Sentences with phrase «city federal arts»

Not exact matches

When the collection of major works housed at the city's world - class Detroit Institute of Arts Museum was in danger of being liquidated to pay off municipal debt, the federal mediator, Judge Gerald Rosen, city emergency manager, Kevyn Orr, and other civic leaders leaned heavily on community and national foundations, lawmakers and the museum itself to put their money where their masterpieces were.

Thanks to pockets of investment for things like a new $ 1.2 billion medical center that will spearhead bio-tech research, and a staggering $ 70 billion in federal aid that has gone to rebuilding infrastructure — including a $ 15 billion state of the art levee system — Landrieu says, the city has created 9,100 new jobs since his administration took over in 2010.

Ruling that graffiti — a typically transient form of art — was of sufficient stature to be protected by the law, a federal judge in Brooklyn awarded a judgment of $ 6.7 million to 21 graffiti artists whose works were destroyed in 2013 at the 5Pointz complex in Long Island City, Queens.

Joshua Kretser, executive director of the Strand Center for the Arts and Ward 6 city councilor, noted the vital part federal and state funding played in the Strand Theater restoration.

The governor announced to a well - heeled crowd at the Queen City's Albright - Knox Art Gallery that Thursday was an «emotional» day for him, watching with sadness as his «longtime friend» Percoco, whose kids he watched grow up, faced charges in a federal courtroom.

Until recently, CUP, which receives various federal and local arts grants, has focused its efforts on New York City, but the organization is developing free, downloadable curriculum so its model of local investigations can be conducted anywhere.

While working in Jersey City, she was the recipient of five Best Practices Awards from the NJDOE, four federal grants (integrating theatre and art strategies and professional development for art educators) and three Save the Music Foundation grants.

In San Francisco you can take in some of the state's best art galleries and eateries, jump on a historic tram to see the «Painted Ladies» against the backdrop of the city skyline, or see first - hand the perils of the former federal prison on Alcatraz Island, aka «The Rock».

US Citizenship Test Samplers was supported by an Individual Artist Program Grant from the City of Chicago Department of Cultural Affairs & Special Events, as well as a grant from the Illinois Arts Council, a state agency, through federal funds provided by the National Endowment for the Arts.

He is the author of numerous catalogues and essays on contemporary and modern art, and has been a grant panelist for numerous federal, state, city, and private foundations.

Martinez created commissioned murals for the San Francisco Arts Commission / Department of Public Works, San Francisco, CA; the San José Federal Building, San José, CA; the Oakland International Airport, Oakland, CA and has significantly contributed to public art in San Francisco, San Diego, and other major cities outside of the United States (Oaxaca, Mexico; Zurich, Switzerland)

Albright - Knox Gallery, Buffalo, NY The Alfond Collection of Contemporary Art at Rollins College, Cornell Fine Arts Museum, Winter Park, FL The Art Institute of Chicago, IL Bethune Towers, New York, NY Birmingham Museum of Art, Birmingham, AL Bronx Museum of Art, Bronx, NY Brooklyn Museum, Brooklyn, NY Cantor Arts Center, Stanford University, CA The Carnegie Museum of Art, Pittsburg, PA Center for the Arts, Vero Beach, FL The Center Gallery, Bucknell University, Lewisburg, PA Chase Manhattan Bank, New York, NY Dallas Museum of Art, Dallas, TX The David Winton Bell Gallery, Brown University, Providence, RI Detroit Institute of Arts, Detroit, MI The Flint Institute of Arts, Flint, MI Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY James E. Lewis Museum of Art, Morgan State University, Baltimore, MD Joseph P. Addabbo Federal Building, Jamaica, NY Kingsborough Community College, Brooklyn, NY Lafayette Gardens, Jersey City, NJ Lafayette College, Easton, PA Long Beach Museum of Art, Long Beach, CA Los Angeles County Museum of Art, Los Angeles, CA Martin Luther King, Jr..

Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24

Additional funding provided by City of Reno Arts and Culture Commission and the Nevada Arts Council, a state agency, and the National Endowment for the Arts, a federal agency.

Select group exhibitions and biennials featuring their work include Everything you are I am not: Latin American contemporary art from the Tiroche DeLeon Collection, Mana Contemporary, Jersey City, NJ; Apreensões e Objetos do Desejo: obras doadas pela Receita Federal ao MNBA, Museu Nacional de Belas Artes, Rio de Janeiro (2015); Giants at the Vancouver Biennale (2014); Gigantes por su propria naturaleza, Institut Valéncia d'Art Modern, Valéncia, Spain (2011); Art in the Streets, Museum of Contemporary Art, Los Angeles (2011); Viva la Revolucion: A Dialogue with the Urban Landscape, Museum of Contemporary Art, San Diego, CA (2010); and When Lives Become Form: Creative Power from Brazil, Museum of Contemporary Art, Tokyo (200art from the Tiroche DeLeon Collection, Mana Contemporary, Jersey City, NJ; Apreensões e Objetos do Desejo: obras doadas pela Receita Federal ao MNBA, Museu Nacional de Belas Artes, Rio de Janeiro (2015); Giants at the Vancouver Biennale (2014); Gigantes por su propria naturaleza, Institut Valéncia d'Art Modern, Valéncia, Spain (2011); Art in the Streets, Museum of Contemporary Art, Los Angeles (2011); Viva la Revolucion: A Dialogue with the Urban Landscape, Museum of Contemporary Art, San Diego, CA (2010); and When Lives Become Form: Creative Power from Brazil, Museum of Contemporary Art, Tokyo (200Art Modern, Valéncia, Spain (2011); Art in the Streets, Museum of Contemporary Art, Los Angeles (2011); Viva la Revolucion: A Dialogue with the Urban Landscape, Museum of Contemporary Art, San Diego, CA (2010); and When Lives Become Form: Creative Power from Brazil, Museum of Contemporary Art, Tokyo (200Art in the Streets, Museum of Contemporary Art, Los Angeles (2011); Viva la Revolucion: A Dialogue with the Urban Landscape, Museum of Contemporary Art, San Diego, CA (2010); and When Lives Become Form: Creative Power from Brazil, Museum of Contemporary Art, Tokyo (200Art, Los Angeles (2011); Viva la Revolucion: A Dialogue with the Urban Landscape, Museum of Contemporary Art, San Diego, CA (2010); and When Lives Become Form: Creative Power from Brazil, Museum of Contemporary Art, Tokyo (200Art, San Diego, CA (2010); and When Lives Become Form: Creative Power from Brazil, Museum of Contemporary Art, Tokyo (200Art, Tokyo (2008).

Philip Guston was a painter and printmaker who began as a social realist painter, associated with the mural movement involving artists such as Diego Rivera and working for the Works Progress Administration's Federal Arts Project in New York City during the 1930s.

From 1938 to 1942, Pollock worked on the Federal Art Project in New York City.

In Chicago in the early 1970s, we had our own third and best - known generation of alternative spaces (each city can claim its own artist - run history, probably with a fair share of boosterism thrown in), such as ARC, Artemisia (both were feminist galleries formed from West - East Bag, a nationwide network of women artists), and N.A.M.E., with the much - heralded Randolph Street Gallery opening in 1979.7 This is not to mention still - running artist - driven efforts such as the Hyde Park Art Center, founded in 1948, and the South Side Community Art Center, the only surviving Federal Arts Center from the WPA era and the oldest African American art center in the country, famously dedicated by Eleanor Roosevelt on opening day in 19Art Center, founded in 1948, and the South Side Community Art Center, the only surviving Federal Arts Center from the WPA era and the oldest African American art center in the country, famously dedicated by Eleanor Roosevelt on opening day in 19Art Center, the only surviving Federal Arts Center from the WPA era and the oldest African American art center in the country, famously dedicated by Eleanor Roosevelt on opening day in 19art center in the country, famously dedicated by Eleanor Roosevelt on opening day in 1940.

Several of the titles of these drawings — such as No Mandatory Patriotism and The United States Government Destroys Art — express the artist's reaction to the removal and disassembly of his sculpture Tilted Arc, which was commissioned as a permanent work for New York City's Federal Plaza.

Orlando Museum of Art 2007 Generations of the Washington Color School Revisited, The George Washington University Luther W. Brady Art Gallery, Washington DC 2007 Washington Color School: Selections from the Artery Collection, International Arts & Artists» Hillyer Art Space 2007 Lyrical Color: Morris Louis, Gene Davis, Kenneth Noland and the Washington Color School, The Phillips Collection, Washington DC 2007 OPTIC NERVE: Perceptual Art of the 1960s, Columbus Museum of Art, Columbus, OH 2008 New American Abstraction 1950 - 1970, Gary Snyder Project Space, New York, NY 2008 Color Field Revisited, Gary Snyder Project Space, New York, NY 2008 New American Abstraction 1960 - 1975, Gary Snyder Project Space, New York, NY Selected Collections: Philadelphia Museum of Art, Philadelphia Wadsworth Atheneum, Hartford, Connecticut The Corcoran Gallery of Art, Washington, D.C. Whitney Museum of American Art, New York National Museum of American Art, Washington, D.C. San Francisco Museum of Modern Art, San Francisco Metropolitan Museum of Art Center, Inc., Coral Gables, Florida Federal Reserve Bank, Richmond, Virginia Walker Art Center, Minneapolis Virginia Museum of Fine Arts, Richmond Norton Simon Museum, Pasadena, California Oklahoma Art Center, Oklahoma City The Phillips Collection, Washington, D.C..

He was the director of the Southern California division of the Works Project Administration Federal Art Project from 1935 to 1943, [12] and personally completed several major civic art projects, including the murals in Santa Monica City HaArt Project from 1935 to 1943, [12] and personally completed several major civic art projects, including the murals in Santa Monica City Haart projects, including the murals in Santa Monica City Hall.

Her research and curatorial projects are determined by the specific socio - political conditions: OtherIS (2011 - ongoing) is a curatorial platform of video art relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networart relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networart in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networArt in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networArt in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networks.

City of Chicago Art Collection, Chicago, IL Chicago Metallic Corporation, Chicago, IL Illinois State Museum, Springfield, IL Lake Shore Bank, Chicago, IL Levi Strauss & Co., San Francisco, CA Owens - Corning, Toledo, OH Standard Federal Bank, Troy, MI University of Chicago Hospitals, Chicago, IL University of Illinois at Chicago Medical Center Winston & Strawn, Chicago

De Kooning immigrated to the United States, arriving as a stowaway in 1926 and settling in New York City, where he worked on the Federal Arts Project (1935).

PUBLIC / CORPORATE COLLECTIONS Planet Fitness Achenbach Collection, Fine Art Museums of San Francisco, CA Rosewood Sand Hill, Palo Alto, CA Brooklyn Union Gas, Brooklyn, NY Chatham Imports, New York Champion International, New York Cleary Gottlieb, New York Cowan, Liebowitz & Lachman, New York Federal Home Loan Mortgage Corporation, Washington, DC Fogg Art Museum, Cambridge, MA Richard L. Nelson Gallery & The Fine Arts Collection Rosenthal & Rosenthal, New York Milbank, Tweed, Hadley and McCloy, New York Prudential Insurance Company Newark, New Jersey Bingham, Dana & Gould, Attorneys, Boston, Massachusetts Lee & Silva Terry, The Metro Companies, Atlanta, Georgia Long Island University, C.W. Post Campus, Brookville, New York Wynn Kramarsky, New York UCLA Hammer Museum, Los Angeles Crocker Art Museum, Sacramento, CA Jones Day, Ohio The Mansion at Turtle Creek, Texas Rosewood Sand Hill Project, Palo Alto, CA Achenbach Foundation for Graphic Arts at the California Palace of the Legion of Honor, San Francisco, CA VISITING ARTIST Brandeis University, Waltham, MA Union College, Schenectady, NY Maryland Institute College of Art - Sculpture Program, Baltimore, MD Maryland Institute College of Art - Mount Royal Graduate Program, Baltimore, MD Amherst College, Amherst, MA Syracuse University, Syracuse, NY Muhlenberg College, Allentown, PA Middlebury College, Middlebury, CT Parsons School of Design, New York Empire State College, New York State University of Arkansas, Jonesboro, AK Brooklyn College, NY Rhode Island School of Design, Providence, RI School of the Museum of Fine Arts, Boston, MA Bennington College, Bennington, VT California State University, Sacramento and Stanislaus, CA University of Iowa, Iowa City, IO Anderson Ranch, Snowmass, CO Pont - Aven School of Art, France Claremont Graduate University, Claremont, CA Kansas City Art Institute, Kansas City, MO Purdue University, Indiana Virginia Commonwealth University University of California, Riverside Lafayette College, Easton, PA University of Oregon - Eugene, Eugene, Oregon Haverford College, Haveford, PA Virginia Commonwealth University, Richmond, VA

SELECTED COLLECTIONS Bailey - Boushay House, AIDS Housing of Washington, Seattle, WA Berkeley Art Museum & Pacific Film Archive, University of California, Berkeley, CA Bonneville Power Administration, Portland, OR Cheney Cowles Museum, Spokane, WA City of Tacoma, Department of Cultural Resources, WA Crocker Art Museum, Sacramento, CA Davis Wright Tremaine Attorneys, Seattle, WA Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY Harvard University, Fogg Art Museum, Cambridge, MA Hillis Clark Martin and Peterson Attorneys, Seattle, WA Honolulu Museum of Art, Hononlulu, HI Microsoft Corporation, Redmond, WA Museum of Fine Arts, Boston, MA Museum of Fine Arts, Houston, TX Neuberger and Berman, New York, NY New York Public Library, New York, NY Pacific First Federal Savings Bank, Seattle, WA Perkins Coie, Seattle, WA Philadelphia Museum of Art, Philadelphia, PA Portland Art Museum, Gilkey Print Center, Portland, OR SAFECO Corporation, Seattle, WA Saintsbury Winery, Napa, CA Seattle Art Museum, Seattle Arts Commission, Surrogate Hostess, Seattle, WA Tacoma Art Museum, Tacoma, WA University of Washington Medical Center, Seattle, WA Washington State Arts Commission, Olympia, WA Washington State University, Pullman, WA Whatcom Museum, Bellingham, WA

Created by the New York City WPA Federal Art Project between 1936 and 1939.

As an accomplished artist practicing in the public realm, she also realizes large - scale, permanent installations commissioned by major public agencies on the federal level as well as city and arts for transit programs.

«Color Field,» a new, permanent public art installation by artist Ivan Toth Depeña will be installed on May 17, 2014 at the Federal Center Station in Lakewood, Colorado, the third largest city in the Denver Metro area.

COLLECTIONS Ottawa Public Art Program, Ottawa, ON X-2 Condominiums, Toronto, ON BMO Corporate Art Collection, Toronto, ON Buffalo Medical Campus Inc., John E. Friedlander Memorial, Buffalo, NY TELUS House Tower, Calgary, AB Foreign Affairs & International Trade Visual Arts Collection, Canadian Embassy, Prague, Czech Rep Masur Museum of Art, Monroe, LA KPMG Canada, Toronto, ON Seneca College Art Collection, Toronto, ON X The Condominium, Toronto, ON Musée d'art de Joliette, Joliette, QC Condominium Le Belmont, Montréal, QC Charles Balbach, Buffalo, New York The WKP Kennedy Gallery, North Bay, ON Kiwi Sculpture Garden, Perth, ON City of Ottawa Public Art Program, Ottawa, ON HD VISION Studios, Studio City, CA Canada Council Art Bank, Ottawa, ON ARTS Court, Ottawa, ON HD VISION, Dallas, TX Federal Communications Commission, New York Crown Life, Toronto, ON Queen's University, Kingston, ON Northernlight & Picture Corp., TorontoArts Collection, Canadian Embassy, Prague, Czech Rep Masur Museum of Art, Monroe, LA KPMG Canada, Toronto, ON Seneca College Art Collection, Toronto, ON X The Condominium, Toronto, ON Musée d'art de Joliette, Joliette, QC Condominium Le Belmont, Montréal, QC Charles Balbach, Buffalo, New York The WKP Kennedy Gallery, North Bay, ON Kiwi Sculpture Garden, Perth, ON City of Ottawa Public Art Program, Ottawa, ON HD VISION Studios, Studio City, CA Canada Council Art Bank, Ottawa, ON ARTS Court, Ottawa, ON HD VISION, Dallas, TX Federal Communications Commission, New York Crown Life, Toronto, ON Queen's University, Kingston, ON Northernlight & Picture Corp., TorontoARTS Court, Ottawa, ON HD VISION, Dallas, TX Federal Communications Commission, New York Crown Life, Toronto, ON Queen's University, Kingston, ON Northernlight & Picture Corp., Toronto, ON

In 1981, Serra's 120 - foot - long and 12 - foot high Titled Arc (1981, destroyed), commissioned by the Arts - in - Architecture program of the U.S. General Services Administration and installed in Federal Plaza, New York City, incited a national controversy and a lingering and fiery discussion was sustained throughout the 1980s and 90s regarding public art.

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Nolon Joseph R. Ficalora Journal News Arts Arts and Entertainment Asian Student Union Associated Press Athletics Athletics and Recreation Audrey Hoover Audrey Rogers Autism Support Network Awards Bennett Gershman Bennett L. Gershman Bisnow Biz Times Bklyner Bloomberg Board of Trustees Books Boston Herald Boston Real Estate Times Brenna Hassinger - Das Broadly Broadway World Bruce Bachenheimer Bruce Barish Business Business Insider Canoe.com Caribbean Life CBS Centers and Institutes Chris Cuddy Christen Cupples Cooper Christine Shakespeare Cindy Kanusher City and State City Newspaper clinical education labs CNBC College of Health Professions College of Health Professions News College of Health Professions Press Columbia Daily Tribune Commencement communications and visual arts Community Health Computing Courier Journal Cyber Press daily news Daily Voice Daily Voice: Pace Professor To Present At World Health Summit In Geneva Damon Dominique Dance Magazine Darren Porcher Darren Rosenblum Darrin Porcher David Caputo David Sharif David Yassky Dean Harriet R. Feldman Delcianna Winders Dena Simmons Diverse Education Diverse Issues documentary Donna Drake Douglas Dillon Dover Post Dr. Jonathan Hill Dyson Dyson News Dyson Press Economic mobility economics Elizabeth Teracino Emily Welty Encore Encore Press Encore Transition Program News Engadget Environment environmental center ENVIRONMENTAL CLINIC STUDY Erica Gollub Euronews Events and Activities Events and Activties Federal Reserve Challenge Team Financial Times Fios1 Fox News Fulbright Award Gary Laermer Gazette George Picoulas Gerontechnology Government and Community Relations grants Gregg Ramsay Harriet Feldman Harriet Feldman Press Hartford Courant Haskins Labs Health health professions Healthcare Hillary Knepper Holly Evans homeland security Hospitality and Tourism Management Houston Chronicle Hudson Valley News Network Huffington Post Ibraiz Tarique Igby Rigney Inside higher ed International Culinary Center IT Jane Kinney Janet Mulvey Jean Coppola Jennifer Magas Jennifer Powell - Lunder Jermaine Cameron Jesse Oxfeld Jessica Bacher Jessica Lynn Jill Backer Jo Franco jobs privacy Joey Wong John Cronin John Nolon John R. Nolon Joseph R. Ficalora Journal News Arts and Entertainment Asian Student Union Associated Press Athletics Athletics and Recreation Audrey Hoover Audrey Rogers Autism Support Network Awards Bennett Gershman Bennett L. Gershman Bisnow Biz Times Bklyner Bloomberg Board of Trustees Books Boston Herald Boston Real Estate Times Brenna Hassinger - Das Broadly Broadway World Bruce Bachenheimer Bruce Barish Business Business Insider Canoe.com Caribbean Life CBS Centers and Institutes Chris Cuddy Christen Cupples Cooper Christine Shakespeare Cindy Kanusher City and State City Newspaper clinical education labs CNBC College of Health Professions College of Health Professions News College of Health Professions Press Columbia Daily Tribune Commencement communications and visual arts Community Health Computing Courier Journal Cyber Press daily news Daily Voice Daily Voice: Pace Professor To Present At World Health Summit In Geneva Damon Dominique Dance Magazine Darren Porcher Darren Rosenblum Darrin Porcher David Caputo David Sharif David Yassky Dean Harriet R. Feldman Delcianna Winders Dena Simmons Diverse Education Diverse Issues documentary Donna Drake Douglas Dillon Dover Post Dr. Jonathan Hill Dyson Dyson News Dyson Press Economic mobility economics Elizabeth Teracino Emily Welty Encore Encore Press Encore Transition Program News Engadget Environment environmental center ENVIRONMENTAL CLINIC STUDY Erica Gollub Euronews Events and Activities Events and Activties Federal Reserve Challenge Team Financial Times Fios1 Fox News Fulbright Award Gary Laermer Gazette George Picoulas Gerontechnology Government and Community Relations grants Gregg Ramsay Harriet Feldman Harriet Feldman Press Hartford Courant Haskins Labs Health health professions Healthcare Hillary Knepper Holly Evans homeland security Hospitality and Tourism Management Houston Chronicle Hudson Valley News Network Huffington Post Ibraiz Tarique Igby Rigney Inside higher ed International Culinary Center IT Jane Kinney Janet Mulvey Jean Coppola Jennifer Magas Jennifer Powell - Lunder Jermaine Cameron Jesse Oxfeld Jessica Bacher Jessica Lynn Jill Backer Jo Franco jobs privacy Joey Wong John Cronin John Nolon John R. Nolon Joseph R. Ficalora Journal News arts Community Health Computing Courier Journal Cyber Press daily news Daily Voice Daily Voice: Pace Professor To Present At World Health Summit In Geneva Damon Dominique Dance Magazine Darren Porcher Darren Rosenblum Darrin Porcher David Caputo David Sharif David Yassky Dean Harriet R. Feldman Delcianna Winders Dena Simmons Diverse Education Diverse Issues documentary Donna Drake Douglas Dillon Dover Post Dr. Jonathan Hill Dyson Dyson News Dyson Press Economic mobility economics Elizabeth Teracino Emily Welty Encore Encore Press Encore Transition Program News Engadget Environment environmental center ENVIRONMENTAL CLINIC STUDY Erica Gollub Euronews Events and Activities Events and Activties Federal Reserve Challenge Team Financial Times Fios1 Fox News Fulbright Award Gary Laermer Gazette George Picoulas Gerontechnology Government and Community Relations grants Gregg Ramsay Harriet Feldman Harriet Feldman Press Hartford Courant Haskins Labs Health health professions Healthcare Hillary Knepper Holly Evans homeland security Hospitality and Tourism Management Houston Chronicle Hudson Valley News Network Huffington Post Ibraiz Tarique Igby Rigney Inside higher ed International Culinary Center IT Jane Kinney Janet Mulvey Jean Coppola Jennifer Magas Jennifer Powell - Lunder Jermaine Cameron Jesse Oxfeld Jessica Bacher Jessica Lynn Jill Backer Jo Franco jobs privacy Joey Wong John Cronin John Nolon John R. Nolon Joseph R. Ficalora Journal News Jr..