Sentences with phrase «chief curator of collections»

William Keyse Rudolph is the new curator of American Art and Chief Curator of Collections at the San Antonio Museum of Art.

Private collectors, art galleries, and major museums lent work for this exhibition, which is accompanied by a fully illustrated catalogue, with essays, by Linda Ferber, Senior Art Historian and Museum Director Emerita, New - York Historical Society; Egyptologist Floyd Lattin; and, Laura Vookles, the Museum's Chief Curator of Collections.

The Panoramic River, organized by Hudson River Museum, is co-curated by Bartholomew Bland, Director of Curatorial Affairs and Laura Vookles, Chief Curator of Collections.

The Panoramic River is organized by Hudson River Museum co-curators Bartholomew Bland, Director of Curatorial Affairs and Laura Vookles, Chief Curator of Collections.

Not exact matches

The lead author is Ronald S. Tykoski, Ph.D., the Perot Museum's Director of Paleontology Lab, and the co-author is Anthony R. Fiorillo, Ph.D., the Perot Museum's Chief Curator and Vice President of Research and Collections.

As chief curator of the Musée de la Mode et du Textile, located in the Palais du Louvre in Paris, Pamela Golbin is the custodian of one of the most significant and extensive collections of fashion and textiles in the world.

Lloyd DeWitt, Chief Curator at The Chrysler Museum of Art, discusses Norfolk's star attraction and their surprisingly robust collection.

Eva Hesse, Expanded Expansion (98:00) Michelle Barger, Deputy Head of Conservation, San Francisco Museum of Modern Art Carol Stringari, Chief Conservator, Guggenheim Museum Elisabeth Sussman, Curator, and Sondra Gilman Curator of Photography, Whitney Museum of American Art Moderator: Jill Sterrett, Director of Collections and Conservation, San Francisco Museum of Modern Art

Michelle Jacques is the Chief Curator at the Art Gallery of Greater Victoria, where she is responsible for guiding an exhibition, education and acquisitions program that links contemporary practices, ideas and issues to the Gallery's historical collections and legacies.

Lucinda Barnes, our Chief Curator and Director of Programs and Collections, is working on a couple of ground - breaking Hans Hofmann exhibitions.

Co-curators: Stacy C. Hollander, Deputy Director for Curatorial Affairs, Chief Curator, and Director of Exhibitions, American Folk Art Museum, and Aimee E. Newell, Director of Collections, Scottish Rite Masonic Museum & Library.

This exhibition is organized by Crystal Bridges Museum of American Art, and was curated by Lauren Haynes, Curator of Contemporary Art, Crystal Bridges; and Chad Alligood, Chief Curator of American Art, The Huntington Library, Art Collections, and Botanical Gardens.

Featuring a comprehensive introduction by MoMA Chief Curator Emeritus and AICA - USA member John Elderfield, this collection of 29 essays that range widely, from Cezanne's drawings to Walter de Maria's Lightning Field, focusing in particular on the varieties of artistic response that Downes's preferred subject matter — landscape — provokes.

In 2011 he took up the post of chief curator at the Dulwich Picture Gallery, another small but respected London institution that — like the Wallace Collection — boasts an impressive collection of Old Master paintings, a significant historic building, and an institutional legacy that continues to define how it operates today.

At the Hammer, Hodge will work closely with Cynthia Burlingham, deputy director of collections and director of the Grunwald Center for the Graphic Arts; Douglas Fogle, chief curator and deputy director of exhibitions and public programs; Anne Ellegood, senior curator; curators Ali Subotnick and Allegra Pesenti; and adjunct curator Russell Ferguson.

The Arkansas Arts Center began its collection of drawings in 1971 when AAC Director and Chief Curator, Townsend Wolfe, purchased Willem de Kooning and Andrew Wyeth works on paper.

Paulina Pobocha, associate curator, and Cara Manes, assistant curator, who organized this collection exhibition in consultation with their department head, Ann Temkin, chief curator of painting and sculpture.

The most significant collection growth during this period was under the guidance of Director and Chief Curator George Kinghorn.

Whitney chief curator, Scott Rothkopf, and Dana Miller, director of the permanent collection, sought not just to present portraits, but to question notions of what portraiture is and can be.

Infinite Blue is organized by a curatorial team including Yekaterina Barbash, Associate Curator of Egyptian Art; Susan L. Beningson, Assistant Curator of Asian Art; Meghan Bill, Curatorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, Brooklyn Museum.

The exhibition will coincide with the launch of a book written by the director of collections management at the Finnish National Gallery, Riitta Ojanperä; the writer Agneta Rahikainen PhD; the museum director, Susanna Pettersson; the chief curator, Anna - Maria von Bonsdorff; and the curator, Anu Utriainen.

Legacy: The Emily Fisher Landau Collection is organized by Donna De Salvo, the Whitney Museum of American Art's Chief Curator and Deputy Director for Programs, and David Kiehl, the Museum's Curator of Prints and Special Collections.

Join ArtTable for an exclusive curator - led tour of The Long Run at the Museum of Modern Art, with Paulina Pobocha, associate curator, and Cara Manes, assistant curator, who organized this collection exhibition in consultation with their department head, Ann Temkin, chief curator of painting and sculpture.

Co-curated by Sylvie Patry, Consulting Curator at the Barnes Foundation and Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, Paris, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture at the Dallas Museum of Art, Berthe Morisot: Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the impressionist movement and the development of modern art in Paris in the second half of the 19th century.

Before joining MOCA, she was the Barbara Lee Chief Curator at the ICA / Boston, overseeing a rigorous program of acclaimed monographic and historical survey exhibitions and an emerging collection of contemporary art.

Prior to joining the Barnes in January 2016 as Deputy Director for Collections & Exhibitions and Gund Family Chief Curator, Patry had served as Chief Curator of Impressionist and Post-Impressionist Paintings at the Musée d'Orsay for more than a decade.

The Modern's exhibit, a real coup for the museum and its chief curator, Michael Auping, houses a vast collection of about 90 portraits dating from 1943 through Freud's death in 2011.

Under the tutelage of director and chief curator, Thelma Golden, Haynes, over the course of just under 10 years, made the climb from curatorial assistant to the associate curator of the permanent collection that houses approximately 2,800 artworks.

Yinka Shonibare MBE: Magic Ladders has been organized by Judith F. Dolkart, deputy director of art and archival collections and Gund Family Chief Curator and will be on view in the Aileen and Brian Roberts Gallery.

The exhibition is co-curated by Sylvie Patry, Consulting Curator at the Barnes Foundation and Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, Paris, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture at the Dallas Museum of Art.

Co-curated by Sylvie Patry, Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, Paris and Consulting Curator at the Barnes Foundation, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture at the Dallas Museum of Art, Berthe Morisot, Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the Impressionist movement and the development of modern art in Paris in the second half of the 19th century.

Presenters are Apsara DiQuinzio, BAMPFA curator of modern and contemporary art and Phyllis C. Wattis MATRIX Curator, who organized the exhibition; Douglas Dreishpoon, chief curator emeritus, Albright - Knox Art Gallery; Lauren Kroiz, UC Berkeley assistant professor of art history and contributor to the exhibition catalog; and Jeff Gunderson, special collections librarian and archivist at the San Francisco Art Inscurator of modern and contemporary art and Phyllis C. Wattis MATRIX Curator, who organized the exhibition; Douglas Dreishpoon, chief curator emeritus, Albright - Knox Art Gallery; Lauren Kroiz, UC Berkeley assistant professor of art history and contributor to the exhibition catalog; and Jeff Gunderson, special collections librarian and archivist at the San Francisco Art InsCurator, who organized the exhibition; Douglas Dreishpoon, chief curator emeritus, Albright - Knox Art Gallery; Lauren Kroiz, UC Berkeley assistant professor of art history and contributor to the exhibition catalog; and Jeff Gunderson, special collections librarian and archivist at the San Francisco Art Inscurator emeritus, Albright - Knox Art Gallery; Lauren Kroiz, UC Berkeley assistant professor of art history and contributor to the exhibition catalog; and Jeff Gunderson, special collections librarian and archivist at the San Francisco Art Institute.

The exhibition is curated by Amy G. Moorefield, Deputy Director of Exhibitions and Collections at the Taubman Museum of Art and Mark Sloan, Director and Chief Curator of the Halsey Institute of Contemporary Art with special assistance from Andrea Pollan, Curators Office, Washington, D.C.; Saltworks Gallery, Atlanta, Georgia; and Ryan Lee Gallery, New York, New York.

Leading art collectors who have played a key role in the history of contemporary art in Miami will share their experiences and insight into building a personal collection in a series of conversations with MOCA Executive Director and Chief Curator Bonnie Clearwater.

The PMA is pleased to welcome Director and Chief Curator of the Smith College Museum of Art and former Chief Curator of the Portland Museum of Art Jessica Nicoll and the Carolyn Muzzy Director and Chief Curator of the Colby Museum of Art Sharon Corwin in a discussion with PMA Director Mark Bessire about museum collections and how they are presented to the public.

«We are thrilled to be able to share so many new treasures and beloved highlights from our collection when we open our expanded home this summer,» said Sharon Corwin, the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art.

Rudolf de Crignis / 245 is organized by Chief Curator and Director of Programs and Collections Lucinda Barnes in collaboration with the Estate of Rudolf de Crignis.

We honor our recently retired Chief Curator by exhibiting sets of Old Masters prints that he brought to our collection.

Tables of Content: Ray Johnson and Robert Warner Bob Box Archive / MATRIX 241 is organized by Lucinda Barnes, chief curator and director of programs and collections, in collaboration with Robert Warner.

The good news is that Whitney curators, led by Chief Curator and Deputy Director for Programs Donna De Salvo, have systematically sought out gaps in the museum's permanent collection and attempted to fill in missing contributors to American art history since the late 19th century, with particular attention paid to works by women and people of color.

Sylvie Patry to return to Musée d'Orsay Sylvie Patry, chief curator of Philadelphia's Barnes Foundation, is to return to the Musée d'Orsay to take up a position as deputy director for curatorial affairs and collections.

Organized for MOCA by Associate Curator Rebecca Morse, in collaboration with a curatorial team that includes Director Jeffrey Deitch, Director of Publications Lisa Gabrielle Mark, Curator Alma Ruiz, and Curator Bennett Simpson, the exhibition expands on a collection show originally conceived by Chief Curator Paul Schimmel, that considered the work of Los Angeles artists in a local context, following Collection: MOCA's First Thirty Years, which presented Los Angeles artists in an international context.

The book includes a Foreword by Barbara Knowles Debs, Vice Chair, Board of Trustees of the Brooklyn Museum, and Chair of the Collections Committee; a Preface by Museum Director Arnold L. Lehman; and an Introduction outlining the history of the Museum's collection, by Chief Curator and project director Kevin Stayton.

Julie Milne, Chief Curator of Art Galleries (Tyne & Wear Archives & Museums): «One of the strengths of the Great Works scheme is that it recognizes that for many people the formative experience of art will be in regional collections and even in times of public funding challenges those collections deserve to be not only protected but enhanced.

David Breslin to join curatorial team at the Whitney David Breslin, chief curator of the Menil Drawing Institute, has joined the staff of the Whitney Museum, as the director of its collection.

The museum's chief curator Jennifer Chi responded: «Kristen is the perfect choice to build upon the Brooklyn Museum's track record as an innovator in the collection and exhibition of the arts of Africa».

Donna De Salvo, the chief curator and deputy director for programs at the Whitney Museum of American Art, speaks to the direction the collection has taken over since its beginning in 1930.

Now the museum is announcing a new steward for these holdings: David Breslin, the chief curator of the Menil Drawing Institute in Houston, will become director of the collection.

Exploring themes of agency, politics and perspective, and responding to content within the fair itself, this year's Talks program features Claudia Rankine, 2016 MacArthur Fellow and winner of the 2017 Bobbitt National Poetry Prize for her collection Citizen, as well as a panel on art and social commitment chaired by Shuddhabrata Sengupta of Raqs Media Collective and featuring artists Tania Bruguera, Anri Sala and Jeanne van Heeswijk; and a conversation on «complicating the Modern» from Ann Temkin, Marie - Josée and Henry Kravis Chief Curator of Painting and Sculpture at MoMA.

Quentin Bajac is The Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art, New York; Howard Greenberg is one of the world's foremost gallerists; Michael Wilson is renowned for his superb collection.