Sentences with phrase «chinese photography and video»

Hamburger Kunsthalle... 15Jun > Inspired by the Opera: Contemporary Chinese Photography and Video.
Smart Museum of Art... 15Jun > Inspired by the Opera: Contemporary Chinese Photography and Video.
In 2002, she organized selections from the collection to form the traveling exhibition Zooming into Focus: Contemporary Chinese Photography and Video from the Haudenschild Collection (2002 - 2005) that traveled to five cities in the U.S., Mexico, China (Shanghai and Beijing) and Singapore.
Artists like Chen Shaoxiong, Xu Zhen, Yang Zhenzhong, Yu Youhan and Zhen Guogu have all participated in the Venice Biennales and the works presented in this exhibition are emblematic of Chinese photography and video art.
Zooming into Focus: Contemporary Chinese Photography and Video from the Haudenschild Collection, on view now in Singapore, offers an insight into the development of contemporary Chinese photography and video in the last 10 years, at the same time, examines the rapid urban transformations in China.
THE ENTIRE COLLECTION IN BEIJING Back at home, Eloisa started reading about Chinese photography and video, at the same time meet many Chinese artists and art critics, to gain an understanding of the subject.
Participants in the symposium «Distance — A Discussion on Contemporary Chinese Photography and Video» at the China Art Academy, Hangzhou, March 2004.
Perhaps their most ambitious project yet was an exhibition entitled Zooming into Focus: Contemporary Chinese Photography and Video from the Haudenschild Collection, which took place from 2003 to 2005 and traveled to venues in San Diego, Shanghai, Tijuana, Singapore, and Beijing.
«I feel weird about this exhibition,» said artist Zhao Bandi, «Almost all the contemporary Chinese photography and video works have been collected by foreigners.»
The collectors, Eloisa and Chris Haudenschild, started to buy contemporary Chinese photography and video works three to four years ago.
Two years ago, Chinese photography and video was poised on the brink, its sheer energy, mass and quality readying it for launch into an international presence.
[ii] Clearly, Chinese photography and video has come of age since Zooming into Focus first opened in 2003.
The Haudenschilds» enthusiasm for the field extends beyond collecting: as part of the overall Zooming into Focus program, they have commissioned new works (not necessarily collectible), have sponsored lectures and video screenings, and have supported two symposia focusing on contemporary Chinese photography and video, in San Diego and Hangzhou.
Nevertheless, it has captured a major slice of Chinese photography and video, representative of a signal moment.
From 2002 -2005, she organized selections from the collection to form the exhibition Zooming into Focus: Contemporary Chinese Photography and Video from the Haudenschild Collection that traveled to five cities in the U.S., Mexico, China (Shanghai and Beijing) and Singapore.
Not only does it highlight a major trend among contemporary Chinese artists towards the use of video and photography, many of the artists in the exhibition are also internationally renowned, thereby providing audiences in Singapore a rare opportunity to see their works... This exhibition, a major exhibition of contemporary Chinese photography and video, was the first of its kind for Singapore.
During these two years, interest in contemporary Chinese photography and video has mushroomed.
But Eloisa Haduenschild, an American collector, will surprise local art lovers with a quite different collection in the exhibition Zooming into Focus: Contemporary Chinese Photography and Video.
In a gallery adjacent to Performing Images, the Smart Museum presents the concurrent exhibitionInspired by the Opera: Contemporary Chinese Photography and Video (February 13 — June 15, 2014).

Not exact matches

Informed by personal experience, her father is a Chinese violinist and mother an English pianist, Tse's art, which encompasses photography, sculpture, and video, combines the artistic and cultural traditions of both her parents.
Passages: Walking in Contemporary Art, Perlman Teaching Museum, Carleton College, Northfield, MN (2016); Another Landscape, Yang Art Museum, Beijing, China (2016); Real / Unreal, The First edition of Changjiang International Photography & Video Biennale, Chongqing Changjiang Museum of Contemporary Art, China (2015); The Persistence of Images, Redtory Art and Culture Organization, Guangzhou, China (2015); The 2nd Three Shadows Experimental Image Open Exhibition, Three Shadows Photography Art Centre, Beijing, China (2015); The 9th Shanghai Biennale, China (2013); Retrospection & Deviation, Times Art Museum Beijing, Beijing, China (2011); Rendez - vous 09, Institut d'Art Contemporain, Villeurbanne, France (2009); and 55 Days in Valencia, Chinese Art Meeting, Institut Valencia d'Art Modern, Valencia, Spain (2008).
For over two decades, Song Dong has been at the forefront of Chinese contemporary art, embracing performance, video, installation, photography, conceptual painting and theater, and often combining mediums within a single work.
the exhibition surveys the world - renowned chinese artist's opus, demonstrating his broad artistic practice, including sculpture, photography, audio, video, and site - specific installations.
A two - venue exhibition of the acclaimed Chinese conceptual artist Song Dong, known for his works that combine aspects of performance, video, photography, painting, installation, and sculpture.
His work, which is often in collaboration with his wife and fellow Chinese artist, Yin Xiuzhen, ranges from performance and video to photography and sculpture.
The museum's collection of over 19,000 works of art includes important holdings of Neolithic Chinese ceramics, Ming and Qing Dynasty Chinese painting, Old Master works on paper, Italian Baroque painting, early American painting, Abstract Expressionist painting, contemporary photography, and video art.
In COSPlayers (2004), a work comprised of video and photography, the artist embedded in Chinese cosplay communities, groups of young people that gather to dress up as imaginary Japanese anime characters.
The collection has particular strengths in Ming and Qing dynasty Chinese painting, Mughal dynasty Indian miniature painting, Baroque painting, old master prints and drawings, early American painting, nineteenth - and early - twentieth - century photography, Conceptual art, international contemporary art, West Coast avant - garde film, international animation, Soviet cinema, early video art, and the largest collection of Japanese films outside of Japan.
Fire Within: A New Generation of Chinese Women Artists Features Twenty - Seven Emerging Artists Working in Painting, Installation, Sculpture, Video, Animation, Photography, and Performance
The San Diego, Tijuana, and Singapore venues had not previously exhibited Chinese art of this kind; in China the museums had not shown a comprehensive exhibition of photography and video.
«Zooming into Focus is the first retrospective show of Chinese contemporary photography and video ever held at the National Art Museum, Beijing.
Therefore, the opening of Zooming into Focus, a preliminary review of Chinese contemporary photography and video, is not only an occasion of chance but a necessary consequence of history.
Zooming into Focus: Chinese Contemporary Photography and Video from the Haudenschild Collection
Chinese artists, especially those working in photography and video, are gaining international recognition for their powerful artworks that comment on the consequences of a rapidly changing society.
Marking many important milestones, Zooming into Focus: Chinese Contemporary Photography and Video from the Haudenschild Collection (2003 — 2005) was the first contemporary Chinese photography exhibition at the Centro Cultural TijuaPhotography and Video from the Haudenschild Collection (2003 — 2005) was the first contemporary Chinese photography exhibition at the Centro Cultural Tijuaphotography exhibition at the Centro Cultural Tijuana, Mexico.
Chinese artists, especially those working in photography and video, are gaining international recognition for their powerful works addressing a rapidly changing society that is influenced by Western ideals and art practice, yet remains distinctly Chinese in its content and aesthetics.
The importance of the exhibition is in no doubt: it showed some truth of Chinese contemporary art to the public and to the cultural circle, and it prodded the Chinese art museum circle to start collecting contemporary video and photography works.»
In addition to the traveling exhibitions, two symposia were held: An International Discourse on New Chinese Video and Photography at the San Diego Museum of Art and Envisioning the Future of Contemporary Art from Different Glocal Positions at the China National Academy of Art in Hangzhou, China.
From painting and sculpture to photography, installation and video, Galerie Urs Meile exhibits in Beijing and Lucerne and focuses on the Chinese art scene and its renowned representatives.
Bringing together painting, sculpture, installation, photography and video art, the exhibition titled Deutschland 8 aims to bring closer the diversity of German contemporary art from the 1950s to the present day with established and emerging positions to the Chinese audience.
Chun Hua Catherine Dong is a Chinese born Montreal based visual artist working with performance, photography, and video.
Song Dong, a Chinese contemporary artist, active in sculpture, installations, performance, photography and video has been involved in many solo and group exhibitions around the world, covering a range of themes and topics including his relationship with his family and their experience of living in modern China (the topic of his widely exhibited installation Waste Not), the transformation of...
Eloisa's commitment to collecting and exhibiting contemporary Chinese video and photography has been internationally recognized numerous times.
The International Center for Photography in New York and the Asia Society are presenting New Chinese Photography in June and the Museum of Modern Art is opening an exhibition of video works by Chinese artists shortly.
The Haudenschilds began collecting contemporary Chinese video and photography in the late 1990s, when these mediums were beginning to become as widely used and important as they are today, and just before the beginning of the market's current boom.
Therefore, although indigenous art practices utilized common art language — photography and video, no doubt persists in a realism with Chinese characteristics, particularly bringing up questions and introspections on China's urbanization and fast commercial development.
No longer for the sole purpose of documentation, photography and video in art has become a popular medium in contemporary Chinese art.
Song Dong, a Chinese contemporary artist, active in sculpture, installations, performance, photography and video has been involved in many solo and group exhibitions around the world, covering a range of themes and topics including his relationship with his family and their experience of living in modern China (the topic of his widely exhibited installation Waste Not), the transformation of China's urban environment and the impermanence of change.
Song Dong, a Chinese contemporary artist, active in sculpture, installations, performance, photography and video has been involved in many solo and group exhibitions around the world, covering a...
Recent exhibitions include China Contemporary Art, Architecture and Visual Culture, Museum Boijmans van Beuningen (Rotterdam, 2006); The Thirteen: Chinese Video Now, P.S. 1 Contemporary Art Center (New York, 2006); Out of Sight, De Appel Foundation (Amsterdam, 2005); Double Vision, 1st Lianzhou International Foto Festival (2005); Zooming Into Focus: Chinese Contemporary Photography and Video from Haudenschild Collection, National Art Museum (Beijing, 2005) and subsequently in Mexico City and Shanghai.
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