Sentences with phrase «cinematic artist at»
Moon Studios is an independent video game development studio, founded in 2010 by Thomas Mahler (former Cinematic Artist at Blizzard Entertainment) and Gennadiy Korol (former Senior Graphics Engineer at Animation Lab).
https://www.orithegame.com/ Not exact matches
Collisions, directed by award - winning Australian filmmaker and renowned artist Lynette Wallworth, who returns with her third project at Sundance as the first filmmaker to be part of the Jaunt Sundance Cinematic VR Residency Program, will play throughout the festival.
A great mix of old and new cinematic gold, this year's lineup includes Ildikó Enyedi's Berlinale Golden Bear - winner On Body and Soul; Mrs. Fang, Wang Bing's unflinching document of an elderly woman in her final days, which won the Golden Leopard at Locarno; the North American premiere of Katharina Wyss's powerful debut feature Sarah Plays a Werewolf, about a woman who channels her fears into theater; Govinda Van Maele's fiction feature debut Gutland, featuring Phantom Thread's Vicky Krieps; the U.S. premiere of Slovenian director Rok Biček «s The Family, a compassionate portrait of a young man's life over the course of 10 years; and experimental artist Bertrand Mandico's exhilarating, gender - bending Wild Boys.
For those offended at the idea of director Roland Emmerich taking liberties with the biography of a beloved artist, consider the long cinematic tradition of this M.O. Start with «Shakespeare in Love,» which won a Best Picture Oscar for a wholly fictitious take on the Bard's love life.
A technically perfect movie in which the Coens deploy every cinematic element at their disposal — writing, cinematography, editing, sound, performances — with the virtuosity of artists at the height of their powers.
Much like Tim Burton's Ed Wood, The Disaster Artist captures the spirit of people who want to be an artist and reach their cinematic goals at all Artist captures the spirit of people who want to be an artist and reach their cinematic goals at all artist and reach their cinematic goals at all costs.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
Artist Gabe Leonard has been referred to as «Johnny Cash meets Quentin Tarantino» because of the cinematic nature of his work, and this solo show includes outlaws and a nostalgic look at the people who shaped American history.
Alongside a selection of color plates, Michael Darling, James W. Alsdorf Chief Curator at the MCA, reviews the works in the exhibition within the context of the artist's career; Chrissie Iles, Anne and Joel Ehrenkranz curator at the Whitney Museum of American Art, examines the artist's position within photographic and cinematic history; and novelist Kate Zambreno considers the fragments of lost objects and what it means to collect.
Bradley Eros's newest show at Microscope Gallery continues the artist's long - standing interest in cinematic essence.
At the Wexner, excerpts of Tuymans's early films were shown on a video monitor and sequestered in a side gallery (a situation that made the films, as described by critic Jordan Kantor, «an excursus... in the artist's career»), while here this collection of cinematic fragments is screened only twice a day in the visitor education center (during my first visit, I totally missed this component, having been told by several museum guards that there was no video).
Shows in NYC at Lehmann Maupin, museum shows in Washington DC at Corcoran, and a soon - to - be show at M+B Gallery in Los Angeles have the artist spreading the coast with her cinematic fine art photography.
New York - based artist Wu Tsang's experimental, cinematic meditation on the revolutionary Chinese poet and feminist Qiu Jin at Spring Workshop was one of the hit exhibitions during Art Basel in Hong Kong this past March.
,» Ellis King, Dublin, Ireland; «Imagine,» Brand New Gallery, Milan, Italy; «Introductions,» La MaMa La Galleria, New York, NY; «Eden, éden,» Galerie Torri, Paris, France, curated by Timothée Chaillou; «The Ukrainian Diaspora: Women Artists 1908 - 2015,» The Ukrainian Museum, New York, NY; «Painters NYC,» Páramo Galeria, Guadalajara, Mexico, traveled to Museo de los Pintores Oaxaqueños (MUPO); «Disturbing Innocence,» The FLAG Art Foundation, New York, NY; «Sargent's Daughters,» Sargent's Daughters, New York, NY; «The Golden Ass,» Blindarte Contemporanea, Naples, Italy; «Cinematic Visions: Painting at the Edge of Reality,» Victoria Miro, London, England; «Pivot Points: 15 Years & Counting,» Museum of Contemporary Art North Miami, Miami, FL; «Fairy Tales, Monsters and the Genetic Imagination,» Frist Center for the Visual Arts, Nashville, TN, traveled to Winnipeg Art Gallery, Winnipeg, Canada; Glenbow Art Museum, Calgary, Canada; and «The Sound of Painting,» Palazzo Saluzzo Paesana, Turin, Italy.
Collages by Berlin - based artist Kandis Williams will be accompanied by a commissioned reader based on sourced material found at ONE Archives around the cinematic history of hysterical women archetypes in examining the philosophies and implementation first - wave feminism.
Intelligently selected by Spellman College museum director Andrea Barnwell Brownlee and Valerie Cassel Oliver, a curator at the Contemporary Arts Museum Houston, the two - part exhibition brings together over forty artists who work in cinematic video, installation, and projection.
Recent exhibitions include «Within Living Memory», Carpenter Center for the Visual Arts at Harvard University, Cambridge (2018); «Facing», Prefix, Toronto; «Cinematic Migrations» and «Tracing», XXII CSAV — Artists Research Laboratory, Fondazione Antonio Ratti, Como; and «Spacing», Lumiar Cité, Lisbon (all 2016).
«Miles Aldridge: I Only Want You to Love Me,» a retrospective of the internationally renowned British artist's cinematic fashion - based work opens May 8th (through June 8, 2013) at Steven Kasher Gallery in New York City.
,» Ellis King, Dublin, Ireland; «Imagine,» Brand New Gallery, Milan, Italy; «Introductions,» La MaMa La Galleria, New York, NY; «Eden, éden,» Galerie Torri, Paris, France, curated by Timothée Chaillou; «The Ukrainian Diaspora: Women Artists 1908 - 2015,» The Ukrainian Museum, New York, NY; «Painters NYC,» Páramo Galeria, Guadalajara, Mexico, traveled to Museo de los Pintores Oaxaqueños (MUPO), Oaxaca, Mexico; «Disturbing Innocence,» The FLAG Art Foundation, New York, NY; «Sargent's Daughters,» Sargent's Daughters, New York, NY; «The Golden Ass,» Blindarte Contemporanea, Naples, Italy; «Cinematic Visions: Painting at the Edge of Reality,» Victoria Miro, London, England; «Pivot Points: 15 Years & Counting,» Museum of Contemporary Art North Miami, North Miami, FL; «Fairy Tales, Monsters and the Genetic Imagination,» Frist Center for the Visual Arts, Nashville, TN, traveled to Winnipeg Art Gallery, Winnipeg, Canada; Glenbow Art Museum, Calgary, Canada; and «The Sound of Painting,» Palazzo Saluzzo Paesana, Turin, Italy.
Michael Darling, James W. Alsdorf Chief Curator at the MCA, surveys Collier's photographs of the past decade to analyze their artistic influences and thematic connections; Chrissie Iles, Anne and Joel Ehrenkranz Curator at the Whitney Museum of American Art, examines the artist's position within photographic and cinematic history; and novelist Kate Zambreno delves into identity and self - portraiture, collection, and obsession.