Sentences with phrase «center presents images»

«The Power of Pictures: Early Soviet Photography and Film» at the Frist Center presents images, films, and movie posters...

One of the biggest projects was the construction of a new theater that lets the center present images, videos and movies on a big screen using and HD projector and enveloping surround sound from SVS speakers and subwoofers.

Not exact matches

At this point Buddhism presents an instructive contrast to Christianity, for here [in Buddhism] one discovers unbelievably complex systems of meditation centering upon the image of death, but here death is a way to a dissolution of the human condition, and therefore to the abolition of pain and suffering.21

Perhaps the reminder is again in order that Israel's interest in the original «event» rests predominantly in its present and continuing meaning that the form of the narrative before us is unquestionably cultically conditioned, that is, shaped by the influences of cultic circles at centers of worship in which, the tradition was maintained; and that this cultic tradition returns an image of Moses formed out of long years of meditation on the total significance of his life and time through the succeeding generations of Israel's life.

The beautiful spiral galaxy visible in the center of the image is known as RX J1140.1 +0307, a galaxy in the Virgo constellation imaged by the NASA / ESA Hubble Space Telescope, and it presents an interesting puzzle.

The researchers then presented the network with 200 images from The Cancer Genome Atlas and University Hospitals Cleveland Medical Center.

Our sample of 107 YSO candidates was selected based on IRAC colors from the high spatial resolution, high sensitivity Spitzer / IRAC images in the Central Molecular Zone (CMZ), which spans th... ▽ More We present results from our spectroscopic study, using the Infrared Spectrograph (IRS) onboard the Spitzer Space Telescope, designed to identify massive young stellar objects (YSOs) in the Galactic Center (GC).

The image is presented in Galactic coordinates, with the plane of the Milky Way Galaxy horizontal across the middle and the Galactic center at the center.

On the occasion of Museum of the Moving Image's Tsai Ming - liang retrospective, presented with support from Taipei Cultural Center of TECO in New York, we created this short film about the work of the great Taiwanese director.

Fitted with dozens of features eloquently place so as to be noticed but not overbearing, and matched with the often timeless classic clock in the center console, Kia has presented quite the image of luxury and technology.

The industrialization era (1851 — 1938) focused primarily on introducing new technology; the cultural exchange era (1939 — 1991) centered on humanitarian and cultural themes; while the national branding era (1992 — present) aims to promote national images.

This panel will discuss the opportunities and challenges of accessible multimedia, presenting Benetech's DIAGRAM Center, an initiative to create tools and processes for publishers to build in image accessibility for a full range of media types.

As a PADI Five Star Dive Center we excel in providing quality services to divers while presenting a professional image and actively promoting the benefits of recreational scuba diving, dive travel, and environmental protection.

Beyond the Image Wars in Science, Religion and Art, ZKM / Center for Art and Media, Karlsruhe, Germany Embracing the Present, Portland Art Museum, Portland, USA Multiples.

Recent group exhibitions include Man in the mirror, Vanhearents Art Collection, Brussels, Belgium, 2015; Exposition d'ete, Galerie Nathalie Obadia, Brussels, 2015; David Kennedy Cutler, Michael DeLucia, David Scanavino, Derek Eller Gallery, New York, NY, 2014; Socrates Sculpture Park, Long Island City, NY 2013; Michale DeLucia, Bryan Graf & Kate Shepherd, Halsey McKay Gallery, New York, NY, 2013; On the Grid, Lu Magnus, New York, NY, 2013; MONSLVAT, Bureau Gallery, New York, NY, 2013; 80wse Presents, 80wse Galleries, New York, NY, 2012; Hors les murs, Galerie Nathalie Obadia, Brussels, Belgium, 2012; Coquilles mecaniques, CRAC - Centre Rhenan d'Art Contemporain, Alsace, 2012; In Between, Galerie Nathalie Obadia, Brussels, Belgium, 2012; Andrea Rosen Gallery, New York, NY, 2012; Flection, Hedge Gallery, San Francisco, CA, 2012; Potential Images, 1708 Gallery, Richmond, VA, 2012; and In Practice: You Never Look at..., Sculpture Center, Long Island City, NY, 2012.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

1994 Don't Look Now, Thread Waxing Space, New York (catalogue) Cross and Square Grids, Museum of Modern Art, Saitama, Japan Abstraction: A Tradition of Collecting in Miami, Center for the Fine Arts, Miami, FL (catalogue) Das Americas, Galeria Luisa Strina, São Paulo, Brazil (catalogue) Elvis + Marilyn: 2 x Immortal, Institute of Contemporary Art, Boston, MA (catalogue) Come dire, splendori, Pontormo Rosso Gallery, Carmignano, Italy Notational Photographs, Metro Pictures, New York Rudiments d'un musée possible, Musée d'Art Contemporain, Geneva Le Constanti Nell» Arte, Galleria Lia Rumma, Naples (catalogue) 30 Years: Art in the Present Tense, Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) The Assertive Image: Artists of the Eighties, Armand Hammer Museum and University of California, Los Angeles The Use of Pleasure, Terrain Gallery, San Francisco, CA (curated by Robert Nickas) Punishment + Decoration, Hohenthal und Bergen, Cologne, Germany Katarina Fritsch, Peter Halley, Hubert Kiecol, Imi Knoebel, Sherrie Levine, Richard Prince, Jablonka Galerie, Berlin

Mier Gallery, «Present Conditional,» Los Angeles CA SCHUNCK *, «Visual Vinyl», Heerlen, The Netherlands Beaux - arts de Paris, «Transmissions: re-creation, repetition», Paris, France International Print Center, «True monotypes», New York NY Hannah Hoffman Gallery, «IMAGE SEARCH: Francis Picabia, Sigmar Polke, Jörg Immendorff, Albert Oehlen, John Stezaker, Rita Ackermann / Harmony Korine, Michael Williams, Raphaela Simon; selected by Parinaz Mogadassi», Los Angeles CA Fundació Gaspar Group, «ART STRIKES BACK», Barcelona, Spain Synchrotron Radiation Center, «Condensed Matter Community», Stoughton WI

Being held in the Kuleli Building at the Halic Congress Center, September 25 - 28, 2014, Moving Image Istanbul runs in parallel with ArtInternational art fair, and will present a selection of single - channel videos and installations from across the globe.

Xtreme Archive: Project X 1992 - 1999 Concluding their curatorial residency at 18th Street Arts Center, Project X presents Xtreme Archive: Project X 1992 - 1999, an exhibition of ephemera, images, and audio recordings about the exhibitions of Project X in the nineties.

Cincinnati Museum Center Presents Treasures in Black & White Historic Photographs of Cincinnati April 25 — October 12, 2014 South Gallery, Cincinnati History Museum Look through the photographer's lens and revisit images that document Cincinnati's neighborhoods, architecture and

Presented were images and texts regarding the gifts the Forward Arts Foundation gave to various Atlanta Art Insititutions since its inception (High Museum, Michael Carlos Museum, Botanical Gardens, Beltine, MOCA GA, the Atlanta Contemporary Art Center.

Julieta Aranda's work has been exhibited internationally in venues such as (selection): The Kitchen (NY), 10th Lyon Biennial, Solomon Guggenheim Museum, NY (upcoming solo presentation, 2009), Conspire: Transmediale08, Berlin (2008); Present Future, Artissima, Torinno (2007); Escultura Social, Museum of Contemporary Art in Chicago (2007); 2nd Moscow Biennial (2007) System Error, Palazzo delle Papesse, Siena, Italy (2007), Dictionary of War, Muffathalle, Munich, Germany (2006), Trial Ballons, MUSAC, Spain (2006), An Image Bank for Everyday Revolutionary Life, REDCAT, Los Angeles, (2006), Museo Carrillo Gil, Mexico City (2009 / 2006), Version 6.0, Espace Paul Ricard, Paris, France (2005); IX Baltic Triennial, Contemporary Art Center (CAC), Vilnius, Lithuania / Institute of Contemporary Art (ICA), London, England (2005); Moderna Galerija, Museum of Modern Art, Ljubljana, Slovenia, (2004); Centro Nacional de las Artes, México City (2004); «ev + a, Imagine Limerick», Limerick, Ireland (2004), Canaia, Mexico City, Mexico (2003); Platform Garanti, Istanbul, Turkey (2003), and VII Havanna Biennial; amongst others.

Using his characteristic jagged line and raw brushstroke, he presents chaotic, image - strewn landscapes as well as more axiomatic works that center on film archetypes.

1965 - 1975», hosted on the ground floor of the Podium, has been conceived as an in - depth analysis of the artists active throughout the 60's and 70's, who were featured in shows that questioned traditional exhibition set - up and presentation conventions, such as «Hairy Who» (1966 - «67), «False Image» (1968 - «69), «Nonplussed Some» (1968 -» 69), organized at the Hyde Park Art Center in Chicago, and itinerant exhibition «Made in Chicago», first presented at the São Paulo Biennial in 1973.

At the Contemporary Arts Center, the artistic duo Ellen Gallagher and Edgar Cleijne were puzzling out exactly how to present «Highway Gothic,» which encompasses a series of cyanotype banners printed on 70 millimeter film — with images of crayfish and catfish — and a movie.

Commemorating the 150th anniversary of the Emancipation Proclamation, The Amistad Center for Art & Culture will present visual images and artifacts of events surrounding the time of the proclamation.

The hardcover book, which features over 200 lavish color images documenting Texas» unique role (past and present) in the world of abstract art, will be available at Galveston Arts Center during the exhibit.

Sullivan Goss presents a summer exhibition of American painting centered on the images of that beloved group known as The Impressionists.

1994 The Art of Betye Saar and John Otterbridge, 22nd Biennial of Sao Paulo, Museum of Modern Art, Sao Paulo, Brazil Urban Paradise: Gardens in the City, Paine Webber Art Gallery, New York, NY The Sacred and the Profane, Jan Baum Gallery, Los Angeles, CA The US Delegation Fifth Biennial of Havana, Wilfredo Lam Center, Havana, Cuba Generation of Mentors, National Museum for Women in the Arts, Washington, DC 25 Years of African - American Art, The Studio Museum in Harlem, New York, NY; The Wood Street Galleries, Pittsburgh, PA; The Art Museum, Rhode Island School of Design, Providence, RI; The Scottsdale Art Center, Scottsdale, AZ; Munson - Williams - Proctor Institute, Utica, NY; Modern Art Museum of Fort Worth, Fort Worth, TX; The New York State Museum, Albany, NY; The Mexican Museum, San Francisco, CA; Tufts University Art Gallery, Medford, MA; Heckscher Museum, Huntington Long Island, NY; The Lowe Art Gallery, University of Miami, Miami, FL Passionate Visions of the American South: Self - Taught Artists from 1940 — the Present, University Art Museum & Pacific Film Archive, Berkeley, CA; New Orleans Museum of Art, New Orleans, LA; San Diego Museum of Art, San Diego, CA; Corcoran Gallery of Art, Washington, DC; North Carolina Museum of Art, Raleigh, NC Relatively Speaking: Mother and Daughters in Art, Sweet Briar College Art Gallery, Sweet Briar, VA; Rahr West Museum, Manitowock, WI; Snug Harbor Cultural Center, Staten Island, NY; Rockford Museum of Art, Rockford, IL, Hofstra University Museum, Hempstead, NY African American Women Prints, Brandywine Workshop's Printed Image Gallery, Philadelphia, PA

Catherine Opie: 700 Nimes Road @ MOCA Pacific Design Center Through May 8, 2016 Catherine Opie's latest body of work, inspired by William Eggleston's images of Graceland, presents a deeply intimate portrait of one of the world's most fascinating women, Elizabeth Taylor.

2014 - Present Santa Fe University of Art & Design - international workshop instructor in architectural photography and design thinking 2010 - Present Kate Joyce Studios, Chicago, IL - owner, architectural photography, commissions, image licensing 2006 - 2009 Hedrich Blessing Photographers, Chicago, IL — apprenticeship and staff photographer 2006 O'Keeffe Art and Leadership Program for Girls, Santa Fe, NM - photography art teacher 2005 - 2006 Lewis Hine Documentary Initiative, Center for Documentary Studies, Durham, NC — program coordinator 2004 Diketso Eseng Dipuo Community Development Trust, Bloemfontein, South Africa — documentary projects specialist EDUCATION

Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994 — January 14, 1995 (Catalogue) Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994 Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1994.

Photography from the Deutsche Bank Collection, Singapore Art Museum, Singapore The New International, Garage Museum of Contemporary Art, Moscow Songs of Loss and Songs of Love, Gwangju Museum of Art, South Korea Look at Me: Portraiture from Manet to the Present, Lelia Heller Gallery, New York I Look at Things... Work From the Collection, Faurschou Foundation, Copenhagen Shirin Neshat: Don't Ask Where the Love is Gone, Moscow Photobiennale 2014, Multimedia Art Museum, Moscow Pionniéres: Lynda Benglis, Louise Bourgeois, Marlene Dumas, Tracey Emin, Roni Horn, Shirin Neshat, Cindy Sherman, Nancy Spero, Niki De Saint Phalle, CAB Art Center, Brussels 2013 My Third Land, Frankendael Foundation, Amsterdam Collection Exhibition II, 21st Century Museum of Contemporary Art, Kanazawa Come Together: Surviving Sandy, Year 1, Industry City, New York The Ghost of Architecture: Recent and Promised Gifts, Henry Art Gallery, University of Washington, Seattle SKIN, an artistic atlas, Royal Hibernian Academy, Dublin She Who Tells a Story: Women Photographers from Iran and the Arab World, Museum of Fine Arts, Boston Legacy: Photographs from the Emily Fisher Landau Collection, the Aldrich Contemporary Art Museum, Ridgefield, Connecticut Displaced Visions Emigré Photographers of the 20th Century, The Israel Museum, Jerusalem All You Need is Love, Mori Art Museum, Tokyo 2012 OC Collects, Orange County Museum of Art, Newport Beach Voice of Images, Palazzo Grassi - Françoise Pinault Foundation Pulso Iranioano.

Sullivan Goss presents our second summer exhibition of American painting centered on the images of that beloved group known as The Impressionists.

Specifically, the installation embraces the visual pleasure of presenting and arranging an excess of Chicana / o centered images where they would not appear otherwise.

Concluding our curatorial residency at 18th Street Arts Center, Project X presents Xtreme Archive: Project X 1992 - 1999, an exhibition of ephemera, images, and audio recordings about the exhibitions of Project X in the nineties.

Based on works by eighteen contemporary artists such as Maurizio Cattelan, Peter Coffin, Judith Hopf, Andrea Fraser, Claire Fontaine, Alicja Kwade, Ryan Trecartin, and Daniel Richter, it unfolds an image of a present - day world with the individual at its center.

Join Congress Heights Arts & Culture Center as we welcome local artist Antionette S. Hodges and present a solo exhibition, Images by ASH.

Home» Gallery Openings and Events» Congress Heights Arts & Culture Center Presents Antionette Simmons Hodges Images by ASH

His work has been included in major group exhibitions including «Moving Pictures» at Solomon R. Guggenheim Museum in New York and Guggenheim Bilbao (2002), Venice Biennale (2003), «Quartet: Barney, Gober, Levine, Walker» at Walker Art Center in Minneapolis (2005), Biennial of Moving Images at Centre pour l'Image Contemporaine in Paris (2005), and «All in the Present Must Be Transformed: Matthew Barney and Joseph Beuys» at Deutsche Guggenheim in Berlin (2006).

Knowing the method of production for these images, it becomes easy to discern that an entire page of the book has been enlarged (in fact, both books are presented on a pedestal in the center of the gallery for reference).

1988 Group Show, Marian Goodman Gallery, New York, US Broken Music - Artists» Recordings, DAAD Galerie, Berlin, DE Saga 88, Eric Linard Editions, Grand Palais, Paris, FR Gordon Matta - Clark and Friends, Galerie Lelong, New York, US Forum, Hamburg Art Fair, Hamburg, DE A Bid for Human Rights, Brendon Walter Gallery, Santa Monica, California, US Art in Bookform / Book in Artform, Presented by Zona Archives at ACRL / Weiss Conference, Firenze, IT As Far as the Eye Can See, Marian Goodman Gallery, New York, US Delfryd Celf in London, Victoria Miro Gallery, London, UK Der Hund in Mir / The Dog Within, Galerie Hubert Winter, Vienna, AT Collection du Musee Van Abbe d'Eindhoven, premiere partie, Musee des Beaux Arts de Nimes, Nimes, FR Amsterdam Koopt Kunst, Museum Fodor, Amsterdam, NL Modes of Address: Language in Art Since 1960, Whitney Museum (downtown), New York, US The Turning Point - Art and Politics in 1968, Cleveland Center for Contemporary Art, Cleveland, Ohio, US; Lehman College Art Gallery, Bronx, New York, US Collection du Musee Van Abbe d'Eindhoven, Deuxieme Partie, Musee des Beaux Arts de Nimes, Nimes, FR Le Marche comme Objet, Picard Surgeles, Paris, FR Art Conceptuel I, Musée d'art contemporain, Bordeaux, FR From the Collection of Dorothy and Herbert Vogel, Arnot Art Museum, Chicago, Illinois, US Skulpturen Republik, Kunstraum Wien, Vienna, AT; John Hansard Gallery, The University of Southhampton, Southhampton, US; Third Eye Centre, Glasgow, UK Ships Sail at Night: Art and the Image of Sea, Maritime Museum, Rotterdam, NL Concept Art, Stalke Galleri, Copenhagen, DK; Brigitte March Galerie, Stuttgart, DE; L'Espace des Arts, Chalon sur Saone, FR Balkon mit Facher - 25 Jahre Berliner Kunstlerprogramme des DAAD, Akademie der Kunste, Berlin, DE Symmetry» 88, International Etalageproject, Middelburg, NL Tellus # 22 (Audio Visual Issue II), Audio Cassette magazine, New York, US

The Colorado Photographic Arts Center presents «Role Reversal,» an exhibition that presents the work of three women photographers whose images challenge long - held perceptions of beauty and gender roles in visual culture.

As part of the 15 - month, multi-phase engagement and exhibition, Hank Willis Thomas: Philadelphia Block Project, the Philadelphia Photo Arts Center presents Archive Collective: South Kensington 19122 a community archive exhibition comprised of crowd - sourced images from residents of Philadelphia's South Kensington neighborhood.

In addition, as a Creative Partner of the Main Line Art Center's «Panorama 2016: Image - Based Art in the 21st Century», a project celebrating the photographic image and digital media, the 3rd Street Gallery Annex presents Remix: Integrating Art and Technology, an exhibit highlighting the work of those members who use photographic and / or digital art technologies or who blend traditional processes with photographic / digital mImage - Based Art in the 21st Century», a project celebrating the photographic image and digital media, the 3rd Street Gallery Annex presents Remix: Integrating Art and Technology, an exhibit highlighting the work of those members who use photographic and / or digital art technologies or who blend traditional processes with photographic / digital mimage and digital media, the 3rd Street Gallery Annex presents Remix: Integrating Art and Technology, an exhibit highlighting the work of those members who use photographic and / or digital art technologies or who blend traditional processes with photographic / digital media.

Committed to increasing the visibility and accessibility of art, the Art Center also presents exhibitions and events in the community, including Panorama: Image - Based Art in the 21st Century, an annual celebration of the photographic image and digital media which last year featured 60 + events over the course of two months presented by the Art Center and its 35 + Creative PartImage - Based Art in the 21st Century, an annual celebration of the photographic image and digital media which last year featured 60 + events over the course of two months presented by the Art Center and its 35 + Creative Partimage and digital media which last year featured 60 + events over the course of two months presented by the Art Center and its 35 + Creative Partners.

Committed to increasing the visibility and accessibility of art, the Art Center presents innovative exhibitions and events in the community, including Panorama: Image - Based Art in the 21st Century, a Greater Philadelphia - wide celebration of the photographic image and digital mImage - Based Art in the 21st Century, a Greater Philadelphia - wide celebration of the photographic image and digital mimage and digital media.

Curated by the Art Center's Executive Director and Chief Curator Amie Potsic, Enlightened Earth is the feature exhibition of Panorama: Image - Based Art in the 21st Century, the Art Center's 2 month celebration of the photographic image and digital media in contemporary art, featuring over 50 events presented by the Center and its 40 + PartImage - Based Art in the 21st Century, the Art Center's 2 month celebration of the photographic image and digital media in contemporary art, featuring over 50 events presented by the Center and its 40 + Partimage and digital media in contemporary art, featuring over 50 events presented by the Center and its 40 + Partners.

Additionally, the International Center of Photography (ICP) and Photo London will present a new version of the installation Unwavering Vision, an interactive multimedia presentation by Alan Govenar, Jean - Michel Sanchez, and Julien Roger, incorporating more than five thousand images dealing with social change from the ICP's permanent collection.