Sentences with phrase «city gallery goes»

Not exact matches

We have First Friday every month, and people come to the south side of the city to the Blue Star Arts Complex and go from bar - to - bar, looking at street art and popping into galleries.

However, he instead attended First Minister's Questions at the Scottish Parliament in Edinburgh before going to the city's National Portrait Gallery where the painting by artists Gerald Burns was being unveiled.

Take a class, go to a gallery opening, hike someplace you've never been, visit a new city.

D.C. is the nation's capital after all, so why not go on an educational, inspiring date and try out one of the many museums or art galleries in the city?

Love going to the movies, music and festivals, art, galleries, museums and I like the city as much...

Make the most of what your city has to offer; from parks, hills and gardens to monuments, museums, galleries, events and exhibitions, there's always something going on if you know where to look.

Country Oaks Pet Hospital Cupcake Craving Denny's Restaurant Dimple Records (Folsom) Discovery Animal Hospital East Sacramento Hardware El Dorado Hills Pet Clinic Elk Grove Subaru Elkhorn - Walerga Animal Hospital Espanol Restaurant Fleet Feet Midtown Folsom Dog Resort Fox & Goose Pub Franklin Ranch Pet Hospital Garland Fabrics Granite Bay Kennels Grantline Veterinary Hospital Grateful Dog Green Acres Nursery (all) Greenhaven Hardware Greenhaven Print, Pack & ShipHagen's Orange Freeze Hairlinez Harrold Ford Hazel Ridge Vet Clinic Hillside Café Incredible Pets, Carmichael Incredible Pets, Sacramento Integrative Vet Center Java Station (Folsom Outlets) Judy's Joint LaRivera Animal Medical Center Lake Forrest Vet Hospital Land Bark Vet Hospital Maita Toyota Mark's Hallmark Marketplace Vet Hospital Mather Animal Clinic Maverique Style House Mel Rapton Honda Midtown Strength & Conditioning Mr. Motorhome Natomas Animal Medical Center Natomas Veterinary Hospital Noah's Bagels (Carmichael) Noah's Bagels (Loehmann's Plaza) Northern California Vet Specialists Northgate Pet Hospital Northern California Vet Specialists Orphan Breakfast House Pampered Pooch, Paws, & The Pallett Pet Vets of Folsom Pet Extreme Pets to Go Pocket Animal Medical Center Poodle Nook Premiere Car Wash Professional Pharmacy & SuppliesRancho Cordova Animal Med Center Reagor Pet Hospital Relles Florist Rick's Dessert Diner River City Cat Clinic River Valley Feed & Pet Supply Rustic Brick & Stone Co Sacramento Van Conversions San Juan Veterinary Hospital sBarkles Scrub Boys Car Wash Talini's Nursery & Garden Center Taylor's Market The Honest Dog The Local Bean The Paper Garden Tognotti's Auto World Trends - in - Treats Tupelo Coffee House VCA American River Animal Hospital VCA Bradshaw Vet Clinic VCA Greenback Veterinary Hospital VCA Greenhaven / Pocket Animal Hospital VCA Highlands Animal Clinic VCA Sacramento Area Medical Group VCA Sacramento Cat Hospital VCA Sacramento Vet Referral Center VCA Westside Animal Hospital Ventana Art Gallery Vic's Ice Cream Vista Veterinary Specialists WAG Hotels Wagger Pet Spa & Market Western Feed & Pet Supply - 34th Street Western Feed & Pet Supply - Don Way Western Feed & Pet Supply - Folsom Western Feed & Pet Supply - Gold Centre Lane Western Feed & Pet Supply - Greenback Lane zPizza

• Big Island, HI: Get a lomilomi massage at Four Seasons Resort Hualalai • Big Sur, CA: Stop along the Pacific Coast Highway at Redwood Grill • British Columbia: Heli - ski over the Bugaboo Mountains • Charleston, SC: Stroll the city's private gardens • Chicago: Tour architectural landmarks • Churchill, Manitoba: Get face - to - face with polar bears • Houston: Admire art at the Rothko Chapel • Jackson Hole, WY: Go fly - fishing • Las Vegas: Drive a Ferrari at the Las Vegas Motor Speedway • Los Angeles: Spend a night out celeb - spotting • Maine: Devour the ultimate lobster roll at Clam Shack • Miami: Learn to salsa at Hoy Como Ayer • Montreal: Take a comfort food tour • Na Pali coast, Kauai: Hike the Kalalau Trail • Napa Valley, CA: Eat and play like a local • New Orleans: Hear jazz at Preservation Hall • New York City: Start a perfect day at MoMA and Casa Lever • Salmon River, ID: Go whitewater rafting on the Middle Fork • San Francisco: Slurp oysters at Hog Island Oyster Bar • Sedona, AZ: Get a Reiki energy healing treatment at Mii Amo • Utah: Drive from the San Juan Inn through Monument Valley • Washington, D.C.: Immerse yourself in the Freer Gallery's Peacock Room • Yosemite National Park: Visit the sequoias in Mariposa Gcity's private gardens • Chicago: Tour architectural landmarks • Churchill, Manitoba: Get face - to - face with polar bears • Houston: Admire art at the Rothko Chapel • Jackson Hole, WY: Go fly - fishing • Las Vegas: Drive a Ferrari at the Las Vegas Motor Speedway • Los Angeles: Spend a night out celeb - spotting • Maine: Devour the ultimate lobster roll at Clam Shack • Miami: Learn to salsa at Hoy Como Ayer • Montreal: Take a comfort food tour • Na Pali coast, Kauai: Hike the Kalalau Trail • Napa Valley, CA: Eat and play like a local • New Orleans: Hear jazz at Preservation Hall • New York City: Start a perfect day at MoMA and Casa Lever • Salmon River, ID: Go whitewater rafting on the Middle Fork • San Francisco: Slurp oysters at Hog Island Oyster Bar • Sedona, AZ: Get a Reiki energy healing treatment at Mii Amo • Utah: Drive from the San Juan Inn through Monument Valley • Washington, D.C.: Immerse yourself in the Freer Gallery's Peacock Room • Yosemite National Park: Visit the sequoias in Mariposa GCity: Start a perfect day at MoMA and Casa Lever • Salmon River, ID: Go whitewater rafting on the Middle Fork • San Francisco: Slurp oysters at Hog Island Oyster Bar • Sedona, AZ: Get a Reiki energy healing treatment at Mii Amo • Utah: Drive from the San Juan Inn through Monument Valley • Washington, D.C.: Immerse yourself in the Freer Gallery's Peacock Room • Yosemite National Park: Visit the sequoias in Mariposa Grove

In cities in developed nations it's more fun to travel with somebody to explore the restaurants and galleries but when I'm going to more remote places, I prefer travelling alone.

What was once a few city blocks of food - processing warehouses, is now an area that has been revitalized as a go to place for all things hip; eateries such as The Lark, microbreweries, tasting rooms, art galleries, museums and some renovated hotels are found in the Funk Zone.

During all year long Edinburgh attracts millions of tourists who enjoy walking around the city and taking pictures to capture plenty of beautiful places around our gorgeous city, shopping, going out to pubs, restaurants and bars, visiting attractions, museums, art galleries, public parks and exhibitions, taking the City bus and especially visiting the iconic Edinburgh Castle and the historic old ccity and taking pictures to capture plenty of beautiful places around our gorgeous city, shopping, going out to pubs, restaurants and bars, visiting attractions, museums, art galleries, public parks and exhibitions, taking the City bus and especially visiting the iconic Edinburgh Castle and the historic old ccity, shopping, going out to pubs, restaurants and bars, visiting attractions, museums, art galleries, public parks and exhibitions, taking the City bus and especially visiting the iconic Edinburgh Castle and the historic old cCity bus and especially visiting the iconic Edinburgh Castle and the historic old citycity.

(Studiopolis Zone Act 1)» «Prime Time (Studiopolis Zone Act 2)» «Flying Battery Zone (Act 1)» «Flying Battery Zone (Act 2)» «Tabloid Jargon (Press Garden Zone Act 1)» «Blossom Haze (Press Garden Zone Act 2)» «Stardust Speedway Zone (Act 1)» «Stardust Speedway Zone (Act 2)» «Hydro City Zone (Act 1)» «Hydro City Zone (Act 2)» «Skyway Octane (Mirage Saloon Zone Act 1 ST Mix)» «Wildstyle Pistolero (Miracge Saloon Zone Act 1 K Mix)» «Rogues Gallery (Mirage Saloon Zone Act 2)» «Lava Reef Zone (Act 1)» «Lava Reef Zone (Act 2)» «Metallic Madness Zone (Act 1)» «Metallic Madness Zone (Act 2)» «Built to Rule (Titanic Monarch Zone Act 1)» «Steel Cortex (Titanic Monarch Zone Act 2)» «Danger on the Dance Floor (Mid-Boss)» «Ruby Delusions (Eggman Boss 1)» «Havoc Prognosis (Eggman Boss 2)» «Hi - Spec Robo Go!

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

«We are a large gallery, but we're not going to have a gallery in every city, like a sailor who has a friend in every port,» Nicholas told Art News.

Wright has exhibited extensively in England and Ireland since 1994, with solo exhibitions at many venues including, Prayer Project, The Davis Museum at Wellesley College, Massachusetts, 2017; Emotional Archaeology, R.H.A Gallery, Dublin, 2017 and The Arnolfini, Bristol, 2016, Where Do Broken Hearts Go, Douglas Hyde Gallery, 2002, Nonsense with Death, Sligo Art Gallery, 2001, and Daphne Wright, Limerick City Art Gallery, 2006, Cornerhouse, Manchester, 1994, The New Art Centre Sculpture Park and Gallery and The Lowry, 2001.

Special thanks go to David Nolan Gallery and Alexander Gray Associates in New York City for their generous support.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

His work has been included in many group exhibitions, including It's Gon na Be Reverything, Paragraph Gallery, Kansas City, MO (2008); Palace Does Dallas, Road Agent, Dallas, TX (2008); Nexus Texas, Contemporary Arts Museum Houston, TX (2007); An Introduction to Mountain Making, Okay Mountain, Austin, TX (2007); Me Odio y Quiero Comprar, Galeria Enrique Guerrero, Mexico DF, Mexico (2007); and Making It Together, Creative Research Laboratory, Austin, TX (2006).

Called Made to be Destroyed, Marclay pieces together high octane clips of art in movies; Clive Owen battles through a frenetic shoot out in the Guggenheim, Christian Bale sets fire to the Mona Lisa and Jack Nicholson's Joker gleefully dances through a Gotham City gallery, defacing and destroying artworks as he goes.

Untitled — Firth of Forth Series will go on display for the first time on 26 April at A-Z: An Alphabetical Tour of Scottish Art, a free exhibition to mark the opening of City Art Centre's newest permanent gallery space.

«People decry of something lost to New York City — they say it's all about rich people and condominiums and Chanel — but [this gallery] is more about us quietly raising our hands and saying, «Actually, this hasn't gone anywhere, it's still being done in New York, and it's still being done in New York perhaps better than it's ever been done before.»»

Bill Brady KC Gallery in Kansas City, Missouri has one of the most exciting programs going right in the United States, and their recent group show, «Ok, I» Rename It,» just opened

Flanking this milestone show, two of the city's biggest galleries, Pace and Gagosian, are going head - to - head with a pair of scholarly exhibitions examining different aspects of Picasso's oeuvre, with the former probing the late works he made under the spell of his 46 - year - younger last wife, Jacqueline, and the latter surveying the Picasso relationship with the camera.

Even in traditionally more conservative commercial galleries, programmes are diverse and anything goes in a city that feels flooded with art.

Howard, Katie, «Keith Mayerson in My American Dream @ Marlborough Chelsea», Art Blog Dog Blog, December 19 (link) Indrisek, Scott, «7 Must - See Gallery Shows in New York», Blouin Artinfo, December 16 (link) Wolin, Joseph R., «Critic's pick — Keith Mayerson: My American Dream», Time Out New York, December 5 (link) Pollack, Maika, «Keith Mayerson», Interview, November 10 (link) Lehrer, Adam, «Artist Keith Mayerson's Meta - Narrative of Appropriated Americana Explored in «My American Dream» at Marlborough Chelsea in New York», Autre, November 5 (link) Brown, Jeffrey, «Whitney Museum opens more space for risk - taking artists», PBS News Hour, April 30 (link) Johnson, Paddy, «At the Whitney: Industry, Advertising, and Death Makes America Hard to See», Art F City, April 27 (link) Russeth, Andrew, «The Whitney Opens With a Winner», ARTnews, April 23 (link) Indrisek, Scott, «The Whitney, Chapter by Chapter: How to See 100 - Plus Years of Art in One Day», Blouin Artinfo, April 23 (link) Mogilevskaya, Regina, «Prewiew: America is Hard to See at the Whitney», Blouin Artinfo, April 23 (link) Bilsborough, Michael, «Course of Empire», SVA Continuing Education Blog, April 23 (link) Shaw, Dash, «Go Burn Brightly», American Book Review, Volume 36, Number 2, January / February 2015, p. 4 Shelton, David, «David Shelton Reports from the Dallas Arts Fair», PaperCity, April 17 (link) Lin, Allie, «Iconoscapes at Freddy, Flowers at Franklin Street», Post Office Arts Journal, January 25 (link)

A native of New York City, Englander was brought up going to galleries and museums, a sometimes reluctant attendant to her parents» passion for looking and collecting.

Selected recent and upcoming exhibitions include The Waiting Room, New Museum, New York; Greater New York 2015, MoMA / PS1, Long Island City, New York; The Free People's Medical Clinic, Creative Time, New York; I ran to the rock to hide my face the rock cried out no hiding place, Kansas City Art Institute; Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston (traveled to The Studio Museum in Harlem, Grey Art Gallery at NYU, and Walker Art Center); Gone South, Atlanta Contemporary Art Center; and You Don't Know Where Her Mouth Has Been, The Kitchen, New York.

Peter Moore, Charlotte Moorman and Nam June Paik performing John Cage's 26ʹ1.1499 ʺ for a String Player (Human Cello section), Café au Go Go, New York City, October 4, 1965, Gelatin silver print, printed by Laure Leber, 1999, Courtesy Barbara Moore and the Paula Cooper Gallery, New York Photograph © Barbara Moore / Licensed by VAGA, NY

With Frieze week coming a good fortnight early, the city's galleries seem to have lost their collective marbles — and I feel I might go the same way too if I'm not careful.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Solo exhibitions include «the wet wet wanderer», as part of «Para Fiction», Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (2017); «softer and rounder so as to shine through your smooth marble», SALT Galata, Istanbul, Turkey (2017); «And she will say: hi her, ailleurs, to higher grounds...», Kunstmuseum Luzern, Switzerland (2016); «GDM — Grand Dad's Visitor Center», Pirelli HangarBicocca, Milan, Italy (2016); «all behind, we'll go deeper, deep down and she will say,» Museum Für Moderne Kunst Frankfurt Am Main, Frankfurt, Germany (2016); «Into All That is Here», Red Brick Art Museum, Beijing, China (2016); «we would be floating away from the dirty past», Haus Der Kunst, Munich, Germany (2015); «For Forgetting», New Museum, New York, NY, USA (2014); «While You Weren't Looking», Laboratorio Arte Alameda, Mexico City, Mexico (2014); Max Mara Art Prize for Women, Whitechapel Gallery, London, UK and Collezione Maramotti, Reggio Emilia, Italy (2013); «Laure Prouvost / Adam Chodzko» as part of «Schwitters in Britain», Tate Britain, London, UK (2013); The Hepworth Wakefield, Wakefield, UK (2012); and «All These Things Think Link», Flat Time House, London, UK.

SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany

The Postmasters Gallery's arched storefront entrance on Franklin Street in New York City's Financial District conjures an era long gone, when artists inhabited the raw lofts of the area.

The artists included in Go Figure, have collectively exhibited internationally at venues such as Deste Foundation Center for Contemporary Art in Athens, Greece, El Museo de Barrio in New York, Weatherspoon Museum, NC, Andrea Rosen Gallery, NY, Bellweather, NY, Roebling Hall, Tate Modern, London, PS1, NY, The Brooklyn Musuem, MOMA, Mexico City, The Whitney Museum of American Art, Musée D'art Contemporain in Montréal among others.

New York City Apartment / Corridor / Bristol by Do Ho Suh, an installation commissioned by Bristol Museum and Art Gallery through Art Fund International, will go on display at the museum this spring.

2012 El Regreso de los Dinosaurios, Abrons Art Center, New York Color Go Lightly, Valentine Gallery, Bridgehampton, New York Wanderings, Y Gallery, New York Le Carnavalesco, Piso 51, Mexico City

Wall of Light, Mnuchin Gallery, New York Sean Scully: 1970, Laing Art Gallery and Hatton Gallery, Newcastle upon Tyne Sean Scully, Cuadra San Cristóbal, Mexico City 2017 Facing East, Multimedia Art Museum, Moscow Before New York, Sean Scully Studio, Berlin Sean Scully, Lempertz, Brussels Coming and Going, Sean Scully Studio, New York Sean Scully: Wall of Light Cubed, Cheim & Read, New York Sean Scully.

Via the gallery, «Devoid of figures, Wolfson's scenes are primarily focused on the architecture and design of his chosen urban locations, but most importantly on the leftover evidence of those city dwellers that have been and gone.

Artfetch Goes Undercover», Artfetch, December Pryor, Riah, «Busy start for younger galleries at the fair», The Art Newspaper, December Abbott, Rosa, «I Love Those Paintings @ Mother's Tankstation», Totally Dublin, April «Location One: One and Many», island, January 2011 «Atsushi Kaga», LEAP Art HK II Supplement, July Greg Cook, «Cartoon Network», Boston Phoenix, 18 February 2010 «Hay un conejo sobre la calavera de Michael Jackson», www.dadanoias.net, December «re (tour) sur foire», Bonnie Bulle, November Blount, Mai, «Universal Soul Grammar», mother's annual 2010 «Atsushi Kaga, 31, Artist», Sunday Business Post, July Daragh Reddin, «Atsushi Kaga: Rest With Us in Peace», Metro, 8 June «Der Künstler Atsushi Kaga...», Bavarian State Opera Magazine N ° 6, June «Furry creatures,» Image Interiors, May — June «Atsushi Kaga», Urban Outfitters blog, February 2009 David Marx, W., «Genius», Nylon Guys, July 2008 McCarthy, Gerry, «Super Funny Animals», The Sunday Times, 4 August Dunne, Aidan, «All eyes on the Marble City», The Irish Times, 15 August Gorman, Sophie, «Bunnies, Slogans and Donuts?

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

Most recently, Bradford was awarded a Cultural Center Presents «In the Works» Residency by the City of Chicago, a commission by Chicago's Design Cloud Gallery, a HATCH Projects Artist Residency by the Chicago Artists» Coalition, and will be performing in the Going Dutch Festival presented by CORE Project Chicago.

Bill Brady KC Gallery in Kansas City, Missouri has one of the most exciting programs going right in the United States, and their recent group show, «Ok, I» Rename It,» just opened with a fantastic line - up: Erik Parker, KAWS, Todd «Reas» James, and Tomoo Gokita.

Group exhibitions include; «Soft Power, Arte Brasil», Kunsthal KAdE, Amersfoort, The Netherlands (2016); «All Heritage is Poetry», Fundação Eugénio de Almeida, Evora, Portugal (2016); «What Separates Us», HS Projects, The Embassy of Brazil, London, England (2016); «Drawing Biennial», Drawing Room, London, England (2015), «Warp and woof», The Hole, New York, USA (2014), «A Sense of Things», Zabludowicz Collection, London, England (2014); «Threaded Stories», Stephen Friedman Gallery, London, England (2013); «3 am: Wonder, Paranoia and the «Restless Night», The Bluecoat, Liverpool, UK; travelling to Chapter, Cardiff, Wales, UK; The Exchange, Penzance, Cornwall, UK; Ferens Art Gallery, Hull, UK; «Site: Place of Memories, Spaces with Potential,» Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2013); «Labour and Wait,» Santa Barbara Museum of Art, California, USA (2013); «Além da Vanguarda,» Bienal Naifs do Brasil, SESC Piracicaba, São Paulo, Brazil (2012); «Mythologies, Cité Internationale des Arts,» Paris (2011); «Undone: Making and Unmaking in Contemporary Sculpture,» Henry Moore Institute, Leeds (2010); «Epílogo,» Museo de Arte Zapopan, Guadalajara, Mexico (2010; «Going International,» The Flag Art Foundation, New York, USA (2010); «Textiles Art and the Social Fabric», MUHKA, Museum of Contemporary Art, Antwerp, Belgium (2009); «Blooming: Brazil - Japan Where you are,» Toyota Municipal Art Museum, Japan (2008); «The British Art Show 06,» Hayward Gallery touring exhibition, UK (2006).

«Best Show in a Commercial Gallery in New York City» honors went to Gagosian's «Picasso: Mosquertos,» curated by John Richardson, which was nominated for the «Solo Show of the Year, Gallery» award at Rob Pruitt's First Annual Art Awards, before losing to Gagosian's «Manzoni: A Retrospective.»

All the 55 winner books can be viewed and enjoyed in Grafill's gallery space R21, the exhibition opens today and is on until May 20th, before they go on tour to selected cities across Norway.

The exhibition at Howard Greenberg Gallery coincides with retrospective exhibitions of work by both photographers at the International Center for Photography in New York City: We Went Back: Photographs from Europe 1933 — 1956 by Chim and Roman Vishniac Rediscovered.

It's rare to go on a gallery tour in this city without coming across one of its alumni, who range from establishment members like Glenn Ligon and Anton Vidokle, to rising stars like LaToya Ruby Frazier and David Gilbert.

Until 2004, van Bart was showing her work solely within the Netherlands but would later go on to gain international recognition as she began to show at various galleries in cities like New York, London and Munich.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

New York Times, «10 Galleries to Visit on the Lower East Side,» Holland Cotter Hyperallergic, «Impressions of New York City Streets Captured in Clay,» Allison Meier Art F City, «Seeing and (Not) Hearing,» Kate Waddell The LoDown, «Gallery Goer: Openings on the Lower East Side»