Barkley Hendrick's Lawdy Mama embodies the «black is beautiful» mantra by conferring the awe and reverence once accorded
Christian altarpieces on the figure of a beautiful woman crowned with a large, halo - like Afro.
This installation, specifically made for the exhibition, recalls the format of an
altarpiece, a work of art that decorates the space above and behind the altar in
Christian churches.