Sentences with phrase «characters speak in»

Amusingly, there was one downside to the HDR presentation: the subtitles when orc or elf characters speak in their native language.

Pierre Bismuth screens The Jungle Book Project, an adaptation of Disney's animated classic from 1967, in which the characters speak in 19 different languages taken from the different language versions of the original film.

Played by the artists acting multiple roles, their characters speak in poetic verse filled with wordplay and puns to tell stories that imagine unrecorded histories.

Characters speak in typical military jargon and reference planets and organizations as if you're supposed to know what they mean.

Characters speak in cryptic lines.

While some characters speak in clear and audible (if not amateurish) voices, others are muffled and indistinct.

At least, we'll assume that it was mid-sentence because the characters speak in gibberish and word balloons that hint at what they are discussing.

The characters speak in their native tongue, channel their chi in a war cry, grumble and groan after being bested, and satisfyingly taunt after a well earned victory.

Characters speak in a sort of stilted manner, such as a political prisoner languishing in jail lamenting that he goofed up, or an evil townsperson telling you his city doesn't tolerate smiles.

The Institute's attempted severity is constantly undermined by its inability to convincingly up the stakes through meaningful articulations of place or purpose — and it doesn't help that characters speak in faux - period syntax throughout.

The dogs» barks have been «rendered» in English, as has Courtney B. Vance's booming, ominous narration, but all the human characters speak in their native languages, without subtitles.

SKIP THIS MOVIE IF: you prefer the story to make a clear point and the characters speak in «normal» thoughts (neither of which happen here)

As usual, his characters speak in an overly mannered, forthright way.

Most all of the Japanese characters speak in their native voice and we the audience only get interpretation from Interpreter Nelson (Frances McDormand).

Characters speak in the heightened language of those who, for the sake of expounding characterization within the confines of a limited setting, must do so.

The dialogue is hilarious and true, her characters speak in ways wise and wacky.

It shoots for authenticity by having all characters speak in their native language while English subtitles are given.

These characters speak in matter - of - fact terms, and there's a sort of beauty in how much is behind those words.

Most of the other characters speak in the regal dialogue of a 19th - century novel.

This version, which has been available only in some video editions, has longer stretches during which the Austrian characters speak in German without subtitles as well as better pacing throughout.

THE DISAPPEARANCE OF ELEANOR RIGBY: HIM: One good film stretched to two, doing little with second POV and insisting on having characters speak in screeds.

If you've seen his earlier work — Dogtooth or The Lobster, perhaps — you'll have some idea of his unsettling style where characters speak in monotone platitudes.

Yet the dialogue is often what wears us down: Kingsley's character speaks in tiresomely circuitous riddles, and Liu's peppery cuteness needs to be turned down a notch.

They team up with Atari (voiced by Koyu Rankin in Japanese - like all characters speaking in their local dialogue, for better or worse), an adventurous boy in search of his four - legged friend who come together as a team, even if these emotional bonds never quite satisfactorily gel.

Characters: 4 narrators Emilio (This could be changed to Alesha if you want it to be a girl instead of a boy) Mother (This could be changed to father if you want it to be played by a boy) Village Leader (This would traditionally be a man but could easily be played by a girl) 4 rabbits 4 hens 4 sheep 4 villagers 7 Ibis birds Line count (the number of times the character speaks in the play, not the number of sentences spoken.

It's too nineteenth century with the lower class characters speaking in sentences like «He was willin», so long's I «greed to be careful about fire, an» well... there's nothin'to keep you from comin» down to - night and seein» it» and «I s» pose we'll have a high old time between now and mornin», «cause that kid, sweet as she's lookin» jest now, ain't goin'to be quiet.»

But I am kind of curious about... I don't know whether I'll ever get around to doing this, maybe doing a comic where one character speaks in audio and the other character's speech is in speech bubbles and they're having some kind of conversation.

I also liked how each character spoke in their native tongue (though subtitles would've been appreciated).

Set in this futuristic Paris (though not many characters speaking in French accents), Remember Me, formerly known as Adrift, offers a unique third - person action adventure game set in the familiar French city.

Not exact matches

«It's not what Mark had in his head initially, and that's why he's spoken very openly about his being caught off guard by the script and where the character ends up,» Johnson said.

While it's free to download and play, devotees can purchase extra characters — champions, in LoL - speak — and buy them virtual clothing, known as skins, and plenty of other decorative stuff.

In one of the most quoted parts of the speech, he spoke of his wish to see his children judged not by the color of their skin, but by the content of their character.

Maloney says it's also important to tailor content for various social networks — a 140 - character tweet won't work so well on image - based Pinterest, for instance — and to speak to fans in that network's language.

Despite the adoring crowds, motivational speaking can be a lonely existence — one reason it suited George Clooney's Up in the Air character, whose stump speech was about unloading people from your life.

And only 32 % of films featured 10 or more female characters in speaking roles (compared to 79 % with 10 or more such male roles).

At the time, Smith was only addressing the underrepresentation of women, who comprised less than a third of all speaking characters in the 100 top - grossing movies in the previous year.

In A Higher Loyalty, fired FBI Director James Comey brings to front - and - center of our national discourse the idea of President Trump as a kind of organized crime boss speaking to both his character and his Administration.

Theological tradition speaks in this connection about a «quasi-sacramental character» in matrimony, because a person is permitted to contract a new marriage after the death of the spouse, but not while the spouse is alive.

The fact that a novel's narrator must speak as a god from outside the story has always vexed novelists, particularly when the narrator is also a human character in the story.

That was Robert Heinlein speaking through his character Lazarus Long in the book «Time Enough for Love».

But the ideal first - person narrator always speaks in some sense from beyond the grave of his own character, and Mailer's resurrected Jesus» relating «The Events Leading Up to My Execution»» may be the purest possible literary solution.

Unless you can prove otherwise God is merely a character in a book and, as far as I know, it isn't a crime to speak your mind about a literary character, is it?

I have been able to celebrate Holy Mass in chapels built along mountain paths, on lakeshores and seacoasts; I have celebrated it on altars built in stadiums and in city squares... This varied scenario of celebrations of the Eucharist has given me a powerful experience of its universal and, so to speak, cosmic character.

«I recently spoke at a university where a student told me it was such a shame that Nigerian men were physical abusers like the father character in my novel,» says Adichie with a wry smile, «I told him that I had just read a novel called «American Psycho» and that it was such a shame that young Americans were murderers.»

For example, in his days as an undergraduate at Oxford Waugh's fellow student Harold Acton used a megaphone to shout out lines from T. S. Eliot's The Waste Land from an open window of his upper - storey college suite and was later thrown into a fountain by some drunken students in the middle of the night; while another student, Brian Howard, spoke with a stutter and gossiped his head off: all of which got fused in the character of Anthony Blanche in Brideshead Revisited.

This girl is contradicting herself... claims not to believe in the bible but speaks of the jesus character that is directly related to it.

This is why, elsewhere, Whitehead speaks of the subject as «determining what it is integrally to be, in its own character of the superject of its own process (PR 369).

As we have earlier remarked, the characters in Genesis speak their own lines, lines in immediate contact with the realities of their own existence, as well as the lines of the theological drama of God's concern in love to reconcile man and himself.

The authors of Scripture do not always speak with one voice, but this is because they are presenting the question of the character of God in different ways.

But his answer diverges in two ways: (i) In speaking of «lateral tensions» as having some influence on what each natural moment passes on to later moments, Santayana is in conflict with Whitehead's view that in its process of becoming an actual occasion is causally quite detached from its contemporaries, and operates privately upon the past occasions which have entered into it in order to produce that over-all character which it will pass on to later occasionin two ways: (i) In speaking of «lateral tensions» as having some influence on what each natural moment passes on to later moments, Santayana is in conflict with Whitehead's view that in its process of becoming an actual occasion is causally quite detached from its contemporaries, and operates privately upon the past occasions which have entered into it in order to produce that over-all character which it will pass on to later occasionIn speaking of «lateral tensions» as having some influence on what each natural moment passes on to later moments, Santayana is in conflict with Whitehead's view that in its process of becoming an actual occasion is causally quite detached from its contemporaries, and operates privately upon the past occasions which have entered into it in order to produce that over-all character which it will pass on to later occasionin conflict with Whitehead's view that in its process of becoming an actual occasion is causally quite detached from its contemporaries, and operates privately upon the past occasions which have entered into it in order to produce that over-all character which it will pass on to later occasionin its process of becoming an actual occasion is causally quite detached from its contemporaries, and operates privately upon the past occasions which have entered into it in order to produce that over-all character which it will pass on to later occasionin order to produce that over-all character which it will pass on to later occasions.