Sentences with phrase «china national art»

Kerber's work has been featured in numerous solo and group exhibitions including «Standing in Water» (2015), Tête, Berlin, Germany; «Something Glimpsed Head - On» (2015), 849 Gallery at KyCAD at Spalding University, Louisville, KY; «Shifting Ecologies» (2014), The Painting Center, New York, NY; «48 Stunden - Neukölln» (2014), Berlin, Germany; «Parting Gifts: Artists Honor Bruce Katsiff, Director / CEO 1989 - 2012» (2012), The James A. Michener Art Museum, Doylestown, PA; «Natural Constructed Spaces» (2012), The Painting Center, New York, NY; «2008 Beijing International Art Biennale» (2008), China National Art Gallery, Beijing, China; «Verkehrte Natur» (2006), Kunstraum t27, Berlin, Germany.

Pirim has won numerous awards in the fields of sculpture and design, and his works are included in many private and museum collections all over the world such as National Arts Park, Pekin, China; Glory Yeh Museum & Sculpture Park, Taiwan; China National Art Museum, Pekin, China; Robert Bilechki Private Collection, New York, USA; Borusan Contemporary Art Collection, Istanbul; Eczacıbaşı Foundation Collection, Istanbul; Maurizio Meroni Collection, Italy; Özyeğin Collection, Istanbul; Nezih Barut Collection, Istanbul; Kuok Group Collection, Hong Kong, Öner Kocabeyoğlu Collection, Istanbul.

As a key program in the 2016 Qatar - China Year of Culture, the exhibition has received generous support from China National Arts Fund, Beijing Municipal Bureau of Culture, and Shanghai International Culture Association.

SUPPORT: Qiu Wei's one month residency is made possible with the support from China National Arts Fund (CNAF), the New York Foundation for the Arts (NYFA), and the Academy of Literary and Art, China Federation of Literary and Art Circles (ALAC).

The program is funded by the China National Arts Fund (CNAF).

SUPPORT: Jing Guo's 6 weeks residency is made possible with support from China National Arts Fund (CNAF), New York Foundation for the Arts (NYFA), and the Academy of Literary and Art, China Federation of Literary and Art Circles (ALAC).

ART021 Shanghai Contemporary Art Fair will take place at the Shanghai Exhibition Center from November 8th to 12th, 2017, supporting by China National Arts Fund.

Not exact matches

These photographs were made last year during the performance of the National Acrobats Of China at the Lehman Center for the Performing Arts.

It was conducted by an international team led by Mitsuyasu Hasebe, PhD, of the National Institute for Basic Biology in Japan and SOKENDAI (The Graduate University for Advanced Studies) in Japan; Kenji Fukushima, PhD, of the same institutions and the University of Colorado School of Medicine; Shuaicheng Li, PhD, of BGI - Shenzhen in China; and Albert, PhD, a professor of biological sciences in UB's College of Arts and Sciences.

He has been the recipient of many international honours, including the National Book Award, the International Dublin Impac Prize, a Chevalier des Arts et Lettres from the French government, election to the Irish arts academy, several European awards, the 2010 Best Foreign Novel Award in China, and an Oscar nominatArts et Lettres from the French government, election to the Irish arts academy, several European awards, the 2010 Best Foreign Novel Award in China, and an Oscar nominatarts academy, several European awards, the 2010 Best Foreign Novel Award in China, and an Oscar nomination.

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Chinese government outlaws the first - person shooter game, accusing Electronic Arts of developing content that threatens China's national security and is a form of cultural invasion.

From giant installations and elusive sculptural pieces challenging everyday objects to powerful and other - worldly visual narratives, NOW is a national arts programme that celebrates female contemporary artists working in mainland China today.

Her solo shows include the Museum of Modern Art, Oxford, 1981; Serpentine Gallery, 1983; the Tate Gallery, London, 1995; the Royal Academy of Arts, London, 1997; Jerwood Gallery, Hastings, 2012 and at the National Museum Cardiff, Wales; Tremenheere Sculpture Gardens, Penzance and China Central Academy of Fine Arts (CAFA), China in 2017.

Freestanding, Beaver College Art Gallery, Glenside, PA Urban Creation, Shanghai Biennale, Shanghai, China Tomorrow's fish & chips, Simplonstr., Berlin, Germany Kunst in Actie, Bonnefanten Museum, Maastricht, NL 11 x Dutch Art, National center for Contemporary Art, St. Petersburg, USSR I Love NY, Benefit show, Anton Kern Gallery, New York, NY

He has also participated at group exhibitions at the following institutions: The Hammer Museum, Los Angeles, California (2014); The National Museum of Norway, Oslo, Norway (2014); The New Museum, New York, United States (2013); The Palais de Tokyo, Paris, France (2012), among many others.He has participated in various biennials, including: The Sharjah Biennial 12, Sharjah, United Arab Emirates (2015 & 2007); The 30th Biennial of Graphic Arts, Ljubljana, Slovenia (2013); The XIV International Biennial of Sculpture, Carrara, Italy (2012); The 9th Gwangju Biennale, Gwangju, South Korea (2012); Whitney Biennial, New York, United States (2006); Sao Paulo Biennial, Sao Baulo, Brazil (2006); 2nd Guangzhou Trienal, Guangzhou, China (2005); The 50th Venice Biennale, Venice, Italy (2003 & 1999); The 7th International Istanbul Biennial, Istanbul, Turkey (2001), among others.

China Art Today, Collateral Event of the 57th Venice Biennale, Giardini Arsenale, Italy (2017); Fire Within: A New Generation of Chinese Women, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI (2016); Animaux Biennale, Museum of Contemporary Art Shanghai, China (2016); 4th Jakarta Contemporary Ceramics Biennale, National Gallery of Indonesia, Indonesia (2016); International Youth Animation Biennale, China Academy of Art, Hangzhou (2016); Here Out There, Helsinki Festival, Finland (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin, Madison, WI (2015); China 8 - Contemporary Art from China on the Rhine and Ruhr, Lehmbruck Museum, Duisburg, Germany (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin - Madison, WI (2015); Busan Biennale, South Korea (2014); Landscape of Mind, Artmia Foundation, Beijing, China (2014); Caissa Rising Arting, Today Art Museum, Beijing, China (2014); The Start of a Long Journey, CAFA Art Museum, Beijing, China (2014); A Call - Girls - Attack, Kalrsruhe University of Arts and Design, Germany (2013); CAFAM Future, CAFA Art Museum, Beijing, China (2013); Gathered World, Ceramics Gallery, Aberystwyth Art Centre, Wales, UK (2010); Mahjong: Contemporary Chinese Art from the Sigg Collection, University of California, Berkeley Art Museum and Pacific Film Archive, CA (2008), and The Chinese Contemporary Art Exhibition, Miro Museum, Barcelona, Spain (2008).

Zao Wou - Ki began his formal artistic training at the age of fifteen at the newly established National Academy of Fine Arts (now China Academy of Art) located in Hangzhou.

Scully's work is held in numerous public collections, including The Metropolitan Museum of Art, Museum of Modern Art, and Solomon R. Guggenheim Museum, New York; The National Gallery of Art, the Corcoran Gallery of Art, and Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Modern Art Museum of Fort Worth, Fort Worth; Tate, London; Kunstsammlung Nordrhein - Westfalen K20K21, Düsseldorf; Albertina, Vienna; Museo Nacional Centro de Arte Reina Sofia, Madrid; Instituto Valencia d'Arte Modern, Valencia; Guangzhou Museum of Art, Guangzhou and China Central Academy of Fine Arts, Beijing, China.

Artnet The Online Marketplace And Magazines's Clique, from left: Ben Davis, national art critic, Artnet News; Christie Chu, assistant managing editor, Artnet News; Ben Genocchio, editor in chief, Artnet News; Cait Munro, culture reporter, Artnet News; Thierry Dumoulin, vice president, marketing; Jessica Zhang, regional manager of greater China; Mops (the dog), mascot; Sophie Neuendorf, global director of partnerships; Jacob Pabst, CEO; Calvin Sharpe, office manager; Gracie Mansion, senior specialist, contemporary and modern art; Gamliel Beyderman, director, business intelligence / data science; Bree Hughes, specialist, photographs.

Recent group exhibitions include Jerwood Space, London, Royal Academy of Arts, London, Neuberger Museum of Art, New York, Australian Centre for Contemporary Art, Melbourne; Tintype, London, Centre Georges Pompidou, Paris; the Venice Biennale; National Portrait Gallery, London; and the 2012 Guangzhou Biennale in China.

2009 The Embassy, Curated by Xerxes Cook and Alex Dellal, 33 Portland Place, London, UK Artists» Art / Artists» Books, Glenn Horowitz Bookseller, East Hampton, NY Elevator to the Gallows, Galerie im Regierungsviertel / Forgotten Bar Project, Berlin, Germany Story without a Name, Curated by Blair Taylor, Peres Projects, Berlin, GermanyPrivate, Con Der Hydt Museum, Wuppertal, Germany The Collectors, Curated by Elmgreen and Dragset, Danish and Nordic Pavillions, 53rd Venice Biennale, Venice, Italy Onedreamrush, Beijing Independent Film Forum, Beijing, China DLA Piper Series: This is Sculpture, Tate Liverpool, Liverpool, UK Mexico: Expected / Unexpected, Tenerife Espacio de Las Artes, Santa Cruz de Tenerif Imagine, There: Three Contemporary Mythologies, A Space Gallery, Toronto, Canada The Porn Identity, Kunsthalle Wien, Wien, Germany The Temptation to Exist: Douglas Gordon, Any Warhol, On Kawara, terence koh, Yvon Lambert Gallery, London, UK KKK: Featuring terence koh, Jeff koons, and Mike Kelley, Mary Boone Gallery, New York, NY A Tribute to Ron Warren, Mary Boone Gallery, New York, NY New York Minute, Macro Future Museum, Rome, Italy Objective Affection, Boffo, Brooklyn, NY Dancing with Rodin, The Brooklyn Museum, Brooklyn, NY Tompkins Square Park Procession, Tompkins Square Park, New York, NY Art History 1642 - 2009, National Arts Club, New York, NY Performa 09, Third Biennial of Visual Art Performace, New York, NY Degeneration / Regeneration, Marina Abramovic Institute, San Fransico, CA Compassion, Curated by AA Bronson, The Institute of Art, Religion and Social Justice, New York, NY Contemporary Artifices and Baroque Difformities, Arcos - Sannio Museum of Contemporary Art, Benevuto, Italy Marina Abramovic Presents..., The Whitworth Art Gallery at the Universtiy of Manchester, UK Get a Rope, Ctrl Gallery, Houston, TX

He has been the subject of numerous solo exhibitions, and his works are held in the collections of museums worldwide, including the Essl Museum - Kunst der Gegenwart, Klosterneuburg, Austria; Solomon R. Guggenheim Museum, New York; National Gallery of Australia, Canberra; and Shanghai Art Museum, China.

Recent projects include conceptual collaboration with architect Jean Nouvel for the National Art Museum of China in Beijing and exhibitions and installations in Singapore, Hong Kong, Paris, Vienna, Rome, Lausanne, Zurich and Brussels, among other cities.

Geng's solo exhibitions include Mount Sumeru, Klein Sun Gallery, New York, NY (2017); Poetics of the Body — The Sculpture & Video Art of Geng Xue, Fengmian Art Space, Yuexiu District, Guangzhou, China (2016); Borrowing an Easterly Wind, Klein Sun Gallery, New York, NY (2015); Mr Sea, ZERO Art Center, Beijing, China (2014); and The Other Side, National Museum of Wales, Cardiff, UK (2009).

He subsequently had major retrospectives at the China National Museum of Fine Arts, Beijing, and the new Shanghai Museum, as well as a solo exhibition at the Musée Granet in Aix - en - Provence, France.

Her work is in many prestigious institutions worldwide including the Brooklyn Museum, New York; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Centre Pompidou, Paris; Hong Kong Museum of Art; Museum of Modern Art, New York; National Art Museum of China, Beijing; National Museum of Australia, Canberra; M + Museum, Hong Kong; Seattle Art Museum; Shanghai Museum of Glass; Sherman Foundation, Sydney; and the Ullens Center for Contemporary Art, Beijing.

Partnered with the He Xiangning Art Museum in Shenzhen, OCAT is China's only nonprofit contemporary art organization connected to a national museArt Museum in Shenzhen, OCAT is China's only nonprofit contemporary art organization connected to a national museart organization connected to a national museum.

The work of OBRA has been exhibited widely, and has been featured at MoMA, PS1 Contemporary Art Center, the National Art Museum of China, and Rhode Island School of Design, among others.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

His works have been presented internationally at the Venice Biennale, The Venice Theater Biennale, Stedelijk Museum Amsterdam, PS1 New York, Creative Time New York, Musée d'Art Contemporain Montreal, Museum für angewandte Kunst Vienna, ZKM Karlsruhe, National Museum of China in Beijing, National Museum for Contemporary Art in Seoul, ICC Tokyo, Arte Alameda Mexico City, Sharjah Art Foundation, and the Museum of Old and New Art in Hobart, Tasmania.

His work has been exhibited at Flushing Meadows Corona Park / Queens Museum (2014), NYC DOT's Urban Art Program, New York (2013); Socrates Sculpture Park, New York (2012); Location One, New York (2011); The 4th Auckland Triennial, New Zealand (2010); and The Third Guangzhou Triennial, China (2008); The National Gallery, Thailand (2004); and The Third Asia Pacific Triennial of Contemporary Art, Australia (1999).

His work is represented in major collections including the National Art Museum of China, Beijing; Kaethe Kollwitz Museum, Berlin; Library and Archives Canada, Ottawa; Beijing International Art Palace, China; Ringier International, Switzerland; Gwangju Museum of Art, Korea; Ackland Art Museum, Chapel Hill, NC; Guilford College, Greensboro, NC; University of North Carolina, Chapel Hill; Emory University, Atlanta; and Tsinghua University, Beijing.

Marcos Lutyens (London, 1964) has exhibited internationally, including at dOCUMENTA (13), Los Angeles County Museum of Art, the Centre Georges Pompidou, the Royal Academy, the National Art Museum of China and many other museums and institutions.

National Gallery of Art, Washington, DC Pasadena Museum of Fine Arts, Pasadena, California Zhejaing Academy of Fine Arts, Hangzou, China Art Institute of Chicago, Chicago, Illinois Amon Carter Museum, Forth Worth, Texas Kleye Kunstverein, Dortmund, Germany Louisiana Museum of Art, Humlebaek, Denmark Museum of Modern Art, New York U.S. Consulate, Osaka, Japan Tel Aviv Museum of Fine Arts, Tel Aviv, Israel

The artist graduated from the National Academy of Fine Arts, Hangzhou, China in 1996.

Fernandes has exhibited widely domestically and abroad, including exhibitions at the Solomon R. Guggenheim Museum, New York; Museum of Modern Art, New York; Museum of Art and Design, New York; Musée d'art contemporain de Montréal; The National Gallery of Canada, Ontario; The Brooklyn Museum, New York; The Studio Museum in Harlem, New York; Mass MoCA, North Adams, MA: The Andy Warhol Museum, Pittsburgh, PA; Deutsche Guggenheim, Berlin; Bergen Kunsthall, Norway; Stedelijk Museum, Amsterdam; The Sculpture Center, New York; The Quebec City Biennial; and the Third Guangzhou Triennial in China.

Her work has been exhibited in numerous national and international institutions, including Artspace (New Haven, CT), DIVA International Video Art Fair (Miami, FL), City of Nanjing Art Center for Painting and Sculptures (China), CAMAC Centre D'art (France), Media Art Festival at the Armenian Center for Contemporary Experimental Art (Armenia).

The firm's installations have included an emergency shelter prototype with furniture system at the National Art Museum of China in 2009 and the Oxymoron Pavilion erected at the 2012 Shenzhen Hong Kong Bi-City Biennale for Architecture and Urbanism.

He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.

Her work is currently on exhibit at Bates College Museum of Art («Back and Forth: the collaborative works of Dawn Clements and Marc Leuthold»), and has been included in numerous exhibitions including: «Paper» (Saatchi Gallery, London), «Ghost of Architecture» (Henry Art Gallery, Seattle), «Ballpoint Pen Drawing Since 1950» (Aldrich Contemporary, CT), «Making Room: The Space Between Two and Three Dimensions» (MassMoCA), «11th National Drawing Invitational: New York, Singular Drawings» (Arkansas Arts Center), «Contemporary American Drawing» (Xiang Art Museum, Sheng Zheng, China), and the Whitney Biennial 2010 (Whitney Museum of American Art, NY).

She has taught at the Tyler School of Art, Philadelphia College of Textiles and Science, Pratt Institute, Cheltenham Center for the Arts and has lectured at various institutions including the Tokyo National University of Fine Arts and the Sichuan Fine Arts Institute in China.

Selected Exhibitions Art Projects International, New York, NY (2008); Red Gate Gallery, Beijing (2007); Art Projects International, New York, NY (2005); Impact 4 Printmaking Exhibition, Kollwitz Museum, Berlin, Germany (2005); Strong, Espace d'Art Contemporain, Antibes, France (2005); Asia Contemporary Art Exhibition, Gwangju Art Museum, Korea (2004); Hanes Art Center, Chapel Hill, NC (2004); Ackland Art Museum, Chapel Hill, NC (2004); Red Gate Gallery, Beijing (2004); Art Scene China, Shanghai (2003); Ink and Paper, Arras Museum, Paris (2001); The Emancipated Brush, Orange County Center for Contemporary Art, CA (2001); National Art Museum, Beijing (2000).

After his return to Shanghai, he participated in «China / Avant - Garde» at the National Art Museum of China in Beijing in 1989.

Visiting museum groups included Belvedere Museum (Austria), Brooklyn Museum (USA), The Central Acad - emy of Fine Arts - CAFA Art Museum (China), Centre Pompidou (France), Musée d'Orsay (France), Pinakothek der Moderne (Germany), Boijmans van Beuningen (Netherlands), Stedelijk Museum (Netherlands), Museo de Arte de Lima (Peru), Zaçheta National Gallery of Art (Poland), Hermitage Museum Foundation (Russia and UK), Moderna Museet (Sweden), Albright Knox Art Gallery (USA), The Wallace Collection (UK), Yorkshire Sculpture Park (UK), Frick Art and Historical Center (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropolitan Museum of Art (USA), Museum of Modern Art (USA) and Peabody Essex Museum (USA).

His work has been shown across Europe and in the USA — as well as in Brazil, Singapore, China, Angola, Mozambique, Cape Verde, and South Africa; in venues such as the LACE, Hammer Museum (Los Angeles), Armory Center for the Arts (Pasadena), Art Interactive (Boston), Museum of the City of New York, Residency Unlimited (NY), MOCA (Cleveland), MMOCA (Madison), Peter B. Lewis Center for the Arts (Princeton), Württembergischer Kunstverein (Stuttgart), DAZ, Berlinerpool (Berlin), Rencontres Internationales Paris / Berlin (Paris), National Center for Contemporary Art (Moscow), M. K. Ciurlionis National Museum (Kaunas), Hélio Oiticica Art Center (Rio de Janeiro), S.P. Cultural Center (São Paulo), Oriente Foundation (Macao), EDP Museum, Gulbenkian Foundation, Carmona e Costa Foundation, Goethe - Institut (Lisbon), Galeria Presença, and Soares dos Reis Museum (Porto).

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

He previously organized A Vision of Central Europe in 2010 at Brugge Centraal, Bruges, Belgium, as well as The State of Things: Brussels / Beijing in 2009 at Palais des Beaux - Arts, Brussels, which traveled to the National Art Museum of China, Beijing.

His work has been included in group exhibitions at Ullens Center for Contemporary Art in Bejing, Witte de With Center for Contemporary Art in Rotterdam, Birmingham Museum and Art Gallery, The National Art Museum of China in Bejing, Royal Academy of Art in London, and Kunsthaus Wien in Vienna, among many other institutions.

Recent museum exhibitions include: The 1980s: Early Works by Jian - Jun Zhang (1978 - 1988), Yuz Museum, Shanghai (2015); The 12th National Art Exhibition: Section of Experimental Art, Today Art Museum, Beijing (2014); Ink Art: Past as Present in Contemporary China, The Metropolitan Museum of Art, New York (2013 - 14); Portrait of the Times: 30 Years of Chinese Contemporary Art, Power Station of Art, Shanghai (2013); Shanshui, Kunstmuseum Luzern, Switzerland (2011); Chinese Window: Contemporary Art from the Sigg Collection, Kunstmuseum Bern, Switzerland (2010 - 11); Shanghai Art of the City, Asian Art Museum, San Francisco, CA (2010); and The Great Celestial Abstraction, National Art Museum of China, Beijing (2010) and traveled to Museo d'Arte Contemporanea Roma, Italy (2011 - 12).