Sentences with phrase «cinemascope framed»

The very first image we see announces Chazelle's grand ambitions: we see a black - and - white square frame — the old pre-1953 Academy aspect ratio of 4:3 — with the word CinemaScope framed in the center, its right and left syllables cut off, which suddenly expands to the wider aspect ratio that the word implies (in this case, 2.55:1), gaining color at the same time.

The Cinemascope framing and extended takes prove a fertile playground for the film's vibrant colors, relevant backdrops, catchy tunes and snappy dance steps.

Twilight Time's blu - ray of Our Man in Havana looks fantastic, bringing the beautiful black and white CinemaScope frame to HD with a sparkling clarity and deep richness to even the darkest edges of the frame.

But of course, Fuller used the Cinemascope frame to its maximum extreme, and the pan-and-scan version is virtually useless.

Not exact matches

This is Fleischer's first film for Fox and he meets the house CinemaScope style — handsome, roomy sets, strong color, open spaces and long, fluid takes (the better to drink in the widescreen images)-- with careful staging and frames filled with little dramas, but he also puts an edge to the stories that play out in the glossy spaces.

The movie was shot in the two - perf Techniscope format, meaning each frame of camera negative has only half the resolution of a CinemaScope (i.e., four - perf) frame, and this 1080p (MPEG - 4 / AVC) transfer, letterboxed to 2.35:1, seems to capture every last bit of visual information.

Chazelle and cinematographer Linus Sandgren shot the film in extra-wide CinemaScope, allowing the camera to pan and twirl as if perpetually curious to discover what delights might lurk just outside the frame.

For this exhibition she has selected some of her most significant landscape drawings and collections of found natural objects and has created a body of new work culminating in a major, one hour - long, two - screen 35 mm Cinemascope film, Antigone, which uses multiple exposures to combine places, people and seasons into a single cinematographic frame.