Not exact matches
2006 Time Out New York Best
Documentary The Radio Times Best
Documentary 2007 Rose d'Or Festival, Best of 2007 and Best Arts
Documentary (Switzerland) Los Angeles Film, Festival Best International Feature (USA) 2008 Atlanta Film Festival, Audience
Award (USA) Bergen International Film Festival, Audience
Award (Norway) Warsaw International Film Festival Best
Documentary (Poland) Paris Cinema International Film Festival, Jury Prize and Audience
Award (France) Nashville Independent Film Festival Impact of Music
Award (USA) Sydney Film Festival, Audience
Award for Best
Documentary (Australia) Los Angeles Film Festival, Humanitas
Award for Best
Documentary (USA) Ghent Film Festival, Audience
Award (Belgium) The International
Documentary Awards, Alan Ett Best Music
Award (USA) The Festival D'Automne, Audience
Award (France) Les Rencontres Cinématographiques de Dijon, Audience
Award (France) 2009 Christopher
Awards, Christopher
Award for Film (USA) The Keswick Film Festival, Audience
Award (England) DVD Critics, Best Non-Fiction Title (USA) AG Kino - Gilde German Art House
Cinemas, Best
Documentary (Germany)
Eventually I enrolled in a sound and image course where I had the opportunity to experience filmmaking with a great teacher —
award winning video artist Joan Braderman — and a whole new world opened up for me — not the world of
cinema fantasy but the world of
documentary.
Program Description: Designed to support distinctive new voices in world
cinema working in both fiction narrative and
documentary, the Open Borders Fellowship includes a development grant as well as a trip to the Sundance Film Festival in Park City to receive the
award and attend a curated slate of industry meetings, networking opportunities, panels, and screenings.
Posted by Cole Smithey at 12:53 PM in Academy
Awards, African American Cinema, American Actresses, Black Filmmaking, BLU - RAY, Cannes Film Festival, Celebrity, Cinema,
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It's also gratifying that our new categories of
documentary and technical
awards have been able to increase our critical appreciation for the outstanding work we've witnessed in this vintage year for quality
cinema.»
He patronizes Michael Powell and Humphrey Jennings (accorded one measly clip each); fails to mention Joseph Losey, Cy Endfield, or Richard Lester (presumably regarding all three as American interlopers); reduces Ken Russell and Mike Leigh to the worst single clips imaginable (and has nothing to say about the TV work of either); limits John Boorman, Bill Douglas, Terry Gilliam, Peter Greenaway, Isaac Julien, and Sally Potter to one fleeting movie poster apiece; and omits virtually the entire English
documentary movement (though he includes a disparaging nod to Night Mail), along with the cycle of Hammer horror movies — while paying abject obeisance to the Academy
Awards and every crumb they've offered British
cinema (special points to Chariots of Fire, Gandhi, and Four Weddings and a Funeral).
Following on from their
award - winning short film of the same name, the directorial duo made a visually unforgettable and richly inventive
documentary around a subject that you might think, by definition, is the absolute antithesis of
cinema.
It's not even August and the
award season slate is already jam - packed with likely looking titles like 12 Years a Slave, Mandela, the Tom Hanks double feature of Captain Phillips and Saving Mr. Banks, The Butler, Gravity, The Fifth Estate, The Wolf of Wall Street, Fruitvale Station, Dallas Buyers Club, and if there is a just and loving
cinema god, Blackfish will be considered for Best Picture, not just as a
documentary.
The Directing
Award: U.S.
Documentary was presented to: Peter Nicks for his film The Force — This
cinema verité look at the long - troubled Oakland Police Department goes deep inside their struggles to confront federal demands for reform, a popular uprising following events in Ferguson and an explosive scandal.
(2013) dir Chuck Workman w / Mike Leigh, James Franco, David Lynch, Yvonne Rainer, Bill Viola, Costa - Gavras, Jonas Mekas, Ken Jacobs, Michael Moore, Kelly Reichardt, J. Hoberman, Michael Winterbottom [80 min; Digital] Academy
Award - winning filmmaker Chuck Workman's
documentary WHAT IS
CINEMA?
The
documentary, which has won
awards and had a successful release in Europe, will have its New York City premiere Friday at 5 p.m. at the Bowtie Chelsea
Cinemas, followed by a discussion with the director, Michael Obert, the music supervisor, David Rothenberg, and others.