Sentences with phrase «changing gallery models»

4 - 5PM Talk: Changing Gallery Models John Martin, Umer Butt, and Taymour Grahne in conversation with Kevin Jones

And though she repeats what has now become a very familiar refrain (the number of fairs is daunting; can artists produce enough work; and, are art fairs are changing the gallery model?)

Not exact matches

New York City - based STORY uses a novel retail model «that takes the point of view of a magazine, changes like a gallery, and sells things like a store,» according to a press release.

For «Small Changes Every Day,» her recent series at Richard Heller Gallery in Santa Monica, Bennett started with an 8 - by -8-foot hunk of plastic foam and built a model of an undisturbed patch of verdant terrain.

What do you perceive is the change in the market that the old gallery model isn't serving?

He is joined by Iwan and Manuela Wirth at 7, praised for changing the model of how art is bought and sold, collector and patron Bernard Arnault, who has risen to number 28 for the massive success of his exhibition of the Shchukin Collection at Foundation Louis Vuitton in Paris, as well as Vanessa Carlos at 100, who has joined this list for the first time in recognition of Condo, the international gallery exchange program she founded as an alternative to the art fair.

Moving forward, it is our mission to actively participate in the forefront of change and innovation of the gallery model.

«The gallery model is changing,» he said.

Art critic Louisa Buck recalls first edition fig - 1 in 2000, painting a picture of the second edition of the project and the changes in the contemporary art world in the intervening fifteen years; Director of the Contemporary Art Society Caroline Douglas explores shifting models of philanthropy and patronage in the arts; Serpentine Gallery co-director Hans - Ulrich Obrist discusses curatorial approaches and the role of the institution with Fatos Ustek; Writer and lecturer Gilda Williams uses the fig - 2 programme as a vehicle to explore language and differing approaches; Tate Modern Curator of performance Catherine Wood dissects the role and impact of performance?

She continued: «It's pretty much a generalized sentiment of our generation: everything is changing, and many of us are not even interested in the traditional gallery model, so we need to come up with new ideas and partnerships to make things happen and find our own path.»

«It's time to change things up from the same old fair model,» Caitlin Moore, Director of Los Angeles» Mark Moore Gallery, told us yesterday during Moving Image's opening.