Not exact matches
Prior to design, her unique journey spanned multiple roles in four countries, three
cities, and two states — including professional ballet, management, copywriting, event production, business consulting, and national and international public relations As a designer, she has had the opportunity to work with businesses of all sizes, start - ups, agencies, higher education institutions, and non-profits for
projects in branding, brand strategy, print design, multi-media, advertising, digital design, presentation design, marketing,
project management, live event production, e-learning, video,
photography, art direction, and out - of - home.
Out of Eden Walk
Photography Exhibition
Project: Introduction Pulitzer Center Education This project outline uses Paul Salopek's Out of Eden Walk to engage students in reflections and analysis of how a «slow approach» to journalism in their own communities can enlighten larger issues facing their
Project: Introduction Pulitzer Center Education This
project outline uses Paul Salopek's Out of Eden Walk to engage students in reflections and analysis of how a «slow approach» to journalism in their own communities can enlighten larger issues facing their
project outline uses Paul Salopek's Out of Eden Walk to engage students in reflections and analysis of how a «slow approach» to journalism in their own communities can enlighten larger issues facing their
cities.
DOGS OF NEW YORK: Dogs of New York is a social media /
photography project that celebrates the bond between New York
City pet owners and their dogs.
How Kansas
City Pet Project made KC a No Kill city; Saving discarded Golden Retrievers (and Golden mixes) in Taipei; Norah Levine's advice from her book, Pet Photogr
City Pet
Project made KC a No Kill
city; Saving discarded Golden Retrievers (and Golden mixes) in Taipei; Norah Levine's advice from her book, Pet Photogr
city; Saving discarded Golden Retrievers (and Golden mixes) in Taipei; Norah Levine's advice from her book, Pet
Photography
A REVIEW OF THE WEEK»S NEWS AND ANNOUNCEMENTS IN THE ART WORLD Featuring Johnetta B. Cole, Andres Serrano, Chris Ofili, Kara Walker, Jacolby Satterwhite, Hank Willis Thomas and more ANDRES SERRANO is bringing the
city's homeless population to the attention of New Yorkers with a new
photography project (video above).
If you have not heard of fantastic photo book by Meryl Meisler, Disco Era Bushwick: A Tale of Two
Cities, you must be living under a rock because everyone, including Bushwick Daily have been raving about this amazing
photography project virtually non-stop since its launch during Bushwick Open Studios at Black Box Gallery at Bizarre
Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of
Photography Jean Cooney,
Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the
City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum
Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, Bronx Museum of Art, Bureau of General Services — Queer Division, Community Access Art Collective, Eyebeam, Fourth Arts Block, Interference Archive, International Center of
Photography, Knockdown Center, Lesbian Herstory Archives, Maker Park Radio, New York
City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Studio Museum in Harlem, Swale, Decolonize This Place, Discwoman, Sylvia Rivera Law
Project, The 8th Floor, and Visual AIDS.
Participation in exhibitions and
projects: New Museum, New York (2013); Tokyo Metropolitan Museum of
Photography (2009); The Nam June Paik Art Center, Yongin (2009); 1st Kitakyushu Biennial (Director, 2007); The Museum of Modern Art, New York (2007); The Rooseum, Malmö (2005); Singapore Art Museum (2004); Media
City Seoul (2004); Färgfabriken, Stockholm (2004); Akiyoshidai International Art Village (2003); Yokohama Triennale (2001).
Since receiving his MFA in
Photography, Video, and Related Media from the School of Visual Arts in 2011, Lange has staged performances and exhibited work at MoMA P.S. 1, Long Island
City; Printed Matter, New York; the International Center of
Photography, New York; NurtureArt, Brooklyn; and Signal
Projects, Brooklyn.
Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, BRIC, Bronx Museum of Art, Bureau of General Services — Queer Division, Caribbean Cultural Center African Diaspora Institute, Community Access Art Collective, Decolonize This Place, Discwoman, El Museo de Los Sures, Eyebeam, Flux Factory, Fourth Arts Block, Interference Archive, International Center of
Photography, Knockdown Center, Maker Park Radio, New York
City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Social Practice Queens, Studio Museum in Harlem, Swale, Sylvia Rivera Law
Project, The 8th Floor, and Visual AIDS.
Her experience also includes a stint as artistic director of the Washington
Project for the Arts, in Washington, D.C., and as head of the international exhibitions program at the International Center of
Photography in New York
City.
Agnes Denes Pyramids of Conscience, 2005 Crude oil, Tap water (
City of New York), Polluted water (New York Harbor), the Mirror, in which you see yourself make decisions about Water for Humanity Steel, Wood, Acrylic, Mirror 51» x 51» x 56» Courtesy of the artist and Leslie Tonkonow Artworks +
Projects Photography © Benjamin Lozovsky / BFAnyc.
Tags: Feature, Jenny Kendler, artists, environmental activists, paintings, Natural Resources Defense Council, NRDC, volcano rabbit, species, extinction, E.O. Wilson, Edward Abbey, conservation movement, Marfa Dialogues, climate change, Saint Louis, monarch butterflies, milkweed, CAC, Chicago Artists Coalition, lichen, installations, John F. Kennedy International Airport, U.S. Airways, Operation Migration, whooping cranes, Thomas Nagel, essays, philosophy, West Town, Los Angeles, foraging, mulberries, daylilies, saskatoons, Salt Point State Park, Richmond, Virginia, environmentalists, San Luis Obispo, Nature Conservancy, Salt Lake
City, secular humanists, Mormons, solar power, naturalist artists, naturalists, David Abram, Maryland Institute College of Art, SAIC, School of the Art Institute of Chicago, Monterey Bay Aquarium Research Institute, collage, drawing, subjugation, natural world, female body, Endangered Species Print
Project, Molly Schafer, ESPP, Peggy Notebaert Nature Museum, Caroline Picard, Gallery 400, Chernobylanimals, Expo Chicago, Brian Kirkbride, Other People's Pixels, Elizabeth Corr, Gordon Matta - Clark, Earth Day, Vaughn Bell, The Violet Hour, collaboration, nonprofits, artists in residence, public art, New York
City Department of Transportation, Chicago Park District, acorns,
photography, sea stars, Video
Together with curator Chris Sharp, Soto Climent founded the independent
project space Lulu in Mexico
City in 2013 and currently collaborates with blogs and independent initiatives from the international art scene, while preparing his master's degree on
photography at the Academia de San Carlos, UNAM.
Terna has participated in select group exhibitions at the International Center of
Photography (NYC); New Wight Biennial (UCLA, Los Angeles); BRIC Arts Media Biennial (Brooklyn, NY); Eyebeam (NYC); Museum of the
City of New York (NYC); The Wild
Project (NYC); the Carpenter Center for Visual Arts (Cambridge, MA); and Armory Center for the Arts (Pasadena, CA); Terna was a resident in the nine - month Collaborative Fellowship Program at UnionDocs, Brooklyn, and was awarded the 2012 Cuts and Burns Residency at Outpost Artist Resources in Ridgewood, NY.
Soil and Stones, Souls and Songs at Para Site, Hong Kong, by Ming Lin Chen Yujun at Bank and Arario Gallery, Shanghai, by Fi Churchman Song Dong at Rockbund Art Museum, Shanghai, by Julie Chun Teng Chao - Ming at Cube
Project Space, Taipei, by Guo Juan Jakkai Siributr at Bangkok Art & Culture Centre, by Max Crosbie - Jones Kyotographie International
Photography Festival, Kyoto, by Darryl Wee Lotus Land at Asia Culture Center, Gwangju, by Aimee Lin Natee Utarit at Ayala Museum, Manila, by Tony Godfrey Native Revisions at Institute of Contemporary Arts Singapore, Lasalle College of the Arts, Singapore, by Adeline Chia Bahar Yürükoğlu at Art Sümer, Istanbul, by Sarah Jilani Hera Büyüktaşçıyan at Green Art Gallery, Dubai, by Rahel Aima But We Can not See Them: Tracing a UAE Art Community, 1988 — 2008 at NYUAD Art Gallery, Abu Dhabi, by Murtaza Vali Lala Rukh at Grey Noise, Dubai, by Rahel Aima Nalini Malani at Stedelijk Museum, Amsterdam, by Sam Steverlynck Haegue Yang at Kurimanzutto, Mexico
City, by Aimee Lin Zhang Peili at The Art Institute of Chicago, by Mark LeBlanc Aki Sasamoto at The Kitchen, New York, by Xiaoyu Weng Bruce Yonemoto at Japanese American Cultural & Community Center, Los Angeles, by John Tain
NYU's Grey Art Gallery Presents Rare Glimpse of Portrait
Photography From the Arab World A
Project by Walid Raad and Akram Zaatari — Arab Image Foundation January 11 — April 2, 2005 [DOWNLOAD FULL RELEASE] New York
City, October 25, 2004.
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart
Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five
cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me,
City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of
Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart
Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick
City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester
City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission
Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney
City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000
City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
New and returning galleries exhibiting at EDITION Chicago 2014 include Chicago Artists Coalition (Chicago), Gallery 19 (Chicago), Steven Harvey (New York
City), HILTON ASMUS CONTEMPORARY (Chicago), LVL3 (Chicago), Museum of Contemporary
Photography (Chicago), Ochi Shop (Ketchum, Idaho), David Peterson Gallery (Minneapolis), The Pitch
Project (Milwaukee), Andrew Rafacz Gallery (Chicago), Segura Arts Studio (South Bend, Indiana), THE MISSION (Chicago), Vertical Gallery (Chicago) and Yaupetec (Mexico
City).
Galleries and organizations that exhibited at EDITION Chicago included local, national and international venues Chicago Artists Coalition (Chicago), Gallery 19 (Chicago), Steven Harvey (New York
City), HILTON ASMUS CONTEMPORARY (Chicago), LVL3 (Chicago), Museum of Contemporary
Photography (Chicago), Ochi Shop (Ketchum, Idaho), David Peterson Gallery (Minneapolis), The Pitch
Project (Milwaukee), Andrew Rafacz Gallery (Chicago), Segura Arts Studio (South Bend, IN), THE MISSION (Chicago), Vertical Gallery (Chicago) and Yaupetec (Mexico
City).
David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human
photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chri
photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART
Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of
Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chri
Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick
City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on
photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chri
photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.
Daniel Terna (b. Brooklyn, NY) has participated in select group exhibitions at MoMA PS1 (NYC); the International Center of
Photography (NYC); Elizabeth Foundation for the Arts (NYC); Foley Gallery (NYC); Baxter St. Camera Club of NY (NYC); New Wight Biennial (UCLA, Los Angeles); BRIC Arts Media Biennial (Brooklyn, NY); New York Film Festival (NYC); Eyebeam (NYC); Museum of the
City of New York (NYC); The Wild
Project (NYC); the Carpenter Center for Visual Arts (Cambridge, MA); Armory Center for the Arts (Pasadena, CA); Contemporary Arts Center (New Orleans, LA); and Gallery Tayuta (Tokyo, JP).
Installation view, bus shelter
project: John Anderson
City Limits, site95 at Locust
Projects, on view through September, 2012, Courtesy of Locust
Projects, Miami, photo: Ginger
Photography
His curatorial
projects there include New York Temporary: The
City Through
Photography Film and Video, 2011 (with HP Garcia) and Stephen Hilger, Hotel California, 2012.
Leah Oates Prior to opening Station Independent
Projects, Oates curated exhibitions in the New York
City area at The Pulse Art Fair, The Scope Art Fair, The Center for
Photography at Woodstock, Asya Geisberg Gallery, Chashama, Artists Space, Nurture Art and The Kauffman Arcade Gallery and in the Chicago area at Randolph Street Gallery, The Peace Museum and The Noyes Cultural Arts Center.
George Eastman House, Rochester, NY Microsoft Art Collection, Redmond, WA Nelson - Atkins Museum of Art, Kansas
City, MO Kemper Museum of Contemporary Art, Kansas CIty, MO Museum of Fine Arts, Houston, TX Portland Art Museum, Portland, OR Museum of Contemporary Photography, Midwest Photographers» Project, Chicago, IL C / O, Berlin, Germany University of Arkansas, Little Rock
City, MO Kemper Museum of Contemporary Art, Kansas
CIty, MO Museum of Fine Arts, Houston, TX Portland Art Museum, Portland, OR Museum of Contemporary Photography, Midwest Photographers» Project, Chicago, IL C / O, Berlin, Germany University of Arkansas, Little Rock
CIty, MO Museum of Fine Arts, Houston, TX Portland Art Museum, Portland, OR Museum of Contemporary
Photography, Midwest Photographers»
Project, Chicago, IL C / O, Berlin, Germany University of Arkansas, Little Rock, AR
My artwork and curatorial
projects have been seen in Canada, the United States and Europe, including at the following institutions: the Power Plant, Gallery 44, Gallery TPW, Convenience Gallery, Toronto; Galerie VU, Quebec
City; Dazibao, Montreal; Presentation House, Vancouver; the Winnipeg Art Gallery, Winnipeg; the Canadian Centre for Contemporary
Photography, Ottawa; Jack Shainman Gallery, New York; Rotterdam Fotobienalle, Rotterdam; Sprengel Museum, Hanover; Neuer Berliner Kunstverein, Berlin; the Photographers Gallery, London; the Museum of Modern Art, Oxford; Moderna Museet, Stockholm and others.
1:54 African Contemporary Art Fair, Afronova, Somerset House, London, UK 1:54 African Contemporary Art Fair, Afronova, Pioneer Works, New York, USA Studio Bamako, European Month Of
Photography, Kehrer Gallery, Berlin, Germany Recent Histories, New
Photography from Africa, The Walther Collection
Project Space, New York, USA L'Autre Continent, Artistes, Femmes, Africaines, Muséum du Havre, Le Havre, France Photo Biennale,
Cities and Memory, Brandts, Odense, Denmark KIN, HANGAR Centro de Investigação Artística, Lisbon, Portugal
Exhibition: EDUCATION 1995 - 2011 Bachelor's degree in
photography, Azad University (Tehran, Iran) Bachelor's Degree in Cinema and Audio - Visual Arts, Marc Bloch University (Strasbourg, France) Diploma in Professional Photography, Spéos Paris Photographic Institute (Paris, France) Master's Degree in Visual Arts, Marc Bloch University (Strasbourg, France) Photoshop training, Ecole Gobelins, (Paris, France) EXHIBITIONS Solo Exhibition AIPAD (Ney York, 2018) About Art, Vieja Carcel de Lugo (Lugo, Spain, 2018) AIPAD (New York, USA, 2017) The Solo Project (Basel, Switzerland, 2016) ART16, (London, United Kingdom, 2016) ART PARIS (Paris, France, 2016) FOTOFEVER (Paris, France, 2015) ART PARIS (Paris, France, 2015) Rétrospective 1998 - 2013 Galerie 55Bellechasse (Paris, France, 2015) «The Imprint», Cuadro Gallery (Dubai, UAE, 2012) «Here..., There...», Etemad Gallery (Tehran, Iran, 2012) Imprint, Gallery Spéos (Paris, France, 2010) Tribute to Madeleine Riboulet «Madame Banisadr» NegPos Gallery (Nimes, France, 2007) «Dress and Naiad» (dress and nudity) Stimultania Gallery (Strasbourg, France, 2003) «History of the Polish Chair», Assar Art Gallery (Tehran, Iran, 2001) Group Exhibition: The invisible woman (Doral, USA, 2018) Collective Exhibition in Museum Van Gogh, Mesdag collective Den Haag, (Haag, Netherlands, 2015) Valerie Saundan's Gallery (Megeve, France, 2013) Tessellation Make Up (Istanbul, Turkey, 2012) «The Imprint», NegPos Gallery (Nimes, France, 2012) As a part of the Iranian cultural fortnight (Strasbourg, France, 2011) Rencontre Arles, Photo Folio Review (Arles, France, 2009) «Voice of vision», Gallery Spéos (Paris, France, 2009) Buenos Aires photo 07 (Buenos Aires, Argentina, 2007) Arténim, (Nimes, France, 2007) Stimultania Gallery Workshop (Strasbourg, France, 2003) Exhibition Festival at P. University (Strasbourg, France, 2003) City Photography Museum (Tehran, Iran, 2002) «Contemporary Photographers» Assar Art Gallery (Tehran,
photography, Azad University (Tehran, Iran) Bachelor's Degree in Cinema and Audio - Visual Arts, Marc Bloch University (Strasbourg, France) Diploma in Professional
Photography, Spéos Paris Photographic Institute (Paris, France) Master's Degree in Visual Arts, Marc Bloch University (Strasbourg, France) Photoshop training, Ecole Gobelins, (Paris, France) EXHIBITIONS Solo Exhibition AIPAD (Ney York, 2018) About Art, Vieja Carcel de Lugo (Lugo, Spain, 2018) AIPAD (New York, USA, 2017) The Solo Project (Basel, Switzerland, 2016) ART16, (London, United Kingdom, 2016) ART PARIS (Paris, France, 2016) FOTOFEVER (Paris, France, 2015) ART PARIS (Paris, France, 2015) Rétrospective 1998 - 2013 Galerie 55Bellechasse (Paris, France, 2015) «The Imprint», Cuadro Gallery (Dubai, UAE, 2012) «Here..., There...», Etemad Gallery (Tehran, Iran, 2012) Imprint, Gallery Spéos (Paris, France, 2010) Tribute to Madeleine Riboulet «Madame Banisadr» NegPos Gallery (Nimes, France, 2007) «Dress and Naiad» (dress and nudity) Stimultania Gallery (Strasbourg, France, 2003) «History of the Polish Chair», Assar Art Gallery (Tehran, Iran, 2001) Group Exhibition: The invisible woman (Doral, USA, 2018) Collective Exhibition in Museum Van Gogh, Mesdag collective Den Haag, (Haag, Netherlands, 2015) Valerie Saundan's Gallery (Megeve, France, 2013) Tessellation Make Up (Istanbul, Turkey, 2012) «The Imprint», NegPos Gallery (Nimes, France, 2012) As a part of the Iranian cultural fortnight (Strasbourg, France, 2011) Rencontre Arles, Photo Folio Review (Arles, France, 2009) «Voice of vision», Gallery Spéos (Paris, France, 2009) Buenos Aires photo 07 (Buenos Aires, Argentina, 2007) Arténim, (Nimes, France, 2007) Stimultania Gallery Workshop (Strasbourg, France, 2003) Exhibition Festival at P. University (Strasbourg, France, 2003) City Photography Museum (Tehran, Iran, 2002) «Contemporary Photographers» Assar Art Gallery (Tehran,
Photography, Spéos Paris Photographic Institute (Paris, France) Master's Degree in Visual Arts, Marc Bloch University (Strasbourg, France) Photoshop training, Ecole Gobelins, (Paris, France) EXHIBITIONS Solo Exhibition AIPAD (Ney York, 2018) About Art, Vieja Carcel de Lugo (Lugo, Spain, 2018) AIPAD (New York, USA, 2017) The Solo
Project (Basel, Switzerland, 2016) ART16, (London, United Kingdom, 2016) ART PARIS (Paris, France, 2016) FOTOFEVER (Paris, France, 2015) ART PARIS (Paris, France, 2015) Rétrospective 1998 - 2013 Galerie 55Bellechasse (Paris, France, 2015) «The Imprint», Cuadro Gallery (Dubai, UAE, 2012) «Here..., There...», Etemad Gallery (Tehran, Iran, 2012) Imprint, Gallery Spéos (Paris, France, 2010) Tribute to Madeleine Riboulet «Madame Banisadr» NegPos Gallery (Nimes, France, 2007) «Dress and Naiad» (dress and nudity) Stimultania Gallery (Strasbourg, France, 2003) «History of the Polish Chair», Assar Art Gallery (Tehran, Iran, 2001) Group Exhibition: The invisible woman (Doral, USA, 2018) Collective Exhibition in Museum Van Gogh, Mesdag collective Den Haag, (Haag, Netherlands, 2015) Valerie Saundan's Gallery (Megeve, France, 2013) Tessellation Make Up (Istanbul, Turkey, 2012) «The Imprint», NegPos Gallery (Nimes, France, 2012) As a part of the Iranian cultural fortnight (Strasbourg, France, 2011) Rencontre Arles, Photo Folio Review (Arles, France, 2009) «Voice of vision», Gallery Spéos (Paris, France, 2009) Buenos Aires photo 07 (Buenos Aires, Argentina, 2007) Arténim, (Nimes, France, 2007) Stimultania Gallery Workshop (Strasbourg, France, 2003) Exhibition Festival at P. University (Strasbourg, France, 2003)
City Photography Museum (Tehran, Iran, 2002) «Contemporary Photographers» Assar Art Gallery (Tehran,
Photography Museum (Tehran, Iran, 2002) «Contemporary Photographers» Assar Art Gallery (Tehran, Iran, 2001)
Co-curated by Pauline Vermare, Associate Curator, International Outreach and Special
Projects, and Eloise Maxwell International Center of
Photography, 250 Bowery, New York
City NY 10012.
REBECCA COONEY Features Photo Editor, Newsday SEAN CORCORAN Curator of Photographs, Museum of the
City of New York IVAR DAMERON Photo Editor, The Wall Street Journal SHAMINDER DULAI Director of
Photography, Newsweek JAMES ESTRIN Co-Editor of New York Times Lens Blog NOELLE FLORES THEARD Program Associate, Magnum Foundation GENEVIEVE FUSSELL Senior Photo Editor, The New Yorker ADREES LATIF Editor in Charge, U.S. Pictures, Reuters BRENT LEWIS Senior Editor, ESPN KAREN MARKS Gallery Director, Howard Greenberg Gallery SABINE MEYERS
Photography Director, National Audubon Society PAUL MOAKLEY Deputy Director of
Photography and Visual Enterprise, TIME Magazine GRAHAM MORRISON Managing Editor for Visual Media, Bloomberg CHRISTINE NESBITT Senior
Photography Editor, UNICEF AZU NWAGBOGU Director, African Artists» Foundation and LagosPhoto Festival KIRA POLLACK Director of
Photography and Visual Enterprise, TIME Magazine SIOBHAN RIORDAN Exhibition Associate, Documentary
Photography Project, Open Society Foundations GLENN RUGA Executive Editor, ZEKE Magazine BRENDAN WATTENBERG Managing Editor, Aperture Magazine JAMIE WELLFORD Senior Photo Editor, National Geographic DAMON WINTER Staff Photographer, The New York Times
Terna has participated in select group exhibitions at MoMA PS1 (NYC); the International Center of
Photography (NYC); New Wight Biennial (UCLA, Los Angeles); BRIC Arts Media Biennial (Brooklyn, NY); Eyebeam (NYC); Museum of the
City of New York (NYC); The Wild
Project (NYC); the Carpenter Center for Visual Arts (Cambridge, MA); Armory Center for the Arts (Pasadena, CA); Contemporary Arts Center (New Orleans, LA); and Gallery Tayuta (Tokyo, JP).
Group Exhibitions 2012 — «More to Tell», Recent acquisitions for the collection, Museum Het Domein, Sittard, Netherlands 2011 - Lulea Art Biennal LAB 11, Lulea, Sweden 2010 - LEBEN elementar, FotoTageTrier 2010, Trier, Germany 2009 - «Made in Mirrors», Museum Het Domein, Sittard, Netherlands - «Rumos», Instituto Itau Cultural, São Paulo Paço Imperial, Rio de Janeiro, Brazil —
Photography Collection Pirelli - Masp, Masp — Museum of Art of São Paulo, Brazil - «Brazilian Summer — Art & the
City», Museum Het Domein, Sittard, Netherlands - «Trilhas do Desejo», Rumos Artes Visuais, São Paulo, Brasília, Rio de Janeiro, Brazil 2007 - Book release «Brasília Teimosa», Forte das Cinco Pontas, Recife, Brazil - «Estética da Periferia» at Museum of Modern Art Aloísio Magalhães, Mamam, in Recife, Brazil - «Linguagens», Torre Malakoff, Recife, Brazil - «FotoGarça», Maceió, Brazil - «JF em foco», Juiz de Fora, Brazil - «Brasília Teimosa» at CAIXA Cultural - São Paulo, and Caixa Cultural - Rio de Janeiro, Brazil 2005 - She receives scholarship from Fundação do Patrimônio Histórico e Artístico de Pernambuco (Fundarpe) to develop the
project «Brasília Teimosa», inside the program of the 46th Salão de Artes Plásticas de Pernambuco.
Bárbara Wagner developed until 2006, the
photography project, «Brasília Teimosa», published in 2007 and showcased in solo exhibitions in the
cities of São Paulo, Rio de Janeiro e Brasília.
Engelstad's
projects have been supported and produced with a variety of partner organizations, including 9e2 Seattle, Art Margins / MIT, California Museum of
Photography, Central European Foundation,
City of Chicago Department of Cultural Affairs, Dallas Museum of Art, International Center for
Photography, Kunsthalle Stanica Žilina - Záriečie, Oboro / Montreál, San Francisco Camerawork, US Department of State, and others.
ANDRES SERRANO is bringing the
city's homeless population to the attention of New Yorkers with a new
photography project (video above).
Cardboard box containing 1 exhibition catalogue and 17 artists books / artists publications: Mel Bochner, Misunderstandings (A theory of
photography); Christo, Packed Tower - Spoleto (proposals &
projects); Jan Dibbets, perspective correction - 5 piles; Tom Gormley, Red File Cabinet; Dan Graham, Two Parallel Essays: Two Related Projects for Slide Projector & Photographs of Motion; Douglas Huebler, Location Piece # 2, New York City - Seattle, Washington; Allan Kaprow, Pose, March 22nd, 1969 continued 1970; Michael Kirby, Pont Neuf: the localization of a tetrahedron in space; Joseph Kosuth, Notebook on Water; Sol LeWitt, Schematic drawing for Muybridge II, 1964 (7/69); Richard Long, Rain Dance; Robert Morris, Continuous Project Altered Daily; Bruce Nauman, LAAIR; Dennis Oppenheim, FLOWER ARRANGEMENT FOR BRUCE NAUMAN; Robert Rauschenberg, Revolver; Ed Ruscha, Babycakes; Robert Smithson, Torn Photograph from the 2nd Stop (Rubble)(2nd Mountain of Six Stops on a Section); Bernar Venet, Exploited Subjects; Andy Warhol, Po
projects); Jan Dibbets, perspective correction - 5 piles; Tom Gormley, Red File Cabinet; Dan Graham, Two Parallel Essays: Two Related
Projects for Slide Projector & Photographs of Motion; Douglas Huebler, Location Piece # 2, New York City - Seattle, Washington; Allan Kaprow, Pose, March 22nd, 1969 continued 1970; Michael Kirby, Pont Neuf: the localization of a tetrahedron in space; Joseph Kosuth, Notebook on Water; Sol LeWitt, Schematic drawing for Muybridge II, 1964 (7/69); Richard Long, Rain Dance; Robert Morris, Continuous Project Altered Daily; Bruce Nauman, LAAIR; Dennis Oppenheim, FLOWER ARRANGEMENT FOR BRUCE NAUMAN; Robert Rauschenberg, Revolver; Ed Ruscha, Babycakes; Robert Smithson, Torn Photograph from the 2nd Stop (Rubble)(2nd Mountain of Six Stops on a Section); Bernar Venet, Exploited Subjects; Andy Warhol, Po
Projects for Slide Projector & Photographs of Motion; Douglas Huebler, Location Piece # 2, New York
City - Seattle, Washington; Allan Kaprow, Pose, March 22nd, 1969 continued 1970; Michael Kirby, Pont Neuf: the localization of a tetrahedron in space; Joseph Kosuth, Notebook on Water; Sol LeWitt, Schematic drawing for Muybridge II, 1964 (7/69); Richard Long, Rain Dance; Robert Morris, Continuous
Project Altered Daily; Bruce Nauman, LAAIR; Dennis Oppenheim, FLOWER ARRANGEMENT FOR BRUCE NAUMAN; Robert Rauschenberg, Revolver; Ed Ruscha, Babycakes; Robert Smithson, Torn Photograph from the 2nd Stop (Rubble)(2nd Mountain of Six Stops on a Section); Bernar Venet, Exploited Subjects; Andy Warhol, Portraits.
Founded in 1983 by local photographers as a challenge to media representation of the
city's experience of conflict, our exhibitions, publications and collaborative and community
photography projects continue to reflect a socially engaged ethos, while responding to contemporary currents in
photography and politics further afield.
Her photographs have been published in the Visual Arts Journal, Outlook, and Photograph, and she has exhibited in New York
City at Visual Arts Gallery, the Camera Club of New York, Melanie Flood
Projects, and the Center for Fine Art
Photography.
Daniel Terna (b. Brooklyn, NY) has participated in select group exhibitions at MoMA PS1 (NYC); the International Center of
Photography (NYC); Foley Gallery (NYC); Baxter St. Camera Club of NY (NYC); New Wight Biennial (UCLA, Los Angeles); BRIC Arts Media Biennial (Brooklyn, NY); New York Film Festival (NYC); Eyebeam (NYC); Museum of the
City of New York (NYC); The Wild
Project (NYC); the Carpenter Center for Visual Arts (Cambridge, MA); Armory Center for the Arts (Pasadena, CA); Contemporary Arts Center (New Orleans, LA); and Gallery Tayuta (Tokyo, JP).
Selected Group Exhibitions, & Art Fairs 2018 Black Box
Projects, 2 person exhibition, London Winter Song at NextLevel gallery, Paris Lights, Camera, Action, curated by Haley Finnegan at Kunstraum in Brooklyn Sitting Still at BravinLee programs 2017 «Painters and Photographers» at Providence College, Rhode Island, curated by Jamilee Polson PARIS PHOTO with NextLevel Galerie Art Market Budapest with Horizont Galeria, Budapest, Hungary Rubber Factory, NY, «Women In Colour: Women and Color
Photography» curated by Ellen Carey Aspen Art Museum, Art Crush, courtesy of SOCO gallery Double Vision, Artists Who Instagram, at LabSpace, Hillsdale, NY Mountain Gallery, Brooklyn, «Along a River of Sapphire Pools» NextLevel Galerie «Full Bloom II», Paris, France 2016 PULSE Miami with Danziger Gallery UNTITLED Miami with SOCO Gallery PARIS PHOTO with NextLevel Galerie, Paris, France Davidson College Gallery, North Carolina Pallas
Projects, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Dublin, Ireland New
Photography Exhibition at BAM, curated by Holly Shen David Shelton Gallery: Summerzcool Curated by Austin Eddy and Benjamin Edmiston, Houston, Texas Sirius Art Center, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Cobh, Ireland Spring Break Art Show curated by Kelly Schroer, NY, NY, Kristen Lorello gallery, Geometric Cabinet, NY, NY EddysRoom, Solo Show, Brooklyn, NY 2015 Silver
Projects, Double Vision, Brooklyn, NY BRIC Art Center, Handmade Abstract, Brooklyn, NY, Zolla / Lieberman gallery, Hot Slice, Chicago, IL Danziger Gallery, Wonderful Lies, NY, NY Ameringer, McEnery, Yohe, Black and White, NY, NY, Danziger Gallery,
Project Room, NY, NY Material Art Fair with LVL3, Mexico
City 2014 Paris Photo with Laurence Miller Gallery Westport Arts Center, curated by Julia Mechtler and Elizabeth Koehn, Westport, CT Expo Chicago with Laurence Miller Gallery, Chicago, IL New Capital, Real Time, Future, Experience, Chicago, IL Spring Break Art show, NY, NY La Montagne Gallery, Black and White, Boston, MA
2009 Landscape Revisited, Park Avenue Armory, New York, NY Extended Family: Contemporary Connections, Brooklyn Museum, Brooklyn, NY Posing Beauty, New York University Tisch School of the Arts, New York, NY Dress Codes: The Third ICP Triennial of
Photography and Video, The International Center of
Photography, New York, NY Creating Identity: Portraits Today, 21C Museum, Louisville, KY Black Is, Black Ain't, The Artspace at the Kansas
City Art Institute, Kansas
City, MO Undercover: Performing and Transforming Black Female Identities, The Spelman College Museum of Fine Art, Atlanta, GA First Look: An Exhibition of Emerging Artists from Los Angeles Galleries, House of Campari, Los Angeles, CA Remix, Catharine Clark Gallery, San Francisco, CA The Female Gaze: Women Looking At Women, Cheim and Read, New York, NY Crash Proof, The Scholar and Feminist Online, Barnard Center for Research on Women, online exhibition Elsewhere, Saltworks, Atlanta, GA The Glamour
Project, Lehmann Maupin, New York, NY CAN & DID — Graphics, Art, and
Photography from the Obama Campaign, Danziger
Projects, New York, NY
Current Studio plans to permanently close Oklahoma Gazette, FEB 2018 Interview, S0102 Talkies, Planet Thunder Productions, MAY 2016 Current Studio challenges traditional art studio approach Oklahoma Gazette, MAR 2016 Stitch in time Tulsa World, JAN 2016 The Unbearable Absence of Landscapes 30 minutes, Public Radio Tulsa, DEC 2015 The Unbearable Absence of Landscapes Art Focus Oklahoma, NOV / DEC 2015 Complementing the Whole Oklahoma Gazette, AUG 2015 Elaborate Collaborate brings Oklahoma artists together for evolving art
project NewsOK, AUG 2015 Creativity on the Spot Slice Magazine, July 2015 EKPHRASIS: Art & Poetry Art Focus Oklahoma, MAY / JUN 2015 OKC125: Photographic Perspectives of Downtown Art Focus Oklahoma, JAN / FEB 2015 Commentary: Art for everyone, everywhere Oklahoma Gazette, DEC 2014 Exhibit Celebrates Downtown OKC Through Disposable Camera
Photography KOSU, DEC 2014 Downtown OKC's Underground tunnels are getting a makeover NewsOK, NOV 2014 Side by Side Artist Conversation 54 minutes, Panhandle PBS, MAY 2014 It's an Oklahoma Day, Part 1: Oklahoma
City Bad at Sports, MAR 2014 Art 365 Catalog, 2014 Art 365: Romy Owens Art Focus Oklahoma, SEP / OCT 2013 Concept / OK Catalog, 2012 Concept / OK: Artist interview 7 minutes, OKVisualArts YouTube Channel, 2012 Concept / OK: Focus An Oklahoma and Kansas
City Exchange Art Focus Oklahoma, NOV / DEC 2012 IN THE MOMENT: Art Now Takes a Snapshot of Current Art - making in the State ArtFocus Oklahoma, JAN / FEB 2012 Holland Hall's ARTworks Program Features OKC - Based Artist Romy Owens 30 minutes, Public Radio Tulsa, NOV 2011 They're All Blonde Art Focus Oklahoma, JAN / FEB 2011
2008 Walters Art Museum, Baltimore, MD - ʻPortraits Re / Examined: A Dawoud Bey Projectʼ 2007 • Howard Yezerski Gallery, Boston, Ma — ʻDawoud Bey: Pictures: 1975 - 2005ʼ • Addison Gallery of American Art, Andover, MA — ʻClass Pictures» (Travels to Aperture Gallery, New York, NY; Contemporary Art Museum, Houston, TX; Weatherspoon Art Museum, Greensboro, NC; Indianapolis Museum of Art, IN; Contemporary Art Museum, Baltimore, MD; Milwaukee Art Museum, WI; Kresge Art Museum, East Lansing, MI) 2004 • Detroit Institute of Art, Detroit, MI - «Dawoud Bey: Detroit Portraits» • Gorney Bravin + Lee, NY - «Class Pictures» • Revolution, Ferndale, MI - «Dawoud Bey: The Watsonville Series» 2003 • Smart Museum of Art, Chicago, IL - «Dawoud Bey: The Chicago
Project» 2002 • Gorney Bravin + Lee, New York, NY - «Dawoud Bey» • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey: New Photographic Work» 2001 • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1999 • Rhona Hoffman Gallery at Gallery 312, Chicago, IL - «Dawoud Bey: Recent Work» • Parrish Art Museum, Southampton, NY - «Dawoud Bey: The Southampton
Project» • Yale University Art Gallery, New Haven, CT - «Portraits of New Haven Teenagers» 1998 • Galerie Nordenhake, Stockholm, Sweden - «Dawoud Bey» • Queens Museum of Art, Queens, NY - «Dawoud Bey» 1997 • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey: Recent Work» • The Light Factory, Charlotte, NC - «Dawoud Bey: Portraits» • Addison Gallery of American Art, Andover, MA - «Dawoud Bey: Recent Photographic Portraits» • Wadsworth Atheneum, Hartford, CT - «Dawoud Bey: Hartford Portraits 1996» («Dawoud Bey / MATRIX 132,» «Dawoud Bey / Amistad Gallery,» «African American Studio Portraits: Dawoud Bey Selects from the Amistad Foundation Collection») 1996 • David Beitzel Gallery, NYC — ʻDawoud Beyʼ • University of Massachusetts Amherst, Fine Arts Center - «Dawoud Bey» • High Museum of Art, Atlanta, GA - «Picturing the South: The Commission
Project» • Wexner Center for the Arts, Columbus, OH - «Dawoud Bey: Residency Exhibition» • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1995 • Walker Art Center, Minneapolis, MN - «Dawoud Bey: Portraits, 1975 - 1995» (Travels to Albright - Knox Gallery, Buffalo, NY; Chicago Cultural Center, Chicago, IL; Virginia Beach Center for the Arts, VA; El Paso Museum, TX; The Newark Museum, NJ, The Jersey
City Museum, NJ; Robeson Center Gallery, Newark, NJ; Cleveland Center for Contemporary Art, OH; Contemporary Art Museum, St. Louis, MO; The Barbican Centre, London, England)(Catalog) • The Photographer's Gallery, London, England - «Dawoud Bey» 1994 • Cleveland Museum of Art, Cleveland, OH - ʻDawoud Bey Photographs: Portraitsʼ • Olin Art Gallery, Kenyon College, Gambier, OH - «Dawoud Bey» 1993 • The Museum of Contemporary
Photography, Chicago, IL - «Polaroid Portraits» • Stockton State College, Pamona, NJ - «Dawoud Bey: Photographs» • Drew University, Madison, NJ - «Photographs from the Streets» 1992 • Addison Gallery of American Art, Andover, MA - ʻDawoud Bey: Photographic Portraitsʼ • The Rotunda Gallery, Brooklyn, NY - «Dawoud Bey: Photographs» 1991 • Fogg Art Museum, Harvard University, Cambridge, MA - ʻDawoud Beyʼ 1990 • Ledel Gallery, NYC - ʻRecent Photographsʼ (Catalog) 1988 • BACA Downtown Center for the Arts, Brooklyn, NY - ʻBrooklyn Street Portraitsʼ 1986 • Light Work, Syracuse, NY - ʻDawoud Beyʼ • The Midtown Y
Photography Gallery, NYC - ʻPhotographs by Dawoud Beyʼ • Blue Sky Gallery, Portland, OR - ʻDawoud Beyʼ 1984 • Hunter College, Center for Puerto Rican Studies, NYC - ʻPuerto Rico: A Chronicleʼ 1983 • Cinque Gallery, NYC - ʻDawoud Bey: Recent Photographsʼ 1979 • Studio Museum in Harlem, NYC - ʻHarlem, USAʼ
Tim Portlock and Shuli Sadé have created digital and mixed media works that transform the visible through technology; the painters Michael Bartmann and Bruce Garrity have used color and form to create vibrant and engaging images; the photographer Ken Hohing is revisiting a photographic
project from the 1980s documenting Camden to highlight how differently we see
photography and its objects; and the designer and photographer Eric Porter inventoried striking visual images that the textures and colors of the
city of Camden offer the attentive viewer.
PART 2: LIGHT AND SHADOW The ESSAY «Light and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions,
photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in
city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public
projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and more...
Exhibitions: Solo: Watergate Gallery and Frame Design, The Embassy of the Republic of Costa Rica, Linda K. Jordan Gallery, MDH Fine Arts Gallery, Solana Beach
City Hall Gallery, Smithsonian National Museum of Natural History, The Embassy of the Bolivarian Republic of Venezuela, Schroeder Romero / Winkleman Gallery
Project Space, Washington School of
Photography, Washington Studio School.
Works from Kohei Yoshiyuki's series The Park were included in Acts of Intimacy: The Erotic Gaze in Japanese
Photography, on view from January 19 — April 2, 2017, at the Walther Collection
Project Space in New York
City.
Featuring over 50 artists, including Marina Abramović, Jenny Holzer, Zhang Huan, and the Guerilla Girls, the
project invites audiences inside the Barnes galleries and throughout the
city to become contemporary flâneurs through activities such as
photography and walking tours.