Sentences with phrase «city paint scene»

Inspired by the Tonalist and the Hudson Valley painters, Hannock incorporates many of the late 20th Century New York City paint scene techniques into his work.

Not exact matches

Embattled NYCHA Chairwoman Shola Olatoye returned to the scene of the crime Tuesday, appearing before the same City Council members she'd misinformed about lead paint inspections during a prior hearing under oath.

Sensational sequences abound, from a runaway rickshaw chase to a black, white and red hand - painted - looking «flashback», hyperrealistic water scenes and 3D» ed - to - the - max aerial views of the Battle Of Gongmen City, the solitary silhouette of Po poised (as iconically as Dirty Harry on the bridge) on a pagoda rooftop above Shen's dragonship.

The movie manages to paint a vivid portrait of life in the city and the Greenwich Village night scene.

The scene was festive and chaotic: the locals packed the streets of an old, weathered neighborhood outside the city proper, sipping from small bottles of aguardiente, Colombia's national paint remover, and squirting the gringos (us) with aerosol cans of foam and bags of water.

But don't expect ho - hum paintings of sailboats cruising into an endless sunset — this pedestrian - friendly waterfront city includes multimedia installations that are at the cutting edge of today's art scene.

But don't expect ho - hum paintings of sailing boats cruising into an endless sunset — this pedestrian - friendly waterfront city includes multimedia installations that are at the cutting edge of today's art scene.

About Blog Debra Hurd an Oil painter, is famous for her insightful paintings of animals, her vivid city scenes and her passionate and perceptive depictions of jazz, rock, and blues musicians.

Whether the painted scene is based on the city streets of Detroit, or of vintage cars lying in the middle of a parking lot in sun - drenched California, you'll enjoy spending time poring over each image, trying to determine its theme, its message and the story behind it.

It is a bustling city street scene full of a combination of altered found objects (toys and dolls), sculpted, and painted elements.

Join New York City based artist Max Greis for brief tour of the exhibition Medieval Monsters: Terrors, Aliens, Wonders then using a combination of paint and collage techniques participants will make their own illuminated manuscript scene featuring a monster of their creation.

Christine Bailey's new work is painted in the style of one of Baltimore's well - known painters, Cara Ober, who often blogs about the city's scene.

Kenny Scharf gained prominence in New York City's East Village art scene in the 1980s for his ambitious, cartoon - like installations and paintings and his frequent collaborations with his friends, artists Keith Haring and Jean - Michel Basquiat.

[2] There, Motley would observe and sketch the scenes and faces that became a key component of his art as an adult, paintings that Alain Locke would one day describe as «provocative» and offering a «half - Rabelaisian version of negro city types.»

He starts each painting with a layer of abstract sharpie drawings, then paints white shapes over the whole thing, and then adds in a full background of cities and scenes.

Her artistic practice and pedagogical bent — she is an esteemed professor of painting at the School of the Art Institute of Chicago, a position from which she weilds considerable influence in the city's art scene — has shaped her presentation on the fourth floor of the Whitney, which she has organized as a sort of visual curriculum on various artistic processes and approaches to materials.

When placed alongside Chow Chun Fai's paintings of famous Chinese movie scenes, they ask questions about cultural identity and film histories iconic to the city.

Funded in part by grants from the National Endowment for the Arts, the Virginia Commission for the Arts, the County of Augusta, and the City of Waynesboro 1995 Terra Incognita, Treasure Room Gallery, New York, NY 1994 Peripheral Visions, Prezant Gallery, Bronx, New York, NY 1993 Private Viewing curated by Francis de Montebello, Marc De Montebello Fine Art, Inc., New York, NY 1993 Recent Paintings, Jadite Galleries, New York, NY 1992 Recent Paintings, Ward - Lawrence Gallery, New York, NY 1991 Odd and Normal Scenes, Ward - Lawrence Gallery, New York, NY 1990 Two Worlds Away, Lawrence Gallery, New York, NY

Inspired by snapshots that Noah Davis» mother, Faith Childs - Davis, took while attending South Shore High School in Chicago and during the years following, the works included in 1975 Paintings capture scenes of the city's South Side and Faith's travels to California and abroad.

But he quickly switched to painting, eagerly imbibing the city's artistic scene, then centered more on nightclubs than galleries.

Most of the paintings present familiar scenes along the highway or just outside the city, such as fields, parking lots, and isolated buildings.

With this contradiction in mind, Oko will present Julian Schnabel 1978 - 81, a pointed study of Schnabel's early work via a rotating exhibition of four emblematic paintings made in a period of explosive change for both the artist and the New York City art scene.

Up now is «The Urban Experience,» an exhibition that features paintings of city scenes.

Chris «Daze» Ellis shares the beginnings of his career in the infamous 1980s New York City scene and his evolution from painting subway cars to exhibiting in galleries in an exclusive artist talk...

The artworks, many painted by white grandees influential in giving shape and depth to the city's art scene in the early 20th - century, were easy targets.

He is primarily based in New York City where he has painted numerous cityscapes and urban scenes.

Varying in scenery and painting techniques, the first were loose painterly exploration of aerial photographs of cities and townscapes, then mountain landscapes and park scenes with their hard - edge textured paint surfaces.

«Philadelphia gallery featuring contemporary realist paintings of landscapes, city scenes, still life and interiors in a wide range of styles by over forty artists.»

In the 1980s, Warhol's focus on the body in his work and return to hand painting corresponded with the early days of the HIV / AIDS public health crisis, which devastated New York City's arts scene and gay community.

As a student in Paris in the late 1930s, she painted nudes, city scenes, the French countryside, and traditional still lifes.

2015 Twentieth Anniversary Exhibition, Stephen Friedman Gallery, London, England 56th International Art Exhibition - All the World's Futures, Venice Biennale, Venice, Italy Invitation to Travel, Central for Contemporary Art, Brussels, Belgium Atopolis, Mons 2015, Mons, Belgium Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles, USA Scenes for a New Heritage: Contemporary Art from the Collection, Museum of Modern Art, New York, USA Art Station Dubulti, Riga, Latvia Under the Clouds, Serralves Museum, Porto, Portugal Jaffa Port, Tel Aviv, Israel Fotofestival, Manheim - Ludwigshafen - Heidelberg, Germany True Story, Proyectos Monclova, Mexico City, Mexico Reasonable Sized Paintings, Mana Contemporary, Jersey City, USA

Last year Smith organized the show «Obscuridades Bucólicas» at La Tallera in Cuernavaca, south of Mexico City, for which she conceived a series of tableaux vivants restaging different scenes in the paintings of Hieronymus Bosch and Pieter Brueghel the Elder's, that explored the morality of genre painting from a contemporary perspective.

While her work shows the influence of the abstract expressionism of her youth, she ultimately tired of pure abstraction and turned to creating intensely personal representational paintings of Long Island landscapes, New York City scenes, interiors, and still lifes.

Using bright coloured pencils, she delicately paints scenes from natural landscapes, and sometimes even takes inspiration from some of the world's biggest cities, such as London and New York.

Quirky features and street scenes that help paint a picture of the city he has explored.

Included are such signal paintings as «The Burning of the Houses of Lords and Commons, 16th October, 1834,» the darkly gyrating «Snow Storm — Steam - Boat Off a Harbor's Mouth» (a much longer full title asserts its documentary veracity) and a pair of large - scale Roman scenes, one of the ancient city and another a 19th century vision.

Berman did not finish high school or college — he briefly attended Chinouard Art Institute, now CalArts, but his varied interests in music, painting, photography, sculpture, filmmaking and other formats defied organized education and he opted to participate in the city's jazz and Beat scenes instead.

Other paintings point to the sociocultural climate she found in her adoptive country, with dregs of car crashes, homeless figures, sneering cowboys, and scenes of mass mayhem such as the devastating Oklahoma City bombing.

In a departure from his industrial landscape scenes, Andrew Lenaghan's larger than life size painting of a young girl captures both an attitudinal gesture and the gritty, often unnoticed, details of a city street.

Sherrod is known for his pulsating paintings of street and city scenes.

She then decided to travel for art scenes across Asia for a year with Jack Garrity, and then returned to the U.S. to study painting, first at the Corcoran School of Art in Washington D.C. and later, at The Art Students League in New York City.

The article focused primarily on: Missourian, Thomas Hart Benton (1889 — 1975) who painted Missouri scenes among other things, but lived and worked in New York City.

At age 17, James emerged in New York City's street art scene, tagging subways under the name REAS — and the artist continues to bring that sense of adventure in his large - scale paintings.

Philip Sherrod is known for his expressive paintings of street and city scenes.

Born in Birmingham, Ala., but raised in L.A. during the civil rights and black power movements, Marshall paints historical events, the city (including bits of Los Angeles), domestic scenes and portraits in ways that counter the invisibility of the black figure in Western art.

These painters also focused more on the street life accompanying the rise in industry; wandering flaneurs and isolated people in crowded city scenes were popular subjects in their modern art oil paintings.

Most of the paintings displayed in this area concentrate on New York scenes, in a variety of styles, in which artists investigated the pictorial possibilities of these new subjects: city people, construction sites, urban entertainments, and bustling traffic.

The light shining in from being near the river glows into the space activating the color fields vibrating in the paintings, DoN thought about how this is the way a true artist lives, in a bright airy studio right in the hub of the lively contemporary arts scene in Old City with the energy and time to think big.

Artists associated with the Camden Town Group painted realist scenes of city life and some landscape in a range of post-impressionist styles.

As well as this High Renaissance painting, Caracciola continued with his Irish landscape painting and city scenes, and developed his skills in figure painting.