After experimenting with many different papers and processes, we selected
Cibachrome for the brilliance of its color and its proven longevity.
Not exact matches
Cibachrome is a uniquely robust, almost glowing, printing process, which Beckley used
for its sensual qualities and almost object - like presence.
World auction records were also set
for Gordon Matta - Clark (1943 - 1978), Lot 21, «Bronx Floors: Threshole,» 1972, $ 222,500; Matthew Barney (b. 1967), Lot 5, «Cremaster 4,» 1994 - 5, $ 387,500, more than double its high estimate; Mariko Mori (b. 1967), Lot 6, «Red Light,» 1994, one of an edition of three, $ 101,500, well over its high estimate of $ 60,000; Christopher Wool (b. 1955), Lot 35, «Untitled (Fool),» 1990, $ 420,500, seven times its high estimate; John Currin (b. 1962), Lot 2, «Untitled,» 1990, $ 46,000; Jeff Koons (b. 1955), Lot 14, «Buster Keaton,» 1988, a large polychrome wood sculpture, one of an edition of three, $ 409,500; Andreas Gursky (b. 1955), Lot 11, «Atlanta,» 1996, a large
Cibachrome print from an edition of six, $ 90,500; and Richard Serra (b. 1939), Lot 22, «Sign Board,» 1969, $ 431,500.
On the ground right: Martin Kippenberger Richter - Modell (interconti), 1987 a 1972 Gerhard Richter painting, wood frame, metal legs From right to left: Lucio Fontana — Hisachika Takahashi Concetto spaziale, Attese, 1966 oil on canvas; Louise Lawler Chandelier, 2007
cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999
cibachrome, museum mount; Sturtevant Warhol Marilyn (study
for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronze
From left to right: Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper Sturtevant Warhol Marilyn (study
for Warhol diptych), 1973 silkscreen and acrylic on canvas; Louise Lawler Marilyn, 1999
cibachrome, museum mount
In 1985, Jimmy DeSana produced a set of 30
Cibachrome prints
for a collector.
This photographic documentation was the premise
for Matta - Clark's typical colligated
Cibachromes that build the core also of this exhibition.
Picture
for Women is a 142.5 × 204.5 cm
cibachrome transparency mounted on a lightbox.
The first is a group of 80
cibachrome photographs forming part of a series of works
for which the artist coined the terms «media sculpture» and «media art».
Jeffrey Wall, OC, RSA (born September 29, 1946) is a Canadian artist best known
for his large - scale back - lit
cibachrome photographs and art history writing.