Sentences with phrase «chinese art»

«As a young Chinese art student and immigrant to America, Katherine Choy quickly assumed the technical and aesthetic influences of two of the most accomplished ceramic artists of the previous decade in California, Carlton Ball and Anthony Prieto,» says American ceramics expert Ronald Kuchta.

The Robert H. N. Ho Family Foundation Chinese Art Initiative is part of the Guggenheim's Asian Art Initiative, directed by Alexandra Munroe, Samsung Senior Curator, Asian Art, and Senior Advisor, Global Arts.

(Chinese art's absorption of western influence is, incidentally, the subject of an exhibition of paintings by Yan Pei - Ming at Massimo De Carlo's new Hong Kong space: the artist presents poignant portraits after photographs, each a snapshot of an artist — Freud, Warhol and others — as a young man).

One Hand Clapping is organized by Xiaoyu Weng, The Robert H. N. Ho Family Foundation Associate Curator of Chinese Art, and Hou Hanru, Consulting Curator, The Robert H. N. Ho Family Foundation Chinese Art Initiative.

Contemporary Chinese art has established itself in the international arena of art via certain key artists.

Displacement continues a series of Smart Museum catalogues produced in conjunction with Wu Hung's groundbreaking exhibitions of contemporary Chinese art.

Iniva presents new work by two contemporary Chinese artists at Rivington Place, with the European premiere of a film by Lu Chunsheng who showed in the Serpentine Gallery's exhibition of contemporary Chinese art at Battersea Power Station.

2018 Diaspora Pavilion Wolverhampton Art Gallery, UK, 10 Feb — 29 April 2018 Presence — A Window into Contemporary Chinese Art The Vaults, St George's Hall, Liverpool, UK, 9 Feb — 2 June 2017 Diaspora Pavilion Palazzo Pisani Santa Marina, Venice, 13 May — 26 November 2017 Sonic Soundings Venice / www.echoes.xyz 1 Sept — 30 November 2015 - 16 1st Asia Biennial & 5th Guangzhou Triennial Guangdong Museum of Art, Guangzhou 2013 The Global Archive Hanmi Gallery, London 2012 Everything Flows De La Warr Pavilion, Bexhill 2012 Blue Crystal Ball Samsung IOC Olympics Media Art Collection, screenings at De La Warr Pavilion, Bexhill 2012 Blue Crystal Ball Samsung IOC Olympics Media Art Collection, exhibition, AND Festival, Holden Gallery, Manchester 2012 March 2012 part of Time Lapse SITE Santa Fe, New Mexico 2011 Fraternise — the Salon Beaconsfield, London 2010 How We Became Metadata University of Westminster Gallery, London 2010 Tables of Thought Academy of Fine Arts, Helsinki, Finland 2009 Hit the Ground Hatton Gallery, Newcastle (Great North Run Cultural Programme) 2008 Artradio exhibition & online station, Cornerhouse, Manchester (featured soundwork) 2006 Cruel / Loving Bodies 2 exhibition, Hong Kong Arts Centre & Goethe Institute 2005 Private View exhibition, Shanghai Duolun MoMA 2005 Lightsilver exhibition, Beaconsfield Contemporary Art, London 2005 Reassurance exhibition, SPACE Triangle, London & Chinese Arts Centre, Manchester 2004 New Nasubi Gallery in «Osawa Tsuyoshi: Answer with Yes and No!»

Exposure to these works — with which many Chinese artists might be familiar only in reproduction or online — is seen by Tinari as a means of fostering creative dialogue between the two artistic traditions and diminishing the «time - lag» that hindered domestic art for so long after the Reform and Opening Up period that followed Mao's death in 1976, traditionally taken as the «starting point» of contemporary Chinese art (Tinari concedes that this is a useful marker, but suggests that a new generation of art historians should «complicate» such simplified narratives).

Blooming in the Shadows: Unofficial Chinese Art, 1974 — 1985 will introduce the work of three unofficial Chinese art groups who worked in this vein: the No Names, the Stars, and the Grass Society, all of which arose following the end of the Cultural Revolution and helped launch the avant - garde movement in China.

How Can Contemporary Chinese Art Succeed — Within China and Beyond?

The review's author, Jing Cao, makes note of the ramifications of Wong's analysis: «In order to welcome «Chinese art» into the global contemporary, the struggles within Chinese society for artistic legitimacy and the on - the - ground complexities of -LSB-.....]

Since then, the gallery has positioned itself at the forefront of contemporary Chinese art.

Zhang Huan and Zhang Xiaogang feature prominently in MassArt exhibition of Chinese Art after the Cultural Revolution.

But the sale of Contemporary Chinese Art, with 102 of 121 lots sold or 84 %, which brought in HK$ 90,519,250 ($ 11.5 million) or a substantial portion of the evening sale's total, suggests the Chinese market still has a strong appetite.

We appreciate your support for the Red Brick Art Museum and the development of contemporary Chinese art, and our museum will offer you the most enjoyable and creative art experience.

Given the task at hand, this is a formidable book — a volume replete with information, interpretation, and insight on contemporary Chinese art — a phenomenon that has sustained itself within a myriad of contextual, social, political, economic, and cultural issues.

Installation view of «Form Through Narrative: New Chinese Art» at 229 Hamilton Ave, Palo Alto, June 22 - August 20, 2017.

«There is certainly an interest in creating a public price level for his artworks, and this appears to be at a price level not really for experienced collectors,» said Johnson Chang, who has been dealing in contemporary Chinese art for 30 years.

Dong Xiwen was one of the most renowned yet controversial figures in recent Chinese art history.

Photographs consist of the Joshua Reynolds statue after it was installed in 1931, King George V and Queen Mary visiting the Summer Exhibition in 1933, unpacking work for the International Exhibition of Chinese Art in 1935 and an RA Schools lecture in 1953.

Ethan Cohen has been a pioneer in representing and exposing Contemporary Chinese Art to the American market for over 25 years.

2016 «SPSL / A — Y (Revisited)» in Franziska Koch & Rui Oliveira Lopes eds, special issue of Journal of Contemporary Chinese Art, v3, n.1 - 2, pp.169 - 182 2016 «D / Eluding Definition» in 30 Years of Centre for Chinese Contemporary Art (CFCCA) 2016 Golden featured in Margaret Garlake ed.

The last time that the Chinese art star Zhang Huan made a public appearance here, just over a decade ago, he was lying face down on an uprooted tree, naked, covered with dog food.

The rapid development of the market «globalised Chinese art», said Philip Dodd, the chairman of Made in China, an arts consultancy firm.

Last summer, I went to the Metropolitan Museum of Art to see a Chinese art exhibition.

For the last twenty years Jean - Marc Decrop has pioneered the discovery and public awareness of Chinese art across Europe, helping to build some of the most prestigious collections including those of Guy Ullens, A. M. Gillion Crowet, J. J. de Flers, P. Donnersberg, and the DSL Collection.

They not only created the beginnings of communist art in China, but laid the foundation of modern Chinese art in the most general sense.

Dr. Wang's contributions to exhibitions include work on Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan, and the reinstallation of the Freer Gallery's ancient Chinese art collection.

This visionary, forward - looking selection of twenty young artists is the work of two key figures in China's art scene, namely Jérôme Sans, co-founder of the Palais de Tokyo in Paris and former director of the Ullens Center for Contemporary Art in Beijing, and Jean - Marc Decrop, a specialist in contemporary Chinese art with the French and European Chamber of Experts.

Curated by Tarek Abou El Fetouh, whose curatorial practice often involves in - depth explorations of contemporary Chinese art, Danwen Xing «s solo exhibition at Red Brick Art Museum in Beijing is one of the biggest to date.

In this exhibition, the archives are opened up so that some neglected or misread moments in the history of contemporary Chinese art can re-emerge, providing more detailed material and more entry points for the future study of art history.

from photography, conceptual researches or contemporary paintings to performances, the «Cartoon Generation» or the latest video artist from today's Chinese art scene: more than 180 pieces in total.

Specializing in later Chinese art and Chinese contemporary art, Dr. Wang's most recent research, for which she won a Smithsonian Scholarly Studies Award, focused on Chinese lacquer and on Charles Lang Freer, the pioneering American collector of Asian art.

It wasn't that long ago that Beijing, with its massive network of artist studios, underground movements, and exhibition spaces, was the center of the Chinese art establishment.

With an air of Eastern calmness and mysteriousness, Wang's works show a completely different perspective of contemporary Chinese art to Western viewers that stimulates enthusiastic and positive responses from critics and the press.

Diaspora Pavilion Wolverhampton Art Gallery, UK, 10 Feb — 29 April 2018 Presence — A Window into Contemporary Chinese Art The Vaults, St George's Hall, Liverpool, UK, 9 Feb — 2 June 2018 Sonic Soundings Venice / www.echoes.xyz 1 Sept — 30 November 2017 Diaspora Pavilion Palazzo Pisani Santa Marina, Venice, 13 May — 26 November 2017 Deviant Practice Research Residency, Van Abbemuseum, 2017

This is the first exhibition devoted to Chinese art mounted by the museum.

Wang Wei, one of China's biggest - spending Chinese art collectors with her husband Liu Yiqian, and founder of two private museums in Shanghai, talks to Aimee Lin.

My ab - ex style is simply a reflection of my personal journey, beginning in traditional Chinese art training from age 6, to my move West, where I was exposed to Western abstraction in depth.»

\ nGreat Collectors and Their Ideas: Wang Wei, one of China's biggest - spending Chinese art collectors with her husband Liu Yiqian, and founder of two private museums in Shanghai, talks to Aimee Lin.

Yangyang Pan, who was born in 1976, spent the first 30 years of her life in Central China where the meanderings of the Yangtze River, traditional Chinese art and art education shaped her thinking.

He is the co-founder and founding Editor of Yishu Journal of Contemporary Chinese Art, China's most important contemporary art publication.

Pan's ab - ex style is simply a reflection of her personal journey, beginning in traditional Chinese art training from age 6, to her move West, where she was exposed to Western abstraction in depth.

Created on - site at the Addison's artist - in - residence studio, Liang's installation combines the Blanc de Chine (or Chinese White) porcelain native to Dehua, and jianzhi, the traditional Chinese art of cut paper, in works that examine the movement, appropriation, and transformation of cultural ideas, objects, and peoples.

With artists young and old tackling subject matter ranging from figurative landscapes to digital glitches to the eternity of the circle, it is clear that the world of abstraction is thriving in contemporary Chinese art.

Blending characteristics of traditional Chinese art with a contemporary approach, Jennifer Wen Ma creates delicate, ephemeral installations using hand cut paper, ink, glass, and light.

Artprice (March, 2016) notes that sale of drawings is booming along with Chinese art market among other factors, such as the scarcity of the Old Masters» paintings which is therefore being replaced by their drawings (thus increasing the total category of drawings); and the truth that drawings are no longer less valuable than paintings (drawings now represent 24 % of the global turnover of the market).

Raven's group exhibitions include Half and Half, a collaborative show with Chinese art students, and her performances Anxious, an interactive installation.

28 Chinese is a springboard into the dynamic and varied landscape of contemporary Chinese art through the work of twenty - eight artists.