Sentences with phrase «chinese paintings gallery»

The Chinese Paintings Gallery which adjoins China to AD 800 is the only gallery in Britain built for the display of Chinese painting.

«In 1981, when the Chinese paintings galleries opened, we had only enough A-class paintings to rotate them once,» Mr. Hearn recalled, explaining that these works are light - sensitive and can not be continuously on view.

Every six months or so, the Met rotates all the work in its Chinese painting galleries to preserve the delicate silks and papers, and each time the curator in charge, Maxwell K. Hearn, produces a new and illuminating thematic exhibition, as is the case with «Journeys.»

Not exact matches

Gallery Elena Shchukina presents Returning Home, an exhibition of ink wash and oil painting by Paris - based Chinese artist Chen Jiang - Hong

By the 1970s Poons created thick - skinned, cracked and heavy paintings referred to as Elephant Skin paintings; while Christensen sprayed loops, colored webs of lines and calligraphy, across multi-colored fields of delicate grounds; Ronnie Landfield's stained band paintings are reflections of both Chinese landscape painting and the Color Field idiom, and John Seery's stained painting as exemplified by East, 1973, from the National Gallery of Australia.

In May 2013, federal authorities announced that a trove of paintings and drawings by artists like Jackson Pollock, Barnett Newman, Robert Motherwell, and Richard Diebenkorn, many of which had been sold through New York's Knoedler Gallery for millions of dollars, were in fact the work of Pei - Shen Qian, a 73 - year - old Chinese painter in Queens.

Gallery Elena Shchukina presents Weaving Threads of Silk: When Chinese Contemporary Calligraphy Encounter Western Art, an exhibition of paintings by Shanghai - based Chinese artist TSAI YuLung

He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.

Selected Bibliography «No Border: Zheng Xuewu Solo Exhibition,» Time Out Beijing, Beijing, August 2007; Jonathan Goodman, «Zheng Xuewu at Art Projects International,» Art Asia Pacific, reproduction, New York, Fall 2005; Xenia Tetmajer von Prxerwa, Zheng Xuewu's Lone Journey into Abstraction, exhibition catalog, Redgate Gallery, Beijing, 2004; Zheng Zuoliang, My View of Xuewu Print, catalog essay, Beijing, 2003; Xenia Tetmajer von Prxerwa, A Labyrinth of Reality, catalog essay, Beijing, 2003; Judith Farquhar, Introduction to Zheng Xuewu's Work, exhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, September 1994.

From 21st April to 12th May, Karin Weber Gallery will be showing the 3 - dimensional Chinese ink paintings by artist Zhu Jingyi Marshall (b. 1975).

This is the latest in a series of exhibitions of contemporary Chinese ink paintings held by the gallery, which Giuseppe Eskenazi credits to his son Daniel, who is particularly interested in the area.

Washburn Gallery will offer a selection of recently rediscovered landscapes and tree studies by abstract painter Myron Stout, and Chambers Fine Art will exhibit recent abstract ink paintings on rice paper by noted Chinese artist and calligrapher Wang Dongling, alongside mixed - media paintings by Yan Shanchun.

Chen Jiang - Hong, exhibiting with Elena Shchukina Gallery, combines Indian ink with unusual raw materials, such as sawdust, to create atmospheric paintings based on the traditional Chinese vocabulary of bamboos and lotus flowers.

Adobe Air China Anonymous Bonhams US and Hong Kong Chinese Paintings Group E. Rhodes and Leona B. Carpenter Foundation Department of Film and Media, UC Berkeley Diane and Bruce Halle Foundation Hollywood Foreign Press Association Kadist Henry Luce Foundation Florence Wong Fie and the Martin Wong Foundation Louis B. Mayer Foundation McKee Gallery Michael Rosenfeld Gallery National Film Preservation Foundation Barbro Osher Pro Suecia Foundation Swiss Arts Council Pro Helvetia U.S. Bank Foundation Paul L. Wattis Foundation

The Warehouse Gallery November 17, 2011 — February 18, 2012 In 2000, Chinese — born and Tianjin — based artist Deng Guo Yuan turned towards ink painting, one of the most enduring Chinese art forms practiced for over a thousand years.

At Art Cologne 2017, the gallery Waldburger Wouters presents works from Chinese artist Xu Zhen's Movement painting series.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igogallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igogallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and IgoGallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Exhibiting at Art Basel Hong Kong for the first time, PPOW is presenting a two - person booth that features historical paintings and drawings by the late Martin Wong, a self - taught Chinese - American painter and fabled figure of the East Village art scene that died from an AIDS - related illness in 1999, and glass - and - bronze sculptures that evoke elements of traditional Chinese landscape paintings from the Vermont - based Australian artist Timothy Horn, who's a recent addition to the gallery's stable.

The gallery is the world's leading specialist in «China Trade» paintings and pictures related to the Far East: that is, works of the period 1700 - 1900, by both Western artists and Chinese artists who painted «in the Western manner» for the traders and ships» officers who visited the China coast.

The Minories Art Gallery, Colchester — Notes From China 18 paintings and drawings from the Contemporary Chinese Works on Paper collection March — April 2016

黄渊青 （ 1963年出生于上海 ） 。 2012年黄渊青在柏林的Galerie Albrecht举办了他的重要个展 ； 2010年张江现代艺术中心 ， 《 形象 》 个展 ； 2007年 ， 《 靠近 》 ， 曼谷大学画廊 。 他的作品参加过许多重要群展 ， 包 括2013年 《 心神会 》 外滩22号艺术中心 ， 上海 ； 2012年慕尼黑艺术博览会 ， 慕尼黑 ； 2011年 《 都市抽象 》 ， Art Front Gallery, 东京 ； 2011年 《 道法自然 》 MoCA上海当代艺术馆 ； 2010年 《 海平线 — 抽象邀请展 》 上海油雕院 。 欧阳春 （ 1974年出生于北京 ） ， 1995年毕业于西安艺术美术学院教育系 。 欧阳春目前居住于北京 。 2012年他在北京今日美术馆举办了他的首次重要个展 《 孩童 》 ； 2011年 ， 《 王 》 Belvedere美术馆 ， 维也纳 ， 奥地利 ； 2009年 ， 《 欧阳春 «2007 - 2009» 作品展 》 ， Frank Schlag & Cie 画廊 ， 埃森 ， 德国 。 欧阳春同时参与了许多重要群展 ： 2013年 《 演变 — 先锋当代艺术中心开馆展 》 ， 先锋当代艺术中心 ， 南京 ； 2012年 ， 第九届上海双年 展 ， 上海 ； 2011年 ， 《 未来通行证 — 从亚洲到全球 》 ， 圣格雷戈斯修道院 ， 威尼斯 ， 意大利 ； 2010年 ， 《 民生现代美术馆开幕展 — 中国当代艺术三十年历 程 》 ， 民生现代美术馆 ， 上海 。 石至莹 （ 1979年出生于上海 ） ， 毕业于上海大学美术学院油画系 。 2009年 ， 她在北京尤伦斯当代艺术中心举办了重要个展 《 从太平洋 ─ 公海 》 。 她的作品参加 过许多群展 ， 包括2011年 《 N分钟影像艺术节 》 ， 上海 ； 《 白兔十年 》 ， White Rabbit画廊 ， 悉尼 ； 《 DAS ICH IM ANDEREN 》 ， 麦卡托基金会 ， 埃森 ， 德国 ； 2010年 《 双簧 ─ 中国当代艺术展2010 》 ， 东大名创库 ， 上海 ； 《 百年女性中外女艺术家作品展 》 ， 上海美 术馆 ， 上海 ； 2010年个展 《 天上 • 人间 》 ， 空白空间 ， 北京 。 艺术家目前工作和生活于上海 。 更多信息或图片 ， 请联系周冰心 [email protected] 或 [phone] 。 画廊工作时间 ： 周二至周六 ， 早10点至晚6点 ， 周日中午12点至晚6点 ， 周一请预约 。 点击下载黄渊青及欧阳春简历 点击下载石至莹简历 PAINTINGS: HUANG YUANQING, OUYANG CHUN, SHI ZHIYING July 6, 2013 through August 31, 2013 Opening Reception: Saturday July 6, 2013, 6 - 8 pm Venue: James Cohan Gallery Shanghai Address: 1 / F, Building 1, Lane 170 Yue Yang Road, by Yong Jia Road James Cohan Gallery Shanghai is pleased to present an exhibition of paintings by three Chinese artists: Huang Yuanqing, Ouyang Chun and ShiPAINTINGS: HUANG YUANQING, OUYANG CHUN, SHI ZHIYING July 6, 2013 through August 31, 2013 Opening Reception: Saturday July 6, 2013, 6 - 8 pm Venue: James Cohan Gallery Shanghai Address: 1 / F, Building 1, Lane 170 Yue Yang Road, by Yong Jia Road James Cohan Gallery Shanghai is pleased to present an exhibition of paintings by three Chinese artists: Huang Yuanqing, Ouyang Chun and Shipaintings by three Chinese artists: Huang Yuanqing, Ouyang Chun and Shi Zhiying.

Cube Gallery is pleased to present From Stone to Mountains, a solo show by acclaimed Singaporean artist Tay Bak Chiang, painted using Chinese ink & pigments on rice paper.

Long March gallery represents leading contemporary Chinese artists working in a variety of media including painting, sculpture, installation and video.

Hou Young's work has been exhibited in major group shows including New voices: a dslcollection story, Klein Sun Gallery, New York, NY (2016); Dessensus Agitation - The Painting of Language, Today Art Museum, Beijing, China (2016); Fact or Fiction, Tang Contemporary Art, Hong Kong (2016); Omnipresent Concrete, Hunsand Space, Beijing, China (2014 - 2015); Touch, Chengdu A4 Contemporary Arts Center, Chengdu, China (2009 - 2010); The mARket Summer 2009 - 2010, Beijing Center for the Arts, Beijing, China (2009); Blank Show, Inside - Out, Beijing, China (2008); Blank, Ke Center for the Contemporary Arts, Shanghai, China (2007); Today Art Gallery Recent Exhibition, Today Art Museum, Beijing, China (2006); The 3rd Chinese Oil Painting Exhibition, The National Art Museum of China, Beijing, China (2003).

In an exhibition at New York's Leo Castelli gallery, he unveiled a series of paintings, «Landscapes in the Chinese Style,» which eschewed irony in favor of delicate, wispy «impressions» of traditional Chinese landscape paintings.

In a 1996 exhibition at New York City's Leo Castelli gallery, Lichtenstein unveiled a series of paintings, «Landscapes in the Chinese Style,» which consisted of delicate «impressions» of traditional Chinese landscape paintings.

The Shanghai Gallery of Art booth features a group of Chinese, Hong Kong and Japanese artists that revisit the medium of Chinese ink and landscape painting through a variety of media.

Selected Group Exhibitions 2016 «The Decameron — BMCA Documenting Art,» Caochangdi Art District, Beijing, China «Over the Wall, Paintings Tempted by Installation,» Tang Contemporary Art, Beijing, China «Turning Point: Contemporary Art in China Since 2000,» Minsheng Art Museum, Shanghai, China «New voices: a dslcollection story,» Klein Sun Gallery, New York, NY «We, A Community of Chinese Contemporary Artists,» chi K11 Art Museum, Shanghai, China

In the North Gallery, The Fifth Night unfolds like a Chinese scroll painting, with seven monitors lined up one after another on a parallel line in an otherwise dark room.

Klein Sun Gallery in New York showcases Chinese new media artist Miao Xiaochun's recent painting and animation.

Kiang gallery was established in 1992 and continues a challenging exhibition program of contemporary works in all media: painting, drawing, contemporary photography, sculpture, digital media, including a long standing commitment to Chinese contemporary art and Chinese photography, by emerging and mid-career artists.

New Art & Artists», Kunstmuseum Bonn, Germany; «Reckoning with the Past: Contemporary Chinese Paintings», Fruitmarket Gallery, Edinburgh, U.K.; «The Second Asia - Pacific of Contemporary Triennial», Queensland Art Gallery, Queensland, Australia; «4 Points de Rencontre.

«China New Art», Lisbon Museum of Art, Portugal; «Faces and Bodies from Middle Kingdom: Chinese Art of the 90s», Prague Art Museum, Prague, Czech Republic; «8 +8 - 1: 15 Chinese Artists», Schoeni Art Gallery, Hong Kong; «Quotation Marks: Chinese Contemporary Paintings», Modern Art Museum, Singapore; «Red and Grey: Eight Avant - Garde Chinese Artists», Soobin Art Gallery, Singapore; «Hundred Years of Chinese Portrait», National Art Museum of China, Beijing, China.

Check out a new display in the CMA's Chinese Paintings and Calligraphy gallery (240 A) that focuses on the role of Asian art in the evolution of modern American art.

1983 Presence Descrete, Musee des Beaux - Arts de Dijon, Dijon, FR Radio by Artists, Walter Phillips Gallery, The Banff Centre School of Fine Arts, Banff, CA In Other Words: Artists Use of Language - Part 2, Franklin Furnace, FR The Chinese Chance, an American Collection, The Butler Institute of American Art, Youngstown, Ohio, US Projects and Performances, Islip Art Museum, Islip, New York, US Live to Air, Franklin Furnace, New York, US Halle für Neue Kunst, Schaffhausen, CH The Rainer Speck Collection, Museum Haus Lange und Museum Haus Esters, Krefeld, DE Sculpture, Leo Castelli Gallery, New York, US Summer Show from the Collection, Van Abbemuseum, Eindhoven, NL Collection of the Museum Van Hedendaagse Kunst, Gent, Belgium, Musee d'Art Contemporain, Montreal, CA Projetto Genazzano, La Zattera di Babele, Genazzano, IT Conceptual, Rhonda Hoffman Gallery, Chicago, Illinois, US When Words Become Works, Minneapolis College of Art and Design, Minneapolis, Minnesota, US Masterworks of Conceptual Art, Paul Maenz, Cologne, DE Language, Drama, Source and Vision, The New Museum of Contemporary Art, New York, US ARS 83, The Art Museum of Ateneum, Helsinki, FI Word Works, Walker Art Center, Minneapolis, Minnesota, US Between Words and Things, Clare College, Cambridge, UK Festival d'Automne a Paris, Paris, FR The First Show: Painting and Sculpture from 8 Collections 1940 - 1980, The Museum of Contemporary Art, Los Angeles, California, US Hundreds of Drawings, Benefit Exhibition and Sale, Artists» Space, New York, US December Exhibition, Anthony d'Offay Gallery, London, UK American Video, Arts Council of Great Britain, London, UK There But For, screening Infermental II (video magazine), Hamburg, DE

From 10 February, visitors to Dulwich Picture Gallery will be set the challenge to identify a Chinese replica hanging among the 270 Old Master paintings on display.

In the catalogue accompanying the exhibition Looking East: Brice Marden, Michael Mazur, Pat Steir at the Boston University Art Gallery (January 18 — February 24, 2002), John Stromberg opens his essay, «Michael Mazur: A Delicate Balance» with this sentence: «Michael Mazur's path to his recent paintings based on Chinese art has been less than linear.»

The gallery has also exhibited pioneering group shows such as gutai and the Pioneers of Chinese Modern Paintings in Paris.

Traveled to: The Saatchi Gallery, London, October 9, 2008 — January 18, 2009; as Julian Schnabel: Untitled (Chinese Mirror Paintings), Museo di Capodimonte, Naples, July 3 — September 6, 2009.

From a distance, «Anthropocene III (Thundershirt)» — in «Endless» at Sandler Hudson Gallery through December 14 — resembles traditional Chinese landscape painting informed by Buddhist understanding of the eternal.

Visitors can now return to the Gallery to compare and contrast the two works until 26 July and see how the Chinese artist has interpreted an Old Master painting.

The gallery's commercial bent is not only made explicit by its English and Chinese moniker (a pun on the name of China's economic reform guru, Deng Xiaoping), but in its programming, which since its inception in 2008 has been dominated by painting.

Traveled to: The Saatchi Gallery,, October 9, 2008 — January 18, 2009; as Julian Schnabel: Untitled (Chinese Mirror Paintings), Museo di Capodimonte,, July 3 — September 6, 2009.

Dr. Graybill oversees gallery rotations of Chinese, Japanese, Korean, and pan-Asian sacred art, as well as thematic exhibitions on topics as varied as Persian narrative painting, ancient Chinese bronzes, and the arts of the Japanese Noh drama.

Timed to coincide with Art Basel Hong Kong, the British outpost of London's blue - chip White Cube gallery will be making an audacious and creative attempt to connect with Chinese collectors by debuting a new group of paintings by the Los Angeles art star Mark Bradford — but not the enormously popular map - like compositions of abraded street posters that made him famous in the United States.

Created in celebration of Singapore's Golden Jubilee, 50 editions of Chinese artist Nan Qi's iconic ink painting Nan Qi's Dot, 2011 have been individually signed by the artist, and are now availabel for acquisition from the gallery.

«In the traditional Chinese approach to landscape painting, seasons inspire unique emotions, such as happiness and elation in spring, peaceful contentment in summer, melancholy and solemnity in autumn and quiet contemplation in winter,» said Stephen Allee, research specialist in Chinese art at the Freer and Sackler galleries.

Richard Heller Gallery, hosting a solo show for the artist in 2015, once commented on the artist's «intensely detailed scenarios in colored pencil on paper and sculpture» as «taking inspiration from the infinite possibilities of science fiction, the storytelling of Henry Darger, the isometric perspective and narrative geography of Nintendo and Chinese scroll paintings, the eroticism of Japanese pillow books and the limitless transformations of graffiti.»

Including: «A Pictorial Encyclopedia of The Oriental Arts» 2 vols in slipcase, edited by Shoten, publ by Crown; «Oriental Cloisonne and Other Enamels» by Chu; «Japanese and Oriental Ceramics» by Gorham; «Half the World», edited by Toynbee; «Chinese Jade of Five Centuries» by Hartman; «Chinese Export Porcelain» by Lunsingh - Scheurler; «Treasures of Chinese Glass Work Shops» by Asiantiques; «A History of Far Eastern Art» by Lee; «The Art of Japan» by Kidder; «Japan: A History in Art» by Smith; «China: A History in Art» by Smith & Weng; «Jade of the East» by Wills; «Wolf Kahn, Paintings & Pastels», 2 vols in slipcase, Ameringer - Yohe Fine Art; «Near Eastern Mythology» by Hamlyn; «Vasarely» by Diehl; «The Drawings of Milton Avery» by Taplinger; «Milton Avery» by Haskell; «Wolf Kahn, Landscape Painter» by Sawin; «Wolf Kahn, The City as Landscape» by Ameringer / McEnery / Yohe; «Hans Hofmann», ibid; «Picasso at Work at Home» by Schiff; «Wondrous Strange, The Wyeth Tradition»; «Fletcher Martin» by Cooke; PLUS (14 vols set) Cooper - Hewitt Museum Art & Antique Guidebooks; PLUS several gallery exhibition catalogs.Read more

Selected group exhibitions: PRESENT, SHANGHAI GALLERY OF ART, Shanghai, 2014; OPENING EXHIBITION OF ANNTENNA SPACE, ANNTENNA Space, Shanghai, 2013; LUST AND LOVE OF THE YOUNG AND LIBERATED, 798 SPACE, Beijing, 2012; 70S PRESENT CONTINUOUS, Lin & Lin Gallery, Taipei, 2011; 15 days: cooperative painting, White Box Museum of Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100GALLERY OF ART, Shanghai, 2014; OPENING EXHIBITION OF ANNTENNA SPACE, ANNTENNA Space, Shanghai, 2013; LUST AND LOVE OF THE YOUNG AND LIBERATED, 798 SPACE, Beijing, 2012; 70S PRESENT CONTINUOUS, Lin & Lin Gallery, Taipei, 2011; 15 days: cooperative painting, White Box Museum of Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100Gallery, Taipei, 2011; 15 days: cooperative painting, White Box Museum of Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100Gallery, Shanghai, 2006; DIALOGUE, 100 YEARS?