7
Center film image over cutout window and trim film so that it measures 3 inches square.
Not exact matches
As the
film progresses and the ball starts moving away from its
center position of the
image because of poor camera work, the algorithm can essentially rotate each key frame so that the ball magically appears in the same spot in every frame.
Fisher is onscreen early in the
film and remains front and
center throughout; her scenes with Mark Hamill are nostalgic, garnering
images of the initial
film.
And an ornate building facade,
centered in the frame, often resembles a carefully crafted
film image.
Dave's previous work in the
film industry includes positions at IFP / Chicago, Sony Pictures Classics, the
Film Society of Lincoln
Center, and the Museum of the Moving
Image.
In this
film publicity
image released by Focus Features, Philip Seymour Hoffman,
center, and Nick Frost, right, are shown in a scene from «Pirate Radio».
Film Comment Digital Producer Violet Lucca discusses and debates the selection with a panel of FC contributors, including Eric Hynes, associate curator of
film at the Museum of the Moving
Image; Aliza Ma, head of programming at Metrograph; Adam Nayman, Cinema Scope contributor; Nick Pinkerton, member of the New York
Film Critics Circle; and Michael Koresky, Director of Editorial and Creative Strategy at the
Film Society of Lincoln
Center.
In fact, watching terrorists crash the President's plane into a New York City skyscraper can only evoke
images of Sept. 11, 2001 when viewed today, and Plissken's landing atop one of the World Trade
Center's Twin Towers is another scene that takes on new significance given America's real life history in the years that followed the
film's release.
The
film premieres in October at the New York
Film Festival, and The
Film Society at Lincoln
Center (via The
Film Stage) got this
image to run with an interview with NYFF Director and Selection Committee Chair Kent Jones.
This reflection can not be denied, especially in the
film's closing shot of the World Trade
Center — a haunting crystal ball
image of history doomed to repeat itself.
Tags: Lewis Klahr, Sixty - Six, collage art, mosaic, experimental
film, University of Chicago
Film Studies
Center, Jupiter Sends a Message, Lethe, The Silver Age,
Image
The only branch of the world - renowned arts complex Lincoln
Center to shine a light on the everlasting yet evolving importance of the moving
image, this nonprofit organization was founded in 1969 to celebrate American and international
film.
The
film's design is a marvel of diverse locales,
images of space that look authentic, and worn ships that give a sense of their construction (most notably in a dynamic sequence that has Kirk and his trusty engineer Scotty, played by Simon Pegg, racing through their ship as its
center of gravity changes).
LMD: We hadn't the chance to speak at the theatrical release of the
film, but I must ask what your inspiration was behind the pre-credits sequence which recaps Voldemort stealing the Elder Wand from Dumbledore's grave, then
centers on haunting
images of Professor Snape in the turrets overlooking Hogwarts.
On the occasion of Museum of the Moving
Image's Tsai Ming - liang retrospective, presented with support from Taipei Cultural
Center of TECO in New York, we created this short
film about the work of the great Taiwanese director.
The documentary later goes into the controversy surrounding the
film, most of it
centered around the marketing which featured
images of Santa grasping an axe as he came down the chimney.
If demonlover was one of the most scrutinized
films of 2003, it was because director Olivier Assayas boldly chose to so directly enter, as well as represent, the new technology at the
center of
image circulation and the multibillion dollar entertainment industry.
February 27 — March 5 I ♥ Neutrinos: You Can't See Them but They are Everywhere (70 mm
Film Frames of Neutrino Movements — shot in 15 ft Bubble Chamber at Fermilab, Experiment 564 near Chicago — dunked in liquid nitrogen, neutrino movements events with invisible ink and decoder markers and highlighters, inked up by Monica Kogler and Jwest,
film roll from Janet Conrad, MIT Professor of Physics) 2011, 37 seconds Roll of specialized
film for scientific use of about 1,000
Images transferred to high - definition video on a hand - made telecine device, no sound Made while Jennifer West was an Artist in Residence at the MIT List Visual Arts
Center, Cambridge, MA in 2011; Funded, in part, by the Nimoy Visual Artist Residencies program of the Nimoy Foundation.
«The Power of Pictures: Early Soviet Photography and Film» at the Frist
Center presents
images,
films, and movie posters...
Using his characteristic jagged line and raw brushstroke, he presents chaotic,
image - strewn landscapes as well as more axiomatic works that
center on
film archetypes.
At the Contemporary Arts
Center, the artistic duo Ellen Gallagher and Edgar Cleijne were puzzling out exactly how to present «Highway Gothic,» which encompasses a series of cyanotype banners printed on 70 millimeter
film — with
images of crayfish and catfish — and a movie.
Over the past decade, his
films and have been included in the BFI London Film Festival, Karlovy Vary International Film Festival,
Images Festival in Toronto, Collegium Hungaricum Berlin, Los Angeles County Museum of Art, REDCAT, Other Cinema in San Francisco, New York's Anthology Film Archives, Boston's Museum of Fine Arts, Echo Park Film
Center, Antimatter Film Festival, Iowa City Documentary Festival, and the Black Maria Film Festival.
Natual Porto Art Show, City of Porto, Casa da Música, PT Dieu Donné Annual Benefit, Dieu Donné Gallery, New York, US Just Love Me, Mudam Luxembourg, Luxembourg, LU TANK Art Attack Launch: Artists Support Women for Women International, DKNY, London, UK The Crude and the Rare, 41 Cooper Gallery, The Cooper Union, New York, US Contemporary Magic: A Tarot Deck Art Project, The National Arts Club, New York, US Platform 2010 / Projected
Image, Artsonje
Center, Seoul, KR NY Art Book Fair, Electronic Arts Intermix, MOMA P.S. 1, Long Island City, New York, US Broken Off, screening Estoril Film Festival, various cinemas in Estoril, PT 12
films and videos by Lawrence Weiner, screening Time / Store, e-flux, New York, US Der erste Impuls Skizzen Zeichnungen 1958 - 2010, Brigitte March International Contemporary Art, Stuttgart, DE Yes Or Yes, Yes Or Yes 2, curated by Lisa Holzer and Chiara Minchio, Nice and Fit, Berlin, DE Deutsche Angst, audio Painting and Sculpture, Lehmann Maupin, New York, US Je crois aux miracles, Collection Lambert en Avignon, Avignon, FR The Winter Show, i8 Gallery, Reykjavik, IS Display: Objects, Buildings and Space, Palácio Quintela, Lisbon, PT Collection: MOCA's First Thirty Years, Museum of Contemporary Art, Los Angeles, California, US Contemplating the Void: Interventions in the Guggenheim Museum, Solomon R. Guggenheim Museum, New York, US
Julian Rosefeldt's
film installation American Night is on show at the Australian
Center for the Moving
Image in Melbourne from 21 June until 31 Juli 2011.
Her 2013 exhibition The Coral Sea, at the Contemporary Arts
Center in Cincinnati, was an absorbing and elegiac installation, with auratic objects and
images saturated with longing and loss — feelings deepened by a swelling musical incantation and haunting
film projections.
Following a recent three - year «textploration,» which included the composition of novels and text - based
films and paintings, Brannon introduces an anomalous, primarily
image -
centered installation.
He runs Match Cuts with Kachine Moore, a weekly podcast
centered on cinema and the moving
image and a monthly
film screening series that touches on the topics discussed in the show.
Images of the Western Union building, provided by the Museum, will be on display and an 18 - minute
film («Watermill 1993») by Stefan Kurt will be shown, with never - before seen footage of The Watermill
Center in the summer of 1993.
Enchanted Forest at James Oliver Gallery is presented in partnership with Inliquid and in conjunction with Panorama 2015:
Image - Based Art in the 21st Century, the first annual Philadelphia - area celebration of the photographic image and its expansive role in contemporary mediums like digital photography, printmaking, video, film, animation, and gaming design, presented by Main Line Art Ce
Image - Based Art in the 21st Century, the first annual Philadelphia - area celebration of the photographic
image and its expansive role in contemporary mediums like digital photography, printmaking, video, film, animation, and gaming design, presented by Main Line Art Ce
image and its expansive role in contemporary mediums like digital photography, printmaking, video,
film, animation, and gaming design, presented by Main Line Art
Center.
washington university faculty exhibition, st. louis, mo 2003 philip slein contemporary art, invitational group exhibition, st. louis, mo sherry leedy contemporary art, invitational group exhibition, kansas city, mo st. louis art museum, «change of space»,
film by laura beard and d. jansky 2002 museum of contemporary art, «art cache», invitational group exhibit, st. louis, mo left bank gallery, «this is an
image», collaborative exhibition with ann rast, st. louis, mo springfield museum of art, water color usa, national juried exhibition, springfield, mo sherry leedy contemporary art, invitational group exhibition, kansas city, mo 2000 inform, invitational group exhibition, lemp brewery, st. louis, mo des lee gallery, «landscape», invitational group exhibition, curator: philip slein, st. louis, mo 1999 new american paintings, volume 22, national juried exhibition in print springfield museum of art, water color usa, national juried exhibition, springfield, mo sherry leedy contemporary art, invitational group exhibition, kansas city, mo 1998 r. duane reed gallery, invitational group exhibition, st. louis, mo leedy voulkos gallery, invitational group exhibition, kansas city, mo 1997 erector square gallery, international women's exhibition, new haven, connecticut art loft gallery, «extirpate» with andy milner, heather Bennett, st. louis, mo courthouse gallery, national juried exhibition, woodstock, il 1996 forum of contemporary art, «stations of the cross» group exhibit, st. louis, mo 1993 laguna gloria museum of art, «primarily paint», curator: peter doroshenko, austin, tx artist's lofts gallery, national group exhibition, galveston, tx wayland babtist gallery, national group exhibition, wayland, tx mcallen international museum, national group exhibition, mcallen, tx firehouse gallery, national group exhibition, del rio, tx red mesa art
center, national group exhibition, gallup, nm 1990 henry art gallery, mfa thesis exhibition, seattle, wa 1990
EXPERIENCE Radiology Technologist September 2008 - September 2009 Godwin Corporation, Tripler Army Medical
Center, HI Proficient in all clerical aspects of radiology to include patient check - in, informed consent, and use of CHCS and PACS programs Fluoroscopic exams to include pediatric and adult barium enemas, esophagrams, G.I. studies, VCUG's, HSG's, and modified barium swallows Use of portable C - arm in operating room procedures to include orthopedic, spinal, abdominal, urologic, vascular, and interventional radiology cases Operation of stationary C - arm in upper and lower extremity arthrogram studies and lumbar punctures Preparation of contrast material for gastrointestinal, gynecological, urologic, intravenous and intra-arterial studies Inpatient and outpatient diagnostic x-rays to include upper and lower extremities, cranium, chest and abdomen Proficient in emergency patient care protocol to include CPR, oxygen administration, suction and use of monitoring systems such as EKG and blood pressure equipment Adherence to all radiation protection standards in accordance with ALARA Instruction of Army Radiology students in all aspects of radiography Radiology Specialist (Active Duty) February 2008 - July 2008 U.S. Army, Tripler Army Medical
Center, HI Diagnostic radiographic imaging using digital, portable, C - arm and plain
film systems Fluoroscopic, orthopedic and operating room radiography utilizing GE, Siemens, Canon, and Fuji equipment Interventional procedures to include aortograms, peripheral and cerebral angiography, venography, femoral runoffs, arthrograms, fistulagrams and lumbar punctures Preparation and set up of sterile field and instruments for interventional and fluoroscopic procedures using proper sterile technique Proper set up and use of intra-arterial and intravenous injector systems Experience with reconstruction, subtraction, road mapping and duplication of digital
images Orientation to additional radiology modalities such as ultrasound, MRI, nuclear medicine, CT and mammography