Meanwhile, it lets in enough light to recall Western or
Chinese landscape traditions.
The level of detail in these prints is mesmerising, and recalls the painstaking
Chinese landscape tradition, yet Kantanen's technique is equally suggestive of painters such as Twombly, Innes, or Alex Katz — the pure strokes of colour creating a dream - like world where nothing is fixed.
Not exact matches
This is the assertion that, as the catalogue essay by Dominique de Villepin observes, these «involuntary heirs of two
traditions of
landscape painting» found a way while living in exile — de Kooning the Dutchman in New York, Zao the
Chinese in Paris — to soar free of the constraints of «stifling
tradition.»»
The source for his practice is the millennial - old
tradition of
Chinese landscape painting, using scrolls as his format and ink and paper as his medium.
This work can be interpreted in the simplest, most direct manner — as a stereotyped image of China's food culture and painting
traditions, but at the same time, its multiple references to various
Chinese social and historical backgrounds make interpretation much more difficult: the use of objects to express morality in
Chinese landscaping, satirical poetry mocking ostentatious refinement, and the imitation of handwritten menus to capture a scene of civil life... Viewers unfamiliar with the specific context can easily find themselves lost in the smokescreen of mysterious Oriental poetic calligraphy and bonsai art.
He may use scrolls and work in ink in the millennial - old
tradition of
Chinese landscape painting, bu...
The works harken back to photographic and filmic
traditions as disparate as B - movie science fiction, tourist photography, popular postcards, as well as
Chinese and European traditional
landscape painting.
With roots in
traditions of
Chinese landscape painting, my monumentally sized paintings and installations evolve a fantastic, abstract vision of the natural world.
From holiday - themed plastic tablecloths to dried paint shreds and found objects, Hoffman takes inspiration from
Chinese landscape and Hudson River School painting, as well as the Philippine weaving and Jewish folk
traditions of her ancestors.
After this quick overview of
Chinese landscape painting, can we safely say that this art form is truly the most representative art form of
Chinese tradition?
The second section of the exhibition, «To Learn is To Create,» showcases earlier works made between 1945 and 1954, a period in which Zao tapped diverse visual
traditions and methods, ranging from European painters such as Paul Cézanne, Marc Chagall, and Paul Klee, to ancient
Chinese bronze inscriptions, rubbings from Han - dynasty tomb decorations, and Tang - and Song - dynasty
landscape paintings.
★ Metropolitan Museum of Art: «Ink Art: Past as Present in Contemporary China» (through April 6) This museum's first survey of recent
Chinese art uses the lens of the culture's ancient brush and ink
tradition so basic to its
landscape painting and calligraphy.
The sculptures in Blind Portraits resemble
Chinese «scholar's rocks,» an artifact of the ancient literati
tradition of projecting one's sentiments onto the natural
landscape.
«For more than a decade, Yun - Fei has chronicled the harsh reality of the dispossessed in today's China employing the
tradition of
Chinese landscape painting,» says Tracy L. Adler, director of the Wellin Museum of Art and curator of the exhibition.
They reflect an interest in nineteenth century romantic painting, in abstract expressionism, in
Chinese landscape painting, and in the
Chinese tradition of so - called «flung ink painting.»
In Untitled (1958), Chu Teh - Chun conflates the
Chinese landscape painting
tradition with the free spirit of Art Informel and Western abstraction; while in Bangkok III (2013), Andreas Gursky depicts the Chao Phraya as a dark, reflective flow, conjuring a lineage of painterly depictions of water, from the cascading riverbanks of Song dynasty
landscape paintings to Claude Monet's Nymphéas.
Cao's art bridges into visual arts with the use of popular culture and shifts through different subcultures and phenomenon to create the surreal
landscapes that she is most known for — actors incased in Burberry behaving like dogs reenact a hysteric day in the office, ordinary people dancing to hip - hop on the street, people dressed in
Chinese shopping bags and a stage production incorporating Guangzhou's street youths are just a few examples of using the city's everyday life to analyze and render the current social situation where
traditions and new influences are constantly in conflict.
★ Metropolitan Museum of Art: «Ink Art: Past as Present in Contemporary China» (closes on Sunday) This museum's first survey of recent
Chinese art uses the lens of the culture's ancient brush and ink
tradition so basic to its
landscape painting and calligraphy.
The use of ink and wash clearly reveals his solid grounding in the centuries - old
tradition of
Chinese ink
landscape painting.