Sentences with phrase «centre gallery hours»

Exhibition Opens March 23, 2018 Opening Reception Friday, 5:30 - 8:00 pm FREE Foundry Art Centre Gallery Hours Tue - Thu 10 - 8 Fri - Sat 10 - 5 Sun 12 - 4 Exhibition Closes May 4

Exhibition Opens August 17 Opening Reception Friday, 5:30 - 8:00 pm FREE Foundry Art Centre Gallery Hours Tue - Thu 10 - 8 Fri - Sat 10 - 5 Sun 12 - 4 Exhibition Closes September 28

Exhibition Opens December 15, 2017 Opening Reception Friday, 5:30 - 8:00 pm FREE Foundry Art Centre Gallery Hours Tue - Thu 10 - 8 Fri - Sat 10 - 5 Sun 12 - 4 Exhibition Closes January 26

Exhibition Opens March 10, 2017 Opening Reception Friday, 5:30 - 8:00 pm FREE Foundry Art Centre Gallery Hours Tue - Thu 10 - 8 Fri - Sat 10 - 5 Sun 12 - 4 Exhibition Closes April 21, 2017

Exhibition Opens May 11, 2018 Opening Reception Friday, 5:30 - 8:00 pm FREE Foundry Art Centre Gallery Hours Tue - Thu 10 - 8 Fri - Sat 10 - 5 Sun 12 - 4 Exhibition Closes June 22

Not exact matches

Only half an hour from the centre of Adelaide, the Adelaide Hills offer visitors a delightful collection of attractions with a distinctly South Australian flavour... village galleries featuring local crafts, Australian native wildlife, wine tasting and botanic gardens... all can be selected to suit your interests.

Everything is going to be alright, Elizabeth Cherry Gallery, curated by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox Art Gallery, Buffalo, New York, USA Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave Prints v. 2.0, Elias Fine Art, Allston, Massachusetts, USA New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias Fine Art, Boston, USA Glee: Painting Now, The Aldrich Museum of Contemporary Art, Ridgefield, CT Palm Beach Institute of Contemporary Art, Organized by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image Painting, Banff Centre for the Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Staton)

From «The Maybe» by Cornelia Parker (the actress Tilda Swinton asleep in a glass case) to the 512 Hours performance by Marina Abramovic, thereby turning the gallery space into a meditation centre.

Walter Phillips Gallery is located at Banff Centre for Arts and Creativity in Banff National Park, a one - and - a-half hour drive from Calgary, Alberta, Canada.

Past group shows and screenings include: Rêve du Pierre, curated by Alexandra Fau, Centre Pompidou, Paris (screening)(2016); Night Walk, with Erin Shirreff, deCordova Sculpture Park and Museum, Lincoln, MA (2015); A Night of Philosophy, Ukrainian Institute of America, New York, NY (Screening)(2015); The Daily Show, Bureau, New York NY (2015); The Built Environment: Lower Side in Istanbul, Mixer, Istanbul, Turkey (2014); It Narratives: The Movement of Objects as Information, Franklin Street Works, Stamford, CT, USA (2014); A Tale of Two Islands: Beatrice Gibson with Alex Waterman, and Frank Heath, High Line Art, NY, NY (2014); Two Hours Two Minutes, The Power Plant, Toronto, Canada (2014); Kool - Aid Wino, Franklin Street Works, Stamford, CT, USA (2013); Matter Out of Place, Kitchen, NY, NY (2012); Somebody has stolen our tent, Simon Preston Gallery, NY, NY (2012); The Way Things Go (Part 3), Frutta, Rome, Italy (2012); Single Channel, Soho House, Miami, FL, USA (2011); Forcemeat, Wallspace, NY, NY (2011), and Suddenly: Where We Live Now, Cooley Gallery — Reed College, Portland, OR and Pomona College Museum of Art (2008, 2009).

Selected recent performances, exhibitions, and film screenings include: Weddings and Babies, Pilar Corrias Gallery, London (2017); The Next Step, Two Queens, Leicester (2016); Alice Theobald and Atomik Architecture, BALTIC Ryder Commission, BALTIC Centre for Contemporary Art, Gateshead (2016); You've got my back and I'm on your side, FRAC Champagne - Ardenne, Reims (2016); The boys the girls and the political, Lisson Gallery, London (2015); The Fifth Artist, Wysing Arts Centre, Cambridge (2015); Scene Four: Home, Flat Time House, London (2015); Dear Luxembourg (yours, bucktoothed grl), Nosbaum Reding Projects, Luxembourg (2015); Marmalade Me, South London Gallery, London (2014); I've said yes now, that's it., Outpost, Norwich (2014) and Chisenhale Gallery, London (2014); AFTER / HOURS / DROP / BOX, Modern Art Oxford, Oxford (2013) and Spike Island, Bristol (2014); Young London, V22, London (2013); They Keep Putting Words In My Mouth!

The first ever exhibition in Greece to feature solely New York - based artists, Greek Gotham is the gallery's largest exhibition to date — one of «nearly institutional proportions» as Vranopoulou excitedly exclaimed hours before the opening — and draws playful yet acute associations between two of the most important cultural centres of the Western world — namely, Ancient Greece and present - day New York City.

Presented as a parallel event to the exhibition IA25: Mapping a Practice of Media Art Curated by Nina Czegledy and Angella Mackey with Simone Jones & Julian Oliver, Lorena Salom», Galen Scorer and Norman White Exhibition opens January 25 with a reception at 8:00 pm and runs until March 8, 2008 InterAccess Electronic Media Arts Centre, 9 Ossington Avenue, Toronto Gallery hours: Wednesday through Saturday, 12 - 5 pm

Tags: Art, Art Book Publishers, Art Book Publishing, Audrey Walker, Book of the Week, Christopher Andreae, Glasgow, Gracefield Arts Centre, Joan Eardley, Joan Eardley exhibition, landscape painting, Lund Humphries, Modern British Art, National Gallery of Scotland, Portland Gallery, Scottish art, The Independent, The Scotsman, The Scottish Gallery, Woman's Hour,

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

Unfolded at Westfalischer Kunstverein in Munster, Germany (2008), Out of This Sun, Into This Shadow at Ikon Gallery in Birmingham, UK (2008), A Lost Cat and Alleyways, Back Gardens, Pools and Parkways at Centre d'Art Contemporain Genève in Switzerland (2007), For 1959 Capital Avenue at Museum für Moderne Kunst in Frankfurt (2002), and Our Love is Like the Flowers, the Rain, the Sea and the Hours at Tramway in Glasgow (2002).

The Kinsky had the chance to visit POINT CENTRE Gallery, just a few hours before the official opening on Friday, January the 31st.

Cork Vision Centre Review of Cork Heritage Art Gallery & Venue: Group / Solo Shows, Artists Represented, Opening Hours.

2014 «A Town Not This One,» Galerie Thaddaeus Ropac, Villa Kast, Salzburg, Austria, August 30 — November 15, 2014 «Folded Photographs,» Xavier Hufkens, Brussels, Belgium, February 6 — March 8, 2014 «Memento Mori,» Galleria Christian Stein, Milan, Italy, April 29, 2014 2013 «Ennui: La Vie Continue,» Galerie Thaddaeus Ropac, Paris, France, March 2013 «The End of the World,» Regen Projects, Los Angeles, CA, January 12 — February 16, 2013 2012 «Jack Pierson: Jesus and Nazimova,» Xavier Hufkens, Brussels, Belgium, September 7 — October 6, 2012 2011 «Jack Pierson: Twilight,» Elizabeth Leach Gallery, Portland, OR, June 2 — July 16, 2011 2010 «Jack Pierson,» Regina Gallery, Moscow, Russia, November 24 — January 15, 2011 «Jack Pierson: Drawings,» Galerie Thaddaeus Ropac, Salzburg, Austria, October 2 — November 20, 2010 «Jack Pierson,» Galerie Thaddaeus Ropac, Paris, France, July 6 — August, 2010 «Jack Pierson: Go there now and take this with you,» Bortolami Gallery, New York, NY June 24 — August 30, 2010 «Night,» Kukje Gallery, Seoul, Korea, May 4 — June 17, 2010 «Jack Pierson,» Regen Projects, Los Angeles, CA, March 12 — April 17, 2010 «Jack Pierson: New Photographs,» Galerie Sabine Kunst, Munich, Germany January 14 — February 27, 2010 2009 «Abstracts,» Cheim & Read, New York, NY, October 8 — November 14, 2009 «Jack Pierson,» CAC Malaga, Malaga, Spain, June 19 — September 27, 2009 «Jack Pierson,» Galleria Christian Stein, Milan, Italy, May 25 — July 31, 2009 2008 «Jack Pierson,» Xavier Hufkens, Brussels, Belgium June 19 — July 26, 2008 «Jack Pierson,» Irish Museum of Modern Art, Dublin, Ireland, March 11 — May 18, 2008 2007 «Jack Pierson,» Regen Projects, Los Angeles, CA, April 14 — May 19, 2007 «Jack Pierson: Self Portraits,» Sabine Knust, Münich, Germany, November 29, 2006 — January 27, 2007 2006 «Jack Pierson: The Golden Hour,» Aurel Scheibler, Berlin, Germany, December 1, 2006 — March 3, 2007 «Jack Pierson,» Centre D'Art Santa Monica, Barcelona, Spain, December 15, 2006 — March 4, 2007 «Jack Pierson: Recent Works,» Galerie Thaddaeus Ropac, Paris, France, June 29 — July 29, 2006 «Jack Pierson: Melancholia Passing into Madness,» Cheim & Read, New York, NY, March 30 — May 6, 2006 2005 «Jack Pierson: Early Works and Beyond - Goodbye Yellow Brick Road,» Daniel Reich Gallery in co-operation with Cheim & Read Gallery, New York, NY, December 15, 2005 — January 28, 2006; travels to Galerie Aurel Scheibler, Berlin, Germany, September 30 — November 13, 2006 «Jack Pierson: Self Portraits,» Alison Jacques Gallery, London, UK, October 20 — November 19, 2005 «Jack Pierson,» Javier Lopez Gallery, Madrid, Spain, June 8 — July 31, 2005 2004 «Jack Pierson,» Alison Jacques Gallery, London, UK, September 10 — October 9, 2004 «Self - Portrait,» Angstrom Gallery, Dallas, TX, June 12 — July 17, 2004 «Self - Portrait,» Regen Projects, Los Angeles, CA, June 4 — July 3, 2004 «Jack Pierson,» Galerie Sabine Knust, Munich, Germany, November 10 — January 22, 2005 2003 «Jack Pierson: One Adapts,» Cheim & Read, New York, NY, November 20, 2003 — January 3, 2004 «Jack Pierson,» Galerie Aurel Scheibler, Cologne, Germany, October 30 — December 20 «Jack Pierson,» Roger Bjorkholmen, Stockholm, Sweden, August 28 — September 24 «Jack Pierson: Why?

Register below to attend the exciting program of events and engage with visiting international and Australian artists through a free program of artist talks during extended hours at the following Biennale venues: Art Gallery of New South Wales, Artspace, Carriageworks, Cockatoo Island, Museum of Contemporary Art Australia and 4A Centre for Contemporary Asian Art.

Other important solo presentations include the artist's major commission as part of the permanent sculpture program at the List Visual Arts Center at Massachusetts Institute of Technology in Cambridge, MA (2011), Martin Boyce and Ugo Rondinone: We Burn, We Shiver at SculptureCenter in New York (2008), This Place is Close and Unfolded at Westfalischer Kunstverein in Munster, Germany (2008), Out of This Sun, Into This Shadow at Ikon Gallery in Birmingham, UK (2008), A Lost Cat and Alleyways, Back Gardens, Pools and Parkways at Centre d'Art Contemporain Genève in Switzerland (2007), For 1959 Capital Avenue at Museum für Moderne Kunst in Frankfurt (2002), and Our Love is Like the Flowers, the Rain, the Sea and the Hours at Tramway in Glasgow (2002).

The night changes colour on Saturday 24th January: after its successful first edition, Art White Night transforms Bologna into a grand venue of contemporary art, with special evening hours for museums, galleries and shops in the historical centre, and concerts, shows and performances in the streets.

His solo shows include «24 paintings in 24 hours» at the Chisenhale Gallery, The Centre of Attention, London and Laura Pecci Gallery, Milan.

2015 Current Location, Waiting Room, Minneapolis 10th Baltic Biennial of Contemporary Art, Szczecin Aquí hay dragones (Here be Dragons), La Casa Encendida, Madrid Regular Expressions, 221A, Vancouver Ocean of Images: New Photography 2015, at MoMA, New York Bunting, Chemould Prescott Road, Mumbay Transparencies, Bielefelder Kunstverein and Kunstverein Nürnberg Triple Canopy presents Pattern Masters, Performance at Whitney Museum of American Art, New York HPSCHD 1969 > 2015 / Live Arts Week IV, Mambo, Bologna, Italy The Secret Life, Murray Guy, New York Night Begins the Day: Rethinking Space, Time, and Beauty, Contemporary Jewish Museum, San Francisco Im Inneren der Stadt, Künstlerhaus Bremen When we share more than ever, MKG Museum, Hamburg Cool / As a state of mind, MAMO, Marseille Group presentation at Art Cologne, with Chert, Berlin Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, Crac Alsace, Altkirsch Mijn Vlakke Land, FoMu, Antwerp more Konzeption, Conception now, Museum Morsbroich, Leverkusen Tongue Stones, Pioneer Works, Brooklyn, New York 2014 Requiem for the Bibliophile, Museum of Contemporary Art Santa Barbara, CA Scars of Our Revolution, Yvon Lambert, Paris Kochi - Muziris Biennal, Fort Kochi, India Crossing Brooklyn, Brooklyn Museum, Brooklyn, New York Ways of Working, According to an Office Desk, Upominki, Rotterdam AGITATIONISM, EVA International 2014, curated by Bassam El Baroni, Ireland's Biennial, Limerick City Unseen Presence, IMMA, Dublin #nostalgia, Glasgow International 2014, CCA, Glasgow To Meggy Weiss Lo Surdo, Happy Hours, CO2 gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so uneasy?