Sentences with phrase «cinema opened his film»

Not exact matches

The Big Short, the film adaptation of Michael Lewis» book of the same name about the causes of the financial crisis, opens in UK cinemas this weekend.

The Big Short, the film adaptation of Michael Lewis» book of the same name about the causes of the financial crisis, opens in UK cinemas this weekend.

In 2013, the film Philomena based on the book The Lost Child of Philomena Lee, opened in cinemas worldwide.

The prize pack consists of advance screening passes to see the film POMPEII on February 19th before it opens in theatres at the Fifth Avenue Cinemas (2110 Burrard St, Vancouver), limited edition toques and film posters.

Perhaps the film you've been itching to see is finally in the cinema, or there's a new restaurant opening in town — find an excuse, and take the plunge.

Already a familiar face in world cinema thanks to fine performances in such films as Open Your Eyes and Talk to Her, Spanish actor Fele Martínez teetered on the brink of international success in the wake of work for such internationally recognized directors as Alejandro Amenábar and Pedro Almodóvar.

The film, which stars Smith and Joel Edgerton as a human - orc buddy cop duo, is the streaming giant's first attempt a major tentpole release, entering the kind of waters that are normally reserved for traditional studios opening films wide across hundreds of cinema screens.

Director Ryan Fleck explains how Spike Lee's 1989 film Do the Right Thing opened his eyes to the power of cinema

Presented in 70 mm and with a running time of 187 minutes (because Tarantino), the film continues his love for old school cinema, right down to the three minute «overture» that opens the film, something I don't think I've seen since Dancer in the Dark.

With Paddington 2 set to open in UK cinemas next week, Flickering Myth's Thomas Harris caught up with the film's co-writer and director Paul King and VFX supervisor Glen Pratt this week to discuss the sequel to the 2014 smash hit movie.

The film, in which Emile Hirsch stars alongside Roberts in his directorial feature debut, opens in cinemas on September 24th (UK).

The film, rated R, opens Friday at Civic Theatre of Allentown, and Frank Banko Alehouse Cinemas in the ArtsQuest Center at SteelStacks, Bethlehem.

The film will open in cinemas from September 30th, 2016 in both the UK and US.

With a little over three weeks to go until Christopher Nolan's Dunkirk arrives in cinemas, a new poster has arrived online for the hotly - anticipated World War II epic featuring Fionn Whitehead; take a look below... SEE ALSO: Dunkirk will be Christopher Nolan's shortest film since Following «Dunkirk opens as hundreds of thousands of British and -LSB-...]

It's a surprisingly early launch for the film which doesn't open in cinemas unit May next year.

The raucous, raunchy Deadpool 2, which opens in wide release Friday, is a fitting sequel to the wry and self - referential original, a superhero film billed as a new frontier in superhero cinema that took the box office by storm in 2016.

On a deeper level, though, this brief opening battle establishes the central theme of Lincoln, and it's a theme that lies very much at the heart of Spielberg's cinema: if Lincoln is intended to be a biopic about arguably the most revered commander - in - chief in the history of the Republic, it also positions itself with its opening images as a film about race.

From 3D cane toads on opening night (Cane Toads: The Conquest) to John Woo kung fu to close the program (Reign Of Assassins), possibly the world's first «womantic» feature (the Brisbane - based comedy Jucy) to the utterly indescribable (Tommy Wiseau cult phenomenon The Room), the new look festival — in a new timeslot and new venues (Palace Centro and Barracks cinemas, and Tribal Theatre)-- has assembled an amazing line - up, with films for young (well, 18 and over for the most part, given the severing of links between BIFF and Cine Sparks) and old.

«For the first time ever, the film will open on the same night at cinemas across the UK and Ireland,» said distributor Sony Pictures in a press release.

The film opens majestically, with great wit, as the director himself plays a man magically transported from a hotel room to a cinema hall, where he gazes down upon an audience enraptured by moving images from the 1890s.

The film will open in cinemas on December 14th across the UK and a day later Stateside.

It opened to 1200 cinemas nationally, making it the widest release ever for a Woody Allen film.

Three big films hit cinemas this weekend in the UK (one of them opens next week in America), with a fantasy blockbuster taking on a sci - fi action thriller and a Wild West comedy for box...

The film, which opens in cinemas on April 5th, stars Krasinski alongside Emily Blunt and follows a family of four who must live life in silence while hiding from creatures that hunt by sound.

While at the Toronto International Film Festival for the North American premiere of Happy End, which opens this week in New York, Haneke sat down with me to talk about his early experiences falling in love with cinema and the films that have shaped his singular aesthetic.

This time he alludes to the art - cinema context much more directly by opening with music from Francois Truffaut's Jules and Jim and evoking the form of that film with offscreen narration (delivered by Baumbach himself) recounting the story in past tense and with old - fashioned devices such as irises and wipes and French New Wave devices such as fantasy inserts, fleeting flashbacks, freeze - frames, and jump cuts.

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The film opens in UK cinemas on March 14; in the U.S., it opens first in New York and Los Angeles on April 4 before expanding across the country on April 11.

Introducing itself to the world at the 2015 Sundance Film Festival and creating substantial buzz in film festivals the world over before opening in an elite listing of American cinemas in July, Sean Baker's fifth feature plays out with genuine emotion and manifests as an eye - opening day - in - the - life of two transgender sex workers on the streets of Los Angeles.

The film will open in cinemas Stateside on April 20th, 2018 while UK audiences will get it a little earlier on April 13th.

The biggest UK opening for a Leigh film came from Happy - Go - Lucky, with # 385,000 from 77 cinemas.

Throw in several helicopters and C - 130 aircraft rented by the film - makers and an explosion at London's famed Battersea power station that actually made several nervous local residents phone the authorities believing that the station was under terrorist attack; and it seems as if The Dark Knight is going to kick some serious butt when it opens in U.S. cinemas on 18 July...

: Heaven Knows What played extremely well with the IONCINEMA team — our Jordan M. Smith called the film an «open - hearted, rawly bellicose realization of addiction has only been graced on celluloid but a handful of times, making the Safdie's film a new exemplar of narcotic cinema for the ages,» the directing team plus regular contributor Bronstein are undoubtedly at the top of their game early into their filmography.

The film opens in the UK in cinemas and on Netflix October 13th, following its UK premiere as the Laugh Gala at the BFI London Film Festival early next month.

Saturday saw the film cash in # 9.2 million, and saw 78 per cent of movie goers flock to the cinema for the film, which broke the UK box office making it the biggest Saturday opening ever.

Veteran US director Martin Scorsese and Oscar - winning actress Cate Blanchett officially opened the Cannes film festival on Tuesday, the first to be held since the cinema industry was rocked by the Harvey Weinstein scandal.

During the New York Film Festival press conference, in discussing a shared favorite film of author / screenwriter Brian Selznick and Todd Haynes - the uber - influential The Wizard Of Oz - Selznick said, «The moment, which I think is maybe the greatest moment in cinema history, is when Dorothy opens the door from her black and white world in Kansas into Oz... Maybe that's what this entire movie is...»

It will be a pleasure to open this year's Festival with such an accomplished film from one of international cinema's finest film makers.

Turkish horror Baskin, which Ryland calls a midnight movie «through and through» in his review, is accompanied by I Am Not a Serial Killer (Peter's review here), The Love Witch (above); an ultra vibrant trip into sexy exploitation cinema, Train to Busan, the Cannes hit that's just opened to record seats in South Korea, and a film Pierce called in his review «a tense and inventive mix of genre thrills and social anxiety.»

For example, in the opening minutes of the film, moviegoers leave a cinema where the marquee promotes a double feature of «The Convent Murders» and «Rapist Cult.»

We'll leave it to others to debate whether this is a filmed stage play in need of «opening up» or great cinema as is.

Today, in Baltimore, four very different films open: two at Baltimore's premier art - house and revival cinema, The Charles Theater, and two in the more commercial multiplexes.

FollowingRome, Open City (1945) and Paisan (1946), director Rossellini turned to the ruined city of Berlin to complete his trilogy of films in this devastating portrait of an obliterated post-war Europe, and one of the most affecting films about childhood in the history of cinema.

No surprise, because in director Michael Pearce's gripping film Beast (opening here on April 27) Jessie gives one of the best cinema performances I've seen in a long time.

Entertainment One already released the film in UK cinemas last fall, and it opens in cinemas in Australia this February.

The film premiered at the London Film Festival this fall, and opens in UK cinemas starting April 13th this spring.

The film will open in cinemas on February 23rd, 2018.

The director behind one of the most acclaimed films of the year, A Ghost Story, explains how David Gordon Green's poetic vision of adolescence opened his eyes to the possibilities of cinema.

There is a temptation teased at any cinema - savvy audience member in the opening moments of every Italian film having done festival rounds.

As lush and atmospheric a film as the American cinema has created in years, Crimson Peak stars Mia Wasikowska (whose wide eyes and open face evokes the gothic heroine incarnate) as a smart, passionate American heiress, the daughter of a self - made man (Jim Beaver as the model of paternal affection and American responsibility) and a writer with a romantic streak and an unsullied innocence, and Tom Hiddleston as the dashing suitor from overseas, a handsome aristocrat with a haunted soul whose mystery captures the American's heart.