Certain sections of the film were really laboured and overdone, and for me the highlight of the film was the main character's hilariously OTT facial expressions.
Not exact matches
Knaggs» character, a mute seaman, narrates the
film's key
sections with an internal voice - over monologue that is more hissed than spoken, leading the audience down all manner
of strange psychological paths around the script's action; Knaggs» seaman ultimately rescues the hero from near -
certain death.
His new
film, screening in the Un
Certain Regard
section of the festival, combines his skills at narrative and documentary filmmaking to create a brutal mockumentary
of loosely connected vignettes about the propaganda - and conflict - riddled Donbass region in eastern Ukraine.
The smooth jazz score which punctuates the
film gives
certain sections the feeling
of a silent movie, while the long awkward silences in the second act are like a lighter, less absurdist variant on the work
of Samuel Beckett or Harold Pinter.
The pacing is good, but the
film also comes with many obvious markers
of rough editing and recuts, which makes the middle
section feel muddled and disjointed; it's hard to see
certain scenes as sequential and purposed, rather than stitched together from parts
of what was seemingly a deeper (and longer) character study.
The Camera d'Or, which is given to the best first
film from any
section of the festival, went to Leonor Serrail's «Jeune Femme,» which screened in the Un
Certain Regard
section.
A slot in the experimentally inclined Un
Certain Regard
section of the Cannes
Film Festival seemed like a strange fit for this new
film by David Mackenzie (Starred Up), with its starry cast and seemingly commercial intentions.
Other
films from Cannes making their US debut at Telluride include the Russian «Loveless,» directed by Andrey Zvyagintsev, about an unhappy couple searching for their son, and winner
of Cannes» Jury Prize; «A Man
of Integrity,» by Mohammad Rasoulof, set in corrupt Iranian society, which won the Grand Prize
of the Un
Certain Regard
section; «The Rider,» by Chloe Zhao, about a badly injured young South Dakotan rodeo rider, which won the top prize, the Art Cinema Award,
of the Director's Fortnight; «Tesnota (Closeness),» about a Jewish family forced to try to ransom their son and his new bride, also in Un
Certain Regard, by Kantemir Balagov; and Barbet Schroeder's documentary about a Buddhist monk, «Le venerable W.»
Although there's a
certain skeeziness in the discussion
of getting young girls to be naked for your picture and in a moment where Soisson (I think) compares part
of the
film to Salvador Dali's artwork (both
sections reminding
of how quickly these things can descend into ugliness or arrogance), it's otherwise a relatively painless track.
It's that middle
section where a
certain Hungarian filmmaker wins the foreign language
film award or the director
of a little - seen short injects mania and uncompromising glee into an evening full
of been - there - done - that Meryl Streep stares.
By accident or by design, today's
films premiering at Cannes, whether in competition, in the «A
Certain Regard»
section, or in special screenings out
of competition, revolved around relationships, good, bad, or worse.
The filmmaker's second feature, «Taxidermia» made quite a splash at the festival back in 2006 as part
of the Un
Certain Regard
section, and he was back at the festival with collage
film «Final Cut» in 2012.
And now that the work the filmmakers are calling the «Them» version
of «Eleanor Rigby» had its world premiere on Saturday night in the Un
Certain Regard
section, I can report that the new version is a wonderful
film, touching and amusing and in the end deeply moving.
15) «The Dark Knight Rises» /» The Avengers» There seems to be a
certain disproportionately noisy
section of the internet that seem to think that picking between the hit superhero
films of 2012 is like following a Glasgow football team or an American political party — you're either with Marvel or DC, and as such, you either like «The Avengers,» or «The Dark Knight Rises,» with the other automatically becoming the worst thing in the history
of mankind.
The parallel Un
Certain Regard
section also opened, and the Kenyan
film «Rafiki» from director Wanuri Kahiu was one
of the first
films screened.
As the movie takes place around the festive season, decorations were kept up as late as March in
certain sections of the town to assist with
filming.
The introspective, soft - spoken actor will be interviewed in an onstage Q&A at A Tribute to Viggo Mortensen on Saturday, June 11 at the Egyptian, followed by a screening
of his latest
film Captain Fantastic, which premiered at Sundance earlier this year and was just honored with the Best Director prize for writer / director Matt Ross from the Un
Certain Regard
section of Cannes.
Grisebach sat down with
Film Comment during the Cannes
Film Festival following the premiere
of Western in the Un
Certain Regard
section to discuss the
film's protracted genesis, the pressing influence
of an increasingly corporatized Europe, and the search for a present - day equivalent
of the iconic Western male.
The production was
filmed at Shepperton Studios in mostly one location, but never bores, because director Duffell knew to take advantage
of the «old dark house» and set each story mainly in a
certain section of the house.
Audiences coming to Alain Guiraudie's Cannes Competition entry Rester Vertical after his break out hit Stranger By the Lake (which played in the Un
Certain Regard sidebar in 2013 and won best
film of the
section) are likely to be puzzled, perplexed and possibly peeved; long time supporters will likely...
«The document states that: «Any person who intends to distribute any
film, game, or
certain publication in the Republic
of South Africa shall first comply with
section 18 (1)
of the [1996 Films and Publications] Act by applying, in the prescribed manner, for registration as
film or game and publications distributor.»»