Erin earned a B.A. in Journalism from Western Illinois University, studied dance technique and
choreography at the American Dance Festival in Durham, NC, where she was later hired the Director of Press and Marketing, and was a founding member of Kim Nofsinger's Shelter Repertory Dance Theatre.
From 2007 to 2009 she studied Modern Dance Performance and
Choreography at Utah Valley University.
Having just come from a screening of the legendary Merce Cunningham's spare, modern
choreography at the Institute of Contemporary Art / Boston's landmark «Leap Before You Look: Black Mountain College 1933 - 1957» -LSB-...]
The panel will feature: Julia K. Gleich (Choreographer) is on faculty at Trinity LABAN Conservatoire of Music and Dance (London, UK) and is Head of
Choreography at London Studio Centre.
She is Head of
Choreography at London Studio Centre BA, faculty at Trinity Laban, and is a 2014 Distinguish Alumna of University of Utah College of Fine Arts.
Ms. Gleich is Head of
Choreography at London Studio Centre and faculty at Trinity Laban.
She has also taught
choreography at New York University and Bennington College.
Gleich, who founded her own dance company Gleich Dances in 1994 and is currently Head of
Choreography at London Studio Centre and technique faculty at Trinity Laban, will talk about her experiences as a choreographer, teacher and producer of dance.
She is Head of
Choreography at London Studio Centre, faculty at Trinity Laban, and is a 2014 Distinguish Alumna of University of Utah College of Fine Arts.
The action, focusing unusually on knives rather than swords or fists, won Bets
Choreography at the Golden Horse Awards.
Looking for a transition out of performing, Amy completed her MFA in Dance &
Choreography at UC - Irvine in 2006, followed by completing a certification in the Pilates Method.
Not exact matches
It was
at Pure Barre that Lindsey's love for fitness flourished — she spent 6 years as a Pilates trainer — but it was with Pure Barre that music,
choreography and people came together.
This is one counter worth sitting
at, if only to watch the artful
choreography of the chefs bumping around like pinballs inside the nanoscopic open kitchen.
It's fun to sit
at the bar (nice wine selection) and admire the precise «synchronized swimming»
choreography of many hands with long tools in a miniature kitchen plating food.
If you look
at the intricacies of the game... the
choreography and athleticism of the game is incredible.»
The Reds have tried to make amends over the years — there is a memorial plaque to the dead
at Anfield, and when the teams were drawn together in the 2005 quarterfinal Liverpool fans extended an olive branch by spelling out the word «amicazia» in a fan
choreography.
Her current part - time jobs include directing the show choir (an ensemble of singers who do popular music and show tunes with
choreography) for freshmen through seniors
at Lyons Township High School, La Grange, and choreographing productions by the show choir for sophomores through seniors
at Amos Alonzo Stagg High School, Palos Hills.
She was director of the choral department
at Harold L. Richards High School in Oak Lawn from the time she graduated until spring, 1985, when she left to do part - time choral directing, vocal coaching and
choreography.
Once it became clear the «new settlement» was in the bag, in a piece of meticulous
choreography No. 10 arranged for Mr Cameron to welcome the Tusk blueprint in a speech
at the shiny Siemens Rail Automation HQ in Chippenham.
On Sunday evening, there was more evidence of attempts
at choreography when I was in Downing Street to cover the PM's dinner date diplomacy with Mr Tusk, the former Polish Prime Minister.
It's a masterpiece of
choreography as props are updated to reflect the changing location, but on occasion it can distract from the moment
at hand.
The result is a kind of step - by - step
choreography detailing how the auroras move, showing the complexity of these auroras and how scientists can connect an outburst from the sun and its effect on the magnetic environment
at Saturn.
An elaborate
choreography of multiple spacecraft will play out among Jupiter and its Galilean moons in the decade of the 2020s, if plans now taking shape
at NASA and other space agencies get the go - ahead in the next several years.
And what we mean by using them in different ways is turning them on and off
at different parts of the body — sort of [a] different
choreography — and we are mapping how that
choreography is encoded right down to the DNA level.
*
At the end of the workshop, you'll be able to get a personalized i» MAGiNT LiFE PATH ™ Kit and get an autographed book
Choreography of Awakening.
Having already directed the first two (and superior) X-Men films, Singer shows a level of comfort with both the material and the cast, and he contributes
at least one brilliant comic set piece in which new mutant Quicksilver (Evan Peters) lays waste to a kitchen full of security guards in languorous, Matrix - style bullet time (it looks gorgeous and has the slapstick
choreography of a Three Stooges routine).
The
choreography of the ceremony seems poised somewhere between Busby Berkeley and «Triumph of the Will,» and the Coens succeed in making it look ominous and ridiculous
at the same time.
While the
choreography is generally fairly minimal (
at least for this sort of mega-production), first time film director Phyllida Lloyd (who helmed the original stage version) has woven together a tightly edited and exceedingly well shot film that capitalizes on the music wonderfully while never worrying too much about such nettlesome items as character or motivation, providing enough other movement that one ultimately doesn't miss huge dance numbers a la Robbins or Fosse that much in the long run.
Exceptional fight
choreography coupled with one of the best songs in Star Wars» history certainly isn't enough to save [it], but next time someone makes the ill - advised choice to check it out, you
at least have [a] great sequence to look forward to.
The
choreography, cinematography, direction, and performances of this film really added some nice flare to this film, but
at the same time, it had a huge flaw that dragged me too much that I actually have difficulties seeing this movie and it has to do with the story.
At regular intervals the film stops short for similiarly nifty Chan
choreography, letting the star flip, swivel, scamper up walls and hurl large objects with his feet.
Looks like Soderbergh put an attention to action
choreography or
at least how to shoot it.
EXTRAS: The Blu - ray release includes a behind - the - scenes look
at production — including visual effects, stunt
choreography and location shooting in Gabon — as well as a featurette examining Tarzan and Jane's iconic relationship.
With some catchy pop songs, and a few nice
choreography here and there, this movie is just plain average
at best, with nothing really coming out as different or special.
About the only verifiable fact in the film is the wonderfully fascinating first act which takes place
at the premier of The Rite of Spring in Paris where the audience actually did go into a riot over the music and
choreography.
Sure we've seen it before, but here it's
at least punctured by some beautiful
choreography and strong acting by a cast that's comprised of mostly dancers.
The
choreography of the piano playing scene is delightfully memorable and I'm tempted to try cashing a check
at the bank requesting «three dimes, one hundred, and eighty - seven ones.»
This collection of production - diary - style footage finds Brian De Palma on the set of his 2002 film Femme Fatale directing the shoot, a process that — as seen in these specific clips — includes rehearsals with actors Rebecca Romijn and Antonio Banderas, working through movement / blocking and fight
choreography, and the management of the movie's bravura opening setpiece that takes place
at the 2001 Cannes Film Festival.
These incisive and intimate stories collide amid the fiery riots that overtook Casablanca in late 2015, where Ayouch crystallizes his skills
at complex
choreography.
The film captures the dilemmas and inevitable consequences of ambition, observing the artist in both private and public settings, moving between uninhibited scenes of life
at home, grueling rehearsals, and Bobbi Jene's revealing
choreography.
Brawl in the Hall — A fascinating and hilarious inside look
at the process of creating Brave's fighting Scots, through animation, crowd simulation and fight
choreography — not to mention a room full of grunting men whose vocal chortles added authenticity to the raucous scene.
It's suffocating (I'd never considered how liberating edits were from a complete immersion into a film) and
at times unbearably tense — and though some will point to the airlessness of Hitch's Rope or the fluid
choreography of Alexander Sokurov's Russian Ark, The Silent House is a different beast altogether.
And it's a pretty good musical, too, with catchy songs, inventive
choreography, and what seems
at first to be an appropriately simple plot about a ludicrously good - hearted schoolgirl who'll submit to any degradation in order to save the soul of the bad boy she loves.
The Greatest Showman gives audiences that old - fashioned entertainment with show stopping music, excellent
choreography, impressive production design, and a cast
at the top of their game.
And let's not forget about the action sequences, which feature awesome fight
choreography, impressive special effects allowing the heroes and villains to throw air, fire, water or air
at each other, and some really cool long unbroken shots that use zoom - ins and slow - motion in a way that recalls «The Matrix» or «300».
His work on those TV shows means Gomez - Rejon has experience in comedy and with violence, and while it would be easy to scoff
at his work on «Glee,» the show did require a significant use of
choreography, which could (perhaps oddly) translate well to the action genre.
Previous to this, the only martial arts films I had come to know were the revenge films of Bruce Lee and Chuck Norris, or the cheesy chop - socky films they'd show late
at night with horrendous dubbing and terrible
choreography.
Blu - ray Highlight: There really isn't a standout special feature on Universal's two - disc release, but there are still a few good extras worth checking out, including a short but sweet making - of featurette that covers a range of topics like the script, casting and production; an in - depth look
at the film's fight
choreography; and a featurette on ex-CIA operative Luis Falcon III's assistance in making the movie as accurate as possible.
«The Making of an Epic Battle» (3:09) gives a general look
at the
choreography and filming, while «The Whip Fight» (1:38) centers on a one - on - one duel with one of the more prominent members of the group.
The impressive special effects, exceptional fight
choreography, and explosions of the Korean casino scene would be
at home in most big - budget action movies.