Sentences with phrase «central hall works»

In the imposing Central Hall works by honorary academicians, major international artists such as Georg Baselitz and Anselm Kiefer, appear beside those of prominent academicians who have died over the past year, including Anthony Caro, Alan Davie and John Bellany.

Not exact matches

U.S. Rep. Yvette Clarke (D - Central Brooklyn) is inviting students to participate in the 2018 Congressional Art Competition, a nationwide contest in which the winners will enjoy the opportunity to have their work displayed in the halls of the U.S. Capitol.

Since the repeal debate began, protesters have made direct confrontations with elected officials a central part of their opposition to the Republican bill — copying what worked for tea party activists, who packed Democratic town halls during the lengthy 2009 - 2010 Affordable Care Act debate.

Some of the world's leading automotive artists will feature their works in the new Art Walk on the Skybridge between the South and Central halls of the LVCC.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

For P.S. 1, works from the mid 1970s to the present are organized according to the sequential layout of the Second Floor Main Gallery, with its central hall as the installation's frenetic epicenter.

Inside the museum, the radiant, soaring volumes of church sanctuaries will find an equivalent in a toplit central hall, with ample wall area to install large - scale works of art.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

The retrospective of paintings by Cornelia Foss, presented in Guild Hall's Woodhouse Gallery, includes works that emphasize the artist's relationship to the ecology of the East End and also incorporates ruminations on nature from New York's Central Park (in addition to a series of portraits of family and friends).

Excellent examples of this «experience architecture» are shown in the central hall of the museum, including the complex work Corridor Installation (Nick Wilder Installation) from 1970, where visitors are recorded by a video camera and then confronted with their own image.

The retrospective has only thirty - five paintings, biased toward a central halls of relatively later work, when naturally more is available to the market.

The work was shown when the Sensation show went on tour, at the Berlin Hamburger Bahnhof museum from 30 September 1998 to 30 January 1999, and at the Brooklyn Museum of Art from 2 October 1999 to 9 January 2000, and later at the Saatchi Gallery at County Hall in central London.

Then there is Work No 850, staged throughout this summer, for which teams of runners have sprinted through the gallery's long central hall.

In case you haven't seen it yet, Work No. 850 is a relay of sprinters in the long, neoclassical central hall of the Millbank museum.

2002 Creative Expressions: Prints and Works on Paper, Tobey C. Moss Gallery, Los Angeles, CA Free Expressions: Community Voices and Contemporary African American Art from the Collection, Newark Museum, Newark, NJ African - American Art: 20th Century Masterworks, IX, Michael Rosenfeld Gallery, New York, NY; Tubman African American Museum, Macon, GA Consequences of Empire, Public Resource Center for Activism and Arts, Washington, DC Successions: Prints by African - American Artists from the Jean & Robert Steele Collection, Art Gallery, University of Maryland, College Park, MD; Carleton College, Northfield, MN; University Art Gallery, University of Scranton, Scranton, PA; Muscarelle Museum of Art, The College of William and Mary, Williamsburg, VA; The James E. Lewis Museum of Art, Morgan State University, Baltimore, MD; Art Museum, North Carolina Central University, Durham, NC; Tubman African American Museum, Macon, GA The Belles of Amherst: Contemporary Women Artists, Mead Art Museum, Amherst College, Amherst, MA In Memory: The Art of Afterward, Sidney Mishkin Gallery, Baruch College, New York, NY Personal & Political: The Women's Art Movement, 1969 - 1975, Guild Hall Museum, East Hampton, NY Some Assemblage Required: Collage Culture in Post-War America, Everson Museum of Art, Syracuse, NY; Madison Art Center, Madison, WI; Polk Museum of Art, Lakeland, FL

Requiring a minimum of 2000 square metres for the installation, the work was shown in non-art venues in each of the four cities: a vast underground car park located in a new development of houses and apartments in the rapidly expanding city of Guangzhou; the main hall of the National Museum of Modern Chinese History on Tianamen Square in the heart of Beijing; an upper floor in a riverside warehouse providing grain and rice to feed the people of Shanghai; and a cavernous former underground air - raid shelter in central Chongqing.

The show does start well with the RA's Central Hall exhibiting work by newly elected Academicians.

(2) In 2010, Tuymans included Wróblewski's work in The Reality of the Lowest Rank: A Vision of Central Europe, a group exhibition he curated at the concert hall and other venues in Bruges.

Opened to the public on October, 3, 1996, the 65,000 square - foot home of the museum includes four exhibition areas and a central hall in which large - scale works by Tinguely are on display.

This theme would return with a vengeance in 1992, when the new National Museum of Catalan Art commissioned a work of sculpture for its central hall.

Making her first visit to the Summer Exhibition, Alex is expertly guided around a selection of the works by Head of the Summer Exhibition, Edith Devaney, including the extravagant Cake Man in the Central Hall and a piece by Michael Craig - Martin.

In the museum's central hall, Shapiro, a pivotal figure in contemporary American art, whose work can be found in numerous public collections around the world, constructs a subtle dialogue between two different aspects of his work.

Dorothy McIlvain Scott American Wing — Considered the BMA's largest work of art, the Pope - designed Dorothy McIlvain Scott American Wing will be revitalized as a central gathering place for visitors with improvements that include the reinstallation of the original chandeliers, refinished surfaces, and the refurbishment of the terrazzo floor in the central hall.

The central art event, Heart of Glass, in association with Contemporary Arts Society is a site - specific show of work from 25 established and emerging artists that will be begin on 2nd October in the basement of Shoreditch Town Hall and will run until 19th October.

JACK YOUNGERMAN 1926 - Born, St. Louis, Missouri 1929 - Moved with family to Louisville, Kentucky 1943 - 44, 1946 - 47 - Attended University of Missouri 1944 - 46 - U.S. Navy, University of North Carolina 1947 - 49 - Ecole des Beaux - Arts, Paris 1949 - 55 - Lived and worked in Paris 1956 - Returned to the United States 1956 - 1995 - Lived in New York City 1995 - current - Resides in Bridgehampton, New York ONE MAN EXHIBITIONS: 1951 - Galerie Arnaud, Paris 1958 - Betty Parsons Gallery, New York (1960, 1961, 1964, 1967, 1968) 1959 - Museum of Modern Art, NY, «Sixteen Americans» 1962 - Galerie Lawrence, Paris (also 1965) 1963 - Galeria dell» Ariete, Milan Everett Ellen Gallery, Los Angeles, California The Phillips Collection, Washington, D. C. 1971 - Pace Gallery, New York (also 1972, 1975) 1972 - Portland Center for the Arts, Oregon Seattle Art Museum, Washington 1973 - The Arts Club of Chicago, Illinois Galerie Denise Rene, Paris 1975 - Hopkins Center, Dartmouth College, Hanover, NH 1976 - Parrish Art Museum, Southampton, NY 1981 - Washburn Gallery (& 1982, 84, 85, 86, 87, 91, 97, 99, 2001, 03, 06, 09) Doris C. Freedman Plaza, Central Park, NY, «Sculpture Grove», Public Art Fund 1982 - Fine Arts Center, S.U.N.Y., Stony Brook, NY 1986 - Solomon R. Guggenheim Museum of Art, NY 1989 - Heland Wetterling Gallery, Stockholm, Sweden 2000 - Guild Hall Museum, East Hampton, NY 2004 - Parrish Art Museum, Southampton, NY 2005 - The Drawing Room, East Hampton, NY Susan Sheehan Gallery, NY (& 2006) 2011 - Margo Leavin Gallery, Los Angeles, California 2013 - Washburn Gallery, New York, NY LongHouse Reserve, East Hampton, NY The Drawing Room, East Hampton, NY 2014 - Washburn Gallery, New York, NY Galerie Hervé Bize, Nancy, France

John became involved early on in the digital media publishing industry, managing his own editorial services company, and working at McGraw - Hill, Prentice Hall, and the Boston - based Pearson Education Central Media where he retired as Managing Director in 2012.

Antique furniture works well in a classic scheme, so if you have the space place a pedestal table in the middle of the hall and hang a statement chandelier or pendant light above it as a central focal point.