Sentences with phrase «cannibal holocausts»

Deodato is probably beaming with pride, though he might also be scoffing at the lack of animal slaughter; Roth will have to try harder to reach Cannibal Holocaust levels of depravity.

Given his oft - professed admiration for the infamous 1980 gut - muncher Cannibal Holocaust — whose Italian director, Ruggero Deodato, makes a cameo in Hostel: Part II — it was only a matter of time before Roth took a stab at reviving the cannibal subgenre.

Bone Tomahawk is one of those movies where the elevator pitch is blindingly obvious: The Searchers meets Cannibal Holocaust.

It's a disturbing testament to Denis's artistry that the most plangent impression left by Bastards is of its beauty, even as it is ultimately her most horrifying film since the cannibal holocaust that is 2001's Trouble Every Day.

Michael Haneke could learn a lot from watching Cannibal Holocaust.

The 16 mm blowup sequences look more virtuoso than ever before, their influence on stuff like Ruggero Deodato's Cannibal Holocaust and even The Blair Witch Project brought into finer relief as a result.

A pair of filmmakers try to work with director Ruggero Deodato (Cannibal Holocaust, House on the Edge of the Park) to pull off a horror film based on realism.

Riffing on Italian gut - munchers like Cannibal Holocaust, the Hostel director places a group of young activists in the clutches of a flesh - eating Amazonian tribe.

Cannibal Holocaust is repellant for a number of reasons, chief among which is being an early progenitor of the modern found - footage horror movie.

During his introduction at the film's TIFF World Premiere, Roth quoted Drake lyrics, led an impromptu FaceTime birthday singalong and warned the rowdy Midnight Madness crowd who had already been sold on Roth's «Cannibal Holocaust» comparisons, «whatever movie you have in your head, pause that movie for 90 minutes.»

Films like The Blair Witch Project and Cannibal Holocaust falsely claim to be based on truth but are entirely fictionalized, and sit better with most audiences: they toy with the depiction of real - life crimes without the problem of exploiting people's deaths for ticket sales.

Banned virtually everywhere until only recently, and still censored in countries such as the United Kingdom, Cannibal Holocaust is a well made and arguably worthwhile piece of cinematic history.

One of the stand - out elements in Cannibal Holocaust is composer Riz Ortolani's mournful and often genuinely moving score that plays in stark contrast to what is taking place on the screen.

«A tense, absorbing pursuit Western that turns into a Grand Guignol gorefest, Bone Tomahawk is what you might get if you crossbred The Searchers with The Texas Chain Saw Massacre, or maybe Cannibal Holocaust... There's an elegance to Bone Tomahawk that doesn't let up even when it veers into cult - movie territory.»

Expect a super gory and ultra violent cannibal holocaust that any fan of the genre will love.

Just to further prove that Grindhouse didn't just get the rights to release «Cannibal Holocaust» and just threw it out there for sale.

Long after Hostel, Eli Roth returns to dim Americans abroad in his riff on 1980s Cannibal Holocaust.

Somewhere in between The Searchers and Cannibal Holocaust lies the brutal, genre - dissolving Bone Tomahawk, an audacious directorial debut from S. Craig Zahler.

Not exact matches

Synopsis: It sparked riots on 42nd Street, spawned a generation of gorehounds on VHS, and forever set an insane standard for Italian mad doctor / zombie / cannibal carnage worldwide: Ian McCulloch (ZOMBIE), Alexandra Delli Colli (THE NEW YORK RIPPER), Sherry Buchanan (TENTACLES) and Donald O'Brien (EMANUELLE AND THE LAST CANNIBALS) star in this blood orgy of gut - munching, eyeball - gouging and face - chopping originally known as ZOMBIE HOLOCAUST, which a notorious American distributor would then re-edit, re-title and re-release as a certified grindhouse masterpiece.