Sentences with phrase «change this exhibition explores»

Tracing the Century: Drawing as a Catalyst for Change This exhibition explores the place of drawing in avant garde art from Cezanne to Julie Mehretu, featuring more than a hundred works of art and arguing that drawing is central to the way modernism and post-modernism change and develop.

Not exact matches

Art lovers can explore the «Taidehalli» (Art Hall), which offers changing exhibitions of modern art and architecture fans will recognize the many buildings by famous architect Alvar Aalto.

Visitors can explore 14 magnificent historic and State Apartments, the ruins of the Holyrood Abbey, the royal gardens, the oldest part of the palace with Mary's Bed Chamber, connected by a secret stairway to her husband's bedroom and The Queen's Gallery which hosts a programme of changing exhibitions from the Royal Collection.

This spring, the Philadelphia Museum of Art will present an exhibition exploring the creative responses of American artists following the rapid pace of change that occurred in the US during the early decades of the twentieth century.

Roger Brown is featured in Art AIDS America Chicago, an exhibition that includes over 100 contemporary works to explore how the AIDS crisis forever changed American art.

The exhibition explored economic, cultural and urban change in the Kingdom of Saudi Arabia.

This exhibition covers a span of over four decades (c. 1929 — 70), including a total of some forty paintings, photographs by the artist, works on paper, and sculptures in order to explore the change and continuity in Still's ideas and pictorial forms.

Joined by Jamillah James, Curator at the Institute of Contemporary Art, Los Angeles, and Assistant Curator of John Outterbridge: Rag Man, together we will explore the possibility of an exhibition to create change in our community.

This exhibition will shed scholarly light on the aesthetic and intellectual concerns undergirding the development of this important strand of early American modernism to explore the origins of its style, its relationship to photography, and its aesthetic and conceptual reflection of the economic and social changes wrought by industrialization and technology.

Featuring several newly commissioned artworks and installations, the exhibition explores some of the ways sculptural materials and forms are changing as artists respond to the mediated and virtual realities of the world in which we live and work.

Additional projects included solo exhibitions on the work of Robert Therrien, 2011, and Matt Saunders, 2013, and a distinctive group exhibition exploring experimentation by artists utilizing drawing throughout the 20th century entitled Tracing the Century: Drawing as a Catalyst for Change, 2013.

EXHIBITION «Who We Be» @ Cantor Center for the Arts at Stanford University (March 30 — June 27, 2016): This timely and innovative exhibition explores visual culture since 1965 through the lens of cultural, political and demographEXHIBITION «Who We Be» @ Cantor Center for the Arts at Stanford University (March 30 — June 27, 2016): This timely and innovative exhibition explores visual culture since 1965 through the lens of cultural, political and demographexhibition explores visual culture since 1965 through the lens of cultural, political and demographic change.

The exhibition explores the «tension between motion and stasis» said Kemper associate curator Meredith Malone, with a section on works that move, a section on works that change, and a section on photography.

The inaugural exhibition Change explores the breadth and depth of the Monash University Collection, reflecting on the changing forms and developments in contemporary art practice from the 1960s to the present, from late - modernism to our contemporary situation.

Hirschl & Adler's exhibition celebrating its imminent «change of address» in early 2018 explores fashion in American and European art from the 18th to the 20th centuries.

The New York - based artist always painted men, exploring the image and representation of masculinity in his masterful portraits, until he decided to change direction for his inaugural exhibition at Sean Kelly Gallery in 2012.

Running from 25 May to 3 June 2017, PROJECT inaugural edition will be a ten - day exhibition dedicated to abstract drawings and paintings exploring themes of change and transformation.

This exhibition explores a wide range of important topics including: personal histories, cultural traditions, environmental concerns, the effects of violence, changing ideas about gender and sexuality, and new approaches to the medium of photography.

A new exhibition at Turner Contemporary in Margate explores the changing character of the self - portrait, from the 16th century to present day.

This winter, the Institute of Contemporary Art at the University of Pennsylvania will present three exhibitions that explore how artists have captured, interrogated, and responded to rapidly changing environments in contemporary society.

The ICA's inaugural exhibition, Declaration, will explore contemporary art's power to catalyze change, and will feature painting, sculpture, multimedia works, site - specific installations, and time - based performances by emerging and established artists.

frieze reports from this year's Skulptur Projekte Münster — the once - a-decade exhibition started in 1977 — and explores the changing meaning of sculpture in public space today

Francis Alÿs: A Story of Deception, a two - part exhibition on view at MoMA PS1 and The Museum of Modern Art, presents a range of work from the mid-1990s to today by the artist Francis Alÿs (Belgian, b. 1959), who uses allegorical methods to explore the cyclical nature of change in modernizing societies, the urban landscape, and patterns of economic progress.

Her recent projects include LOT, a project exploring coexistance in a rapidly changing Miami neighborhood, and American Domain, a special exhibition about property within Oakland's new Museum of Capitalism.

His contribution to On the Verge, the Ulrich exhibition exploring the changing face of today's ceramic art, will be an installation — a mode of artmaking not at all associated with clay.

The artists included in this exhibition — Adam Nelson, Yoko K., and Grethe Wittrock — will collaborate to create an immersive environment that explores the changing nature of our relationship to the natural world.

Elmgreen & Dragset will talk about their over 20 year - long collaboration with FLAG Founder Glenn Fuhrman, as explored in the artist duo's solo exhibition Changing Subjects, recently on view at The FLAG Art Foundation.

13 Oct 2017 30 Sep 2018 IMMA Collection: Coast - Lines Drawing on the paradox implicit in the word «coastline» - for never has a coast followed a linear course - the title of this exhibition throws a line around a 12 month programme of changing displays of artworks and archival material that will explore our sense of place, perception, representation and memory.

This exhibition explores changes in 19th century wedding customs.

Complementing the residency and exhibitions will be panel discussions intended for the general public, university students, and faculty in which the exhibiting artists, art historians, and activists will explore topics such as attitudes toward feminist art among women of different generations; the role of artists as agents of change; and the representation of women in the contemporary art world.

In this group exhibition, artists Rachel Schmidt, Johab Silva, and Levester Williams explore the concept of spaces, both real and imagined with responses to changing or unfamiliar landscapes and restrictive environments.»

Drawing from the Smart's permanent collection, this intimate exhibition explored how nineteenth - century artists and their audiences drew on views of the natural world, classical imagery, allegory and historical subjects to construct a meaningful understanding of the rapidly changing present.

With the nine oil paintings and three works on paper that comprise the exhibition, Miller continues to explore the narrative potential of the animal world by revisiting many of the themes that she has surveyed in her work for the past thirty years, including the relationship between predator and prey, the effect of changing habitats upon both flora and fauna, the folly of our human sense of control over nature, and the passage of time.

As a result, the exhibition will encourage visitors to explore fashion's changing shape in art and in their daily lives.

The first is «Future Shock,» a large - scale exhibition by 10 contemporary artists who will explore the impact of the ever - increasing pace of change on our lives.

In this exhibition, a series of related works explore and navigate a multitude of topologies, her vocabulary taking on a new significance in the context of heightened attention to the effects and immediacy of climate change.

This exhibition explored the work of contemporary Chinese artist Mu Xin (born 1927), revealing his distinctive personal and artistic responses to tumultuous changes within twentieth - century China.

These exhibitions, which will run from 9 September to 5 November 2017, explore the changing forms of photography, political attitudes, the new public profile of the private, and, equally importantly, a new and different language of photography.

Matthias Schaller's striking compositions in the three series presented in this exhibition explore changing boundaries, national definitions and consequent atmospheric tensions.

This change in how we perceive landscape, with landscape increasingly being mediated through technology, will be the focus of an exhibition exploring altitude in art at Towner next summer.

The exhibition spans three galleries within the Zaha Hadid - designed museum, anchored by overarching themes within each: «Shifting Identities» explores how a changing China alters constructions of identity; «Body as Site» focuses on the physical body as a literal and figurative site of discussion and debate; and «Confronting Tradition» highlights the ways in which artists draw inspiration from classical texts, teachings, and artistic practices to reinterpret and question evolving power structures and social norms.

The Sharjah Art Foundation has annouced initial participants for the 2019 Sharjah Biennial — its 14th edition — titled «Leaving the Echo Chamber» which seeks to explore social change in the digital age, composed of three exhibitions organized by Zoe Butt and Omar Kholeif.

«Asia Society Museum presents a timely exhibition exploring artistic practice as a response to social and political change through the works of seven contemporary artists and one artist group from three Southeast Asian countries: Indonesia, Myanmar, and Vietnam.

Elderfield will explore the key questions of stylistic development, change, and continuity in the artist's work posed by the exhibition.

The exhibition at Tate Modern captures the hectic pace that Robert Rauschenberg's life and artwork were conducted, the swerves and creative shifts that saw him endlessly explore the changing world around him.

This multi-voiced exhibition and series of events explores interpretations of «cultural diversity», reflecting the times we live in and changes to the social and cultural landscape since Iniva was founded 15 years ago.

Art AIDS America is the first exhibition to explore how the AIDS crisis forever changed American art.

The debut exhibition, «Future Shock,» examines the human condition under the pressure of accelerating change and includes Rafael Lozano - Hemmer's Zoom Pavilion, which explores the idea of privacy (or lack thereof) in the digital age.

As an internationally recognised platform for exhibition and experimentation for artists from the surrounding region and beyond, the Sharjah Biennial has explored themes as diverse as climate change, agriculture, political conflict and artistic production since 1993, working with curators from countries and institutions from around the world.

The three artists included in this year's residency exhibition extend this notion to explore how communities themselves can influence the ways in which art is produced, whether through incorporating images that document change and progress, questioning the contexts of cultural and physical representation so as not to repeat history's mistakes, or archiving materials from a community's past in order to benefit future generations.