Not exact matches
-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in
China — Studio 360 Top Exhibitions of 2010 — The
Art Newspaper Recent
Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football,
Arts District — FrontRow A work in progress: The Dallas
Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent
Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to
Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent
Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC
director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... Th
director resigns — Glasstire Recent
Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became
Art — NYMag Walker
Art Center to Acquire Merce Cunningham's collection —
Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The
Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent
Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over
Art Collection, 25 Years Later — NYTimes Recent
Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The
Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent
Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent
Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent
Art News - Texas Week of 02/13/11 Amon Carter's
Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... Th
Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of
Art — Austin 360
Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... Th
Director Dana Friis - Hansen departs from the Austin Museum of
Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent
Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges
as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?
With a focus on building critically thinking, historically conscious artistic communities, Butt previously served
as Executive
Director and Curator of Sàn
Art in Ho Chi Minh City, Vietnam;
Director of International Programs at Long March Project in Beijing,
China; and Assistant Curator of Contemporary Asian
Art at Queensland
Art Gallery, Brisbane, Australia.
On Level 2, «Between Object and Architecture» looks at the way post-1960s artists employed geometric shapes and ordinary building materials like bricks or cubes, and includes artists from Latin America and
China as well
as Europe, emphasizing the museum's commitment to what Frances Morris, the
director of the Tate Modern, called «a more global story of
art.»
Curated by ACAW
director Leeza Ahmady
as part of Asia Contemporary
Art Week (ACAW) 2017 signature program, the «Thinking Projects Pop Ups» exhibition series introduces nine artists from
china, located across select venues.
She joined the Museum in 1996
as Project
Director of
China: 5000 Years, a large - scale exhibition of traditional and modern Chinese
art that was presented in 1998 at the Guggenheim museums in New York and Bilbao.
Zeng Fanzhi: ArtReview's Editorial
Director (Asia), Aimee Lin, meets one of
China's most commercially successful painters
as he prepares for his solo show at the Musée d'
Art Moderne in Paris, and continues preparations for the construction of his own museum in Beijing, which will show Chinese, Western and contemporary
art.
As a gallery
director between 2006 and 2012, Leslie guided the growth of contemporary
art galleries in Shanghai,
China.
She was involved in festivals, projects and organizations in
China such
as the Convergence satellite exhibit of the Beijing Biennale (curator, 2005), the Platform
China Contemporary
Art Institute (artistic
director, 2005 - 2006) and the Borderline Moving Images festival (co-founder and co-
director, 2007 - 2008).
The Shaanxi Provincial Cultural Relics Bureau in
China has named Alex Nyerges,
Director of the Virginia Museum of Fine
Arts (VMFA),
as an Ambassador of Shaanxi Cultural Heritage.
Prof. Chan was the chief editor of the «Hong Kong Visual
Art Yearbook» for several years, the
Art Director of «City
Art Square», and he currently serves
as advisor of Asia
Art Archive and Yale -
China Association,
as well
as honorary Advisor for both the Hong Kong Museum of
Art and the Hong Kong Heritage Museum.
Highlights of recent Broad MSU exhibitions include: Trevor Paglen: The Genres; the final installment of the exhibition series The Genres: Portraiture, Still, Life, Landscape, featuring works by social scientist, researcher, and writer Trevor Paglen; Moving Time: Video
Art at 50, 1965 - 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation, currently on view at the China Central Academy of Fine Arts, Beijing; Material Effects, which brought together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials; and The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman, the first major museum exhibition to bring together a comprehensive body of work by two of Bangladeshi's foremost contemporary artis
Art at 50, 1965 - 2015, one of the final exhibitions conceived by Founding
Director Michael Rush exploring the development of video
art from its earliest presentation, currently on view at the China Central Academy of Fine Arts, Beijing; Material Effects, which brought together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials; and The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman, the first major museum exhibition to bring together a comprehensive body of work by two of Bangladeshi's foremost contemporary artis
art from its earliest presentation, currently on view at the
China Central Academy of Fine
Arts, Beijing; Material Effects, which brought together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials; and The Artist
as Activist: Tayeba Begum Lipi and Mahbubur Rahman, the first major museum exhibition to bring together a comprehensive body of work by two of Bangladeshi's foremost contemporary artists.
She also served
as an
art - education delegate to
China to engage in a professional exchange with museum education colleagues and
directors in Shanghai, Changsha, and Beijing in 2008.
As part of the public programme accompanying the show, Ginevra Elkann, today the President of the Pinacoteca Agnelli, and Hans Ulrich Obrist invited a new generation of Chinese artists to Turin for a marathon talk on the future of
China produced with Philip Tinari, now
Director of the Ullens Center for Contemporary
Art.
From 2008 to 2012, Jérôme Sans was the former
director of the ground breaking Ullens Center for Contemporary
Art in Beijing (UCCA), created by the Belgian collector Guy Ullens as the first private art center in Chi
Art in Beijing (UCCA), created by the Belgian collector Guy Ullens
as the first private
art center in Chi
art center in
China.
An eminent scholar and researcher of contemporary Chinese
art, contemporary Asian performance art, and contemporary Indonesian art, Berghuis previously served as a Lecturer in Asian Art History at the University of Sydney, Deputy Director of the Australian Centre for Asian Art and Archeology, a committee member at China Studies Centre, and a member of the Sydney Southeast Asian Studies Cent
art, contemporary Asian performance
art, and contemporary Indonesian art, Berghuis previously served as a Lecturer in Asian Art History at the University of Sydney, Deputy Director of the Australian Centre for Asian Art and Archeology, a committee member at China Studies Centre, and a member of the Sydney Southeast Asian Studies Cent
art, and contemporary Indonesian
art, Berghuis previously served as a Lecturer in Asian Art History at the University of Sydney, Deputy Director of the Australian Centre for Asian Art and Archeology, a committee member at China Studies Centre, and a member of the Sydney Southeast Asian Studies Cent
art, Berghuis previously served
as a Lecturer in Asian
Art History at the University of Sydney, Deputy Director of the Australian Centre for Asian Art and Archeology, a committee member at China Studies Centre, and a member of the Sydney Southeast Asian Studies Cent
Art History at the University of Sydney, Deputy
Director of the Australian Centre for Asian
Art and Archeology, a committee member at China Studies Centre, and a member of the Sydney Southeast Asian Studies Cent
Art and Archeology, a committee member at
China Studies Centre, and a member of the Sydney Southeast Asian Studies Centre.
Professional Experience and Roles Wan na Be Now, LLC, Creator / Co-Producer / Actor / Co-Writer (Los Angeles, CA) Produced Living Luminaries on the Serious Business of Happiness ColeBeanBay Theatre, AEA Production Manager (Ste. Genevieve, MO) Managed Productions of Cabaret, Fiddler on the Roof Sean Mulvihill Productions, Singer / Actor (Los Angeles, CA) Venetian Macau Resort, Featured Performer (Macau SAR,
China) Great Plains Theatre, Actor (Abilene, KS) Role
as Albert in Bye, Bye Birdie US Concepts, Actor / Promoter (Chicago, IL) Chesterfield Community Theatre,
Director (Chesterfield, MO) Directed the Complete Works of William Shakespeare, Abridged DramaRama Theatre Company — Regional AEA Theatre Tour, Actor (St. Louis, MO) Role
as Chillie Goat in Billy Goats Gruff: Tales from the Troll, White Rabbit in Alice in Wonderland St. Charles Christmas Traditions, Actor (St. Charles, MO) Role
as Bob Wallace in White Christmas Revue Piwacket Theatre for Children, Actor (St. Louis, MO) Role
as Frankie in Snowman's Revenge Tuacahn Center for the
Arts, Actor / Singer / Dancer (Ivins, UT) Role
as Noodler in Peter Pan and Understudy to Lt. Buzz Adams / Luther Billis in South Pacific Berendo Court Records, Producer / Songwriter / Musician (Los Angeles, CA) Hey Pooper EP RockPaperScissors (Punk Band), Guitar / Vocals (Los Angeles, CA) Worlds Away Films,
Director's Assistant for Scheherezade (Los Angeles, CA) F / X, Casting Intern on The Shield (Los Angeles, CA) The Bomb / Teen Talk,
Director / Producer / Writer (Chicago, IL)