Sentences with phrase «cinemascope anamorphic»
The Man From Laramie (1955), their final collaboration, was made for Columbia and it was the first film that Mann shot in the still novel CinemaScope anamorphic widescreen format, which debuted just a couple of years earlier.
http://www.seanax.com/ Not exact matches
Vadim shoots it in earthy color and CinemaScope and the disc preserves both in an anamorphic widescreen transfer.
THE DVDs Fox presents A Farewell to Arms and Francis of Assisi on DVD in glorious 2.35:1 anamorphic widescreen transfers (the latter misidentified on the box art as 1.85:1) that preserve their CinemaScope origins and, more, honour them with popping the colours and by saturating the screen with the curious sterility of the process.
«Contempt,» a satirical drama starring Brigitte Bardot and Jack Palance, was released in 1963 and is regarded as one of the finest films ever made in CinemaScope, an anamorphic lens used from 1953 to 1967.
Crosby notes that Japanese exhibitors embraced CinemaScope well before the production of the first Japanese anamorphic widescreen film, but the influence was more than just technological, as the style of Hollywood widescreen films influenced Japanese widescreen aesthetics.
John Gibbs and Douglas Pye's chapter is also interested in widescreen stylistics as they examine the contrasting styles of Otto Preminger's CinemaScope film River of No Return (1954) and Sam Peckinpah's Junior Bonner (1972), shot in Todd - AO 35 (a Panavision - like format based on Japanese anamorphic lenses).
The Techniscope format was a cheap way to get a widescreen image by only using half as much film as true CinemaScope (i.e., anamorphic) requires, and this presentation seems to reflect the reduced effective resolution of the material, evincing a softness around the edges that's sometimes exacerbated by missed focus.
The anamorphic widescreen CinemaScope ratio was invented as a part of an industry - wide response to the rise of television, a way of asserting the superiority of the filmic image to the televisual one, on the literal logic that bigger (i.e., wider) is better.
Many projector manufacturers offer 2.35:1 (anamorphic) viewing options that provide expensive add - on anamorphic lenses with motorized «lens sleds» that truck the anamorphic lenses into position for 2.35:1 (Cinemascope) viewing, then pull the lenses out of...