Sentences with phrase «center of contemporary art museum»

Has a one person show «The Wounded Healers», Center of Contemporary Art Museum, Santa Fe, NM

Not exact matches

Catch a glimpse of awe - inspiring art collections at local galleries and enjoy free admission to the Ogden Museum of Southern Art and the Contemporary Arts Centart collections at local galleries and enjoy free admission to the Ogden Museum of Southern Art and the Contemporary Arts CentArt and the Contemporary Arts Center.

Set in the heart of LAs vibrant cultural district, visiting nearby attractions like The Broad contemporary art museum, Walt Disney Concert Hall, L.A. LIVE, and the Los Angeles Convention Center could not be easier.

The Foundation has created groundbreaking independent institutions in each of its three investment areas, including The Broad Center, which develops leaders to help transform America's urban public schools, the Broad Institute, a global leader in genomics, and The Broad, a museum in downtown Los Angeles devoted to showcasing great contemporary art.

Located in the south - west of Majorca, in the very center of its capital city Palma, the luxury Hotel & Spa Saratoga is just steps from Sa Faxina Park, the Es Baluard Contemporary Art Museum and the shopping venues on Avenue Jaime III.

Scottsdale Museum of Contemporary Art Taliesin West Southwest Wildlife Conservation Center Scottsdale Historical Museum CrackerJax

Sleek Tower Hotel situated in business area, near the Cintermex Convention Center and Museum of Contemporary Art...

Property Location With a stay at Hotel Rincon de San Jose in San Jose, you'll be minutes from Museum of Contemporary Art and Design and National Center of Art and Culture.

Acropolis Museum: www.theacropolismuseum.gr Museum of Cycladic Art: www.cycladic.gr National Archaeological Museum: www.namuseum.gr Benaki Museum: www.benaki.gr Deste Foundation for Contemporary Art: www.deste.gr Onassis Cultural center: www.sgt.gr The Breeder: www.thebreedersystem.com State of Concept: www.stateofconcept.org Zoumboulakis Galleries: www.zoumboulakis.gr The Blender Gallery: www.theblendergallery.com Radio Athens: www.radioathenes.org

This hostal is within close proximity of Museum of Contemporary Arts and Plaza de Armas Shopping Center.

At the same time the Museum of Contemporary Art Denver is focusing on the countercultural movement in «West of Center: Art and the Counterculture Experiment in America, 1965 — 1977,» opening November 10.

She has held that position since 2016, and is currently organizing a survey of work by the jazz pianist Jason Moran for the museum that will later travel to the Institute of Contemporary Art, Boston and the Wexner Center for the Arts in Columbus, Ohio.

Still, Alanna Heiss, director of P.S. 1 Contemporary Art Center, points out that a publicly funded museum has a «moral contract.»

In addition to the 1988 Courbet retrospective, Nochlin organized other seminal shows, like «Women Artists: 1550 to 1950» at the Los Angeles County Museum of Art, which she curated with Ann Sutherland Harris in 1976, and «Global Feminisms: New Directions in Contemporary Art,» which she curated with Reilly for the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art in 2007.

Wren is the recipient of the Julius Hallgarten Prize from the National Academy Museum and an Aljira Fellowship from Aljira Center for Contemporary Art, Newark, NJ.

P.S. 1 Contemporary Art Center and The Museum of Modern Art present their first curatorial collaboration with Greater New York, an unprecedented joint exhibition enterprise.

His work is in the collections of the Museum of Contemporary Art, Los Angeles, LACMA, Los Angeles, Centre Pompidou, Paris, Albright - Knox Art Gallery, Buffalo, and the International Center for Photography, New York, among others.

Painting in the Eighties, Museum of Contemporary Art, North Miami, USA Richard Artschwager, Louise Bourgeois, Roni Horn, Allan McCollum, Xavier Hufkens, Brussels, Belgium Picturing America, The Newark Museum, Newark, USA The Presence of Absence, The Ezra and Cecile Zilkha Gallery at Wesleyan University Center for the Arts, USA Fuzzy Logic, Laguna Art Museum, Laguna Beach, USA A Work in Progress.

His work is in the collections of the Museum of Contemporary Art San Diego, CA; the Crocker Art Museum, Sacramento, CA; the Nevada Museum of Art in Reno; the San Jose Museum of Art, CA; the di Rosa Center for Contemporary Art, Napa, CA; the Sheldon Museum of Art, Lincoln, NE; and the Djerassi Foundation, Woodside, CA.

Contemporary Arts Center New Orleans is pleased to present Jockum Nordström: Why Is Everything A Rag - the first solo museum exhibition of the Stockholm - based artist Jockum Nordström in the Americas.

Upcoming in 2010 and 2011 Simmons will produce photographic, sound, performance and sculptural works in conjunction with MoMA PS.1, The Studio Museum, The Goethe Institute / Wyoming Building, The Kitchen, New York, The Nasher Museum of Art at Duke University, The Bronx Museum of Art and The Center For Contemporary Art, Prague and The Center for Art Design and Visual Culture, Baltimore among many other venues.

She has participated in global exhibitions at Vizcaya Museum and Gardens, Miami, FL; 2014 La Biennale de Montreal, Montreal, QC; Young Art Museum, Davie, FL; Farnsworth Art Museum, Rockland, ME; Museum of Contemporary Photography, Chicago, IL; National Center for Contemporary Art, Russia among others.

1986 Art on Paper, Weatherspoon Art Gallery, UNC Greensboro, NC Romanticism & Cynicism in Contemporary Art, Haggerty Museum of Art, Marquette Univ., Milwaukee, WI First Impressions, Allan Frumkin Gallery, New York, NY Ten From The Drawing Center, Paine Weber Art Gallery, New York, NY Senza Paura, Wessel O'Connor Gallery, Rome, Italy Inaugural Exhibition, Curt Marcus Gallery, New York, NY Notes From the Underground, Allan Frumkin Gallery, New York, NY 57th Between A & D, Holly Solomon Gallery, New York, NY EL Arte Narrativo, PS 1, Long Island University, New York, NY Alumni Exhibition, Pratt Institute, Brooklyn, NY New Art, Modernism Gallery, San Francisco, CA New York, NY / Seattle, Seattle Center on Contemporary Art, Seattle, WA Outline, Cutout, Silhouette, Allan Frumkin Gallery, New York, NY Avenue C By The Sea, Tower Gallery, East Hampton, New York, NY East Village Collection, Palladium, New York, NY Summer Pleasures, Nancy Hoffman Gallery, New York, NY

PARTICIPATING INSTITUTIONS: Asian Art Museum BAMPFA Contemporary Jewish Museum Fine Arts Museums of San Francisco Museum of the African Diaspora Oakland Museum of California SFMOMA University of California Botanical Garden at Berkeley Walt Disney Family Museum Yerba Buena Center for the Arts

His solo exhibitions include The Masturbators at Foxy Production, New York (2009), Supermax 2008 at the Museum of Contemporary Art, Los Angeles (2008), CHRON at the Drawing Center, New York (2008) and Grid Ripper, Galleria d'arte Moderna e Contemporanea, Bergamo, Italy (2008).

Dennis Barrie, director of Cincinnati's Contemporary Arts Center, is acquitted of obscenity charges after presenting Robert Mapplethorpe's photographs at the museum.

Solo exhibitions of her work have been organized at Colorado Springs Fine Arts Center, CO (2017); Portland Art Museum, OR (2017); Museum of Contemporary Art, San Diego (2016 and 2011); McNay Art Museum, San Antonio, TX (2016); Museum of Fine Arts Houston, Texas (2012 and 2014); Contemporary Art Museum St. Louis, MO (2013); the Joslyn Art Museum in Omaha, NE (2013); Centro de Arte Contemporáneo de Málaga, Spain (2009); Albright - Knox Gallery, Buffalo, NY (2008); and San Jose Museum of Contemporary Art, San Jose, CA, traveled to the Kemper Museum in Kansas City, MO and Albright - Knox Gallery in Buffalo, NY (2006).

2002 Interplay, The Moore Space, Miami, FL Mass Appeal, The Art Object and Hip Hop Culture, Galerie 101 Ottawa, Montreal; Arts Interculturels, Montreal; The Khyber Center For The Arts, Halifax, Canada; Owens Art Gallery, Sackville, New Brunswick, Canada Monitor 2, Gagosian Gallery, New York, NY Bystander, Andrea Rosen Gallery, New York, NY 10 Seconds 2 Love, Mullerdechiara Gallery, Berlin, Germany Whitney Biennial, Whitney Museum of American Art, New York, NY New Additions To The Altoids Curiously Strong Collection, New Museum of Contemporary Art, New York, NY Officina America, Galleria D'Arte Moderna Villa Delle Rose Museo Morandi, Bologna, Italy

Traveled to the Rhode Island School of Design, Providence, Rhode Island (April 30 - May 23, 1965), Museum of Fine Arts, Boston, Massachusetts (June 4 - 27, 1965), Detroit Institute of Fine Arts, Detroit, Michigan (July 9 - August 1, 1965), Minneapolis Institute of Arts, Minneapolis, Minnesota (August 10 - September 5, 1965), University of Illinois, Urbana, Illinois (September 17 - October 10, 1965), City Art Museum of St. Louis, St. Louis, Missouri (October 22 - November 14, 1965), Contemporary Arts Center, Cincinnati, Ohio (November 22 - December 16, 1965), Joslyn Art Museum, Omaha, Nebraska (January 28 - Februrary 20, 1966), Denver Art Museum, Denver, Colorado (March 4 - March 27, 1966), Seattle Art Museum, Seattle, Washington (April 8 - May 1, 1966), Palace of Legion of Honor, San Francisco, California (May 13 - June 5, 1966), Fine arts Gallery of San Diego, San Diego, California (June 17 - July 10, 1966), Fort Worth Art Center, Fort Worth, Texas (July 22 - August 14, 1966), Des Moines Art Center, Des Moines, Iowa (September 1 - September 20, 1966), Tennessee Fine Arts Center, Nashville, Tennessee (September 30 - October 23, 1966), Birmingham Museum of Arts, Birmingham, Alabama (November 4 - November 27, 1966), Art Gallery of Toronto, Toronto, Canada (December 10, 1966 - January 5, 1967), Cornell University, Ithaca, New York (January 15 - February 28, 1967), Ringling Museum of Art, Sarasota, Florida (March 7 - April 9, 1967), Columbia Museum of Art, Columbia, South Carolina (April 21 - May 14, 1967) Barbarigo — Berman — Gischia — Hartung — Mitchell — Music — Pulga — Riopelle, Galleria d'Arte Hausammann, Cortina d'Ampezzo, Italy (opened February 6) U.S.A. Peinture Nouvelle, traveling exhibition organized by U.S. Embassy in PArts, Boston, Massachusetts (June 4 - 27, 1965), Detroit Institute of Fine Arts, Detroit, Michigan (July 9 - August 1, 1965), Minneapolis Institute of Arts, Minneapolis, Minnesota (August 10 - September 5, 1965), University of Illinois, Urbana, Illinois (September 17 - October 10, 1965), City Art Museum of St. Louis, St. Louis, Missouri (October 22 - November 14, 1965), Contemporary Arts Center, Cincinnati, Ohio (November 22 - December 16, 1965), Joslyn Art Museum, Omaha, Nebraska (January 28 - Februrary 20, 1966), Denver Art Museum, Denver, Colorado (March 4 - March 27, 1966), Seattle Art Museum, Seattle, Washington (April 8 - May 1, 1966), Palace of Legion of Honor, San Francisco, California (May 13 - June 5, 1966), Fine arts Gallery of San Diego, San Diego, California (June 17 - July 10, 1966), Fort Worth Art Center, Fort Worth, Texas (July 22 - August 14, 1966), Des Moines Art Center, Des Moines, Iowa (September 1 - September 20, 1966), Tennessee Fine Arts Center, Nashville, Tennessee (September 30 - October 23, 1966), Birmingham Museum of Arts, Birmingham, Alabama (November 4 - November 27, 1966), Art Gallery of Toronto, Toronto, Canada (December 10, 1966 - January 5, 1967), Cornell University, Ithaca, New York (January 15 - February 28, 1967), Ringling Museum of Art, Sarasota, Florida (March 7 - April 9, 1967), Columbia Museum of Art, Columbia, South Carolina (April 21 - May 14, 1967) Barbarigo — Berman — Gischia — Hartung — Mitchell — Music — Pulga — Riopelle, Galleria d'Arte Hausammann, Cortina d'Ampezzo, Italy (opened February 6) U.S.A. Peinture Nouvelle, traveling exhibition organized by U.S. Embassy in PArts, Detroit, Michigan (July 9 - August 1, 1965), Minneapolis Institute of Arts, Minneapolis, Minnesota (August 10 - September 5, 1965), University of Illinois, Urbana, Illinois (September 17 - October 10, 1965), City Art Museum of St. Louis, St. Louis, Missouri (October 22 - November 14, 1965), Contemporary Arts Center, Cincinnati, Ohio (November 22 - December 16, 1965), Joslyn Art Museum, Omaha, Nebraska (January 28 - Februrary 20, 1966), Denver Art Museum, Denver, Colorado (March 4 - March 27, 1966), Seattle Art Museum, Seattle, Washington (April 8 - May 1, 1966), Palace of Legion of Honor, San Francisco, California (May 13 - June 5, 1966), Fine arts Gallery of San Diego, San Diego, California (June 17 - July 10, 1966), Fort Worth Art Center, Fort Worth, Texas (July 22 - August 14, 1966), Des Moines Art Center, Des Moines, Iowa (September 1 - September 20, 1966), Tennessee Fine Arts Center, Nashville, Tennessee (September 30 - October 23, 1966), Birmingham Museum of Arts, Birmingham, Alabama (November 4 - November 27, 1966), Art Gallery of Toronto, Toronto, Canada (December 10, 1966 - January 5, 1967), Cornell University, Ithaca, New York (January 15 - February 28, 1967), Ringling Museum of Art, Sarasota, Florida (March 7 - April 9, 1967), Columbia Museum of Art, Columbia, South Carolina (April 21 - May 14, 1967) Barbarigo — Berman — Gischia — Hartung — Mitchell — Music — Pulga — Riopelle, Galleria d'Arte Hausammann, Cortina d'Ampezzo, Italy (opened February 6) U.S.A. Peinture Nouvelle, traveling exhibition organized by U.S. Embassy in PArts, Minneapolis, Minnesota (August 10 - September 5, 1965), University of Illinois, Urbana, Illinois (September 17 - October 10, 1965), City Art Museum of St. Louis, St. Louis, Missouri (October 22 - November 14, 1965), Contemporary Arts Center, Cincinnati, Ohio (November 22 - December 16, 1965), Joslyn Art Museum, Omaha, Nebraska (January 28 - Februrary 20, 1966), Denver Art Museum, Denver, Colorado (March 4 - March 27, 1966), Seattle Art Museum, Seattle, Washington (April 8 - May 1, 1966), Palace of Legion of Honor, San Francisco, California (May 13 - June 5, 1966), Fine arts Gallery of San Diego, San Diego, California (June 17 - July 10, 1966), Fort Worth Art Center, Fort Worth, Texas (July 22 - August 14, 1966), Des Moines Art Center, Des Moines, Iowa (September 1 - September 20, 1966), Tennessee Fine Arts Center, Nashville, Tennessee (September 30 - October 23, 1966), Birmingham Museum of Arts, Birmingham, Alabama (November 4 - November 27, 1966), Art Gallery of Toronto, Toronto, Canada (December 10, 1966 - January 5, 1967), Cornell University, Ithaca, New York (January 15 - February 28, 1967), Ringling Museum of Art, Sarasota, Florida (March 7 - April 9, 1967), Columbia Museum of Art, Columbia, South Carolina (April 21 - May 14, 1967) Barbarigo — Berman — Gischia — Hartung — Mitchell — Music — Pulga — Riopelle, Galleria d'Arte Hausammann, Cortina d'Ampezzo, Italy (opened February 6) U.S.A. Peinture Nouvelle, traveling exhibition organized by U.S. Embassy in PArts Center, Cincinnati, Ohio (November 22 - December 16, 1965), Joslyn Art Museum, Omaha, Nebraska (January 28 - Februrary 20, 1966), Denver Art Museum, Denver, Colorado (March 4 - March 27, 1966), Seattle Art Museum, Seattle, Washington (April 8 - May 1, 1966), Palace of Legion of Honor, San Francisco, California (May 13 - June 5, 1966), Fine arts Gallery of San Diego, San Diego, California (June 17 - July 10, 1966), Fort Worth Art Center, Fort Worth, Texas (July 22 - August 14, 1966), Des Moines Art Center, Des Moines, Iowa (September 1 - September 20, 1966), Tennessee Fine Arts Center, Nashville, Tennessee (September 30 - October 23, 1966), Birmingham Museum of Arts, Birmingham, Alabama (November 4 - November 27, 1966), Art Gallery of Toronto, Toronto, Canada (December 10, 1966 - January 5, 1967), Cornell University, Ithaca, New York (January 15 - February 28, 1967), Ringling Museum of Art, Sarasota, Florida (March 7 - April 9, 1967), Columbia Museum of Art, Columbia, South Carolina (April 21 - May 14, 1967) Barbarigo — Berman — Gischia — Hartung — Mitchell — Music — Pulga — Riopelle, Galleria d'Arte Hausammann, Cortina d'Ampezzo, Italy (opened February 6) U.S.A. Peinture Nouvelle, traveling exhibition organized by U.S. Embassy in Parts Gallery of San Diego, San Diego, California (June 17 - July 10, 1966), Fort Worth Art Center, Fort Worth, Texas (July 22 - August 14, 1966), Des Moines Art Center, Des Moines, Iowa (September 1 - September 20, 1966), Tennessee Fine Arts Center, Nashville, Tennessee (September 30 - October 23, 1966), Birmingham Museum of Arts, Birmingham, Alabama (November 4 - November 27, 1966), Art Gallery of Toronto, Toronto, Canada (December 10, 1966 - January 5, 1967), Cornell University, Ithaca, New York (January 15 - February 28, 1967), Ringling Museum of Art, Sarasota, Florida (March 7 - April 9, 1967), Columbia Museum of Art, Columbia, South Carolina (April 21 - May 14, 1967) Barbarigo — Berman — Gischia — Hartung — Mitchell — Music — Pulga — Riopelle, Galleria d'Arte Hausammann, Cortina d'Ampezzo, Italy (opened February 6) U.S.A. Peinture Nouvelle, traveling exhibition organized by U.S. Embassy in PArts Center, Nashville, Tennessee (September 30 - October 23, 1966), Birmingham Museum of Arts, Birmingham, Alabama (November 4 - November 27, 1966), Art Gallery of Toronto, Toronto, Canada (December 10, 1966 - January 5, 1967), Cornell University, Ithaca, New York (January 15 - February 28, 1967), Ringling Museum of Art, Sarasota, Florida (March 7 - April 9, 1967), Columbia Museum of Art, Columbia, South Carolina (April 21 - May 14, 1967) Barbarigo — Berman — Gischia — Hartung — Mitchell — Music — Pulga — Riopelle, Galleria d'Arte Hausammann, Cortina d'Ampezzo, Italy (opened February 6) U.S.A. Peinture Nouvelle, traveling exhibition organized by U.S. Embassy in PArts, Birmingham, Alabama (November 4 - November 27, 1966), Art Gallery of Toronto, Toronto, Canada (December 10, 1966 - January 5, 1967), Cornell University, Ithaca, New York (January 15 - February 28, 1967), Ringling Museum of Art, Sarasota, Florida (March 7 - April 9, 1967), Columbia Museum of Art, Columbia, South Carolina (April 21 - May 14, 1967) Barbarigo — Berman — Gischia — Hartung — Mitchell — Music — Pulga — Riopelle, Galleria d'Arte Hausammann, Cortina d'Ampezzo, Italy (opened February 6) U.S.A. Peinture Nouvelle, traveling exhibition organized by U.S. Embassy in Paris

P.S. 1 Contemporary Art Center is pleased to present MY SECRET LIFE, Lutz Bacher's first museum survey exhibition, which spans several decades of the artist's wide - ranging conceptual practice.

Beard has participated in numerous exhibitions at institutions including the Boulder Museum of Contemporary Art, Anderson Ranch Arts Center, Central Utah Arts Center, and the Biennial of the Americas in Denver.

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Jackson

, curated by Anne Umland, Museum of Modern Art, New York Someone else with my fingerprints, Galerie Chantal Crousel, Paris Overtake: The Reinterpretation of Modern Art, curated by René Zechlin and Matt Parker, Lewis Gluckman Gallery, University College Cork, Cork Degree Zero, Richard Telles Fine Art, Los Angeles Introvert, extrovert, Makes no Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence The Lath Picture Show, Friedrich Petzel Gallery, New York Uncertain States of America: American Art in the 3rd Millenium, (Guyton \ Walker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw DUMP: Postmodern Sculture in the Dissolved Field, curated by Andrea Kroksnes, Nasjonalmuseet for Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit Seth Price / Kelley Walker / Continuous Project, (Continuous Project), Modern Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New York

Recent solo exhibitions include The Drawing Center, New York (2015); the Museum of Contemporary Art, Denver (2014); Ballroom Marfa, Texas (2013); High Museum of Art, Atlanta (2013); Kemper Art Museum, St. Louis (2013); Miami Art Museum (2012); Museum of Contemporary Art, Chicago (2012); and South London Gallery (2012).

1981 Katz's work is shown at the Birmingham Museum of Art in Birmingham, Alabama; Portland Center for the Visual Arts in Portland, Oregon; and Contemporary Arts Center in Cincinnati.

Since earning his MFA from Hunter College in 2000, the artist's work has been exhibited in various venues throughout New York City, including Artists Space, The Brooklyn Museum, PS1 Center for Contemporary Art, El Museo del Barrio, PS122 Gallery, Longwood Art Gallery, Queens Museum of Art, and Bronx Museum of the Arts.

His paintings, sculptures, and works on paper have been the subject of numerous exhibitions: The Stedelijk Museum, Amsterdam, 1982; Tate Gallery, London, 1982; Whitechapel Gallery, London, 1987; Kunsthalle Düsseldorf, Düsseldorf, 1987; Centre Georges Pompidou, Paris, 1987; Whitney Museum of American Art, New York, 1987; San Francisco Museum of Modern Art, San Francisco, 1987; Museum of Fine Arts, Houston, 1987; Musée d'Art Contemporain, Nîmes, 1989; Staatliche Graphische Sammlung, Munich, 1989; Palais des Beaux - Arts, Brussels, 1989; Fruitmarket Gallery, Edinburgh, 1989; Museum of Contemporary Art, Chicago, 1989; Museo de Arte Contemporáneo, Monterrey, 1994; Fundació Joan Miró, Barcelona, 1995; Galleria d'Arte Moderna di Bologna, Bologna, 1996; Schirn Kunsthalle, Frankfurt / Main, 2004; Museo Nacional Centro de Arte Reina Sofía, Madrid, 2004; Rotonda della Besana, Milan, 2007; Tabakalera, Donostia - San Sebastián, 2007; Museo di Capodimonte, Naples, 2009; The Art Gallery of Ontario, Toronto, 2010; Museo Correr, Piazza San Marco, Venice, 2011; J.F. Willumsens Museum, Frederikssund, 2013; The Brant Foundation Art Study Center, Greenwich, 2013; Dallas Contemporary, Dallas, 2014; Gagosian Gallery, New York, 2014; Dairy Art Centre, London, 2014; Museu de Arte de São Paulo, São Paulo, 2014, NSU Art Museum Fort Lauderdale, Fort Lauderdale, 2014; University of Michigan Museum of Art, Ann Arbor, 2015; Almine Rech Gallery, Paris, 2015; Vito Schnabel Gallery, St. Moritz, 2016; Blum & Poe, LA, 2016; and Aspen Art Museum, Aspen, 2016.

He has been included in numerous exhibitions in Europe and the United States over the last three decades, including The Astrup Fearnley Museum of Modern Art, Oslo; Kunstmuseum, Düsseldorf; Museu Calouste Gulbenkian, Lisbon; The Walker Art Center, Minneapolis; International Center of Photography, New York; Moderna Museet, Stockholm; Centre Georges Pompidou, Paris; and the Museum of Contemporary Art, Chicago.

P.S. 1 Contemporary Art Center is pleased to present the U.S. museum premiere of Jim Shaw's large - scale installation The Donner Party (2003).

His works are represented in prominent collections internationally, including The British Museum, London; Carnegie Museum of Art, Pittsburgh, Pennsylvania; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Tate Gallery, London; Victoria and Albert Museum, London; and the Walker Art Center, Minneapolis, Minnesota.

«Die Kunst des Zitierens», ZKM — Museum für Neue Kunst, Karlsruhe, Germany Par Par SET, The Barbara Krakow Gallery, Boston, MA, USA Object Fictions, James Cohan Gallery, New York, NY, USA CIRCA 1986, Hudson Valley Center for Contemporary Art, Peekskill, NY, USA 1991... (Memorial Promenade), Galerie Thomas Schulte, Berlin, Germany Clap, Hessel Museum of Art, Bard College, Annadale - on - Hudson, NY, USA gehen blühen fließen.

Since 1976, she has exhibited extensively with solo shows at the Seattle Art Museum; Dallas Museum of Fine Arts; The Israel Museum, Jerusalem; Lowe Art Museum, University of Miami, Coral Gables; Madison Art Center, WI; San Diego Museum of Art, CA; Yellowstone Art Museum, Billings, MT; The Contemporary Art Museum, Honolulu.

In the 1990s, the artist's work was presented at the Austrian Pavilion of the 44th Venice Biennale (1990); documenta IX, Kassel (1992); Museum of Contemporary Art, Los Angeles; Dia Center for the Arts, New York (both 1994); and the Städtisches Museum Abteiberg, Mönchengladbach (1996).

Her work is included in the following public collections: Walker Art Center, Minneapolis; Museum of Contemporary Art, Chicago; MUDAM — Musée d'Art Moderne Luxemburg; Milwaukee Art Museum, Wisconsin; Daimler Contemporary, Berlin; Smithsonian American Art Museum, Washington DC.

2010 Whitney Biennial, Whitney Museum of American Art, New York, NY Greater New York: 5 Year Review, MoMA / PS1, Long Island City, NY Framed, Indianapolis Museum of Art, Indianapolis, IN Emerge, Museum of Contemporary Art Chicago, Chicago, IL Uncertain Spectator, Experimental Media and Performing Art Center, Troy, NY Sweat, Patricia Low Contemporary, Gstaad, Switzerland F * Utility, Arena 1, Santa Monica, CA Better When Broken, Seventeen Gallery, London, England A Basic Human Impulse, Galleria Comunale d'Arte Contemporanea, Monfalcone, Italy Mirror, Mirror, Postmasters Gallery, New York, NY Gim me Shelter, Mixed Greens, New York, NY Knock Knock, Fred Torres Collaborations, New York, NY A Reluctant Apparition», Sue Scott Gallery, New York, NY Global / National, Exit Art, New York, NY Escape from New York, Patterson Arts Council, Patterson, NJ COMPOSE!

Torbjørn Rødland (b. 1970, Stavanger, Norway, lives and works in Los Angeles and Oslo) has been the subject of a number of institutional solo exhibitions, including shows at Henie - Onstad, Oslo, Norway (2015); Kunsthall Stavanger, Stavanger, Norway (2014); Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2010); Contemporary Art Museum, St. Louis, United States (2010) and P.S. 1 Contemporary Art Center, New York, United States (2006).

Most recently, her work was featured in the critically acclaimed traveling 2015 - 2017 group exhibition Leap Before You Look: Black Mountain College 1933 - 1957, held at the Institute of Contemporary Art, Boston; Hammer Museum, Los Angeles; and Wexner Center for the Arts in Columbus, Ohio.

Group exhibits include Tang Museum, NY (2016), The Louisiana Museum of Modern Art, Denmark (2016), The Metropolitan Museum of New York (2015), Knoxville Museum of Art, TN (2015), Bronx Museum of the Arts (2011), the Hudson Valley Center for Contemporary Art, Peekskill, NY, The Prague Biennial (2009) and the New York Photo Festival (2008).

Notable group exhibitions and screenings include El Hotel Electrico, MUHKA, Antwerp (2014); Une Brève histoire des lignes, Centre Pompidou - Metz, Metz (2012); Unwrapping History: Films from the Collection, Walker Art Center, Minneapolis (2012); and Ghosts in the Machine, the New Museum of Contemporary Art, New York (2012).

Additional funding provided by the Board of Directors of P.S. 1 Contemporary Art Center, Robert J. Denison, the Douglas S. Cramer Foundation, The Contemporary Arts Council and The Junior Associates of The Museum of Modern Art, and by the New York City Department of Cultural Affairs.