Sentences with phrase «century of contemporary art museum»

Her ceramic and porcelain works, as well as her photographs are represented in the 21st Century of Contemporary Art Museum in Kanazawa, Japan; in the State Collections of Austria (Neue Galerie); and in the collections of Fine Arts Academy of Applied Arts.

Not exact matches

In sharp contrast to the rich history and long - honored traditions, visitors to Kanazawa can also enjoy one of Japan's leading - edge contemporary art at 21st Century Museum of Contemporary Art designed by Pritzker Architecture Prize winner, Kazuyo Sejima and Ryucontemporary art at 21st Century Museum of Contemporary Art designed by Pritzker Architecture Prize winner, Kazuyo Sejima and Ryue Nishizaart at 21st Century Museum of Contemporary Art designed by Pritzker Architecture Prize winner, Kazuyo Sejima and RyuContemporary Art designed by Pritzker Architecture Prize winner, Kazuyo Sejima and Ryue NishizaArt designed by Pritzker Architecture Prize winner, Kazuyo Sejima and Ryue Nishizawa.

In Illusions in Art for Young Eyes at the Leigh Yawkey Woodson Art Museum, contemporary master Eric Conklin borrows tools such as conical mirrors from 17th - century Dutch artists and mathematical principles from ancient Egyptian architecture to create a sense of depth when there is none or to imply volume when only area exists.

Sightseeing highlights include the ancient hilltop Santa Barbara fortress, the 16th century Basilica of Santa Maria, and the Museum of Contemporary Art.

Among them is the handsome Gothic cathedral, the outstanding Es Baluard museum of contemporary art, which is set in a 16th - century fortress, a slew of dainty Modernista mansions, and the splendid Royal Palace of La Almudaina.

See the 17th - century Delfshaven, the port form where the Dutch Pilgrim Fathers sailed, and admire the stunning modern architecture, visit top museums like the Kunsthal (modern art, design by Rem Koolhaas) and Boysmans van Beuningen (Old Masters to contemporary), indulge in a spot of shopping or just enjoy Rotterdam's great restaurants, including its funky Markthal market.

Other unmissable museums include the Pilar and Joan Miró Foundation, which is set in gardens on a hill just outside the city, and the impressive museum of contemporary art, which occupies a 16th - century fortress.

Named after Michael H. de Young, a long time champion of the museum, the copper - clad landmark building is home to an impressive collection of arts from Africa, Oceania and the Americas, works from the 17th to the 21st centuries and contemporary art.

Palma has a fantastic museum of contemporary art, set in a 16th - century bastion which affords amazing views from its rooftop, as well as the amazing Pilar and Joan Miró Foundation, which combines galleries full of the artist's world - renowned artworks as well as visit to his studio.

2011 Vanishing Point: Paint and Paintings from the Collection of Debra and Dennis Scholl, curated by Gean Moreno, Bass Museum of Art, Miami, FL Creating the New Century: Contemporary Art from the Dicke Collection, Dayton Art Institute, Dayton, OH Sammlung - LEIDENSCHAFT, curated by Rudi Molachek, Stift Admont, Austria

2016 Mentors, Curated by Rick Herron, CFHILL, Stockholm, Sweden New Revolutions: Goodman Gallery at 50, Goodman Gallery, Johannesburg, South Africa Tomorrow Never Happens, Samek Art Museum, Bucknell University, Lewisburg, PA Future Perfect: Picturing the Anthropocene, University Art Museum, SUNY, Albany, NY 9th Berlin Bienniale, KW Institute of Contemporary Art, Berlin, Germany Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York, NY Imitation of Life: Melodrama and Race in the 21st Century, HOME, Manchester, UK Luis Gispert + Jacolby Satterwhite, Lundgren Gallery, Palma de Mallorca, Spain Electronic Superhighway, Whitechapel Gallery, London, UK Disguise: Masks + Global African Art, Brooklyn Art Museum, Brooklyn, NY

SUPERFLEX has gained international recognition for projects and solo exhibitions around the world, including Kunsthalle Basel; the Mori Museum, Tokyo; Hirshhorn Museum, Washington DC; and the 21st Century Museum of Contemporary Art, Kanazawa.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

One of the world's most prestigious annual photography events, The Photography Show is the longest - running and foremost exhibition dedicated to the photographic medium, offering a wide range of museum - quality work, including contemporary, modern, and 19th - century photographs as well as photo - based art, video, and new media.

Traveled to Musée Marmottan Monet, Paris (February 12 — May 11, 2008) Be — Bomb: The Transatlantic War of Images and all that Jazz in the 1950s, Museu d'Art Contemporani de Barcelona (MACBA), Spain (October 5, 2007 — January 7, 2008) Contemporary and Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, Connecticut (September 29, 2007 — January 6, 2008) Twentieth - Century American Women Artists from the Frances Lehman Loeb Art Center, Vassar College, Gallery at the Park Avenue Bank, New York, New York (September 17 — November 2) Americans in Paris: Abstract Painting in the Fifties, Tibor de Nagy Gallery, New York (July 16 — September 29) French Kiss, JGM Galerie, Paris, France (May 25 — July 13) When Art Worlds Collide: The 60s, Woodward Gallery, New York (May 17 — July 14) An Architect Collects: Robert D. Kleinschmidt and a Lifetime of Fine Arts Acquisitions, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana - Champaign (April 20 — July 29) Gestes, Signes, Traces, Espaces: Figures de la peinture moderne française dans les collections publiques normandes, Musée d'art moderne André Malraux, Le Havre, France (February 17 — April 30).

Drawing on the Met's collection of European sculpture and modern and contemporary art with a selection of important works from national and international museums and private collections, the exhibition will examine sculpture from 14th century Europe to the global present.

«I think she is an extraordinary chronicler of America in the late 20th and early 21st century,» says Helen Molesworth, chief curator at the Museum of Contemporary Art, Los Angeles.

The Baltimore Museum of Art is home to an internationally renowned collection of 19th - century, modern, and contemporary aArt is home to an internationally renowned collection of 19th - century, modern, and contemporary artart.

< EXHIBITION Paying homage to Ebony and Jet magazines — cultural barometers, vital news resources and bibles of aspirational imagery in the African American community for more than half a century — the Studio Museum in Harlem mounts «Speaking of People: Ebony, Jet and Contemporary Art» on Nov. 13.

The opportunity to see 86 paintings by Claude Monet at the Museum of Fine Arts, Boston in its exhibition: Monet In The 20th Century, September 20th to December 27th 1998, shouldn't be missed by any serious viewer of important contemporary painting.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Curatorial projects include Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Piss and Vinegar: Two Generations of Provocateurs, Beautiful Beast, a contemporary representational sculpture exhibition, The Big Picture, and Now and Then: Drawings from the 19th Century to the Present, in partnership with the Dahesh Museum of Art.

2017 Contemporary Masters From Britain: 80 British Painters of the 21st Century, The Yantai Art Museum, China

Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973

Traveled to Worcester Art Museum, Worcester, Massachusetts (October 3 — November 25); Grey Art Gallery, New York University, New York (January 15 — February 23, 1985); Contemporary Arts Center, Cincinnati (March 14 — April 27, 1985); Albright - Knox Art Gallery, Buffalo (September 14 — November 3, 1985) and Archer M. Huntington Art Gallery, University of Texas at Austin (January 12 — February 23, 1986) Sur Invitation, Musée des Arts Décoratifs, Paris (June 6 — September 17) Olympic Arts Festival Los Angeles 1984, Newport Harbor Art Museum, Newport Harbor, California (June 1 — September 9) Selections from the Permanent Collection: Paintings and Sculpture, Museum of Modern Art, New York (opened May 17) Three Painters, Three Decades: Lee Krasner — Joan Mitchell — Pat Steir, Harcus Gallery, Boston (May 5 — June 20) XXIX Salon de Montrouge, Art Contemporain, Peinture — Sculpture — Dessin, Montrouge, France (May 2 — June 3) Aspects de la Peinture Contemporaine (1945 — 1983), Musée d'art moderne de Troyes, France (April 29 — June 18) Vent «anni d'arte in Francia, 1960 — 1980, Association Française d'Action Artistique, Galleria comunale d'arte moderna di Bologna (March — April) Master Drawings: 1928 — 1984, Janie C. Lee Gallery, Houston (March 7 — April) La Part des Femmes dans l'Art Contemporain, Galerie Municipale, Vitry - sur - Seine, France (March) American Women Artists, Part I: 20th Century Pioneers, Sidney Janis Gallery, New York (January12 — February 4)

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

1990 Line & Action, Tavelli Gallery, Aspen, Colorado (December 21, 1990 — January 25, 1991) Group Exhibition, Manny Silverman Gallery, Los Angeles (December 3, 1990 — January 26, 1991) Road to Victory, Museum of Modern Art, New York (December 1990 — March 1991) Contemporary Works from the Collection, Museum of Modern Art, New York (November 1990) Abstract Expressionists: Studio 35 Downtown — Willem De Kooning, Hans Hoffman, Franz Kline, Lee Krasner, Joan Mitchell, Robert Motherwell, Jackson Pollock, Stux Modern, New York (October 3 — November 1) Color in Art: American Expressionism from the Mid — Twentieth Century to the Present, Samuel P. Harn Museum of Art, University of Florida at Gainesville (September 22 — December 2) Künstlerinnen des 20.

Prior to this, Peggy Guggenheim has been the preeminent patron of Abstract Expressionism through her gallery Art of This Century, which was partly a museum for her collection of European art and partly a commercial gallery where, between 1942 and 1947, Guggenheim exhibited contemporary artists (including Hofmann, Jackson Pollock, Richard Pousette - Dart, Rothko, and Clyfford Still) and gave them refuge during the years when the struggle for acceptance was at its greateArt of This Century, which was partly a museum for her collection of European art and partly a commercial gallery where, between 1942 and 1947, Guggenheim exhibited contemporary artists (including Hofmann, Jackson Pollock, Richard Pousette - Dart, Rothko, and Clyfford Still) and gave them refuge during the years when the struggle for acceptance was at its greateart and partly a commercial gallery where, between 1942 and 1947, Guggenheim exhibited contemporary artists (including Hofmann, Jackson Pollock, Richard Pousette - Dart, Rothko, and Clyfford Still) and gave them refuge during the years when the struggle for acceptance was at its greatest.

The first major exhibition of Morandi's later work in America since the acclaimed 2008 retrospective at the Metropolitan Museum of Art, New York, the show will focus primarily on the period during which he developed and refined his investigations of serial, reductive, and permutational forms and compositions — aspects that had a profound influence on twentieth - century and contemporary art and paintiArt, New York, the show will focus primarily on the period during which he developed and refined his investigations of serial, reductive, and permutational forms and compositions — aspects that had a profound influence on twentieth - century and contemporary art and paintiart and painting.

Touring exhibition organized by the American Federation of Arts which traveled to Southern Illinois University, Carbondale (January 31 — February 26, 1960); John Herron Art Museum, Indianapolis (March 12 — April 2, 1960); Andrew Dickson White Museum of Art, Cornell University, Ithaca (April 19 — May 5, 1960); Holiday Art Center, Watch Hill, Rhode Island (July 22 — August 15, 1960); Atlanta Public Library, Georgia (December 14, 1960 — January 4, 1961); and Wells College, Aurora, New York (February 23 — March 13, 1961) 1959 Annual Exhibition of Contemporary Painting, Whitney Museum of American Art, New York (December 9, 1959 — January 31, 1960) Two Centuries of American Art, 1750 — 1950, The Art Institute of Chicago (October — December) V Bienal do Museu de Arte Moderna de Sao Paolo, Museu de Arte Moderna, Sao Paolo, Brazil (September 21 — December 31) Vitalità nell «arte, Palazzo Grassi, Venice, Italy (August — October).

1958 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh (December 5, 1958 — February 8, 1959) A propos du baroque: Jean Degottex, Marcelle Ferron, Sam Francis, Simon Hantaï, Shirley Jaffe, Marcelle Loubchansky, Joan Mitchell, Judit Reigl, Jean - Paul Riopelle, Galerie Kléber, Paris (November — December) Some Contemporary Works of Art, Cleveland Museum of Art, Ohio (November 11 - December 31) American Symbolic Realists: Fifteen American Artists, Palazzo Collicola, Festival dei Due Mondi, Spoleto, Italy (June 8 — 29) 18th Annual Exhibition of the Society for Contemporary Art, Art Institute of Chicago (May 8 — June 8) The Museum and Its Friends: Twentieth - Century American Art from Collections of the Friends of the Whitney Museum, Whitney Museum of American Art, New York (April 30 — June 15) American Artists of Younger Reputation, New York Art Foundation, Rome (opened April 14) The Evocative Eye, Signa Gallery, East Hampton, New York (July 5 - 24) The International Art of a New Era: Informel and Gutai, Osaka Festival, Osaka, Japan (September 2 — 7) Action Painting, Dallas Museum of Contemporary Arts (March 5 — April 13) Abstract Impressionism, The Art Galleries, Portland Building, University of Nottingham, England (February 19 — March 19).

Her work is well represented in important private and public collections worldwide, including those of New York's Guggenheim Museum, and Museum of Modern Art, The New Museum, and Whitney Museum of American Art, along with the Museum of Contemporary Art, Chicago, 21st Century Museum of Art in Kanazawa, Japan, Walker Art Center in Minneapolis, Boston Museum of Fine Arts, High Museum of Art in Atlanta, GA, and the Los Angeles Museum of Contemporary Art.

I also participated in major group shows at museums and public spaces including the Whitney Museum of American Art, the Indianapolis Museum of Art, Museo Nacional Centro de Arte Reina Sofía Spain, the Basel Art Fair, the Brooklyn Museum of Art, Holy Bos Bushwick, the 21st Century Museum of Contemporary Art, Kanazawa, Japan, the Neuberger Museum of Art, and the Smithsonian Museum of American Art Washington DC.

England & Co has sold numerous contemporary and 20th - century works to public collections, including Tate; the Imperial War Museum; the Victoria and Albert Museum; the Birmingham Museum & Art Gallery; the Museum of London; the National Gallery of Australia; the Smithsonian Institution, Washington; the Arts Council of Great Britain; and the British Museum.

, Contemporary Arts Museum, Houston (2012); ILLUMInations, Venice Biennale, Venice, Italy (2011); 21st Century: Art in the First Decade, Queensland Art Gallery, Gallery of Modern Art, Brisbane, Australia (2010); Flow, Studio Museum Harlem, New York (2008); and Global Feminisms, Brooklyn Museum, New York and Davis Museum and Cultural Center, Wellesley, Massachusetts (2007).

The artist's work is included in numerous museum collections worldwide including the Museum of Modern Art, New York; Whitney Museum of American Art, New York; The Solomon R. Guggenheim Museum, New York; Los Angeles County Museum of Art, Los Angeles; Walker Art Center, Minneapolis; Tate, London; Leeum, Seoul; Artsonje Center, Seoul; Museum of Contemporary Art, Tokyo; Mori Art Museum, Tokyo; and 21st Century Museum of Contemporary Art, Kanazawa, among many omuseum collections worldwide including the Museum of Modern Art, New York; Whitney Museum of American Art, New York; The Solomon R. Guggenheim Museum, New York; Los Angeles County Museum of Art, Los Angeles; Walker Art Center, Minneapolis; Tate, London; Leeum, Seoul; Artsonje Center, Seoul; Museum of Contemporary Art, Tokyo; Mori Art Museum, Tokyo; and 21st Century Museum of Contemporary Art, Kanazawa, among many oMuseum of Modern Art, New York; Whitney Museum of American Art, New York; The Solomon R. Guggenheim Museum, New York; Los Angeles County Museum of Art, Los Angeles; Walker Art Center, Minneapolis; Tate, London; Leeum, Seoul; Artsonje Center, Seoul; Museum of Contemporary Art, Tokyo; Mori Art Museum, Tokyo; and 21st Century Museum of Contemporary Art, Kanazawa, among many oMuseum of American Art, New York; The Solomon R. Guggenheim Museum, New York; Los Angeles County Museum of Art, Los Angeles; Walker Art Center, Minneapolis; Tate, London; Leeum, Seoul; Artsonje Center, Seoul; Museum of Contemporary Art, Tokyo; Mori Art Museum, Tokyo; and 21st Century Museum of Contemporary Art, Kanazawa, among many oMuseum, New York; Los Angeles County Museum of Art, Los Angeles; Walker Art Center, Minneapolis; Tate, London; Leeum, Seoul; Artsonje Center, Seoul; Museum of Contemporary Art, Tokyo; Mori Art Museum, Tokyo; and 21st Century Museum of Contemporary Art, Kanazawa, among many oMuseum of Art, Los Angeles; Walker Art Center, Minneapolis; Tate, London; Leeum, Seoul; Artsonje Center, Seoul; Museum of Contemporary Art, Tokyo; Mori Art Museum, Tokyo; and 21st Century Museum of Contemporary Art, Kanazawa, among many oMuseum of Contemporary Art, Tokyo; Mori Art Museum, Tokyo; and 21st Century Museum of Contemporary Art, Kanazawa, among many oMuseum, Tokyo; and 21st Century Museum of Contemporary Art, Kanazawa, among many oMuseum of Contemporary Art, Kanazawa, among many others.

Her work is in the permanent collections of the Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; the 21st Century Museum of Contemporary Art, Kanazawa and the Museo Nacional Centro de Arte Reina Sofía, Reina Sofía.

The exhibition catalogue includes essays by James Rondeau; Douglas Druick; Mark Pascale, associate curator, prints and drawings, Art Institute of Chicago; Richard Shiff, Effie Marie Cain Regents Chair in Art, University of Texas - Austin; Barbara Rose, noted Johns scholar; and Kelly Keegan, assistant painting conservator, and Kristin Lister, conservator of paintings, Art Institute of Chicago; as well as an interview with the artist by Nan Rosenthal, senior consultant, Department of 19th - Century, Modern, and Contemporary Art, Metropolitan Museum of Art, New York.

His recent solo exhibitions and projects include Home within Home within Home within Home within Home, National Museum of Modern and Contemporary Art, Seoul, Korea (2013); Do Ho Suh: Perfect Home, 21st Century Museum of Contemporary Art, Kanazawa, Japan (2012 - 2013); In Between, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2012); Fallen Star, Stuart Collection, University of San Diego, California (2012); Home within Home, Leeum, Samsung Museum of Art, Seoul, Korea (2012); and Wielandstr.18, 12159, DAAD Galerie, Germany (2011).

She was Founding Artistic Director of the 21st Century Museum of Contemporary Art, Kanazawa from 1999 to 2006.

He represented South Korea at the Venice Biennale in 2011, and has exhibited at museums and institutions worldwide including Contemporary Arts Center, Cincinnati, US (2016); MOCA Cleveland, US (2015 - 2016); MCA San Diego, US (2016); The Contemporary Austin, US (2014); National Museum of Modern and Contemporary Art, Seoul, Korea (2013); 21st Century Museum of Contemporary Art, Kanazawa, Japan (2012 - 2013 and 2005); Hiroshima City Museum of Contemporary Art, Japan (2012); University of San Diego, US (2012); Samsung Museum of Art, Seoul, Korea (2012); Seattle Art Museum, US (2011 and 2013) and Tate Modern, London, UK (2011).

The large - scale exhibition of the entire Drawing Restraint series was organised by the 21st Century Museum for Contemporary Art, Kanazawa, and travelled to Leeum, Samsung Museum of Art, Seoul; San Francisco Museum of Modern Art; the Serpentine Gallery, London; and Kunsthalle Vienna.

1975 Modern Japanese Art, The National Museum of Modern Art, Tokyo, Japan A Quarter Century of Contemporary Art 1970 - 1975, Tokyo Central Museum, Tokyo, Japan View of Japanese Contemporary Art, Sezon Museum of Art, Tokyo, Japan Tokyo Gallery» 76, Tokyo Gallery, Tokyo, Japan Exhibition of Eight Artists Japan in Louisiana, Louisiana Museum for Moderne Kunst Humlebaek, Danmark Goteborgs Konst Museum med Konsthallen, Sweden Henie Onstad Kunstsenter Hovikodden, Norway

Do Ho Suh represented South Korea at the Venice Biennale in 2011, and he has had exhibitions at a number of museums such as the Contemporary Arts Center, Cincinnati, USA (2016); MOCA Cleveland, USA (2015 - 2016); MCA San Diego, USA (2016); The Contemporary Austin, USA (2014); National Museum of Modern and Contemporary Art, Seoul, South Korea (2013); 21st Century Museum of Contemporary Art, Kanazawa, Japan (2012 - 2013 and 2005); Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2012); University of San Diego, USA (2012); Samsung Museum of Art Seoul, South Korea (2012); Seattle Art Museum, USA (2011 and 2013); and the Tate Modern, London, UK (2011).

The establishment of a gallery focused solely on 21st century art will allow the Museum to expand and enhance its contemporary arts educational activities and present our visitors with a wide range of powerful and intriguing art from today's finest artists.

Innovative New England Printmaking: «First Impressions,» Carlson Gallery University of Bridgeport Bridgeport, CT Contemporary Figure Drawing Minneapolis College of Art and Design Minneapolis, MN Recent Monotypes University Gallery University of Massachusetts Amherst, MA Nine Printmakers and the Working Process Whitney Museum Fairfield County Stamford, CT Boston Arts Festival Boston, MA American Realism, Twentieth Century Drawings and Watercolors traveling exhibition San Francisco Museum of Modern Art San Francisco, CA Prints Recently Acquired Metropolitan Museum of Art New York, NY 15th Anniversary Exhibit Boston Visual Arts Union Gallery Boston, MA

New Art For A New Century: Contemporary Acquisitions 2000 - 2010, Orange County Museum of Art, Newport Beach, CA.

In recent years, Thompson's work has also been exhibited regularly in group exhibitions worldwide, including Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat) at the Museo di Arte Moderna e Contemporanea in Rovereto, Italy, which traveled to the Musée du Quai Branly in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016).

2015 Dec. 17 — Tom Loughman Appointed 11th Director and C.E.O. of the Wadsworth Atheneum Museum of Art Nov. 23 — Wadsworth Atheneum Museum of Art Welcomes Seven New Appointees to Board of Trustees Nov. 18 — Wadsworth Atheneum Museum of Art Appoints Henry R. Martin 30th President of the Board of Trustees Nov. 17 — Susan L. Talbott Appointed to Rank of Chevalier in the Order of Arts and Letters by French Minister of Culture UPDATED Oct. 16 — «Warhol & Mapplethorpe: Guise & Dolls» Opens Oct. 17 at Wadsworth Atheneum Sept. 21 — Wadsworth Atheneum Museum of Art's MATRIX 173 Features Artist Mark Dion Aug. 31 — Unveiling of Galleries Marks Completion of Major Renovation, Secures Future for Wadsworth Atheneum Aug. 26 — Commissioned Artwork by Jack Pierson Illuminates Hartford's Main Street at Wadsworth Atheneum Aug. 24 — Wadsworth Atheneum to Present First Exhibition to Pair the Work of Andy Warhol and Robert Mapplethorpe July 1 — Wadsworth Atheneum Celebrates Grand Reopening with Original Artwork by Artist James Welling June 30 — Wadsworth Atheneum Celebrates Grand Reopening with Original Artwork by Artist James Welling June 23 — Director's Choice Exhibition Examines Contemporary Portraiture in Photography at Wadsworth Atheneum June 23 — Exhibition Exploring Connecticut Artist's Influence on 20th Century Art Opens July 3 June 1 — Advance Exhibition Schedule 2015 — 2016 May 18 — «Mark Bradford / MATRIX 172» Opens June 4 at Wadsworth Atheneum Museum of Art April 16 — Student Artworks Take Center Stage at the 42nd Hartford Youth Art Renaissance UPDATED March 23 — 34th Annual Fine Art & Flowers Takes Place May 1 — 3 at Wadsworth Atheneum Jan. 21 — «Michael C. McMillen / MATRIX 171: SIDESHOW» Opens Jan. 31 at Wadsworth Atheneum Jan. 21 — New Galleries of Post-War and Contemporary Art to be Unveiled at Wadsworth Atheneum Jan. 13 — Wadsworth Atheneum's Board of Trustees Steps Up to Support Museum with $ 1.5 Million

May 2, 2018 — Middle Eastern and Mediterranean Landscapes by Renowned Hartford Artist at Wadsworth Atheneum March 22, 2018 — Herbert Ferber Retrospective On View Now at Wadsworth Atheneum Dec. 15, 2017 — Edward Gorey's Illustrations and Art Collection Unite in Unprecedented Exhibition at Wadsworth Atheneum Sept. 28, 2017 — MATRIX 178 Premiers Sam Messer's Newly - Completed Animation «Denis the Pirate» at Wadsworth Atheneum Museum of Art Sept. 19, 2017 — More Than 100 Objects Illuminate Groundbreaking Art Collection of Financier J. Pierpont Morgan Aug. 29, 2017 — Scandinavian Landscapes at Wadsworth Atheneum May 31, 2017 — Mika Tajima Contemplates Technology and Contemporary Life in MATRIX 177 May 18, 2017 — Highlights, Rediscoveries of American Design Trends On View in Exhibition at Wadsworth Atheneum Museum of Art April 18, 2017 — MoMA Paintings by Warhol, Lichtenstein Featured in Pop Art Exhibition at Wadsworth Atheneum Museum of Art Feb. 2, 2017 — Brazilian Conceptual Artist Valeska Soares Featured in Wadsworth Atheneum's 176th MATRIX Exhibition Jan. 20, 2017 — Wadsworth Atheneum Appoints Brandy S. Culp as Richard Koopman Curator of American Decorative Arts Jan. 6, 2017 — UPDATED — Japanese Masterpieces Reunited for First Time in More Than a Century at Wadsworth Atheneum