Hudson Valley Center for Contemporary Art, Peekskill, New York New Geometries, Fleisher / Ollman, Philadelphia Perfect Day, Roberts and Tilton, California 2015 - 6 Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs, New York Greater New York, MoMA PS1, New York, New York An Evening Redness in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyn.

Additionally, his work has been included in several group exhibitions, including Ocean of Images: New Photography 2015 at MoMA (2015), America Is Hard to See at the Whitney Museum of American Art (2015), and Shine a light / Surgir de l'ombre: Canadian Biennial at the National Gallery of Canada (2014).

2014 Canadian Biennial, Shine a light / Surgir de l'ombre, National Gallery of Canada, Ottawa AIMIA / AGO Photography Prize Exhibition, The Art Gallery of Ontario, Toronto Speaking of People: Ebony, Jet and Contemporary Art, The Studio Museum in Harlem, New York, NY, USA

In conjunction with his exhibition in MOCCA's main space, Luis Jacob has been invited to curate an exhibition for the recently inaugurated National Gallery of Canada at the Museum of Contemporary Canadian Art program.

His work was included in the Alberta Biennale in 2015 and 2107, he received an honourable mention in the prestigious RBC Canadian Painting Competition and his work was featured in the Museum of Contemporary Canadian Art's 2008 exhibition for national top - painters «Carte Blanche Vol.

The collection had the distinction of being the first exhibition of abstract painting to be assembled in Canada, by Canadian artists, on a national scale and devoted exclusively to this art form.

«Sixth Biennial Exhibition of Canadian Painting», National Gallery of Canada, Ottawa, ON (group, touring)

His work is included in a permanent exhibition in The First Peoples Hall in the Museum of Civilization, and is in the collections of the National Gallery, Canadian Museum of Photography and the National Art Centre.