Sentences with phrase «cibachrome prints»

Cibachrome prints with mahogany frame.

The series «Viruses + Bacteria» created in 2003 contains unique digitized cibachrome prints created with the use of found x-rays, anatomical, and medical images combined with images of Martínez - Cañas» saliva to create digitized files.

Seven signed «John W. Gregory» on the mat or within the margin l.r., some titled l.l., Night numbered «Ed 20/20» l.c. Seven gelatin silver prints and two Cibachrome prints, sight sizes to 10 x 12 1/2 in., eight framed.

Three signed «John W. Gregory» on the mat or within the margin l.r., two titled l.l., Night numbered «Ed 20/20» l.c. Three gelatin silver prints and two Cibachrome prints, sight sizes to 10 x 12 1/4 in., four framed, one unframed.

Lorraine O'Grady; Miscegenated Family Album (Young Queens), L: Nefertiti, age 24; R: Devonia, age 24 (1980/1994) Cibachrome prints; 26h x 37w in (66.04 h x 93.98 w cm) Edition of 8 with 1 AP

In 1985, Jimmy DeSana produced a set of 30 Cibachrome prints for a collector.

From the series Alien Landscape, cibachrome prints on paper, 40 × 50 in.

The setting was a forest, pictured in dramatic large - scale Cibachrome prints, her first landscapes without people.

Eight Cibachrome prints, diachronic glass, salt, and crystals; each element 27 1/4 inches.

Lorraine O'Grady; Miscegenated Family Album (Ceremonial Occasions II), L: Devonia attending a wedding; R: Nefertiti performing an Aten ritual (1980/1994) Cibachrome prints; 26h x 37w in (66.04 h x 93.98 w cm); Edition of 8 with 1 AP

The eleven cibachrome prints in The Drug Series — Crack, Cocaine, Heroin, Marijuana, LSD, Psilocybin, Ketamine, Ecstasy, Amphetamine, Hashish, and Mescaline — depict a cross-cultural sample of adults ranging in age from 24 to28 years who had little or no prior experience with drugs.

From Struycken a major work from the «70s is shown, a spectacular wall - sized set of 29 screenprints on paper as well as a great work from the «80s consisting of 6 cibachrome prints.

Creating formal, stylized compositions based on historical paintings, Hunter's richly colored cibachrome prints imbue the modest events and landscapes he photographs with a status and dignity that they would not usually be given.

[Louise Lawler, Them, 1986 (print 1987), Cibachrome print, 28 1/2 x 41 1/4 x 2 in.

It took me four months to break in Putla, 1978 - 79 20 x 16 inches Cibachrome print; printed 2005

LOUISE LAWLER Table Setting, 2004/2010 Cibachrome print face mounted to plexi on museum box, Ed 3/5 19 x 14 3/4» Courtesy of the artist and Metro Pictures Value: $ 20,000 / Minimum bid: $ 14,000

A list of some of the processes, materials, and cameras used in A Fine Experiment reads like a grand catalogue of photography's means: offset lithograph, dye transfer print, Polaroid print, gelatin silver print, Cibachrome print, color - in - color print, photogram, photo collage, double exposure, cliché verre, contact print, large format, panoramic, 35 mm camera.

World auction records were also set for Gordon Matta - Clark (1943 - 1978), Lot 21, «Bronx Floors: Threshole,» 1972, $ 222,500; Matthew Barney (b. 1967), Lot 5, «Cremaster 4,» 1994 - 5, $ 387,500, more than double its high estimate; Mariko Mori (b. 1967), Lot 6, «Red Light,» 1994, one of an edition of three, $ 101,500, well over its high estimate of $ 60,000; Christopher Wool (b. 1955), Lot 35, «Untitled (Fool),» 1990, $ 420,500, seven times its high estimate; John Currin (b. 1962), Lot 2, «Untitled,» 1990, $ 46,000; Jeff Koons (b. 1955), Lot 14, «Buster Keaton,» 1988, a large polychrome wood sculpture, one of an edition of three, $ 409,500; Andreas Gursky (b. 1955), Lot 11, «Atlanta,» 1996, a large Cibachrome print from an edition of six, $ 90,500; and Richard Serra (b. 1939), Lot 22, «Sign Board,» 1969, $ 431,500.

Vik Muniz (Brazilian, b. 1961) Action Photo after Hans Namuth, from the series Pictures of Chocolate 1998 Cibachrome print © Vik Muniz and the estate of Hans Namuth, VAGA

Cibachrome print, 22 3/4 x 18 3/4 inches.

THOMAS STRUTH (B. 1954) Notre - Dame, Paris signed and titled «Thomas Struth Notre Dame de Paris» (on the backing board) Cibachrome print 67 1/4 x 84 1/2 in.

Vik Muniz Standard Station (Night) after Ed Ruscha, 2008 Cibachrome print mounted on aluminum in artists frame 36 x 67.5 in

Contemporary works featured include Barbara Kasten's Site 16: Whitney Museum of American Art, NYC, cibachrome print, 1987 ($ 6,000 to $ 9,000); Philip - Lorca DiCorcia's Untitled (Strip Club), chromogenic print, 1980s ($ 5,000 to $ 7,500); Tracey Moffatt's Beauty (In Wine), chromogenic print, 1994 ($ 5,000 to $ 7,500) and Adam Fuss's Butterfly daguerreotype from the artist's My Ghost series, 2000 ($ 10,000 to $ 15,000).

Thomas Tulis Untitled (See Rock City), 1991 cibachrome print 16 x 20 inches TTh 02.01 Thomas Tulis Untitled (House and Car), 1993 cibachrome print 17 x 22 inches TTh 04.02 13.

At three meters long, the sheer scale of Gursky's «Los Angeles» Cibachrome print is a celebration of...

Sequoia - Shadow - Light - Reflection series, 2013 pigment print on archival paper, 120 x 90 cm, 2 parts Perspective of Disappearance, 2008 cibachrome print in lightbox, 190 x 235 x 60 cm Girl Making a Model of a Landscape - Sceneries series, 2005 - 2007 pigment print on archival paper, 100 x 100 cm

Joel Sternfeld Exhausted Renegade Elephant, Woodland, WA, 1979 from the series American Prospects cibachrome print 16 x 20 inches 14.

L - R: Robert Glenn Ketchum, CVNRA # 945, from the Federal Lands series, 1988, Cibachrome print 24 in.

In Olympia's Boyz (2001), a 14 - ft - wide Cibachrome print mounted on aluminum, Cox restages Manet's iconic painting Olympia (1863), replacing the image's central figures — a white prostitute and a black maid — with herself, an empowered black matriarch in the nude, and her biracial sons.

«River in flood the previous night wet mud and sand worked into four edged drawings catching the light made over two days, Galisteo, New Mexico, 18 - 19 July 1999» Unique cibachrome print by Andy Goldsworthy

: RENEE COX, «Chillin» with Liberty,» 1998 (Cibachrome print, edition of 3).

SOLD Standard Station (Night) after Ed Ruscha From Pictures of Cars 2008 Cibachrome print mounted on aluminum in artists frame 36h X 67.5 w in Edition 3/6

Not exact matches

Silver dye bleach print (Cibachrome), 20 x 24 inches (50.8 x 61 cm).

His portfolios include platinum, silver gelatin, cibachrome, chemigram, and digital prints.

He introduced and refined different techniques and formats, including color 20» x 24» Polaroids, photogravures, platinum prints on paper and linen, Cibachrome and dye transfer color prints.

Silver dye bleach print (Cibachrome), 46 × 41 inches (116.8 × 104.1 cm).

Monticello # 3, 2001 framed Cibachrome (dye destruction) print paper: 46 1/2 x 58 inches (118.1 x 147.3 cm) framed: 49 1/2 x 61 inches (125.7 x 154.9 cm) edition of 5 with 2 APs JC - 102

Flooded Hallway, 1998 framed Cibachrome (dye destruction) print paper: 46 1/2 x 58 3/8 inches (118.1 x 148.3 cm) framed: 49 1/2 x 61 3/8 inches (125.7 x 155.9 cm) edition of 5 with 2 APs JC - 30

Two Bunk Cell, 1998 framed Cibachrome (dye destruction) print paper: 58 1/8 x 46 1/2 inches (147.6 x 118.1 cm) framed: 61 1/8 x 49 1/2 inches (155.3 x 125.7 cm) edition of 5 with 2 APs JC - 58

Arcade, 1995 framed Cibachrome (dye destruction) print paper: 58 3/4 x 46 1/2 inches (149.2 x 118.1 cm) framed: 61 3/4 x 49 1/2 inches (156.8 x 125.7 cm) edition of 5 with 2 APs JC - 119

Yellow Hallway # 2, 2001 framed Cibachrome (dye destruction) print paper: 46 1/2 x 58 inches (118.1 x 147.3 cm) framed: 49 1/2 x 61 inches (125.7 x 154.9 cm) edition of 5 with 2 APs JC - 125

Nevisian Underground # 2, 2001 framed Cibachrome (dye destruction) print paper: 59 1/2 x 46 1/2 inches (151.1 x 118.1 cm) framed: 62 1/2 x 49 1/2 inches (158.8 x 125.7 cm) edition of 5 with 2 APs JC - 104

Cibachrome, printed 2008.

Super Natural, National Museum of Women in the Arts, 2015 left wall: 4 works from Aquatica, 2014, 16 x 24 inch digital c - prints right wall: Aude 2, from the series The Moat and the Moon, 2003, 40 x 50 inch cibachrome

The narrative work in the exhibition represents the last of the Cibachrome photograph printing process, now impossible to recreate.

Roses Are, Violets Are, Sugar Are, 1974 Cibachrome photographs, printed 2013 framed: 40.87 x 30.87 inches 103.8 x 78.4 cm (each) framed: 40.87 x 92.6 inches 103.8 x 78.4 x 235.2 cm (overall) Edition of 3

Cibachrome is a uniquely robust, almost glowing, printing process, which Beckley used for its sensual qualities and almost object - like presence.

Jimmy DeSana, «Vaseline,» 1986 20» x 16» cibachrome glossy print 12.

They came in 57 varieties of format: Polaroids, photocopies, inkjet prints, cibachrome panoramas in saturated colours.

On the ground right: Martin Kippenberger Richter - Modell (interconti), 1987 a 1972 Gerhard Richter painting, wood frame, metal legs From right to left: Lucio Fontana — Hisachika Takahashi Concetto spaziale, Attese, 1966 oil on canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronze