Sentences with phrase «cinematheque for»

Los Angeles fans will also get the chance to see Logan slash through the big screen as Alamo Drafthouse and Fox co-present LOGAN NOIR with American Cinematheque for a screening at the Egyptian Theatre.

If you're in Vancouver for the holidays, stop by the Cinematheque for the theatrical version of Ingmar Bergman's Fanny and Alexander, which screens as part of the weeklong series Essential Cinema!

Not exact matches

The actress, who just streaked her hair pink for a good cause, dazzles from head to toe in a blush, sequined strapless Jenny Packham gown and a pearly Edie Parker clutch at the American Cinematheque Award gala honoring.

goes for a vampy vibe at the American Cinematheque Award gala, pairing her very long - sleeve (the fabric extends to her fingers) lace Christopher Kane dress with Christian Louboutin pumps and a bright red pout.

Special Citation — to James Quandt of Cinematheque Ontario: (A) for setting an exemplary standard for curators and archivists through his scholarly, analytic, and superbly written program notes.

As illustrated in the film, when Langlois was sacked as curator in May of 1968, there arose among the buffs such a clamour that grey - suited riot police came to bludgeon protestors like Godard, Truffaut, Jean Marais, and Jean Renoir — film, the medium of our time, for a delirious moment, became the catalyst for a new French Revolution, the Cinematheque a cathedral and Bastille.

While it's easy to see the Academy as simply «those people who give out the Oscars,» the institution performs an important function for both filmmakers and film historians, providing symposiums and information for industry professionals and the public alike, access to an extensive film library and archive to researchers and cinematheques, and a valuable reminder of the rich heritage of American cinema.

An «American Cinematheque Q&A» spotlights both The Killer (35 mins., SD) and Hard - Boiled (12 mins., SD) in lovely, relatively in - depth detail; it won't hold a lot of surprises for students of the films, but it allows Woo to retell them again in a more organized milieu.

Actor Russell Crowe poses for a portrait at the 2016 American Cinematheque Awards on October 14, 2016 in Beverly Hills, California.

He is also the Programmer for the Boston University Cinematheque, a former Acting Director of the Harvard Film Archive, and a member of the National Society of Film Critics.

Actress Katherine Waterston arrives for 30th Annual American Cinematheque Awards Gala held at The Beverly Hilton Hotel on October 14, 2016 in Beverly Hills, California.

Favourite films from Melbourne Cinematheque screenings in 2017 The Night of the Hunter, Charles Laughton, 1955 No Country for Old Men, Ethan & Joel Coen, 2007 Safety Last!

See the American Cinematheque website for the complete Lee Marvin lineup.

She has previously worked as an associate programmer for AFI FEST 2013; for AFI FESTs 2009 and» 10, where she oversaw the screen education program, screening a selection of festival titles for middle — and high — school students from across L.A.; and in the film programming department at the American Cinematheque, where she programmed the Cinematheque's first — ever Rainer Werner Fassbinder and Luis Buñuel retrospectives in 2012.

Fri.: San Francisco Cinematheque Year - End Benefit: «Songs for the Animals: A Performance Video Celebration.»

Sally has performed for major sound art and audiovisual festivals and venues including Tate Britain, Digital Culture Centre, Mexico City, Rotterdam International Film Festival, Sound of Stockholm, Fylkingen Festival, Sweden, BEAM: Brunel Electronic & Analogue Music Festival, London, Kraak, Belgium, Colour Out of Space, Brighton, Sonica, Slovenia, Open Frame, Brisbane, FlexFest, Florida, Supernormal, UK, Edinburgh International Film Festival, San Francisco Cinematheque, Abandon Normal Devices, Manchester, Oslo Cinemateket, Norway, and Australian Centre for the Moving Image.

Between 1968 and 1992 the company was itinerant, performing in a variety of theaters Downtown, from the Performing Garage to the Kitchen, the Public Theater, Film - Makers Cinematheque on Wooster Street, and the Theater for the New City.

This Saturday, the Center For New Music hosts the The Fifth Annual Art Auction & Benefit for San Francisco CinematheqFor New Music hosts the The Fifth Annual Art Auction & Benefit for San Francisco Cinematheqfor San Francisco Cinematheque.

The show transformed the CCA Cinematheque Gallery into a gathering place for local creatives.

CROSSROADS 2018 is generously supported by: the National Endowment for the Arts, the Fleishhacker Foundation, San Francisco Hotel Tax Fund / Grants for the Arts, the Willow Foundation, the Andy Warhol Foundation for the Visual Arts and Cinematheque's Members and Donors.

From 1995 to 2005, he programmed and oversaw the New York Underground Film Festival, and he has curated screenings and exhibitions at Artists Space, BAM Cinématek, the Flaherty Film Seminar, the ICA, London, Miguel Abreu Gallery, Mass Art Film Society, the Museum of Modern Art, the New Museum, PARTICIPANT INC., the San Francisco Cinematheque, Tate Modern, and the Walker Art Center, as well as the cinema for Greater New York 2010 at MoMA PS1 and the film and video program for the 2012 Whitney Biennial.

September 26 at Light Industry: Filmmaker as Film Theorist: Brakhage, Deren, Frampton October 3 - 12 at Anthology Film Archives: Metaphors on Vision Book Launch October 9 at CU Boulder: P. Adams Sitney on Metaphors on Vision October 13 - November 11 at Harvard Film Archive: Stan Brakhage's Metaphors on Vision October 27 at Bard College: Conversation with Robert Kelly and P. Adams Sitney October 29 at the Quad: Scenes from Under Childhood November 19 at the Whitney Museum of American Art: Stan Brakhage's Metaphors on Vision December 1 - 3 at HOME: Filmmaker Focus, Stan Brakhage (Program One and Program Two) December 8 at Yerba Buena Center for the Arts: San Francisco Cinematheque presents Stan Brakhage: Metaphors on Vision

Mekas is also responsible for the legendary Movie Journal (from 1958) in the Village Voice, and in 1964 he founded the Filmmakers» Cinematheque, which eventually grew into Anthology Film Archives, one of the world's largest and most important repositories of avant - garde cinema and screening venue.

Elizabeth Price is selected by the Whitechapel Gallery as part of Artists» Film International, a collaborative project which showcases artists working with film, video and animation from 15 partner organisations around the world and presented over the course of a year in each venue: Belgrade Cultural Centre, Belgrade; Video - Forum (n.b.k), Berlin; GAMeC, Bergamo; Fundacion PRÓA, Buenos Aires; New Media Center, Haifa; Hanoi / DOCLAB, Hanoi; Para / Site Art Space, Hong Kong; Istanbul Modern, Istanbul; Centre for Contemporary Arts Afghanistan (CCAA), Kabul; Ballroom Marfa, Marfa, TX; National Centre for Contemporary Arts, Moscow; Project 88, Mumbai; KINOKINO Centre for Art and Film, Sandes, Norway; Cinematheque de Tanger, Tangier and City Gallery Wellington, Wellington.

He has also exhibited in group shows including After Party: Collective Dance and Individual Gymnastics, Blindspot Gallery, Hong Kong (2017); New voices: a dslcollection story, Klein Sun Gallery, New York, NY (2016); We - A Community of Chinese Contemporary Artists, K11 Art Museum, Shanghai, China (2016); 28 ° 00 ′ N 120 ° 42 ′ E, How Art Museum, Wenzhou, China (2015); The System of Objects, Mingsheng Art Museum, Shanghai, China (2015); Cinematheque, K11 Art Museum, Shanghai, China (2015); Performance and Imagination: Chinese Photography 1911 - 2014, Stavanger Art Museum, Stavanger, Norway (2014); My Generation: Young Chinese Artists, Tampa Museum of Art & Museum of Fine arts, St. Petersburg, FL (2014); 28 Chinese, Rubell Family Collection / Contemporary Arts Foundation, Miami, FL (2013); Rising Dragon: Contemporary Chinese Photography, San Jose Museum of Art, San Jose, CA (2013); ON / OFF: China's Young Artists in Concept & Practice, Ullens Center for Contemporary Art, Beijing, China (2013); The First «CAFAM Future» exhibition, CAFA Art Museum, Beijing, China (2012); and Reflection of Mind: MoCA Shanghai Envisage III, Museum of Contemporary Art, Shanghai, China (2010).

2004 Bingo, David Zwirner, New York City Slivers and Fresh Kills: The Films of Gordon Matta - Clark, San Francisco Cinematheque, San Francisco Art Institute [itinerary: Cinema Project, Portland, Oregon; Part 2 traveled to Wexner Center for the Arts, Columbus, Ohio and Tate Modern, London][catalogue] Drawings, Richard Telles Fine Art, Los Angeles

CROSSROADS 2014 presented April 3 — 6 by San Francisco Cinematheque at Yerba Buena Center for the Arts, Kadist Art Foundation and the Victoria Theatre curated by Steve Polta

2nd Floor Projects Adobe Books Backroom Gallery Artists Television Access Creativity Explored Et Al FOR - SITE Foundation Galeria de la Raza Gallery 16 Intersection for the Arts Kadist Little Paper Planes Luggage Store Gallery Needles and Pens Park Life Pied - à - terre Ramon's Tailor Right Window Root Division Roxie Savernack Street Gallery SF Camerawork San Francisco Cinematheque SOMArts Stairwell's Steven Wolf Fine Arts The Thing Quarterly Will Brown Workshop ResideFOR - SITE Foundation Galeria de la Raza Gallery 16 Intersection for the Arts Kadist Little Paper Planes Luggage Store Gallery Needles and Pens Park Life Pied - à - terre Ramon's Tailor Right Window Root Division Roxie Savernack Street Gallery SF Camerawork San Francisco Cinematheque SOMArts Stairwell's Steven Wolf Fine Arts The Thing Quarterly Will Brown Workshop Residefor the Arts Kadist Little Paper Planes Luggage Store Gallery Needles and Pens Park Life Pied - à - terre Ramon's Tailor Right Window Root Division Roxie Savernack Street Gallery SF Camerawork San Francisco Cinematheque SOMArts Stairwell's Steven Wolf Fine Arts The Thing Quarterly Will Brown Workshop Residence

Anthology Film Archives evolved from roots and visions that go back to the early 1960s, when Jonas Mekas, the director of the Film - Makers» Cinematheque, a showcase for avant - garde films, dreamed of establishing a permanent home where the growing number of new independent / avant - garde films could be shown on a regular basis.

The non-profit American Cinematheque was looking for a home and the CRA sold it to the group for $ 1.