Sentences with phrase «caribbean diaspora»

Trinidad and Tobago About Blog LEXO TV is a Trinidad and Tobago based film production company that primarily creates innovative puppet film shorts that reflect the diversity of the Caribbean Diaspora.
He was a representative of The African and African - Caribbean Design Diaspora, which «Promote a greater awareness amongst the British public of the creative talent of the African and African - Caribbean diaspora in the UK.»
This partnership will celebrate the rich artistic heritage of the Caribbean region and the Caribbean Diaspora by creating an international platform in Miami for photographers, performers, writers, musicians and other artists from the Caribbean region.
The top honor, including $ 100,000, went to Ward for his «body of found - object assemblage artwork that invites both a public discourse and an intimate dialogue with viewers on topics such as race, poverty, immigration, and the Caribbean diaspora identity.»
Her family later moved to Miami, where she grappled with both the internecine identity struggles of the Caribbean diaspora and U.S. racism.
Taken together, Ward's oeuvre speaks with penetrating insight and imagination to a broad range of themes, including African - American history and culture, the dynamics of power and politics, and Caribbean diaspora identity.
Featuring found - object sculptures Ward sources from the streets near his current home in New York, Ward's work comments on African - American culture and Caribbean diaspora by referencing his own Jamaican influence and experience.
Liminal Space speaks to the broader emergence of the Caribbean diaspora in global metropolises.
Following the event, visitors are invited to stay for the opening celebration of three exhibitions including Lezley Saar: Salon des Refusés and Circles and Circuits I: History and Art of the Chinese Caribbean Diaspora, part of the Getty's expansive initiative on Latin American and Latino art, Pacific Standard Time: LA / LA.
The exhibition will feature works from the 1990s to the present and will highlight a broad range of themes explored by the artist throughout his career, including African - American history and culture, political power dynamics, and Caribbean diaspora identity.
Animated by flânerie — the idle, detached observation of street life that 19th - century writers associated with the rise of modern cities, that was an important strategy of the French Impressionists — and making reference to African tribal art, Ward's oeuvre resonates with the Barnes collection and speaks with penetrating insight and imagination to a broad range of subjects, including black history and culture, the dynamics of power and politics, and Caribbean diaspora identity.
He would surely have been pleased to play host to «Nari Ward: Sun Splashed,» a midcareer retrospective of a New York artist who has woven Africa, via its Caribbean diaspora, into his art.
A room for refugee crises could have extended to Alfred Stieglitz's The Steerage, the Middle East of Stephen Shore, the Caribbean diaspora, an airport for Naeem Mohaiemen, or «This Place» in Brooklyn — even without the fences by Ai Weiwei around New York.
Approximately 5,000 members consisting of the New York City community, representatives from CTO member countries and Caribbean Diaspora groups will be in attendance.
«We are bringing together representatives from various Caribbean destinations, local Caribbean Diaspora groups, and members of the New York City community to what will be one of the hottest Caribbean Fairs in the city,» stated Fernando Abreu, CTO's Deputy Director of Marketing, «We invite the community to join us as we celebrate our culture, enjoy delicious Caribbean cuisine and move to the beats of the Caribbean.»
«Now, Adriano is seeking to ensure the seat originally created to give the African and Caribbean diaspora representation in Washington remains at the forefront of fighting poverty, speaking truth to power, and serving as a national model of cooperation between communities of color nation - wide.
Notations in Passing intersperses photographs of everyday life in Southeast Queens with artworks that investigate the interconnectedness of quotidian life, the global economy, environmental crises, and race - based oppression within African and Caribbean diasporas.

Not exact matches

This film has the potential to inspire not just the African American community, but also the broader black American community — including African, Caribbean, and Afro - Latin American immigrants — and even the African diaspora.
partnered with the Caribbean Cultural Center (CCCADI) and The Weeksville Heritage Center to produce After Afropolitan: A Multimedia Exhibition Deconstructing Contemporary African Diaspora Experiences, and Probing the Socio - Economic, Cultural, and Aesthetic Equity of the Afropolitan Identity.
The group runs the Franklin H. Williams Caribbean Cultural Center African Diaspora Institute on West 58th Street, which was founded in 1976 and promotes the history, culture and art of African descendants in the Americas.
She is focused on creating work that explores and preserves cultural traditions within Miami and the Caribbean, as well as the African and Latin diaspora that reside there.
I wrote The Star Side of Bird Hill to explore the lives and experiences of Caribbean people both at home and in the diaspora.
NEWS The Caribbean Cultural Center African Diaspora Institute (CCCADI) re-opens in a new home, a renovated firehouse in East Harlem.
She is currently working on projects for the Caribbean Cultural Center African Diaspora Institute, New York City; Grounds for Sculpture, Hamilton, NJ; the Craft and Folk Art Museum, Los Angeles; and the Contemporary Art Center, Cincinnati.
Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, BRIC, Bronx Museum of Art, Bureau of General Services — Queer Division, Caribbean Cultural Center African Diaspora Institute, Community Access Art Collective, Decolonize This Place, Discwoman, El Museo de Los Sures, Eyebeam, Flux Factory, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Social Practice Queens, Studio Museum in Harlem, Swale, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.
Her sculptures and installations, which are informed by her extensive studies of Latin American, Caribbean and African art and religion, frequently explore themes of the African cultural diaspora and spirituality.
Awards include a New Jersey State Council on the Arts Fellowship, as well as an Innovative Cultural Advocacy Fellowship from the Caribbean Cultural Center African Diaspora Institute.
Chambers, now Associate Professor of African Diaspora Art at Austin's University of Texas, devotes his first chapter to the pioneering generation of Caribbean artists.
Kongo Across the Waters at the Carter Center, offered an unparalleled look at the total range of artistic production of the Kingdom of Kongo and its successors over the course of some 300 years, alongside a parallel examination of the Kongo - influenced artistic production of the African Diaspora in North America and the Caribbean.
Her work has been exhibited at the Architectural Association in London, the Schomburg Center for Research in Black Culture, the Institute for the Research on the African Diaspora in the Americas and the Caribbean (IRADAC), the Bronx Museum of Art and the City College of New York.
He is currently the director of the Institute for Research on the African Diaspora in the Americas and the Caribbean (IRADAC).
Continental Shift - Artists from the African continent in Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flag?
The intricate symbols and patterns that this Dominican - born New York artist weaves into her pieces — whether it's a 14 - by -12-foot painting or a small book - size drawing — are loaded with references from Caribbean history and the African diaspora.
EXHIBITION «Liminal Space,» opens June 17 at Caribbean Cultural Center African Diaspora Institute in New York.
Organized by region, it will explore the oyster industry in the North; collard greens in the agricultural South; and in the Creole South, the cuisine of New Orleans and diaspora Caribbean communities, with an emphasis on red beans and rice.
In the planning for more than five years, «Caribbean» is an unprecedented collaborative effort to consider the multiple historical, cultural, and social forces that shaped not only 28 countries but also their diasporas in North and South America and beyond.
My interest in African and African Diaspora visual arts, critical theories of contemporary art and visual culture, African and non-western theory, notions of the «primitive», «intuitive» and «self taught» artists and ideas of the «other» have always been a corollary to my thinking as a result of my background of working in the arts in the Caribbean.
The Caribbean Cultural Center African Diaspora Institute (CCCADI) preserves and presents African Diaspora cultures, promoting arts and culture as tools for personal transformation, community - building,...
Bynoe is the co-founder and Editor - in - Chief of ARC Magazine, the premiere visual art and culture publication focusing on contemporary visual art created throughout the Caribbean and its diaspora.
Himid's paintings, drawings, and installations make reference to the African diaspora and the slave industry, while Anderson's work explores ideas of identity, as inspired by his Jamaican immigrant parents, often in depictions of Afro - Caribbean barbershops.
The most recent exhibitions are Disillusions: Gendered Visions of the Caribbean and its Diaspora at the Middlesex County College in New Jersey and the Sylvia Wald and Po Kim Gallery in New York City.
Diaspora Vibe Gallery announces the «Runaway Reactions» exhibit featuring artworks by Caribbean artists Marlon Griffith and Susan Mains.
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In October 2016 Roma?n will be exhibiting at the Caribbean Cultural Center African Diaspora Institute in New York City for it's grand re-opening exhibit «Home».
Caribbean Cultural Center African Diaspora Institute 120 East 125th Street (Between Lexington and Park Avenues) New York, NY 10035 TEL: 212-307-7420 EMAIL: [email protected] PLAN YOUR VISIT
Presenting work at the three museums and accompanied by an ambitious range of programs and events, Caribbean: Crossroads offers an unprecedented opportunity to explore the diverse and impactful cultural history of the Caribbean basin and its diaspora.
SOUTHAMPTON CULTURAL CENTER - «Diaspora Vibe 2.0» opens its 16th annual Caribbean Crossroads Series Exhibition with a preview on Saturday during a fundraising gala held from 4 to 7 p.m..
International live music acts and DJs are showcased in one space, whereas the other hosts a range of Caribbean and South American diasporas from Miami.
Another link with the Caribbean is the chairman of inIVA's board, the world - renowned Jamaica - born cultural theorist Stuart Hall, who stresses the importance of engaging with the work of these diaspora artists.
1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA 1997 Portable Personal Histories Museum, Ikon Gallery, Birmingham 1997 Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa 1997 Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand 1997 What, Trinity Buoy Wharf, London, England
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