It is so elegant yet minimalistic and goes great with the mid
century modern feel of our home.
Not exact matches
Moreover, their wares have been designed to emulate the look and
feel of
century - old heritage brands, like Filson, paired with the
modern appeal of good engineering.
«There are some Christians,» he wrote, «who
feel a certain satisfaction» a kind of Schadenfreude» at the sudden collapse of the liberal idealism of the nineteenth
century and the loss of hope in the future of
modern civilization.
Murray told EW, «What I have found by bringing these characters back is that it's not so much about nostalgia, but a sense that they still
feel relevant and fresh to me, and after 20 years, they can't wait to comment on
modern life in the 21st
century.
I
feel like we could go on tangents for another hour but I think that's a great concise overview of this whole picture, the
modern 21st
century epidemic.
By my estimation, Channing Tatum is also a solid actor, but I
feel like he's got too
modern a look for a 2nd -
century Roman warrior.
Public Enemies, for instance, takes the public conflict between Dillinger and Purvis — archetypes of American popular imagination — and connects it to the rise of surveillance, telecommunications,
modern banking, and fascism, producing something that often
feels like a creation myth for the latter part of the 20th
century.
Stay in our 13th
Century Palace Apartment to
feel the old style of Palermo or if your preference is
modern see our Stylish Bed & Breakfast.
It is also a mix of cultures, with the heritage of the French immigrants, African - Americans settlers from the 19th
century United States, and
modern - day European immigration, all giving the provincial towns a cosmopolitan
feel.
Since it is not very
modern (the hotel building dates back to the 12th
century), it is not everyone's cup of tea; but every room in unique and each traveler can
feel like a unique guest, too.
«The overall
feel of these suites will be one of 21st
century elegance combined with the
modern touches of luxury that one would expect of five star hotels,» explains Jean Pierre Mifsud, general manager of the hotel.
The series is linked together into one massive meta - narrative that involves
modern - day Assassins plumbing the past for information that will help them in their contemporary fight against the Templars, but each game after Assassin's Creed III has
felt like Ubisoft is intent on milking this conflict for
centuries.
Now,
centuries later, Esperia is making this unique ship once again available to collectors and military enthusiasts alike, preserving the
feel and design of the Tevarin original while updating it to
modern standards of efficiency and safety.
Despite its half -
century historical sweep, in essence «The Painting of
Modern Life»
felt like an intimate group show, presenting several works by each of the 22 featured painters, sequenced and hung with intelligence and restraint, never forcing the argument but letting the arrangement suggest its own rich conversation.
Mo» MoMA, Mo» Problems — In his defense of the Folk Art Museum, which faces impending demolition by its neighbors and new owners at the Museum of
Modern Art, New York Times architecture critic Michael Kimmelman suggests that some native New Yorkers are beginning to
feel a bit miffed by the nonstop growth and creeping corporatism of the city's beloved repository of 20th -
century art.
, Matthew Marks Gallery, New York 2013 The Living, Kunstverein München e.V., Munich 2012 Galerie Max Hetzler, Berlin Museum Dhondt - Dhaenens, Ghent, Belgium 2011 Come Helga, This Is No Place For Us II, Maureen Paley, London 2010 The Renaissance Society at the University of Chicago Art Institute of Chicago 2009
Feelings, Matthew Marks Gallery, New York Serpentine Gallery, London (catalogue) 2007 Large Concretised Monument to the Twentieth
Century, Chiswick Business Park, London (Permanent installation) Come Helga, This Is No Place For Us, Galerie Max Hetzler, Berlin Matthew Marks Gallery, New York 2005 Zoo Story: An exhibition of animals in art — for the young and young at heart, Fisher Landau Center for Art, New York Pas de Deux, Matthew Marks Gallery, New York Galerie Daniel Buchholz, Cologne 2004 Dark Passage, Kunsthalle Zürich (catalogue) Family Badge, Antiquariat Buchholz, Galerie Buchholz, Cologne 2003 Donald Young Gallery, Chicago The Boiler Room, The Saatchi Gallery, London SHE, Maureen Paley, London 2002 Fleischvater,
Modern Art, London 2000 The Agony and the Ecstasy, Maureen Paley, London 1995 Manliness without Ostentation..., the Agency, London 1993 I Have Every Vice in the World, Dolphin Gallery, Oxford Selected Group Exhibitions: 2018 Anna Fasshauer Michail Pirgelis Rebecca Warren, Kunstverein Reutlingen, Germany Virginia Woolf: An Exhibition Inspired by her Writings, Tate St Ives, UK.
Her works were also included in the recent landmark international exhibitions Unpacking Europe, Museum Boijmans van Beuningen, Rotterdam, the Netherlands, 2001;
Century City, 2001, and Cinema of Prayoga, 2006, Tate
Modern, London; and Think with the Senses -
Feel with the Mind.
The Museum of
Modern Art's recent Abstract Expressionist New York exhibition offered many vivid reminders of how compellingly mysterious, psychologically intense, emotionally moving, and spiritually transcendent many of the seminal works of American Ab Ex painting still
feel, more than a half -
century after they were made and first seen.
A contemporary of Eva Hesse and Louise Bourgeois, Grossen shares similar concerns with process and the
modern re-imagining of an arts and crafts artform that has afforded women artistic expression for
centuries but that
feels as fresh and relevant as it was made yesterday.
There's no denying that the new look and
feel of
CENTURY 21 is a
modern brand experience, one where their strong foundation and internal culture of collaboration and shared ideation is growing a community of like - minded entrepreneurs who share common values and goals in an authentic and transparent manner.
Organic elements, like reclaimed barnwood floors and a large white - oak island, keep the punchy color from
feeling too kitschy, and sleek metal countertops and
modern appliances anchor the room in the 21st
century.
I've always
felt like I couldn't make a white mind -
century modern kitchen work.
Salon Drab conjures up a classic 19th
century feel, while remaining the perfect chocolate brown for
modern homes.
The
modern take on 20th -
century design has a fresh Scandi
feel and a cool colour palette.